Discography: The Complete Singles Collection | ||||
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Greatest hits album by | ||||
Released | 4 November 1991 | |||
Recorded | 1985–1991 | |||
Genre | ||||
Length | 76:24 | |||
Label | Parlophone | |||
Producer | ||||
Pet Shop Boys chronology | ||||
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Singles from Discography: The Complete Singles Collection | ||||
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Discography: The Complete Singles Collection is the first greatest hits album by English synth-pop duo Pet Shop Boys, released on 4 November 1991 by Parlophone.
Discography collects all of the singles released by Pet Shop Boys up to 1991. 16 of the 18 tracks were singles, while the last two tracks ("DJ Culture" and "Was It Worth It?") are new songs recorded exclusively for this compilation. Discography also contains a non-album single: the duo's cover version of U2's song "Where the Streets Have No Name", which later in the song breaks into the chorus of Frankie Valli's "Can't Take My Eyes Off You". Although many of the album's songs were released in other forms, this compilation only features the seven-inch single versions.
Pet Shop Boys also released a companion video compilation, Videography, consisting of the music videos for each of the songs on Discography, arranged in a slightly different order. Additionally, the song "Was It Worth It?" was replaced with "How Can You Expect to Be Taken Seriously?", which was not on the audio version of the album, despite being a double A-side with "Where the Streets Have No Name (I Can't Take My Eyes off You)" (the exclusion being due to the constrictions of the CD's running time).
Review scores | |
---|---|
Source | Rating |
AllMusic | [1] |
Calgary Herald | A [3] |
The Encyclopedia of Popular Music | [4] |
Entertainment Weekly | A+ [2] |
NME | 10/10 [5] |
Q | [6] |
The Rolling Stone Album Guide | [7] |
The Village Voice | A [8] |
Upon its release, Andrew Collins of NME praised the compilation as "sublime and clever pop music" and added that you "don't have to despise rock music in order to love it". He added, "These songs are rooted in a distinctly bourgeois variety of urban angst but just think how closer it all is to your life than 'Vienna' and all that New Romantic nonsense to which the PSBs are so clearly indebted." [5] Simon Price of Melody Maker summarised, "Somehow the lush symphonic sweep of these singles seems deeply cinematic. Every song is a full-scale Panavision epic whose recurrent moods are regret, nostalgia, and above all, jealousy. If you want near-faultless shimmering, shuddering disco melodrama, nobody does it better." [9]
All tracks are written by Neil Tennant and Chris Lowe, except where noted
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
1. | "West End Girls" (1985 7-inch version) | Stephen Hague | 3:59 | |
2. | "Love Comes Quickly" |
| Hague | 4:17 |
3. | "Opportunities (Let's Make Lots of Money)" (1986 7-inch version) |
| 3:36 | |
4. | "Suburbia" (7-inch version) | Julian Mendelsohn | 4:03 | |
5. | "It's a Sin" |
| 4:59 | |
6. | "What Have I Done to Deserve This?" |
| Hague | 4:19 |
7. | "Rent" (7-inch version) | Mendelsohn | 3:32 | |
8. | "Always on My Mind" (7-inch version) |
| 3:53 | |
9. | "Heart" (7-inch version) |
| 4:16 | |
10. | "Domino Dancing" (7-inch version) |
| 4:17 | |
11. | "Left to My Own Devices" (7-inch version) | 4:46 | ||
12. | "It's Alright" (7-inch version) | Sterling Void | Horn | 4:19 |
13. | "So Hard" |
| 3:58 | |
14. | "Being Boring" (7-inch version) |
| 4:50 | |
15. | "Where the Streets Have No Name (I Can't Take My Eyes Off You)" (7-inch version) |
| 4:30 | |
16. | "Jealousy" (7-inch version) |
| 4:15 | |
17. | "DJ Culture" |
| 4:13 | |
18. | "Was It Worth It?" |
| 4:22 | |
Total length: | 76:24 |
Credits adapted from the liner notes of Discography: The Complete Singles Collection. [10]
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Argentina (CAPIF) [32] | Gold | 30,000^ |
