"Love Action (I Believe in Love)" | ||||
---|---|---|---|---|
Single by the Human League | ||||
from the album Dare | ||||
B-side | "Hard Times" | |||
Released | 31 July 1981 [1] | |||
Recorded | Genetic Studios (Streatley, Berkshire) | |||
Genre | ||||
Length |
| |||
Label | Virgin | |||
Songwriter(s) | ||||
Producer(s) | Martin Rushent | |||
The Human League singles chronology | ||||
| ||||
Music video | ||||
"The Human League - Love Action (Official Video Release HD)" on YouTube |
"Love Action (I Believe in Love)" is a song by the English synth-pop band the Human League, released as a single in the UK in July 1981. It became the band's first Top 10 success, peaking at number three in the UK singles chart.
The song was written jointly by lead vocalist Philip Oakey and keyboardist Ian Burden. It features lead vocal by Oakey and analogue synthesizers by Jo Callis, Philip Adrian Wright and Ian Burden. Drum machines, sequencing and programming were provided by producer Martin Rushent and his then engineer and programmer David M. Allen. One of the most notable synth sounds on the recording makes use of the pitch-to-voltage converter and envelope shaper on the Roland System 700 modular synth. Jo Callis' guitar strumming was fed into the synth and used to shape and trigger the sounds, producing an unusual choppy, strumming synth patch.
"Love Action (I Believe in Love)" was the second of three songs from the Human League's third studio album Dare to be released in advance of the album itself in 1981. It was released as a double A-side single with the non-album track "Hard Times". In the US, "Love Action (I Believe in Love)"/"Hard Times" made the dance charts twice: in 1981, the tracks first peaked at number thirty-seven, and one year later, re-entered the dance chart and peaked at number fifty-seven. [4]
The song is a semi-autobiographical account of Philip Oakey's relationships. [5] Oakey often refers to himself and at one point uses the lyric "this is Phil talking." The line was inspired by Iggy Pop's lyric "Jesus, this is Iggy" from his 1977 song "Turn Blue". The Human League had previously supported Iggy Pop live. Oakey borrows from another of his influences and the title "Love Action (I Believe in Love)" is named after the Lou Reed song "I Believe in Love" from his album Rock and Roll Heart (1976). The song contains another cryptic reference to Lou Reed in the lyric, "I believe what the old man said". Oakey, speaking in 1982 said, "no one ever asks me who the old man is... it's Lou (Reed)." [6]
The release of the single was widely advertised in music press in early August 1981 with prominence given also to the B-side "Hard Times" as well as the A-side, and to the fact that a "limited" 12" single would also be made available as "Hard Times/Love Action" in "Disco Mix and Odd Mix" [7] although these names were not used for the actual release. The single was designated 'Red' on the Human League's short-lived self-imposed labelling system of 'Blue' for pop songs and 'Red' for dance tracks. [8]
The single made number 3 on the UK singles chart and placed the Human League in the forefront of media attention. It also renewed Virgin Records' faith in the band and guaranteed the release of the studio album that was to become Dare, just four months later.
"Love Action" was the 34th best-selling single in the UK in 1981. [9] The song was ranked at number 5 among the top ten "Tracks of the Year" for 1981 by NME . [10]
The song was sampled in the UK hit single "Something Good" from electronic music duo Utah Saints on their self-titled album in 1992 and by George Michael for his politically charged 2002 hit "Shoot the Dog" from his 2004 album Patience .
It was sampled again in 2022 by Betty Boo for her comeback track "Get Me to the Weekend" from her album Boomerang .[ citation needed ]
The song is featured on the 2006 video game Grand Theft Auto: Vice City Stories and in the series 1, episode 4 of the series Ashes to Ashes in 2008. The song was also used for an episode of Skins in 2009. The song was used in the 1982 teen film The Last American Virgin but has been excised from the DVD release.[ citation needed ]
The song was covered by Mark Thwaite and Ashton Nyte on the album Gemini Nyte, released in 2018. [11]
Originally the song was released without a promotional video; at the time promotional videos were still rare, very expensive and only very high-profile bands received them. At this point the Human League were not sufficiently marketable to warrant the expense of a video. Instead, video from the band's television appearances to promote the song (mainly an appearance on Top of the Pops ) was used.
