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"I Know a Place" | ||||
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Single by Petula Clark | ||||
from the album I Know a Place | ||||
B-side | "Jack and John" | |||
Released | March 1965 | |||
Genre | Pop | |||
Length | 2:39 | |||
Label | Pye (UK) Warner Bros. (US) | |||
Songwriter(s) | Tony Hatch | |||
Producer(s) | Tony Hatch | |||
Petula Clark singles chronology | ||||
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"I Know a Place" is a song with music and lyrics by Tony Hatch. It was recorded in 1965 by Petula Clark at the Pye Studios in Marble Arch in a session which featured drummer Bobby Graham and the Breakaways vocal group. The American recording industry honored her with a Grammy Award for "Best Contemporary (R&R) Vocal Performance of 1965 – Female" for the song.
Released as the follow-up to "Downtown", which it strongly resembles both in musical structure and the story conveyed by the lyrics,
Billboard described "I Know a Place" as "another winning performance" from Clark and also praised Tony Hatch's production. [1]
Talking about "I Know a Place", Clark told The Boston Globe in 1966 that "No matter what anyone tells you, to make it in the United States is still the dream of every transatlantic performer. You work for it. Long for it. And I can't tell you how ecstatic I was when 'I Know a Place' was nearly as big a hit as 'Downtown' and the Copacabana Club in New York signed me."
Having much more of a rock and roll beat than its predecessor, "I Know a Place" emulated the theme of "Downtown" by inviting the listener to "just get away where your worries won't find you" to a place "where the music is fine and the lights are always low."
The song twice includes the lyric "a cellar full of noise", a deliberate reference to A Cellarful of Noise , the title of Brian Epstein's 1964 autobiography, describing the below-ground Cavern Club in Liverpool where he first discovered the Beatles.
"I Know a Place" was Clark's second consecutive Top Ten hit in the United States, remaining on the charts for twelve weeks, [2] and five of the twelve weeks on the US charts were spent in the Top Ten, the song's fourth week at No. 9, the fifth & sixth week at No. 4, the seventh week at its peak No. 3, [3] then slipping in its eighth week to No. 6, the ninth week ending its turn in the Top Ten at No. 11.
Its UK success was more moderate with a No. 17 peak, [4] establishing the mid-60s pattern of Clark generally having more hit impact in the US than in her homeland.
The recording reached No. 1 in Canada [5] and South Africa, [6] No. 3 in Rhodesia, [7] No. 7 in Australia, [8] and No. 10 in India. [9]
"Viens Avec Moi," Clark's French recording of the song, charted in France [10] and Belgium. [11]
Petula Clark CBE is a British singer, actress, and songwriter. She started her professional career as a child performer and has had the longest career of any British entertainer, spanning more than 85 years.
"Downtown" is a song written and produced by English composer Tony Hatch. Its lyrics speak of going to spend time in an urban downtown as a means of escape from everyday life. The 1964 version recorded by British singer Petula Clark became an international hit, reaching number one on the Billboard Hot 100 and number two on the UK Singles Chart. Hatch received the 1981 Ivor Novello award for Best Song Musically and Lyrically.
"This Is My Song" is a song written by Charlie Chaplin in 1966, and performed by Petula Clark.
Anthony Peter Hatch is an English composer for musical theatre and television. He is also a songwriter, pianist, arranger and producer.
"My Love" is a 1965 single release by Petula Clark which, in early 1966, became an international hit, reaching No. 1 in the US; the track continued Clark's collaboration with songwriter and record producer Tony Hatch.
"Who Am I" is a 1966 single by Petula Clark written by Tony Hatch & Jackie Trent and produced by Tony Hatch. By virtue of its title, "Who Am I" has long been the standard opening number for Clark's concerts. It also served as the centerpiece for the "Who Am I Medley", which opened Clark's 1968 U.S. television special.
"Colour My World" is a song written by Tony Hatch and Jackie Trent, and recorded by Petula Clark in 1966.
"Don't Sleep in the Subway" is a song written by Tony Hatch and Jackie Trent and recorded by the British singer Petula Clark, who released it as a single in April 1967.
"I Don't Know How to Love Him" is a song from the 1970 album and 1971 rock opera Jesus Christ Superstar written by Andrew Lloyd Webber (music) and Tim Rice (lyrics), a torch ballad sung by the character of Mary Magdalene. In the opera she is presented as bearing an unrequited love for the title character. The song has been much recorded, with "I Don't Know How to Love Him" being one of the rare songs – after the 1950s, when multi-version chartings were common – to have had two concurrent recordings reach the Top 40 of the Billboard Hot 100, specifically those by Helen Reddy and Yvonne Elliman.
"Call Me" is a song composed by Tony Hatch for an original recording for Petula Clark. It was later an easy listening standard via a hit version by Chris Montez.
"The Other Man's Grass Is Always Greener" is a song written by Tony Hatch and Jackie Trent which was a 1967-68 hit for Petula Clark.
"You're the One" is a song by Petula Clark with lyrics by Tony Hatch, recorded in 1965. It was later also included on the 1965 album I Know a Place. "You're the One" was a Top 30 hit on the UK Singles Chart for Clark, but was more successful as a top ten US single release by The Vogues.
Downtown is an album by Petula Clark following the success of her single of the same title. The album's tracks were all produced, arranged and conducted by Tony Hatch and were recorded at the Pye Studios in Marble Arch with the session personnel including drummer Bobby Graham, guitarist Big Jim Sullivan and the Breakaways vocal group; the "Downtown" track included guitarists Vic Flick and Jimmy Page in addition to Sullivan. Most of the album's tracks pre-dated the title cut, with almost all of the sides Hatch had produced from their inaugural collaboration: the 1963 single "Let Me Tell You Baby", being included.
I Know a Place is the second album release by Petula Clark, which in the USA charted at #42. In the UK, the album was released as The New Petula Clark Album, a name which was dropped during later re-releases to prevent confusion among record-buyers.
My Love is an album released by Petula Clark; her first album to feature recording done in the United States, My Love was produced, arranged, and conducted by Tony Hatch. In the US, it was her fourth album licensed to Warner Bros. Records. After the single release of "A Sign of the Times" charted, new pressings of the album were titled A Sign of the Times/My Love.
I Couldn't Live Without Your Love is a Petula Clark album released in the United States and the UK in September 1966. Clark's fifth US album release, I Couldn't Live Without Your Love was the first Petula Clark album to include creative personnel besides Tony Hatch, who produced the album and arranged some of the tracks, along with Johnny Harris.
Colour My World is the sixth album released by Petula Clark in the US on Warner Bros. Records. It combines cover versions of popular songs of the era and original material, much of it written by Clark and Tony Hatch, who produced the recording and arranged it along with Johnny Harris and Frank Owens.
The Other Man's Grass Is Always Greener is the ninth album released by Petula Clark in the United States. It entered the Billboard 200 on February 17, 1968 and remained on the charts for 23 weeks, peaking at #93. It fared better in the United Kingdom, where it reached #37.
"Kiss Me Goodbye" is a Les Reed/ Barry Mason composition recorded in 1968 by Petula Clark.
"Sailor" is the title of the English-language rendering of the 1959 schlager composition "Seemann " originally written in German by Werner Scharfenberger and lyricist Fini Busch : featuring lyrics in English by Norman Newell, "Sailor" would in 1961 afford Petula Clark her first UK #1 hit, simultaneously granting Top Ten success to Anne Shelton while also bringing her chart career to a close. Clark was also afforded international success with both her recording of "Sailor" and also with Marin the French-language rendering of the song.