I'm Just Wild About Harry

Last updated
"I'm Just Wild About Harry"
I'm Just Wild About Harry 1b.jpg
Cover page for "I'm Just Wild About Harry", 1921
Single by Marion Harris with Isham Jones Orchestra
B-side My Cradle Melody [1]
PublishedJuly 1, 1921 (1921-07-01) by M. Witmark & Sons, New York [2]
ReleasedAugust 1922 (1922-08)
RecordedJuly 1922 (1922-07) [3]
Studio Brunswick Studios, New York City [3]
Genre Popular music, Broadway show tune
Length2:50
Label Brunswick 2309
Composer(s) Eubie Blake [2]
Lyricist(s) Noble Sissle [2]
Audio sample
Instrumental version of "I'm Just Wild About Harry" recorded 17 May 1922. Duration 3:54.

"I'm Just Wild About Harry" is a song written in 1921 with lyrics by Noble Sissle and music by Eubie Blake for the Broadway show Shuffle Along .

Contents

"I'm Just Wild About Harry" was the most popular number of the production, which was the first financially successful Broadway play to have African-American writers and an all African-American cast. [4] The song broke what had been a taboo against musical and stage depictions of romantic love between African-Americans.

Originally written as a waltz, Blake rewrote the number as a foxtrot at the singer's request. The result was a simple, direct, joyous, and infectious tune enhanced onstage by improvisational dancing. In 1948, Harry S Truman selected "I'm Just Wild About Harry" as his campaign song for the United States presidential election of 1948. [5] Its success in politics led to a popular revival. [6]

Background

Both "I'm Just Wild About Harry" and the show Shuffle Along broke racial taboos. [7] During the early 20th century African-Americans were excluded from most mainstream theater in the United States: white Vaudeville refused to book more than one African-American act on a bill and for over a decade no Broadway show used African-American performers at all. [7] Blake and Sissle met F. E. Miller and Aubrey Lyles for the first time at a fundraising benefit for the National Association for the Advancement of Colored People in 1920. [7] Vaudeville's exclusionary practices limited bills to one African-American act per night, so as a result the two leading African-American acting teams knew of each other only by reputation. [7] The four performers agreed that the only feasible way for African-Americans to return to Broadway with dignity would be musical comedy. [7] Miller proposed they collaborate. [7]

The resulting show adapted plot and characters from Miller and Aubrey's Vaudeville comic sketches with music by Blake and Sissle. [7] Although the music of Shuffle Along was new to the public, only three compositions were actually written for the production: "I'm Just Wild About Harry", "Bandana Days", and "Love Will Find A Way". The other songs used in the show were material that Blake and Sissle had tried unsuccessfully to sell to Tin Pan Alley. [8] "I'm Just Wild About Harry" and "Love Will Find a Way" in particular were politically risky for the era. [7]

"If anything approaching a love duet was introduced in a musical comedy, it had to be broadly burlesqued," recalled black poet and lyricist James Weldon Johnson. "The reason ... lay in the belief that a love scene between two Negroes could not strike a white audience except as ridiculous." [7]

— Philip Furia and Michael Lasser, America's Songs: The Stories Behind the Songs of Broadway, Hollywood, and Tin Pan Alley

The title and chorus of the musical's most famous number challenge that taboo: I'm just wild about Harry and he's just wild about me is a clear statement of mutual romantic interest. [7] Sissle and Blake risked the public's rejection by shedding most of the racial stereotypes that had been the norm for theatrical performances. [9]

Creation

"I'm Just Wild About Harry" underwent a complete rewrite during rehearsals and was nearly cut from the show. [7] Blake's original version of the song was a Viennese waltz, but according to the authors of America's Songs, performer Lottie Gee encouraged rewriting the number as an up-tempo one-step. [7] Blake disliked the suggestion and feared it would ruin his waltz but capitulated after Sissle agreed with Gee. [7]