Australia (ARIA) [33] | 2× Platinum | 140,000^ |
Brazil (Pro-Música Brasil) [34] | Platinum | 250,000* |
Canada (Music Canada) [35] | 3× Platinum | 300,000^ |
Finland (Musiikkituottajat) [36] | Gold | 30,845 [36] |
France (SNEP) [37] | Gold | 100,000* |
Germany (BVMI) [38] | Gold | 250,000^ |
New Zealand (RMNZ) [39] | Gold | 7,500^ |
Spain (PROMUSICAE) [40] | Gold | 50,000^ |
United Kingdom (BPI) [41] | 2× Platinum | 600,000‡ |
United States (RIAA) [42] | Gold | 719,000 [43] |
* Sales figures based on certification alone. |
Release is the eighth studio album by English synth-pop duo Pet Shop Boys, released on 1 April 2002 by Parlophone. It was recorded between 2000 and 2001 and produced by the duo with Chris Zippel. The album produced three singles: "Home and Dry", "I Get Along", and "London", the latter of which was only released in continental Europe. It reached number seven on the UK Albums Chart and received positive reviews from critics.
Very is the fifth studio album by English synth-pop duo Pet Shop Boys, released on 27 September 1993 by Parlophone, nearly three years after the duo's previous studio album, Behaviour, and following the compilation album Discography: The Complete Singles Collection. Very exhibits one of many turning points the Pet Shop Boys would make to their music, shifting from the subdued electronic pop of Behaviour to richly instrumented dance arrangements. The content and lyrics led to Very being called their "coming-out" album, since it was during this time that Neil Tennant had publicly discussed his long-rumoured homosexuality.
Bilingual is the sixth studio album by English synth-pop duo Pet Shop Boys, released in the United Kingdom on 2 September 1996 by Parlophone and in the United States on 10 September 1996 by Atlantic Records. The album reached number four on the UK Albums Chart, lower than their previous five studio albums which had all reached the top three. It yielded five successful singles, with three of them—"Before", "Se a vida é " and "A Red Letter Day"—reaching the UK top 10; the fourth one, the English/Spanish-language composition "Single-Bilingual", peaked within the top 20.
Nightlife is the seventh studio album by English synth-pop duo Pet Shop Boys, released on 8 October 1999 by Parlophone. After the release and promotion of their previous album, Bilingual (1996), Pet Shop Boys started work with playwright Jonathan Harvey on the stage musical that eventually became Closer to Heaven. Pet Shop Boys soon had an album's worth of tracks and decided to release the album Nightlife as a concept album and in order to showcase some of the songs that would eventually make it into the musical.
Alternative is a compilation album by English synth-pop duo Pet Shop Boys. It was released on 7 August 1995 by Parlophone.
Please is the debut studio album by English synth-pop duo Pet Shop Boys, released on 24 March 1986 by Parlophone in the United Kingdom and by EMI America Records in the United States. According to the duo, the album's title was chosen so that people had to go into a record shop and say "Can I have the Pet Shop Boys album, 'Please'?". Please spawned four singles: "West End Girls", "Opportunities ", "Suburbia", and "Love Comes Quickly"; "West End Girls" reached number one in both the UK and the US.
Disco is the first remix album by English synth-pop duo Pet Shop Boys, released on 17 November 1986 by Parlophone in the United Kingdom and by EMI America Records in the United States. Disco consists of remixes of tracks from the band's debut album Please and its respective B-sides. The album includes remixes by Arthur Baker, Shep Pettibone and Pet Shop Boys themselves.
Actually is the second studio album by English synth-pop duo Pet Shop Boys, released on 7 September 1987 by Parlophone in the United Kingdom and by EMI Manhattan in North America. According to Neil Tennant and music historian Wayne Studer, Actually loosely critiques Thatcherism, the political zeitgeist of the 1980s, and was recorded in anticipation of Margaret Thatcher's re-election.
