"Tell Me When" | ||||
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Single by the Human League | ||||
from the album Octopus | ||||
B-side | "The Bus to Crookes" | |||
Released | 26 December 1994 | |||
Length | 4:42 | |||
Label | East West | |||
Songwriter(s) |
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Producer(s) | Ian Stanley | |||
The Human League singles chronology | ||||
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Audio sample | ||||
Music video | ||||
"Tell Me When" on YouTube |
"Tell Me When" is a song by English synth-pop band the Human League,released in December 1994 by East West Records as the first single from their seventh album, Octopus (1995). Written jointly by lead singer Philip Oakey and Paul C. Beckett,the song was produced by Ian Stanley (formerly of Tears for Fears). It peaked at number six on the UK Singles Chart,while reaching number four on the UK Dance Chart. In the US,it peaked at number 31 on the Billboard Hot 100,number 15 on the Billboard Hot Dance Club Play chart and number eight on the Cash Box Top 100. The music video for the song was directed by Andy Morahan and filmed in the Czech Republic.
The song was originally written for the act "Fast Arithmetic" (Oakey–Beckett),a side project in development within the Human League environment. A demo version was recorded in 1991 and presented to East West Records. It later became the first release by the Human League under East West,who had signed the band after their long-term contract with Virgin ended in 1992.
As it was the first commercial release by the band in four years,it was described in the media as a comeback. Oakey took issue with this description and said in an interview that the band had never stopped recording and performing since its formation in 1977. [1] The band had collaborated with Yellow Magic Orchestra prior to signing with East West. [2]
"Tell Me When" was the first Human League single to be released from Octopus. It was issued on 26 December 1994,four weeks ahead of the album. [3] Released in a variety of vinyl and CD single formats,these variously included remixes of "Tell Me When" by contemporary electronic acts Utah Saints,Development Corporation and Red Jerry,a non-album B-side ("The Bus to Crookes"),and a track from the band's recent collaboration with Yellow Magic Orchestra.
"Tell Me When" became the Human League's most commercially successful single in nine years and reintroduced the band to the British general public. It received considerable radio promotion in advance of its late 1994 UK release,hitting the airwaves at a time when many people started to get Christmas song fatigue. [4] Radio 1 played the song three weeks before release with Capital FM playing it two weeks prior. [4] By the time of its release,the single received over one thousand plays per week across the board according to East West Records. [4] One month after its release,the single steadily gained airplay on Europe's leading radio markets. It topped the Major Market Airplay charts in the UK for two weeks commencing 4 February,registering total plays of 915 for the week of 11 February. [5] According to East West Records,the single had achieved sales of around 200,000 copies. [6] Capital 95.8 head of music Richard Park welcomed the single,saying "the marketplace is just ready for a fresh dose of the Human League". [4] It peaked at number six on the UK Singles Chart in early 1995,their highest UK chart position since "(Keep Feeling) Fascination" reached number two in 1983,and spent a total of nine weeks on the chart. [7] It also peaked at number 31 on the Billboard Hot 100,on 15 April 1995,giving the band their last hit to date in the United States. [8] The song fared well on the Mainstream Top 40 chart,where it peaked at number nine on 22 April 1995. [9] Additionally,it reached number eight on the Cash Box Top 100.