Audiences did not respond well to the revised version during early performances. [7] Blake was on the verge of dropping the number from the show when a dancer was taken ill and had to be replaced. [7] The understudy was a singer who did not know the steps, so when he was unable to follow the routine he ignored it and improvised. [7] America's Songs quotes Sissle's recollection of how the performance saved the song: "He dropped out of line and with a jive smile and a high-stepping routine of his own, he stopped the show cold." [7]

Structure

Composer Alec Wilder calls "I'm Just Wild About Harry" a "strong, direct, simple song, the principal device of which is a strong fourth beat tied to the down beat". [10] The song moves in short melodic bursts characteristic of the era: lighthearted but rhythmic. [7]

It's of the genre of "Hallelujah", "Fine and Dandy" and all those cut-time theater rhythm songs. It uses a lot of step-wise writing and only one note out of its C-major scale, a d sharp. For a theater song it is not rangy, being only an octave and a third. [10]

The tightly rhymed lyrics comprise a straightforward set of comparisons that border on comic exaggeration. [7]

The heavenly blisses
Of his kisses
Fill me with ecstasy.
He's sweet just like chocolate candy
And just like honey from the bee. [11] [12]

Yet Furia and Lasser describe the song's overall impact as "an infectious delight". [7]

Within the context of the play, the number occurs early in the second act when the leading lady declares her love for the leading man. [8] Her father is the wealthiest man in town, which poses obstacles to the match. [7] The overall plot concerns a mayoral race in all-black Jimtown where two dishonest grocery store owners vie for political office. One of the corrupt grocers wins the race shortly afterward and appoints the other chief of police. Harry leads the community protest that returns the two grocers to their store, and wins the girl. [8]

Reception

Shuffle Along was a significant theatrical success that "ended more than a decade of systematic exclusion of blacks from the Broadway stage". [7] The show opened in New York City at Daly's 63rd Street Music Hall on May 23, 1921, and ran 504 performances. [9] [13] The venue was actually a converted lecture hall that lacked a proper stage or orchestra pit. [7] [13] The show overcame financial straits and a poor location to become "the first all-black musical to enjoy a long run and be treated as more than an oddity." [9]

On the New York opening night, the audience loved the show. Influential critics like Alan Dale, George Jean Nathan, and Heywood Broun were highly enthusiastic. Gradually Shuffle Along built up a cult status. So big were the crowds that the police had trouble controlling the traffic. Eventually they had to make Sixty-third a one-way street. A black show was back on Broadway, even if 63rd Street, a long way uptown, was barely Broadway! In Eubie Blake's words, 'It wasn't Broadway but we made it Broadway.' [13] "

"I'm Just Wild About Harry" was the most popular number of the show. [9] Blake conducted the show's orchestra and recorded the song for the Victor label. [9] [14] Noble Sissle's 1937 recording for the Victory label altered the original tone considerably in order to showcase the talents of clarinetist Sidney Bechet. [15] Other early recordings include those by Benny Krueger, Louis Mitchell and Paul Whiteman. [14]

In 2014, it returned to Broadway in a revival of Shuffle Along.

Use in other media

Judy Garland sang the piece as one of several songs in a minstrel show in the M-G-M musical Babes in Arms (1939). [16] [17] It was sung by Priscilla Lane in the American 1939 gangster drama, The Roaring Twenties , starring James Cagney and Humphrey Bogart. [18] Alice Faye sang it with Louis Prima's band in the 1939 film Rose of Washington Square . [14] [19]

In 1948, "I'm Just Wild About Harry" underwent a revival when Harry S. Truman selected it as his campaign song for the presidency of the United States. [20] [14] Republicans and some Democrats that year joked, "I'm just mild about Harry." The next year Al Jolson performed it in the film Jolson Sings Again (lip-synced by Larry Parks as Jolson) and the song became a jazz standard. [9] [14] This return to popularity briefly reunited Blake and Sissle for the first time since 1933. [14] In 1955, the song again appeared in the Warner Brothers cartoon short One Froggy Evening as one of the songs sung by Michigan J. Frog during his dance routine. [10] Kathy Linden released a version of the song on her 1958 album, That Certain Boy. [21] Writing about American popular songs in 1972, Wilder and Maher call "I'm Just Wild About Harry" the only enduringly popular song from Shuffle Along. [10]

