 |
| I'm with Stupid | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | November 1995 | |||
| Genre | Pop, rock | |||
| Length | 56:21 | |||
| Label | Geffen | |||
| Producer | Jon Brion | |||
| Aimee Mann chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |    [1] |
| Chicago Tribune | [2] |
| Christgau's Consumer Guide |  [3] |
| Entertainment Weekly | A [4] |
| Los Angeles Times | [5] |
| Orlando Sentinel | [6] |
| Q | [7] |
| The Rolling Stone Album Guide | [8] |
| Spin | 7/10 [7] |
| USA Today | [9] |
I'm with Stupid is the second studio album by the American singer-songwriter Aimee Mann, released in 1995.
As of February 2001, the album has sold 123,000 copies in United States. [10]
All tracks by Aimee Mann, except where noted.
Glenn Tilbrook and Chris Difford from the band Squeeze appear as background vocalists and musicians on "That's Just What You Are", "Frankenstein", and "It's Not Safe", and they allowed Mann to use a riff from their song "Up the Junction" on "Long Shot". Juliana Hatfield provides backing vocals on "You Could Make a Killing" and "Amateur." Neil Innes, from The Bonzo Dog Doo Dah Band, Monty Python and The Rutles, provides backing vocals on "It's Not Safe".
"Choice in the Matter" includes a brief interpolation of the children's song Row Row Row Your Boat.
Prior to the album's release, "That's Just What You Are" appeared on the soundtrack of Fox Network television series Melrose Place in 1994, while "Amateur" appeared on the Sliding Doors soundtrack in 1998 and NBC television series Ed in 2004. "You Could Make a Killing" appeared on The Curve soundtrack in 1998 and the Cruel Intentions soundtrack in 1999.
| Year | Chart | Position | Ref |
|---|---|---|---|
| 1995 | Billboard 200 | 82 | [11] |
| 1996 | Australian Albums (ARIA) | 105 | [12] |
| Year | Single | Chart | Position | Ref |
|---|---|---|---|---|
| 1995 | "That's Just What You Are" | Modern Rock Tracks | 24 | [13] |
| 1995 | "That's Just What You Are" | The Billboard Hot 100 | 93 | [14] |
Squeeze are an English rock band that came to prominence in the United Kingdom during the new wave period of the late 1970s, and continued recording in the 1980s, 1990s and 2010s. In the UK, their singles "Cool for Cats", "Up the Junction", and "Labelled with Love" were top-ten chart hits. Though not as commercially successful in the United States, Squeeze had American hits with "Tempted", "Black Coffee in Bed", and "Hourglass", and were considered a part of the Second British Invasion.
'Til Tuesday was an American new wave band formed in Boston, Massachusetts, United States. The band, consisting of Aimee Mann, Robert Holmes (guitar), Joey Pesce (keyboards), and Michael Hausman (drums), was active from 1982 to 1989. They are best known for their 1985 hit single "Voices Carry".
Lost in Space is the fourth album by singer-songwriter Aimee Mann, released in 2002 on her own label, SuperEgo Records. A special edition released in 2003 featured a second disc containing six live recordings, two B-sides and two previously unreleased songs.
Michael Daniel Penn is an American musician, singer and composer. His 1989 single "No Myth" was a top 20 hit in the US and successful in several other countries.
Frank is a studio album by new wave group Squeeze, released in 1989. The album sold poorly, and Squeeze was dropped by A&M Records while on tour. Forced to take offers from different major labels for the first time in their career, the band soon signed with Reprise Records and began working on their next studio album, Play.
Whatever is the first solo album by the American singer-songwriter Aimee Mann, released in 1993.
Bachelor No. 2 or, the Last Remains of the Dodo is the third album by the American singer-songwriter Aimee Mann, released on May 2, 2000. Some songs were previously released on the Magnolia soundtrack (1999), which Mann wrote in the same period.