Several critics of the Octopus album,singled out "Tell Me When" as a standout track. Dave Thompson of AllMusic said it echoes earlier material,likening it to "Fascination" and "Mirror Man". He went further,saying that "the real difference is found in the vignette-esque lyrics and the more complex vocals. And these slight changes make all the difference,turning synth dreams into techno club success." [10] David Bauder of Associated Press called the song "splendid",and noted that it is a "shimmering melody,with Kraftwerk-like synthesizers and Phil Oakey's arch voice sweetened by his two female colleagues. It ranks with their best work." He added that it was the only song from the album "with any worth". [11] Also Larry Flick from Billboard was favourable,writing,"British synth-pop act that enjoyed a high profile during the '80s returns with a percolating swinger,which harkens back to its now-classic hits,'Don't You Want Me' and 'Fascination'." [12] Anderson Jones from Entertainment Weekly described it as "bubbly" and "radio-friendly",whilst calling the album "lackuster". [13] In his weekly UK chart commentary,James Masterton said,"It may not be the biggest new hit of the week but it is certainly the most significant",concluding with that it is "sounding like typical Human League of old". [14] Jennifer Nine from Melody Maker viewed it as "a brightly hopeful,wafer-thin compendium of standard League traits,including that pocket calculator-powered "funky" breakdown." [15]
A reviewer from Music &Media commented,"Comeback of the year? That's up to you. Anyway,the return of the Sheffield synth band in the premier division of pop creates an enormous buzz in radio land." [16] In the album review,the reviewer said that "Tell Me When" "portrays Phil Oakey and the girls as a perfect replica of the electro pop band around 1981's Dare album." [17] Music Week rated the single five out of five,describing it as "pristine synth pop as a deep Oakey lead and girl harmonies make this the most joyful single of the week. Welcome back." [18] John Kilgo from The Network Forty wrote,"This is a great comeback for the Sheffield,England trio! A techno-pop release full of energy highlighted by a very catchy hook. This smash is a no-brainer." [19] Steve Sutherland from NME praised it as "pretty damn near" the Human League "at their best". [20] Another NME editor,Paul Moody,viewed it as "sublimely clumsy" with "this killer Human League chorus all over it,the sort that rings around your brain like a nursery rhyme from Mars." [21] People Magazine stated that "their hot new single 'Tell Me When' has made the Human League hip again". They added,"But the tune is an infectious anachronism—the synthesizer trio still tinkle about as soullessly as they did in 1982,when they hit No. 1 with 'Don't You Want Me'." [22] James Hamilton from the RM Dance Update deemed it "typical Human League holler". [23] Tony Cross from Smash Hits felt it is "the best thing" on the album. [24] David Sinclair of The Times commented,"All the familiar components are here join-the-dots tune,danceable synth-pop arrangement,catchy bubblegum chorus but the result sounds disconcertingly like the Human League by numbers." [25]
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A music video was produced to promote the single, and was shot entirely on location in Prague [ citation needed ] in the Czech Republic. It is directed by British director Andy Morahan. [26] It uses reverse motion in several scenes. In the video, well-known sites in the city can be seen, as Wenceslas Square, Prague Castle and Wallenstein Garden. [27] It opens with Catherall and Sulley in the Wallenstein Gardens, where leaves are blowing upwards instead of downwards. In some city scenes, Oakey walks in the streets, while other people are walking backwards. [28] The band then performs in the main hall of the Wallenstein Palace, surrounded by lit candles and candelabras. In the outside scenes, Catherall wears a black dress while Sulley wears a white dress. In the indoor scenes, they both wear black dresses with hat and a veil on their faces.
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The Human League are an English synth-pop band formed in Sheffield in 1977. Initially an experimental electronic outfit, the group signed to Virgin Records in 1979 and later attained widespread commercial success with their third album Dare in 1981 after restructuring their lineup. The album contained four hit singles, including the UK/US number one hit "Don't You Want Me". The band received the Brit Award for Best British Breakthrough Act in 1982. Further hits followed throughout the 1980s and into the 1990s, including "Mirror Man", "(Keep Feeling) Fascination", "The Lebanon", "Human" and "Tell Me When".
Philip Oakey is an English singer-songwriter who is the frontman and co-founder of the synth-pop band the Human League. Aside from the Human League, he has enjoyed an extensive solo music career and has collaborated with numerous other artists and producers.
Dare is the third studio album by English synth-pop band The Human League, first released in the United Kingdom in October 1981 and then subsequently in the US in mid-1982. The album was produced by Martin Rushent and recorded between March and September 1981, following the departure of founding members Martyn Ware and Ian Craig Marsh, and saw the band shift direction from their previous avant-garde electronic style toward a more pop-friendly, commercial sound led by frontman Philip Oakey.
"Don't You Want Me" is a song by British synth-pop group the Human League. It was released on 27 November 1981 as the fourth single from their third studio album, Dare (1981). The band's best known and most commercially successful song, it was the best selling UK single of 1981, that year's Christmas number one, and has since sold over 1,560,000 copies in the UK, making it the 23rd-most successful single in UK Singles Chart history. It topped the Billboard Hot 100 in the US on 3 July 1982, where it stayed for three weeks.