Following the huge success of "Don't You Want Me", a video for "Love Action" was shot retrospectively for the single's release in America on 11 August 1982. The storyline is loosely based on the 1967 film The Graduate . The opening scene is an exact copy of the church scene from the film with Oakey taking Dustin Hoffman's Benjamin Braddock role. The majority of the video was filmed on a derelict South London council estate while the church scenes were filmed at St Saviour's, Warwick Avenue. Most of the female camera time went to Joanne Catherall, in a wedding dress for the first half. Susan Ann Sulley's scenes mainly involved her having a tantrum and throwing objects around a flat. At one point in the scene, she accidentally managed to score a direct hit on the camera and a production crew member with a flying lamp. She momentarily broke character and cringed as she realizes she had just hit one of the crew.
Chart (1981–1982) | Peak position | |
---|---|---|
Australia (Kent Music Report) [12] | 12 | |
Ireland (IRMA) [13] | 11 | |
New Zealand (Recorded Music NZ) [14] | 21 | |
United Kingdom (The Official Charts Company) [15] | 3 |
Chart (1982) | Peak position |
---|---|
Australia (Kent Music Report) [16] | 87 |
The Human League are an English synth-pop band formed in Sheffield in 1977. Initially an experimental electronic outfit, the group signed to Virgin Records in 1979 and later attained widespread commercial success with their third album Dare in 1981 after restructuring their lineup. The album contained four hit singles, including the UK/US number one hit "Don't You Want Me". The band received the Brit Award for Best British Breakthrough Act in 1982. Further hits followed throughout the 1980s and into the 1990s, including "Mirror Man", "(Keep Feeling) Fascination", "The Lebanon", "Human" and "Tell Me When".
Philip Oakey is an English singer-songwriter who is the frontman and co-founder of the synth-pop band The Human League. Aside from the Human League, he has enjoyed an extensive solo music career and has collaborated with numerous other artists and producers.
Dare is the third studio album by English synth-pop band The Human League, first released in the United Kingdom in October 1981 and then subsequently in the US in mid-1982. The album was produced by Martin Rushent and recorded between March and September 1981, following the departure of founding members Martyn Ware and Ian Craig Marsh, and saw the band shift direction from their previous avant-garde electronic style toward a more pop-friendly, commercial sound led by frontman Philip Oakey.
"Don't You Want Me" is a song by British synth-pop group the Human League. It was released on 27 November 1981 as the fourth single from their third studio album, Dare (1981). The band's best known and most commercially successful song, it was the best selling UK single of 1981, that year's Christmas number one, and has since sold over 1,560,000 copies in the UK, making it the 23rd-most successful single in UK Singles Chart history. It topped the Billboard Hot 100 in the US on 3 July 1982, where it stayed for three weeks.
"(Keep Feeling) Fascination" is a song by English synth-pop band the Human League. It was composed by Jo Callis and Philip Oakey, and produced by Martin Rushent.
Joanne Catherall is an English singer who is one of two female vocalists in the English synth-pop band The Human League.
"Human" is a song by English synth-pop band the Human League, released as the lead single from their fifth studio album, Crash (1986). The track, which deals with the subject of infidelity, was written and produced by Jimmy Jam and Terry Lewis. The song topped the charts of the United States, becoming the band's second single to top the Billboard Hot 100 after their 1981 single "Don't You Want Me". It also went to number one in Canada while reaching number five in Germany and number eight in the band's native United Kingdom.
Hysteria is the fourth studio album by the English synth-pop band the Human League, released on 7 May 1984 by Virgin Records. Following the worldwide success of their previous studio album Dare (1981), the band struggled to make a successful follow-up and the sessions for Hysteria were fraught with problems. The album title itself is taken from the problematic recording period. Producers Martin Rushent and Chris Thomas both left the project which would eventually be finished by producer Hugh Padgham.
Fascination! is an EP released by English synth-pop band The Human League in 1983. The EP was issued as a stop-gap release in between the albums Dare (1981) and Hysteria (1984). Released in the US and Canada, it was made available in Europe as an import.
Love and Dancing is a remix album by English synth-pop band The Human League, released in July 1982 by Virgin Records. Issued under the band name "The League Unlimited Orchestra" as a nod to Barry White's disco-era Love Unlimited Orchestra, the album was principally the idea and work of producer Martin Rushent and contains dub-style, largely instrumental remixes of songs from the band's multi-platinum selling album Dare (1981), along with a version of the track "Hard Times", which had originally been the B-side of the single "Love Action ". Rushent was inspired by hip hop turntablist Grandmaster Flash and created Love and Dancing on a mixing board. He created vocal effects by cutting up portions of the Dare tape and manually gluing them together. In total, over 2,600 edits feature on the album.
