"One Man in My Heart" | ||||
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Single by the Human League | ||||
from the album Octopus | ||||
B-side | "These Are the Days" | |||
Released | 6 March 1995 [1] | |||
Length | 4:03 | |||
Label | East West | |||
Songwriter(s) | ||||
Producer(s) | Ian Stanley | |||
The Human League singles chronology | ||||
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Music video | ||||
"One Man in My Heart" on YouTube |
"One Man in My Heart" is a song by English synth-pop band the Human League, written by Neil Sutton and Philip Oakey. It was released as the second single from the band's seventh album, Octopus (1995), on 6 March 1995 by East West Records. A ballad, the song differs from all previous Human League tracks as the lead vocal is performed by band member Susan Ann Sulley, with spoken-word refrains from Oakey and contrasting backing from the third member, Joanne Catherall. The song received positive reviews from music critics and peaked at number 13 on the UK Singles Chart, spending eight weeks in the top 100. Its music video was directed by Andy Morahan. In 2001, The Guardian newspaper named "One Man in My Heart" one of the best love songs of the 1990s. [2]
Dave Thompson of AllMusic said "One Man in My Heart" "could have been a total throwaway, a gloopy little love song without a single redeeming quality, beloved by grannies and tweenies, gag-inducing for those outside those age parameters. But the band obviously gave the number time and attention, and thus ensured that it can't be so easily dismissed." He added that "the group produced a love song unlike virtually all typical pop fodder." [3] Larry Flick from Billboard were also highly favourable, writing that "this sophomore single from the act's comeback album Octopus needs no apologies for its innocent composition. It is a beautiful ballad that should set top 40 afire." [4] Steve Baltin from Cash Box commented, "Given that it's impossible to write off the trio, even though this song also seems stuck in a time warp. While other bands from the era, specifically Duran Duran and Adam Ant, have reinvented their sound, the Human League have actually regressed, being more keyboard based than in their initial run. Still, there is something cute about the tune." [5]
Anderson Jones from Entertainment Weekly described it as "melodramatic synth-pop-orchestrated". [6] Music writer and columnist James Masterton noted that it is unusually featuring Catherall and Sulley on vocals completely on their own. "The result is a tender woman's ballad to which the expression 'lovely' could almost be said to have been coined." [7] Jennifer Nine from Melody Maker wrote, "More enticing craftmanship sparkles in the music-box minuet of "One Man in My Heart": tiny, shimmering, and ooh-la-la-luscious as Saint Etienne without the swotty paperwork." [8] Another Melody Maker editor, Dave Simpson, said, "'One Man' is a straight(ish) love song, catchy as crabs and delivered with the slight awkwardness critics often mistake for irony." [9] A reviewer from Music Week gave it four out of five, describing it as "a gorgeous semi-ballad that could be ABBA if you didn't know better." [10] Criticism of Susan Ann Sulley's vocals was that she was too technically proficient making her sound "bland"; one critic declared that he missed "the rough edges of the girl plucked from the Sheffield dance floor". [11]
The accompanying music video for "One Man in My Heart" has a similar cinematography style to the video for the previous single "Tell Me When" and had the same director, Andy Morahan. It is set in a Parisian cafe and principally features (for this song) lead vocalist Susan Ann Sulley sat on her own having a coffee while singing to herself; whilst watching the other customers. Fellow band members Philip Oakey and Joanne Catherall are seated elsewhere in the cafe and the camera pans to them for their backing vocals and Oakey's incidental spoken words. [12] The video received considerable play on VH1.
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Chart (1995) | Peak position |
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Europe (Eurochart Hot 100) [20] | 60 |
Germany (Official German Charts) [21] | 90 |
Ireland (IRMA) [22] | 29 |
Scotland (OCC) [23] | 7 |
UK Singles (OCC) [24] | 13 |
The Human League are an English synth-pop band formed in Sheffield in 1977. Initially an experimental electronic outfit, the group signed to Virgin Records in 1979 and later attained widespread commercial success with their third album Dare in 1981 after restructuring their lineup. The album contained four hit singles, including the UK/US number one hit "Don't You Want Me". The band received the Brit Award for Best British Breakthrough Act in 1982. Further hits followed throughout the 1980s and into the 1990s, including "Mirror Man", "(Keep Feeling) Fascination", "The Lebanon", "Human" and "Tell Me When".
Philip Oakey is an English singer, songwriter and record producer. He is the lead singer, songwriter, and co-founder of the synth-pop band the Human League. Aside from the Human League, Oakey has enjoyed an extensive solo music career and has collaborated with numerous other artists and producers.
Dare is the third studio album by English synth-pop band the Human League, first released in the United Kingdom in October 1981 then subsequently in the US in mid-1982. The album was recorded between March and September 1981 following the departure of founding members Martyn Ware and Ian Craig Marsh, and saw the band shift direction from their previous avant-garde electronic style toward a more pop-friendly, commercial sound led by frontman Philip Oakey.
Joanne Catherall is an English singer who is one of two female vocalists in the English synth-pop band The Human League.
"Human" is a song by English synth-pop band the Human League, released as the lead single from their fifth studio album, Crash (1986). The track, which deals with the subject of infidelity, was written and produced by Jimmy Jam and Terry Lewis. The song topped the charts of the United States, becoming the band's second single to top the Billboard Hot 100 after their 1981 single "Don't You Want Me". It also went to number one in Canada while reaching number five in Germany and number eight in the band's native United Kingdom.
