Plot
In the early morning, dancers are warming up on an English beach (Clacton-on-Sea, Essex), and Neil Tennant appears on a bicycle. The song "It Couldn't Happen Here" is being played. He cycles up to a kiosk, where he buys some postcards from the shopkeeper (Gareth Hunt). The shopkeeper complains about the political faults of the modern world, but Neil ignores him and fills out his postcards.
Meanwhile, Chris Lowe is at a bed and breakfast, throwing the contents of his room into a seemingly bottomless trunk. He runs downstairs and sits waiting for the landlady (Barbara Windsor) to serve breakfast. In the breakfast room, Uncle Dredge (Gareth Hunt) is making bad jokes with a repetitive catch-phrase, bothering other guests, but is submissive to the landlady, who seems to disapprove of everyone except Chris, still sitting dispassionately. When the ridiculously over-size Full English fried breakfast arrives, Chris empties it over the landlady's head and runs out into the street. He runs along the promenade being chased by a group of bikers on motorcycles.
Back at the beach, Neil continues to cycle along the beach. He passes a priest (Joss Ackland) who is reciting verses whilst leading a party of school children. Two of the boys are the Pet Shop Boys at a younger age and they run to the pier (Clacton Pier). In a building on the pier, the adult Neil is seeing an exotically dressed female fortune teller; as he leaves she uncovers her face to reveal that "she" is Chris Lowe (filmed in the West Cliff Theatre bar). The young Neil and Chris (Nicholas and Jonathan Haley) look in a Victorian era Mutoscope and see a short bedroom farce: a slapstick performance featuring a squire (Chris Lowe) and a butler (Neil Tennant) making advances to a French maid (Barbara Windsor) (filmed at the West Cliff Theatre). The priest catches up with the boys and shouts more verses at them. The boys escape into the amusement arcade, where they see a rock star (Neil Tennant) in a gold tasselled suit. Then they pass into a theatre, where they see a group of nuns perform a risqué dance routine to "It's a Sin". The priest catches up with them again and he takes them outside, where it is now evening. On the pier, he commands 12 fishermen to haul a huge cross out of the sea and onto their ship.
The adult Neil and Chris pass three rappers performing "West End Girls" and go to buy a classic car. The salesman (Neil Dickson) insists on presenting his full sales spiel, so Neil and Chris try to interrupt. They pay for the car in cash and drive off, with Chris at the wheel. In the car, the news report on the radio tells of a hitchhiker who has hacked to death three people who have given him lifts. Chris pulls over for a female hitchhiker whom they see on the roadside, but instead an elderly man (Joss Ackland) gets in after a scream and banging is heard. The passenger, who fits the description of the killer from the radio, offers strange and witty anecdotes to questions asked before turning on the radio, which plays "Always on My Mind". During the song, the passenger, with a mad look in his eyes, unpacks several knives from his bag, then suddenly asks to be let out and the Pet Shop Boys continue unharmed.
They arrive at a transport café, where they are sat next to a traveller (Gareth Hunt). Whilst "Love Comes Quickly" plays on the jukebox, they order an inappropriate gourmet meal, but the waitress does not flinch. At another table, a pilot (Neil Dickson, more or less reprising his lead role in Biggles ), fiddles frustratedly with a hand-held computer game that says "divided by... divided by... zero" (taking lyrics from "Two Divided by Zero"). A voice from the traveller's briefcase asks to be let out and the traveller does so, revealing a ventriloquist's dummy. The dummy starts philosophising about the concept of time. He asks whether time can be likened to a teacup in that a teacup is no longer a teacup if no one has the intention to use it as such. To shut him up, Neil puts a record on the jukebox ("Rent") and the wall of the café rises to reveal some dancers.
Meanwhile, the pilot is seen back in his office reading W. H. Newton-Smith's book The Structure of Time. After a while, he reaches a conclusion that "the dummy's a blasted existentialist". He boards his plane, determined to put an end to such daftness. Neil and Chris are driving along a country lane when the pilot attacks. "Two Divided by Zero" is playing. The car is covered with bullet holes, but the Pet Shop Boys drive on, again unharmed. The pilot's monologue piece is known to be extracted from Newton-Smith's book.