Greatest Hits is a compilation album by the English synth-pop band The Human League, released on 31 October 1988 by Virgin Records. It contains 13 singles released by the band, spanning from their debut single to their most recent album at the time, as well as lead singer Philip Oakey's collaboration with Giorgio Moroder, "Together in Electric Dreams" (1984). The album reached No. 3 in the UK.
"Tell Me When" is a song by English synth-pop band the Human League, released in December 1994 by East West Records as the first single from their seventh album, Octopus (1995). Written jointly by lead singer Philip Oakey and Paul C. Beckett, the song was produced by Ian Stanley. It peaked at number six on the UK Singles Chart, while reaching number four on the UK Dance Chart. In the US, it peaked at number 31 on the Billboard Hot 100, number 15 on the Billboard Hot Dance Club Play chart and number eight on the Cash Box Top 100. The music video for the song was directed by Andy Morahan and filmed in the Czech Republic.
"Together in Electric Dreams" is a song by the British singer and composer Philip Oakey and Italian composer and producer Giorgio Moroder. It was written by Oakey and Moroder and recorded for the original soundtrack of the film Electric Dreams (1984). It later formed part of the joint album Philip Oakey & Giorgio Moroder, released in 1985.
"The Sound of the Crowd" is a song by the British synth-pop group The Human League. It became the band's commercial breakthrough, reaching #12 on the UK singles chart in May 1981.
"Open Your Heart" is a song by the British synth-pop group The Human League. It was released as a single in the UK in October 1981 and peaked at number six in the UK singles chart. It was written jointly by lead singer Philip Oakey and keyboard player Jo Callis. The song features a lead vocal by Oakey and female backing vocals by Susanne Sulley and Joanne Catherall, analogue synthesizers by Jo Callis, Philip Adrian Wright and Ian Burden. Drum machines, sequencing and programming were provided by producer Martin Rushent.
"Mirror Man" is a 1982 song by the British synth-pop group The Human League. It was released as a single in the UK on 12 November 1982 and peaked at number two in the UK Singles Chart. It was written jointly by lead singer Philip Oakey with keyboard players Jo Callis and Ian Burden, and produced by Martin Rushent.
"Empire State Human" is a song by the British synth-pop group The Human League. The song was written by Philip Oakey, Martyn Ware and Ian Craig Marsh. It was co-produced by The Human League and Colin Thurston, and recorded at Monumental Studios in Sheffield.
"Louise" is a song by English synth-pop band the Human League. It was released as a single in the UK on 5 November 1984 and peaked at number thirteen in the UK Singles Chart. It was written jointly by lead singer Philip Oakey with fellow band members Jo Callis and Philip Adrian Wright. The song features a lead vocal by Oakey and female vocals by Susan Ann Sulley and Joanne Catherall, analogue synthesizers by Philip Oakey, Jo Callis, Philip Adrian Wright and Ian Burden. The producers were Chris Thomas and Hugh Padgham. Although enjoying modest success when released as a single, it appeared on Melody Maker’s list of 50 top singles of 1984.
"Love Is All That Matters" is a song by British synth-pop group the Human League. It was the third single to be taken from their fifth studio album, Crash (1986). It was released in 1986 in the US, where it did not chart. The single would be reissued in 1988 to promote the band's first greatest hits album; this version of the single featured a different tracklist and was released in every territory but the US.
"Good-Bye Bad Times" is a song by British singer and songwriter Philip Oakey and Italian producer Giorgio Moroder. It was written by Oakey and Moroder and recorded for the album Philip Oakey & Giorgio Moroder. Released as a single in the UK in June 1985 as the follow-up to Oakey and Moroder's 1984 hit "Together in Electric Dreams", it reached number 44 on the singles charts and remained on the charts for 5 weeks. It was moderately successful in Australia, where it peaked at number 26.
..."The Sound of the Crowd", peaked at #12 in the UK. The next two, "Love Action (I Believe in Love)" and "Open Your Heart", both went top-10. Suddenly, the Human League were new wave stars.