Introspective is the third studio album by English synth-pop duo Pet Shop Boys, released on 10 October 1988 by Parlophone. It received generally positive reviews from critics.
Behaviour is the fourth studio album by the English synth-pop duo Pet Shop Boys, released on 22 October 1990 by Parlophone. A Japanese special edition included a bonus mini CD, exclusive artwork and printed lyrics in a white velvet-like box.
Disco 3 is the third remix album by English synth-pop duo Pet Shop Boys, released on 3 February 2003 by Parlophone. The album consists of five remixes of songs and B-sides from their previous album, Release, three new tracks, a new recording of "Positive Role Model" from their 2001 musical Closer to Heaven, and a cover version of "Try It ", originally by Oh Romeo, the band of former Pet Shop Boys producer Bobby Orlando. "Positive Role Model" also appeared on the Germany-only single "London" in 2002 as a B-side.
PopArt: The Hits is a greatest hits album by English synth-pop duo Pet Shop Boys. It was released on 24 November 2003 by Parlophone. The album consists of Pet Shop Boys' top 20 UK singles along with two new tracks, "Miracles" and "Flamboyant", which were also released as singles.
Peace is the eighth and final studio album by British pop duo Eurythmics, released on 19 October 1999 by RCA Records. It was the band's first album of new material in 10 years, following 1989's We Too Are One.
The Singles 81→85 is a greatest hits album by English electronic music band Depeche Mode, released on 14 October 1985 by Mute Records. The compilation was not originally released in North America, where it was replaced by its counterpart Catching Up with Depeche Mode. This was the first release to feature a picture of the band on the cover.
Greatest Hits is a greatest hits album by British pop duo Eurythmics, released on 18 March 1991 by RCA Records. It contains their successful singles spanning the years 1982 through 1990. The album topped the charts in the United Kingdom for a total of 10 weeks, in New Zealand for eight weeks and in Australia for seven weeks. It remains the duo's best-selling album worldwide and has been certified six-times platinum in the United Kingdom and triple platinum in the United States. Phil Sutcliffe in Q Magazine noted that "this compilation portrays, for once, a band accorded precise justice by the singles charts".
Wildest Dreams is the ninth solo studio album by Tina Turner, released on April 22, 1996, by Parlophone internationally and Virgin Records in the US. Six singles were released from the album: the theme for the 1995 James Bond film GoldenEye, "GoldenEye"; "Whatever You Want"; "On Silent Wings" featuring Sting; "Missing You"; "Something Beautiful Remains"; and "In Your Wildest Dreams", a duet with Barry White. It has earned double platinum certifications in the United Kingdom and in Europe.
Disco 4 is the fourth remix album by English synth-pop duo Pet Shop Boys, released on 8 October 2007 by Parlophone on CD and vinyl. It was not made available as a digital download, due to licensing difficulties for each track.
"Was it Worth it?" is a song by English synth-pop duo Pet Shop Boys from their first greatest hits album, Discography: The Complete Singles Collection (1991). It was released on 9 December 1991 as the album's second and final single, peaking at number 24 on the UK Singles Chart, becoming the group's first single to not reach the top 20 since they signed to Parlophone in 1984. This was the main reason why the song was not included on their later hits compilation PopArt: The Hits, however it was featured on the DVD edition and Moby’s remix of the single’s b-side "Miserablism" was included on the three disc special edition.
Yes is the tenth studio album by English synth-pop duo Pet Shop Boys, released on 18 March 2009 by Parlophone. The album was recorded throughout 2008 and was produced by Brian Higgins and his production team Xenomania. Xenomania also co-wrote three of the tracks. Guitarist Johnny Marr and string arranger Owen Pallett appear as well. "Love Etc." was released on 16 March 2009 as the album's lead single.
Elysium is the eleventh studio album by English synth-pop duo Pet Shop Boys. Released on 5 September 2012, it was the duo's final album with Parlophone for 12 years. The album was recorded in 2012 in Los Angeles and produced by Andrew Dawson and Pet Shop Boys.
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