Glenn Martin Tilbrook is an English singer, songwriter and guitarist, best known as the lead singer and guitarist of the English new wave band Squeeze, a band formed in the mid-1970s who broke through in the new wave era at the decade's end. He generally writes the music for Squeeze's songs, while his writing partner, Chris Difford, writes the lyrics. In addition to his songwriting skills, Tilbrook is respected both as a singer and an accomplished guitarist.
Babylon and On is the seventh album released in September 1987 by the British new wave group Squeeze.
Play is a 1991 album by the British new wave group Squeeze. It is the band's ninth album, and their only released by Reprise Records. It is the first LP in the Squeeze discography to feature only four official members instead of five. Tony Berg produced the album. In the liner notes to the 1996 Squeeze compilation Excess Moderation, Glenn Tilbrook stated that he considers Play the beginning of Squeeze's "renaissance period." The album spent one week at number 41 in the UK Albums Chart in September 1991.
Ridiculous is an album by the British new wave group Squeeze. It was the band's eleventh studio album, and it introduced their latest drummer Kevin Wilkinson. As on the previous album, Some Fantastic Place, the band recorded one song penned by Keith Wilkinson. This time, however, Wilkinson did not perform the lead vocals. That song, "Got to Me", is the last Wilkinson would write with Squeeze. Chris Difford sang lead on two songs, "Long Face" and "Fingertips". He had not performed lead on an album cut since "Slaughtered, Gutted and Heartbroken" and "Love Circles" on the 1989 album Frank. This record was produced by Glenn Tilbrook and Peter Smith.
Difford & Tilbrook is the only studio album released by Difford & Tilbrook. Chris Difford and Glenn Tilbrook were the main songwriters in the new wave band Squeeze until their 1982 breakup. The duo continued to write songs together, and in 1984 released this self-titled effort.
Jewels for Sophia is the twelfth studio album by Robyn Hitchcock, released on Warner Records in 1999.
Cradle to the Grave is the fourteenth studio album, and the thirteenth album of original material, by British rock band Squeeze. It was released in October 2015 and is their first studio album since 2010's Spot the Difference. It also features their first new songs since their 1998 album Domino. It is the only Squeeze album to feature bassist Lucy Shaw who departed before the band's 2017 album, The Knowledge, which features Yolanda Charles on bass. Cradle to the Grave debuted at number 12 on the UK Albums Chart, making this the band's highest-charting album excluding hits compilations.
The Knowledge is the fifteenth studio album, and the fourteenth album of original material, by British rock band Squeeze, released on 13 October 2017. It is the first and only Squeeze album to feature Yolanda Charles on bass after the departure of bassist Lucy Shaw.
The Speed of Now Part 1 is the eleventh studio album by New Zealand-born Australian country music singer Keith Urban. The album was released on 18 September 2020 via Hit Red and Capitol Records Nashville.
"Choice in the Matter" is a song by American singer-songwriter Aimee Mann, which was released in 1996 as the second single from her second studio album I'm with Stupid. The song was written by Mann and Jon Brion, and produced by Brion.
"Long Shot" is a song by American singer-songwriter Aimee Mann, which was released in 1996 as the third single from her second studio album I'm with Stupid. The song was written by Mann and produced by Jon Brion. "Long Shot" peaked at No. 126 in the UK Singles Chart.
"That's Just What You Are" is a song by American singer-songwriter Aimee Mann, which was released in 1994 as a single from the soundtrack of Melrose Place. It was also included on Mann's second studio album I'm with Stupid (1995). The song was written by Mann and Jon Brion, and produced by Mike Denneen.
Glen Campbell: I'll Be Me is the soundtrack to the 2014 American documentary film of the same name based on the life of country music singer Glen Campbell. An extended play consisted of five songs was released by Big Machine Records was released on October 17, 2014, in anticipation of the film's theatrical release, and was followed by a full soundtrack featuring 10 songs, which also includes tracks from the extended play, released on October 31.
