The Human League is an English synth-pop band formed in Sheffield in 1977. Initially an experimental electronic outfit, the group signed to Virgin Records in 1979 and later attained widespread commercial success with their third album Dare in 1981 after restructuring their lineup. The album contained four hit singles, including the UK/US number one hit "Don't You Want Me". The band received the Brit Award for Best British Breakthrough Act in 1982. Further hits followed throughout the 1980s and into the 1990s, including "Mirror Man", "(Keep Feeling) Fascination", "The Lebanon", "Human" and "Tell Me When".
James Samuel "Jimmy Jam" Harris III and Terry Steven Lewis are an American R&B/pop songwriting and record production team. Their productions have received commercial success since the 1980s with various artists, most extensively Janet Jackson. They have written 31 top ten hits in the UK and 41 in the US. In 2022, the duo were inducted into the Rock and Roll Hall of Fame in the Musical Excellence category.
Crash is the fifth studio album by English synth-pop band the Human League, released on 8 September 1986 by Virgin Records. The album would provide the band with their second US number-one single, "Human", the same year. It was produced by the American production team of Jimmy Jam and Terry Lewis, who also wrote several tracks.
"I Can't Help Myself" is a 1965 song recorded by the Four Tops for the Motown label.
Charlie was a British rock band formed in 1971 by singer/songwriter Terry Thomas. The group was most active as a recording unit from the mid-1970s to 1986. Charlie never charted in the UK but had four minor hits in the US: "Turning To You" (1977) "She Loves to Be In Love" (1978), "Killer Cut" (1979) and "It's Inevitable" (1983).
Joanne Catherall is an English singer who is one of two female vocalists in the English synth-pop band The Human League.
Reggie Grimes Young Jr. was an American musician who was lead guitarist in the American Sound Studio house band, The Memphis Boys, and was a leading session musician.
Luther Thomas Ingram was an American R&B and soul singer-songwriter. His most successful record, "(If Loving You Is Wrong) I Don't Want to Be Right", reached No. 1 on the Billboard R&B chart and No. 3 on the Hot 100 in 1972.
"(I Just) Died in Your Arms" is the debut single by the English pop rock band Cutting Crew, released in July 1986 as a single from their debut studio album, Broadcast. The song was written by frontman Nick Van Eede, produced by Terry Brown, John Jansen and the band, and mixed at Utopia Studios in London by Tim Palmer.
"Fool for Your Loving" is a song recorded by English rock band Whitesnake. Originally released on their 1980 album Ready an' Willing, it was re-recorded for their 1989 album Slip of the Tongue.
"Human" is a song by English synth-pop band the Human League, released as the lead single from their fifth studio album, Crash (1986). The track, which deals with the subject of infidelity, was written and produced by Jimmy Jam and Terry Lewis. The song topped the charts of the United States, becoming the band's second single to top the Billboard Hot 100 after their 1981 single "Don't You Want Me". It also went to number one in Canada while reaching number five in Germany and number eight in the band's native United Kingdom.
"Diamonds" is a song by American trumpeter Herb Alpert from his 27th studio album, Keep Your Eye on Me (1987). Released as the second single from Keep Your Eye on Me on March 14, 1987, by A&M Records, the song features lead and background vocals by American singers Janet Jackson and Lisa Keith.
Greatest Hits is a compilation album by the English synth-pop band The Human League, released on 31 October 1988 by Virgin Records. It contains 13 singles released by the band, spanning from their debut single to their most recent album at the time, as well as lead singer Philip Oakey's collaboration with Giorgio Moroder, "Together in Electric Dreams" (1984). The album reached No. 3 in the UK.
"The Sound of the Crowd" is a song by the British synth-pop group The Human League. It became the band's commercial breakthrough, reaching #12 on the UK Singles Chart in May 1981.
"Open Your Heart" is a song by the British synth-pop group The Human League. It was released as a single in the UK in October 1981 and peaked at number six in the UK Singles Chart. It was written jointly by lead singer Philip Oakey and keyboard player Jo Callis. The song features a lead vocal by Oakey and female backing vocals by Susanne Sulley and Joanne Catherall, analogue synthesizers by Jo Callis, Philip Adrian Wright and Ian Burden. Drum machines, sequencing and programming were provided by producer Martin Rushent.
"Love Action (I Believe in Love)" is a song by the British synth-pop group The Human League, released as a single in the UK in July 1981. It became the band's first Top 10 success, peaking at number three in the UK Singles Chart.
"Love Is All That Matters" is a song by British synth-pop group the Human League. It was the third single to be taken from their fifth studio album, Crash (1986). It was released in 1986 in the US, where it did not chart. The single would be reissued in 1988 to promote the band's first greatest hits album; this version of the single featured a different tracklist and was released in every territory but the US.
"Fake" is a song written by Jimmy Jam and Terry Lewis and recorded by American recording artist Alexander O'Neal. It is the first single from the O'Neal's second studio album, Hearsay (1987). It is one of the artist's most recognizable signature songs, and a favorite of many O'Neal fans worldwide.
"Eternally" is a song with music by Charlie Chaplin, and words by the English lyricists Geoff Parsons and John Turner. The music was initially composed for Chaplin's film Limelight (1952) and titled "Terry's Theme"; the film won an Oscar for "Best Original Dramatic Score" at the 45th Academy Awards in 1973.
"I Didn't Mean to Turn You On" is the debut single written by Jimmy Jam and Terry Lewis and originally performed by American singer Cherrelle in 1984. In 1986, "I Didn't Mean to Turn You On" was covered by English singer Robert Palmer. Palmer's cover fared better on the pop chart while Cherrelle's version was a hit on the R&B chart.