Hysteria is the fourth studio album by the English synth-pop band the Human League, released on 7 May 1984 by Virgin Records. Following the worldwide success of their previous studio album Dare (1981), the band struggled to make a successful follow-up and the sessions for Hysteria were fraught with problems. The album title itself is taken from the problematic recording period. Producers Martin Rushent and Chris Thomas both left the project which would eventually be finished by producer Hugh Padgham.
Octopus is the seventh full-length studio album recorded by the British synthpop band The Human League. It was produced by the former Tears for Fears keyboard player Ian Stanley and released by EastWest Records in 1995. It was the first new album from The Human League in five years after the termination of their long-term contract with Virgin Records. Octopus was the first Human League album that presented the band as a trio consisting of the singers Philip Oakey, Joanne Catherall and Susan Ann Sulley. The former Human League member Jo Callis and keyboard player Neil Sutton also contributed to the writing of the album.
Susan Ann Sulley, formerly known as Susanne Sulley and Susan Ann Gayle, is an English singer who is one of the two female vocalists in the synth-pop band The Human League.
"Tell Me When" is a song by English synth-pop band the Human League, released in December 1994 by East West Records as the first single from their seventh album, Octopus (1995). Written jointly by lead singer Philip Oakey and Paul C. Beckett, the song was produced by Ian Stanley. It peaked at number six on the UK Singles Chart, while reaching number four on the UK Dance Chart. In the US, it peaked at number 31 on the Billboard Hot 100, number 15 on the Billboard Hot Dance Club Play chart and number eight on the Cash Box Top 100. The music video for the song was directed by Andy Morahan and filmed in the Czech Republic.
"All I Ever Wanted" is a song by English synth-pop band the Human League. It is taken from the Secrets album of 2001 and was released as its first single. It is currently their most recent single released on a major label. It follows the standard Human League style of baritone lead vocals of Philip Oakey with choruses and incidentals jointly shared between female co-vocalists Joanne Catherall and Susan Ann Sulley. It was released in July 2001 and stalled at number 47 in the UK Singles Chart.
"Boys and Girls" is a song by the British synthpop group The Human League. It was released as a stand-alone single in the UK in February 1981 and peaked at number 48 in the UK Singles Charts. It was written by lead singer Philip Oakey and the band's visual director / keyboard player Philip Adrian Wright.
"The Sound of the Crowd" is a song by the British synthpop group The Human League. It became the band's commercial breakthrough, reaching #12 on the UK Singles Chart in May 1981.
"Open Your Heart" is a song by the British synthpop group The Human League. It was released as a single in the UK in October 1981 and peaked at number six in the UK Singles Chart. It was written jointly by lead singer Philip Oakey and keyboard player Jo Callis. The song features a lead vocal by Oakey and female backing vocals by Susanne Sulley and Joanne Catherall, analogue synthesizers by Jo Callis, Philip Adrian Wright and Ian Burden. Drum machines, sequencing and programming were provided by producer Martin Rushent.
"Mirror Man" is a 1982 song by the British synthpop group The Human League. It was released as a single in the UK on 12 November 1982 and peaked at number two in the UK Singles Chart. It was written jointly by lead singer Philip Oakey with keyboard players Jo Callis and Ian Burden, and produced by Martin Rushent.
"Filling Up with Heaven" is a song by English synth-pop band the Human League, released as the third and final single from their seventh full-length studio album, Octopus (1995). It was jointly written by lead singer Philip Oakey and producer Ian Stanley. The song was released on 5 June 1995 by East West Records in a variety of vinyl and CD single formats. These included various third-party remixes of "Filling Up with Heaven" and "John Cleese; Is He Funny?", including mixes by Hardfloor.
"Soundtrack to a Generation" is a song by English synth-pop band the Human League. It is taken from the album Romantic?, from 1990.
The Very Best of the Human League is a DVD by veteran British Synthpop group The Human League, containing most of the band's music videos recorded up to that point, digitally re-mastered. The only music video missing is Filling up with Heaven from 1995 which was excluded due to a licensing fee dispute between Virgin Records and EastWest
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"Prayer for the Dying" is a song by British musician Seal and Augustus Lundell "Gus" Isidore. It was released on 9 May 1994 by ZTT and Sire as the lead single from the singer's second studio album, Seal (1994), reaching number 14 on the UK Singles Chart and number 21 on the US Billboard Hot 100. In Canada, it became Seal's first of three songs to peak at number two on the RPM Top Singles chart, becoming his joint highest-charting single in Canada. In November 1995, "Prayer for the Dying" was reissued as a double A-side with "Don't Cry" in the UK; this release reached number 51 on the UK chart. Its music video was directed by Paul Boyd.
"Independent Love Song" is a song by British musical duo Scarlet, taken from their debut album, Naked (1994), and released as a single on 9 January 1995 by WEA. The power ballad, written by Cheryl Parker and Jo Youle, and produced by Mike Paxman and Paul Muggleton, was a hit in several countries. It entered the UK Singles Chart at number 26, reaching a peak of number 12 in February 1995. The single became a top-ten hit on the Irish Singles Chart, where it peaked at number 10, and charted within the top 50 in Germany, Iceland, Sweden, and Switzerland. Other tracks on the release included "The Fall" and "Independent Love Song".
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