The Human League is an English synth-pop band formed in Sheffield in 1977. Initially an experimental electronic outfit, the group signed to Virgin Records in 1979 and later attained widespread commercial success with their third album Dare in 1981 after restructuring their lineup. The album contained four hit singles, including the UK/US number one hit "Don't You Want Me". The band received the Brit Award for Best British Breakthrough Act in 1982. Further hits followed throughout the 1980s and into the 1990s, including "Mirror Man", "(Keep Feeling) Fascination", "The Lebanon", "Human" and "Tell Me When".
Crash is the fifth studio album by English synth-pop band the Human League, released on 8 September 1986 by Virgin Records. The album would provide the band with their second US number-one single, "Human", the same year. It was produced by the American production team of Jimmy Jam and Terry Lewis, who also wrote several tracks.
Philip Oakey is an English singer, songwriter and record producer. He is the lead singer, songwriter, and co-founder of the synth-pop band the Human League. Aside from the Human League, Oakey has enjoyed an extensive solo music career and has collaborated with numerous other artists and producers.
Dare is the third studio album by English synth-pop band the Human League, first released in the United Kingdom in October 1981 then subsequently in the US in mid-1982. The album was produced by Martin Rushent and recorded between March and September 1981, following the departure of founding members Martyn Ware and Ian Craig Marsh, and saw the band shift direction from their previous avant-garde electronic style toward a more pop-friendly, commercial sound led by frontman Philip Oakey.
"Don't You Want Me" is a song by British synth-pop group the Human League. It was released on 27 November 1981 as the fourth single from their third studio album, Dare (1981). The band's best known and most commercially successful song, it was the best selling UK single of 1981, that year's Christmas number one, and has since sold over 1,560,000 copies in the UK, making it the 23rd-most successful single in UK Singles Chart history. It topped the Billboard Hot 100 in the US on 3 July 1982, where it stayed for three weeks.
Joanne Catherall is an English singer who is one of two female vocalists in the English synth-pop band The Human League.
"Human" is a song by English synth-pop band the Human League, released as the lead single from their fifth studio album, Crash (1986). The track, which deals with the subject of infidelity, was written and produced by Jimmy Jam and Terry Lewis. The song topped the charts of the United States, becoming the band's second single to top the Billboard Hot 100 after their 1981 single "Don't You Want Me". It also went to number one in Canada while reaching number five in Germany and number eight in the band's native United Kingdom.
Hysteria is the fourth studio album by the English synth-pop band the Human League, released on 7 May 1984 by Virgin Records. Following the worldwide success of their previous studio album Dare (1981), the band struggled to make a successful follow-up and the sessions for Hysteria were fraught with problems. The album title itself is taken from the problematic recording period. Producers Martin Rushent and Chris Thomas both left the project which would eventually be finished by producer Hugh Padgham.
Secrets is the eighth studio album recorded by British synthpop band The Human League. It was issued in 2001 by Papillon Records and was the Human League's first studio album in six years. The album was well-received by critics but performed poorly commercially.
Susan Ann Sulley, formerly known as Susanne Sulley and Susan Ann Gayle, is an English singer who is one of the two female vocalists in the synth-pop band The Human League.
"Tell Me When" is a song by English synth-pop band the Human League, released in December 1994 by East West Records as the first single from their seventh album, Octopus (1995). Written jointly by lead singer Philip Oakey and Paul C. Beckett, the song was produced by Ian Stanley. It peaked at number six on the UK Singles Chart, while reaching number four on the UK Dance Chart. In the US, it peaked at number 31 on the Billboard Hot 100, number 15 on the Billboard Hot Dance Club Play chart and number eight on the Cash Box Top 100. The music video for the song was directed by Andy Morahan and filmed in the Czech Republic.
"One Man in My Heart" is a song by English synth-pop band the Human League, written by Neil Sutton and Philip Oakey. It was released as the second single from the band's seventh album, Octopus (1995), on 6 March 1995 by East West Records. A ballad, the song differs from all previous Human League tracks as the lead vocal is performed by band member Susan Ann Sulley, with spoken-word refrains from Oakey and contrasting backing from the third member, Joanne Catherall. The song received positive reviews from music critics and peaked at number 13 on the UK Singles Chart, spending eight weeks in the top 100. Its music video was directed by Andy Morahan. In 2001, The Guardian newspaper named "One Man in My Heart" one of the best love songs of the 1990s.
"All I Ever Wanted" is a song by English synth-pop band the Human League. It is taken from the Secrets album of 2001 and was released as its first single. It is currently their most recent single released on a major label. It follows the standard Human League style of baritone lead vocals of Philip Oakey with choruses and incidentals jointly shared between female co-vocalists Joanne Catherall and Susan Ann Sulley. It was released in July 2001 and stalled at number 47 in the UK Singles Chart.
"Life on Your Own" is a song by English synth-pop band the Human League. Written jointly by lead singer Philip Oakey, keyboard players Jo Callis and Adrian Wright, it was recorded at AIR Studios during 1983–1984. Originally an album track on the band's fourth studio album Hysteria, it was then released as the second single from the album in the UK.
"Boys and Girls" is a song by the British synthpop group The Human League. It was released as a stand-alone single in the UK in February 1981 and peaked at number 48 in the UK Singles Charts. It was written by lead singer Philip Oakey and the band's visual director / keyboard player Philip Adrian Wright.
"Open Your Heart" is a song by the British synth-pop group The Human League. It was released as a single in the UK in October 1981 and peaked at number six in the UK Singles Chart. It was written jointly by lead singer Philip Oakey and keyboard player Jo Callis. The song features a lead vocal by Oakey and female backing vocals by Susanne Sulley and Joanne Catherall, analogue synthesizers by Jo Callis, Philip Adrian Wright and Ian Burden. Drum machines, sequencing and programming were provided by producer Martin Rushent.
"Mirror Man" is a 1982 song by the British synth-pop group The Human League. It was released as a single in the UK on 12 November 1982 and peaked at number two in the UK Singles Chart. It was written jointly by lead singer Philip Oakey with keyboard players Jo Callis and Ian Burden, and produced by Martin Rushent.
"Filling Up with Heaven" is a song by English synth-pop band the Human League, released as the third and final single from their seventh full-length studio album, Octopus (1995). It was jointly written by lead singer Philip Oakey and producer Ian Stanley. The song was released on 5 June 1995 by East West Records in a variety of vinyl and CD single formats. These included various third-party remixes of "Filling Up with Heaven" and "John Cleese; Is He Funny?", including mixes by Hardfloor.
"Soundtrack to a Generation" is a song by English synth-pop band the Human League. It is taken from the album Romantic?, from 1990.
"Louise" is a song by English synth-pop band the Human League. It was released as a single in the UK on 11 November 1984 and peaked at number thirteen in the UK Singles Chart. It was written jointly by lead singer Philip Oakey with fellow band members Jo Callis and Philip Adrian Wright. The song features a lead vocal by Oakey and female vocals by Susan Ann Sulley and Joanne Catherall, analogue synthesizers by Philip Oakey, Jo Callis, Philip Adrian Wright and Ian Burden. The producers were Chris Thomas and Hugh Padgham. Although enjoying modest success when released as a single, it appeared on Melody Maker’s list of 50 top singles of 1984.