In season 4, episode 6 of the historical drama series, Downton Abbey , jazz bandleader Jack Ross sings the song at a surprise birthday party for the Earl of Grantham. [22] In 2020, Morgxn covered the song for Freeform's The Thing About Harry , which was featured in promos and at the end of the film. [23]

Related Research Articles

<span class="mw-page-title-main">Eubie Blake</span> American jazz pianist (1887–1983)

James Hubert "Eubie" Blake was an American pianist and composer of ragtime, jazz, and popular music. In 1921, he and his long-time collaborator Noble Sissle wrote Shuffle Along, one of the first Broadway musicals written and directed by African Americans. Blake's compositions included such hits as "Bandana Days", "Charleston Rag", "Love Will Find a Way", "Memories of You" and "I'm Just Wild About Harry". The 1978 Broadway musical Eubie! showcased his works, and in 1981, President Ronald Reagan awarded Blake the Presidential Medal of Freedom.

This is a list of notable events in music that took place in the year 1921.

<span class="mw-page-title-main">Noble Sissle</span> African-American jazz musician (1889–1975)

Noble Lee Sissle was an American jazz composer, lyricist, bandleader, singer, and playwright, best known for the Broadway musical Shuffle Along (1921), and its hit song "I'm Just Wild About Harry".

<i>Blue Monday</i> (opera) Jazz opera by George Gershwin

Blue Monday was the original name of a one-act "jazz opera" by George Gershwin, renamed 135th Street during a later production. The English libretto was written by Buddy DeSylva. Though a short piece, with a running time of between twenty and thirty minutes, Blue Monday is often considered the blueprint to many of Gershwin's later works, and is often considered to be the "first piece of symphonic jazz" in that it was the first significant attempt to fuse forms of classical music such as opera with American popular music, with the opera largely influenced by Jazz and the African-American culture of Harlem.

<i>Shuffle Along</i> All-Black hit Broadway show, 1920s & 30s

Shuffle Along is a musical composed by Eubie Blake, with lyrics by Noble Sissle and a book written by the comedy duo Flournoy Miller and Aubrey Lyles. One of the most notable all-Black hit Broadway shows, it was a landmark in African-American musical theater, credited with inspiring the Harlem Renaissance of the 1920s and '30s.

<span class="mw-page-title-main">African-American musical theater</span> Musical theater productions by African Americans

African-American musical theater includes late 19th- and early 20th-century musical theater productions by African Americans in New York City and Chicago. Actors from troupes such as the Lafayette Players also crossed over into film. The Pekin Theatre in Chicago was a popular and influential venue.

<i>Eubie!</i> Musical revue

Eubie! is a revue featuring the jazz and ragtime music of composer Eubie Blake, with lyrics by Noble Sissle, Andy Razaf, Johnny Brandon, F. E. Miller, and Jim Europe. The revue features no book, simply showcasing 23 of Eubie Blake's popular songs. The show was conceived by Julianne Boyd and opened in 1978, receiving positive reviews from Time, Newsweek, Variety, Backstage, and The Today Show.

<i>Babes in Arms</i> (film) 1939 film by Busby Berkeley

Babes in Arms is the 1939 coming of age American film version of the 1937 Broadway musical of the same title. Directed by Busby Berkeley, it stars Mickey Rooney and Judy Garland, and features Charles Winninger, Guy Kibbee, June Preisser, Grace Hayes, and Betty Jaynes. It was Garland and Rooney's second film together as lead characters after their earlier successful pairing in the fourth of the Andy Hardy films. The film concerns a group of youngsters trying to put on a show to prove their vaudevillian parents wrong and make it to Broadway. The original Broadway script was significantly revamped, restructured, and rewritten to accommodate Hollywood's needs. Almost all of the Rodgers and Hart songs from the Broadway musical were discarded.