"(Keep Feeling) Fascination" is a song by English synth-pop band the Human League. It was composed by Jo Callis and Philip Oakey, and produced by Martin Rushent.
"Stay with Me Tonight" is a song by English synth-pop band the Human League, released in January 1996 by East West Records as a single from their second compilation album, Greatest Hits (1995). It was jointly written by Philip Oakey and producer Ian Stanley, features lead vocals by Oakey; with backing by co-vocalists Susan Ann Sulley and Joanne Catherall. Post production by re-mixers 'Space Kittens'.
Joanne Catherall is an English singer who is one of two female vocalists in the English synth-pop band The Human League.
"Human" is a song by English synth-pop band the Human League, released as the lead single from their fifth studio album, Crash (1986). The track, which deals with the subject of infidelity, was written and produced by Jimmy Jam and Terry Lewis. The song topped the charts of the United States, becoming the band's second single to top the Billboard Hot 100 after their 1981 single "Don't You Want Me". It also went to number one in Canada while reaching number five in Germany and number eight in the band's native United Kingdom.
Secrets is the eighth studio album by British synth-pop band The Human League. It was issued in 2001 by Papillon Records and was the Human League's first studio album in six years. The album was well-received by critics but performed poorly commercially.
Octopus is the seventh full-length studio album recorded by the British synth-pop band The Human League. It was produced by the former Tears for Fears keyboard player Ian Stanley and released by EastWest Records in 1995. It was the first new album from The Human League in five years after the termination of their long-term contract with Virgin Records. Octopus was the first Human League album that presented the band as a trio consisting of the singers Philip Oakey, Joanne Catherall and Susan Ann Sulley. The former Human League member Jo Callis and keyboard player Neil Sutton also contributed to the writing of the album.
Love and Dancing is a remix album by English synth-pop band The Human League, released in July 1982 by Virgin Records. Issued under the band name "The League Unlimited Orchestra" as a nod to Barry White's disco-era Love Unlimited Orchestra, the album was principally the idea and work of producer Martin Rushent and contains dub-style, largely instrumental remixes of songs from the band's multi-platinum selling album Dare (1981), along with a version of the track "Hard Times", which had originally been the B-side of the single "Love Action ". Rushent was inspired by hip hop turntablist Grandmaster Flash and created Love and Dancing on a mixing board. He created vocal effects by cutting up portions of the Dare tape and manually gluing them together. In total, over 2,600 edits feature on the album.
Greatest Hits is a compilation album by the English synth-pop band The Human League, released on 31 October 1988 by Virgin Records. It contains 13 singles released by the band, spanning from their debut single to their most recent album at the time, as well as lead singer Philip Oakey's collaboration with Giorgio Moroder, "Together in Electric Dreams" (1984). The album reached No. 3 in the UK.
Susan Ann Sulley, formerly known as Susanne Sulley and Susan Ann Gayle, is an English singer. She is one of the two female vocalists in the synth-pop band The Human League, contributing co-lead vocals on the conflicting duet "Don't You Want Me" with the band's founding member and lead singer Philip Oakey.
"One Man in My Heart" is a song by English synth-pop band the Human League, written by Neil Sutton and Philip Oakey. It was released as the second single from the band's seventh album, Octopus (1995), on 6 March 1995 by East West Records. A ballad, the song differs from all previous Human League tracks as the lead vocal is performed by band member Susan Ann Sulley, with spoken-word refrains from Oakey and contrasting backing from the third member, Joanne Catherall. The song received positive reviews from music critics and peaked at number 13 on the UK Singles Chart, spending eight weeks in the top 100. Its music video was directed by Andy Morahan. In 2001, The Guardian newspaper named "One Man in My Heart" one of the best love songs of the 1990s.
"All I Ever Wanted" is a song by English synth-pop band the Human League. It is taken from the Secrets album of 2001 and was released as its first single. It is currently their most recent single released on a major label. It follows the standard Human League style of baritone lead vocals of Philip Oakey with choruses and incidentals jointly shared between female co-vocalists Joanne Catherall and Susan Ann Sulley. It was released in July 2001 and stalled at number 47 in the UK Singles Chart.
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