Secrets | ||||
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Studio album by | ||||
Released | 6 August 2001 | |||
Recorded | 2000–2001 | |||
Genre | Pop, electronic | |||
Length | 51:46 | |||
Label | Papillon Records BTFLYCD0019 | |||
Producer | Toy (Dave Clayton and Kerry Hopwood) | |||
The Human League chronology | ||||
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Singles from Secrets | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Alternative Press | 7/10 [2] |
Dotmusic | 8/10 [3] |
The Gazette | [4] |
The Guardian | [5] |
The Independent | [6] |
Muzik | 4/5 [7] |
Q | [8] |
The Times | [9] |
Uncut | [10] |
Secrets is the eighth studio album by British synth-pop band The Human League. It was issued in 2001 by Papillon Records and was the Human League's first studio album in six years. The album was well-received by critics but performed poorly commercially. [11]
As on the previous album Octopus , the band was presented as a trio of singers – Philip Oakey, Joanne Catherall and Susan Ann Sulley (credited by her married name, Susan Ann Gayle, which she would drop professionally in October 2007), although band member Neil Sutton contributed songwriting and keyboards.
Following the band's short stint with East West Records for their top-ten 1995 album Octopus, they signed to Papillon Records in May 2000 and began recording tracks for the album with production team TOY, featuring former ABC members Dave Clayton, Q, and Kerry Hopwood, at the act's studio in Sheffield. [12]
In a Guardian interview to promote the record, Oakey spoke of the personal difficulties that he and Sulley experienced during the nineties. Both had medicated with Prozac to cope. He said that Secrets has "the overall feeling of mental illness about it". [13]
The album contains sixteen tracks, seven of which are short, transitional instrumentals.
"I was probably more happy with that album than with any other," Oakey said in 2003. [14]
The album was released in the UK on August 06, 2001. [1] It opened on the UK Albums Chart at number 44, [15] selling only 4,143 copies in its first week. [16] It is their joint-lowest charting UK album, along with Credo released a decade later in 2011. [15] Commercial success was hampered due to the bankruptcy of Papillon (a division of Chrysalis Records) shortly after its release. [17] On the poor charting, Oakey said in 2008: "That took us aback for a bit. We realized that we have to find different ways to get our music to people. And to be honest, listeners have grown older. They don't go out of their way to find music like they did when they were teens." [18] As of March 2011, the album had total sales of 11,854 copies. [16] Secrets was released in the United States on Ark21 Records November 2001. [19] The first single "All I Ever Wanted" returned the Human League to the UK Singles Chart after a five-year absence peaking at number forty-seven. [15] In 2003, after the collapse of Papillon Records, a follow-up single from Secrets, "Love Me Madly?," was released privately by Michiel Van Bokhorst's Nukove Records, a company set up especially to release Human League records. [20] The album was reissued as a deluxe 2CD version in April 2018 by Edsel Records. [21] As part of Record Store Day 2018, the album was issued for the first time as a three-sided double LP white vinyl. [22]
The album was generally well-received by critics in the UK. [11] The Times gave a positive review. David Stubbs wrote: "Secrets is a pleasing mixture of old style Human League and state-of-the-art techno pop. Songs such as All I Ever Wanted and Liar are splendidly melodramatic, with Phil Oakey's voice the perfect antidote to the sub-Mariah [Carey] vocal aerobics peddled by today's pop groups." [9] The Guardian's Betty Clarke was also favourable. She wrote: "Philip Oakey still writes catchy yet ambiguous pop songs, and his voice manages to be both severe and tender... This isn't just a return to form: it stands alone as completely brilliant." [5] Steven Clark of The List was very favourable, and called it a "return to the trademark Human League sound... to say it's their best album since Dare is faint praise." He concluded, saying: "[S]o the fact that in 2001 they are actually valid and making excellent pop music puts the Human League back to the top of the league." [23]
Some critics were more mixed and felt the music lacked the hooks of their early hits. Wayne Hoffman of Billboard wrote: "Seven instrumental interludes offer some respite from uninspired lyrics. But there's little new ground broken here. And one key ingredient of Human League's recipe is lacking: irresistible hooks that drove such hits as "(Keep Feeling) Fascination" and "Human." [24] Likewise, Andy Gill of The Independent felt the band had made little progress from their " Dare heyday". While he named some tracks on the album to be admired, he felt that "the hooks here aren't anywhere near as adhesive as 'Love Action' and 'Don't You Want Me'." [25] The BBC's Tim Masters however, disagreed with this stance, saying: "After some disappointing albums in the late 80s and early 90s, the Human League have achieved that rarest of feats: a record with more hooks than a fisherman's kit bag. The opening track 'All I Ever Wanted' is like the last two decades never happened." [26]