Harry MacGregor Woods was a Tin Pan Alley songwriter and pianist. He was a composer of numerous film scores.

<span class="mw-page-title-main">Flournoy Miller</span> American entertainer and playwright (1885–1971)

Flournoy Eakin Miller, sometimes credited as F. E. Miller, was an American entertainer, actor, lyricist, producer and playwright. Between about 1905 and 1932 he formed a popular comic duo, Miller and Lyles, with Aubrey Lyles. Described as "an innovator who advanced black comedy and entertainment significantly," and as "one of the seminal figures in the development of African American musical theater on Broadway", he wrote many successful vaudeville and Broadway shows, including the influential Shuffle Along (1921), as well as working on several all-black movies between the 1930s and 1950s.

<span class="mw-page-title-main">Aubrey Lyles</span> American singer

Aubrey Lee Lyles, sometimes credited as A. L. Lyles, was an American vaudeville performer, playwright, songwriter, and lyricist. He appeared with Flournoy E. Miller as Miller and Lyles as a popular African-American comedy duo from 1905 until shortly before his death. in 1929 they appeared on film as grocers in the Vitaphone Varieties short comedy film They Know Their Groceries.

<span class="mw-page-title-main">Al Jolson</span> Lithuanian-American entertainer (1886–1950)

Al Jolson was a Lithuanian-born American singer, actor, and vaudevillian.

<i>A Dangerous Maid</i> Musical by Charles William Bell and George and Ira Gershwin

A Dangerous Maid is a musical with a book by Charles William Bell, music by George Gershwin and lyrics by Ira Gershwin. The script is based on Bell's 1918 play A Dislocated Honeymoon. The story concerns an ex-showgirl who elopes with a society boy, but his family tries to break up the marriage. The Gershwins wrote ten songs for the musical, eight of which were used in the production, which premiered in Atlantic City, New Jersey, on March 21, 1921. It toured through several cities and ended in Pittsburgh, Pennsylvania, where it closed on April 16, 1921.

<i>Is Everybody Happy?</i> (1943 film) 1943 film by Charles Barton

Is Everybody Happy? is an American black and white musical film released in 1943. The movie was in effect a biopic for Ted Lewis.

Felix Weir was an active African-American violinist during the early 20th century. He was a prominent performer, winning recognition for his virtuosity at a young age. He studied at the Chicago Musical College and the Conservatory at Leipzig, Germany.

<i>Shuffle Along, or, the Making of the Musical Sensation of 1921 and All That Followed</i> 2016 musical by Eubie Blake , Noble Sissle

Shuffle Along, or, the Making of the Musical Sensation of 1921 and All That Followed is a musical with a score by Eubie Blake and Noble Sissle and a libretto by George C. Wolfe, based on the original book of the 1921 musical revue Shuffle Along, by Flournoy Miller and Aubrey Lyles. The story focuses on the challenges of mounting the original production of Shuffle Along and its effect on Broadway and race relations.

Lottie Gee(néeCharlotte O. Gee; 17 August 1886 Millboro, Virginia – 13 January 1973 Los Angeles) was an American entertainer who performed in shows and musicals during the Harlem Renaissance. She is perhaps best known as a performer in the 1921 Broadway hit, Shuffle Along, the show that launched the careers of Josephine Baker and Florence Mills.

Gertrude C. Saunders was an American singer, actress and comedian, active from the 1910s to the 1940s.

Caroline “Lynnie” Godfrey is an American actress, singer, author, director and producer.