They stop by a telephone box, which is being vandalised by a group of youths. Instead of attacking Neil, they politely open the door for him and he phones his mother (Barbara Windsor). The two of them exchange the lines to "What Have I Done to Deserve This?". At the end, Neil puts his head against the broken glass on the door and blood appears.
In a suburban street, a commuter leaves home and there is a scantily clad woman in his upstairs window. He is covered in flames, but does not seem to notice. At the railway station, a zebra is led by two zebra-faced men into a goods van. Neil and Chris sit on the platform watching, then get into another van where a large snake coils itself around them. The van takes them to Paddington station.
At Paddington station, soldiers stand guard and there is a limousine waiting for Neil and Chris. They get in and drive through a tunnel as the chauffeur (Neil Dickson) quotes passages from Milton's Paradise Lost at them. They are driven through a battlefield, with bombs exploding all around them. They pull up by a nightclub and Neil and Chris enter. They perform "One More Chance" to a crowd of dancers. Each dancer has a number on their back. Once the song is finished, Neil and Chris walk up the stairs to leave and on their back are numbers too – except that both of them read "0".
Production
Development
The original idea of making a film emerged from the band's reluctance to go on tour. "We'd planned to do this very theatrical, elaborate tour last year, with the idea of filming it," Tennant said. "We'd hired theater directors and stage designers, then to our horror we discovered we couldn't afford to take the show on the road. That's when someone suggested making a full-length feature instead." [2]
The band hoped that a film would satisfy the fans' demand to see them in live action. [3]
"People wanted to see us, and the film seemed like a good idea," said Tennant. [4]
"We'd had such fun making our videos," Lowe said, "and the whole business of marrying sounds to images always intrigued us so much that a film seemed like the next logical step. It was something we always wanted to do." [2]
Jack Bond
Lowe and Tennant were introduced to Jack Bond, who had made films at the BBC about Werner Herzog and Salvador Dalí. The singers made general suggestions to the director, but basically gave him a free hand. [2]
"The main thing was to avoid all those terrible 'pop-group-in-a-film' situations where inevitably they get caught up in a web of international intrigue," Tennant said. "Or those kind where there's interminable shots of the band rehearsing for 'The Big Show," said Lowe. [2]
Tennant said Bond, "just put us into our own songs or his idea of what our songs mean, but that doesn't mean this is just another rock video. Some people have criticized this as a long-form video, but 20 years ago, before there were videos, a movie made to music was considered a wonderful thing. I don't see why it shouldn't still be a wonderful thing." [5]
"We didn't want to do anything too literal, so it ended up being pretty surreal," said Tennant. "It's more like our version of the Beatles' 'Magical Mystery Tour' than 'A Hard Day's Night', and it doesn't have a linear plot like a thriller. So it's really very impressionistic, and our songs help tell the story as much as the images." [2]
Filming took place over a month. [2]
The sequence where a man heads out to work engulfed in flames whilst the song "King's Cross" plays was, at one stage, going to be deleted due to the King's Cross station fire, but it remained at the request of the victims' families. [6]
"I don't agree with all his visions," Tennant said of Bond later. "But that's OK. It doesn't worry me. That's the kind of person I am." [5]
Home video
It Couldn't Happen Here was available on VHS, but this has now been discontinued. A Laserdisc release was also available in the U.S. and Japan, but this has also been discontinued.
A dual format limited edition DVD and Blu-ray disc was released in the U.K. on 15 June 2020 by the British Film Institute. It has seven special features, including audio commentary by director Jack Bond, James Dillon and Simon Archer, a 27-minute interview with Jack Bond discussing the making of the film titled West End Boy, an interview with choreographer Arlene Phillips, the full-length promotional music video of "Always on My Mind", a 48-page digibook, image gallery and original theatrical trailer. This release is now out of print. [10]
The limited edition was followed by a standard release, replacing the exclusive digibook packaging with a normal Blu-ray case, on 20 July 2020. [11]