No. | Title | Writer(s) | Length |
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1. | "All I Ever Wanted" | Philip Oakley, Neil Sutton | 3:32 |
2. | "Nervous" (transitional track) | Philip Oakley, Neil Sutton, Toy | 2:05 |
3. | "Love Me Madly?" | Philip Oakley, Neil Sutton | 4:08 |
4. | "Shameless" | Philip Oakley, Neil Sutton | 3:56 |
5. | "122.3 BPM" (transitional track) | Philip Oakley, Neil Sutton, Toy | 1:39 |
6. | "Never Give Your Heart" | Philip Oakley, Neil Sutton | 3:48 |
7. | "Ran" (transitional track) | Philip Oakley, Neil Sutton | 0:49 |
8. | "The Snake" | Philip Oakley, Neil Sutton | 4:25 |
9. | "Ringinglow" (transitional track) | Philip Oakley, Neil Sutton, Toy | 3:23 |
10. | "Liar" | Philip Oakley, Neil Sutton | 3:21 |
11. | "Lament" (transitional track) | Neil Sutton | 1:12 |
12. | "Reflections (Demons of the Mind)" | Steve Fellowes, Philip Oakley | 6:38 |
13. | "Brute" (transitional track) | Philip Oakley | 2:27 |
14. | "Sin City" | Philip Oakley | 4:24 |
15. | "Release" (transitional track) | Neil Sutton | 1:58 |
16. | "You'Il Be Sorry" | Philip Oakley, Neil Sutton | 4:01 |
Total length: | 51:46 |
Chart (2001) | Peak position |
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German Albums Chart [27] | 64 |
UK Albums Chart [15] | 44 |
The Human League are an English synth-pop band formed in Sheffield in 1977. Initially an experimental electronic outfit, the group signed to Virgin Records in 1979 and later attained widespread commercial success with their third album Dare in 1981 after restructuring their lineup. The album contained four hit singles, including the UK/US number one hit "Don't You Want Me". The band received the Brit Award for Best British Breakthrough Act in 1982. Further hits followed throughout the 1980s and into the 1990s, including "Mirror Man", "(Keep Feeling) Fascination", "The Lebanon", "Human" and "Tell Me When".
Crash is the fifth studio album by English synth-pop band the Human League, released on 8 September 1986 by Virgin Records. The album would provide the band with their second US number-one single, "Human", the same year. It was produced by the American production team of Jimmy Jam and Terry Lewis, who also wrote several tracks.
Philip Oakey is an English singer-songwriter who is the frontman and co-founder of the synth-pop band the Human League. Aside from the Human League, he has enjoyed an extensive solo music career and has collaborated with numerous other artists and producers.
Dare is the third studio album by English synth-pop band The Human League, first released in the United Kingdom in October 1981 and then subsequently in the US in mid-1982. The album was produced by Martin Rushent and recorded between March and September 1981, following the departure of founding members Martyn Ware and Ian Craig Marsh, and saw the band shift direction from their previous avant-garde electronic style toward a more pop-friendly, commercial sound led by frontman Philip Oakey.
"Don't You Want Me" is a song by British synth-pop group the Human League. It was released on 27 November 1981 as the fourth single from their third studio album, Dare (1981). The band's best known and most commercially successful song, it was the best selling UK single of 1981, that year's Christmas number one, and has since sold over 1,560,000 copies in the UK, making it the 23rd-most successful single in UK Singles Chart history. It topped the Billboard Hot 100 in the US on 3 July 1982, where it stayed for three weeks.
Joanne Catherall is an English singer who is one of two female vocalists in the English synth-pop band The Human League.
"Human" is a song by English synth-pop band the Human League, released as the lead single from their fifth studio album, Crash (1986). The track, which deals with the subject of infidelity, was written and produced by Jimmy Jam and Terry Lewis. The song topped the charts of the United States, becoming the band's second single to top the Billboard Hot 100 after their 1981 single "Don't You Want Me". It also went to number one in Canada while reaching number five in Germany and number eight in the band's native United Kingdom.
Hysteria is the fourth studio album by the English synth-pop band the Human League, released on 7 May 1984 by Virgin Records. Following the worldwide success of their previous studio album Dare (1981), the band struggled to make a successful follow-up and the sessions for Hysteria were fraught with problems. The album title itself is taken from the problematic recording period. Producers Martin Rushent and Chris Thomas both left the project which would eventually be finished by producer Hugh Padgham.