References

  1. ↑ "Brunswick 2309 (10-in. double-faced)". Discography of American Historical Recordings. Retrieved 2022-10-03.
  2. 1 2 "Brunswick matrix 8442-8444. I'm just wild about Harry / Marion Harris; Isham Jones Orchestra". Discography of American Historical Recordings. Retrieved 2022-10-03.
  3. ↑ Clinton Cox, Jim Haskins, Eleanora E. Tate, and Brenda Wilkinson, "The First Black Hit Musical Show," Black Stars of the Harlem Renaissance (Wiley_Default, 2002), 31.
  4. ↑ Southern, Eileen. The Music of Black Americans. W. W. Norton & Company (1997). Pg 436. ISBN   978-0-393-03843-9.
  5. ↑ Wintz, Cary D. & Finkelman, Paul. Encyclopedia of the Harlem Renaissance. Taylor & Francis (2004). Pg 153. ISBN   978-1-57958-457-3.
  6. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 Philip Furia, Michael Lasser (2006). America's Songs: The Stories Behind the Songs of Broadway, Hollywood, and Tin Pan Alley. CRC Press. pp. 29–31. ISBN   9780415972468 . Retrieved 2008-09-27.
  7. 1 2 3 Ken Bloom and Frank Lastnik (2004). Broadway Musicals: The 101 Greatest Shows of All Time. Black Dog & Leventhal. pp. 294–295.
  8. 1 2 3 4 5 6 Ken Bloom (2004). Broadway: Its History, People, and Places : An Encyclopedia. Taylor & Francis. pp. 496–498. ISBN   9780203644355 . Retrieved 2008-09-28.
  9. 1 2 3 4 Alec Wilder, James T. Maher (1972). American Popular Song: The Great Innovators, 1900–1950 . Oxford University Press US. pp.  454–455. ISBN   978-0-19-501445-7 . Retrieved 2008-09-27. I'm Just Wild About Harry.
  10. ↑ "I'm Just Wild About Harry (sheet music p.4)". M. Witmark & Sons. Retrieved 2008-09-28.
  11. ↑ "I'm Just Wild About Harry (sheet music p.5)". M. Witmark & Sons. Retrieved 2008-09-28.
  12. 1 2 3 Bill Egan (2004). Florence Mills: Harlem Jazz Queen . Scarecrow Press. pp.  55–56. ISBN   9780810850071 . Retrieved 2008-09-28. I'm Just Wild About Harry.
  13. 1 2 3 4 5 6 David A. Jasen (2002). A Century of American Popular Music: 2000 Best-loved and Remembered Songs (1899–1999). Taylor & Francis. pp. 98–99. ISBN   9780415937009 . Retrieved 2008-09-28.
  14. ↑ Tim Brooks, Richard Keith Spottswood (2004). Lost Sounds: Blacks and the Birth of the Recording Industry, 1890–1919 . University of Illinois Press. pp.  389. ISBN   9780252028502 . Retrieved 2008-09-28. I'm Just Wild About Harry.
  15. ↑ Soundtrack listing for Babes in Arms at Internet Movie Database
  16. ↑ Judy Garland singing "I'm Just Wild About Harry" in Babes in Arms (1939) on YouTube
  17. ↑ "The Roaring Twenties". Internet Archive . Retrieved 10 November 2023.
  18. ↑ Alice Faye singing "I'm Just Wild About Harry" (audio only) from Rose of Washington Square (1939) on YouTube
  19. ↑ Sullivan, John Jeremiah (March 24, 2016). "'Shuffle Along' and the Lost History of Black Performance in America". The New York Times Magazine. Retrieved March 27, 2016.
  20. ↑ Kathy Linden, That Certain Boy Retrieved January 24, 2016.
  21. ↑ IMDB Downton Abbey Season 4, Episode 6 Retrieved January 6, 2018.
  22. ↑ "Get all the feels (And a 'hot piece of man ass') in exclusive 'The Thing About Harry' promo". Entertainment Weekly .

This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.