Octopus is the seventh full-length studio album recorded by the British synth-pop band The Human League. It was produced by the former Tears for Fears keyboard player Ian Stanley and released by EastWest Records in 1995. It was the first new album from The Human League in five years after the termination of their long-term contract with Virgin Records. Octopus was the first Human League album that presented the band as a trio consisting of the singers Philip Oakey, Joanne Catherall and Susan Ann Sulley. The former Human League member Jo Callis and keyboard player Neil Sutton also contributed to the writing of the album.
Susan Ann Sulley, formerly known as Susanne Sulley and Susan Ann Gayle, is an English singer. She is one of the two female vocalists in the synth-pop band The Human League, contributing co-lead vocals on the conflicting duet "Don't You Want Me" with the band's founding member and lead singer Philip Oakey.
"Tell Me When" is a song by English synth-pop band the Human League, released in December 1994 by East West Records as the first single from their seventh album, Octopus (1995). Written jointly by lead singer Philip Oakey and Paul C. Beckett, the song was produced by Ian Stanley. It peaked at number six on the UK Singles Chart, while reaching number four on the UK Dance Chart. In the US, it peaked at number 31 on the Billboard Hot 100, number 15 on the Billboard Hot Dance Club Play chart and number eight on the Cash Box Top 100. The music video for the song was directed by Andy Morahan and filmed in the Czech Republic.
"One Man in My Heart" is a song by English synth-pop band the Human League, written by Neil Sutton and Philip Oakey. It was released as the second single from the band's seventh album, Octopus (1995), on 6 March 1995 by East West Records. A ballad, the song differs from all previous Human League tracks as the lead vocal is performed by band member Susan Ann Sulley, with spoken-word refrains from Oakey and contrasting backing from the third member, Joanne Catherall. The song received positive reviews from music critics and peaked at number 13 on the UK Singles Chart, spending eight weeks in the top 100. Its music video was directed by Andy Morahan. In 2001, The Guardian newspaper named "One Man in My Heart" one of the best love songs of the 1990s.
"All I Ever Wanted" is a song by English synth-pop band the Human League. It is taken from the Secrets album of 2001 and was released as its first single. It is currently their most recent single released on a major label. It follows the standard Human League style of baritone lead vocals of Philip Oakey with choruses and incidentals jointly shared between female co-vocalists Joanne Catherall and Susan Ann Sulley. It was released in July 2001 and stalled at number 47 in the UK Singles Chart.
"Together in Electric Dreams" is a song by the British singer and composer Philip Oakey and Italian composer and producer Giorgio Moroder. It was written by Oakey and Moroder and recorded for the original soundtrack of the film Electric Dreams (1984). It later formed part of the joint album Philip Oakey & Giorgio Moroder, released in 1985.
"The Sound of the Crowd" is a song by the British synth-pop group The Human League. It became the band's commercial breakthrough, reaching #12 on the UK singles chart in May 1981.
"I Don't Depend on You" is a disco-influenced song by the British synth-pop group the Human League released under the pseudonym The Men. It was released as a single in the UK in July 1979, but failed to chart. It was written by Philip Oakey, Martyn Ware and Ian Craig Marsh; was produced by Colin Thurston and featured guest backing vocalists Katie Kissoon and Lisa Strike.
"Mirror Man" is a 1982 song by the British synth-pop group The Human League. It was released as a single in the UK on 12 November 1982 and peaked at number two in the UK Singles Chart. It was written jointly by lead singer Philip Oakey with keyboard players Jo Callis and Ian Burden, and produced by Martin Rushent.
Holiday '80 is an EP released by the original line-up of the British synthpop band The Human League. The EP was issued in the UK by Virgin Records in April 1980, a month before the release of the band's second album Travelogue. The EP peaked at no. 56 in the UK Singles Chart in May 1980, but was later reissued and returned to the chart, peaking at no. 46 in February 1982.
"Filling Up with Heaven" is a song by English synth-pop band the Human League, released as the third and final single from their seventh full-length studio album, Octopus (1995). It was jointly written by lead singer Philip Oakey and producer Ian Stanley. The song was released on 5 June 1995 by East West Records in a variety of vinyl and CD single formats. These included various third-party remixes of "Filling Up with Heaven" and "John Cleese; Is He Funny?", including mixes by Hardfloor.
"Louise" is a song by English synth-pop band the Human League. It was released as a single in the UK on 5 November 1984 and peaked at number thirteen in the UK Singles Chart. It was written jointly by lead singer Philip Oakey with fellow band members Jo Callis and Philip Adrian Wright. The song features a lead vocal by Oakey and female vocals by Susan Ann Sulley and Joanne Catherall, analogue synthesizers by Philip Oakey, Jo Callis, Philip Adrian Wright and Ian Burden. The producers were Chris Thomas and Hugh Padgham. Although enjoying modest success when released as a single, it appeared on Melody Maker’s list of 50 top singles of 1984.