Actually | ||||
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Studio album by | ||||
Released | 7 September 1987 [1] | |||
Recorded | 1986–1987 | |||
Studio | Sarm West and Advision (London) | |||
Genre | ||||
Length | 47:52 | |||
Label | Parlophone | |||
Producer |
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Pet Shop Boys chronology | ||||
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Singles from Actually | ||||
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Actually (stylised as Pet Shop Boys, actually.) is the second studio album by English synth-pop duo Pet Shop Boys, released on 7 September 1987 by Parlophone in the United Kingdom and by EMI Manhattan in North America. The album features two number one singles, "It's a Sin" and "Heart", and a duet with Dusty Springfield, "What Have I Done to Deserve This?" Actually is the Pet Shop Boys' top-selling album in the UK, certified triple platinum with over one million sales; [3] worldwide it has sold over four million copies. [4]
For their second album, Pet Shop Boys still had material from their early songwriting days, including "It's a Sin" (1982), "Rent" (1984), and "One More Chance" which they had recorded with Bobby Orlando and released as an unsuccessful single outside the UK in 1984. [5] "What Have I Done to Deserve This?" was a collaboration with songwriter Allee Willis, suggested by their manager Tom Watkins; they had hoped to include it on Please (1986) but had to wait for a response from Dusty Springfield. [6]
The duo also wrote new material. "Hit Music" was inspired by the Henry Mancini theme song "Peter Gunn" covered by Art of Noise. [7] The music for "I Want to Wake Up" was written by Chris Lowe; [8] the lyrics added by Neil Tennant compare unrequited love to a bad dream, mentioning the songs "Tainted Love" and "Love Is Strange". The chart-topper "Heart" was a song they considered giving to Hazell Dean but decided to keep for themselves. [9]
"Shopping" began as a joke about spelling out the word as they were shopping, but the lyrics took a serious turn about the privatisation of national industries under Margaret Thatcher. The "Tell Sid" advertisements for British Gas, encouraging people to buy shares in the company, were a particular source of inspiration. [9]
Composer Ennio Morricone shares a songwriting credit on "It Couldn't Happen Here". Pet Shop Boys had contacted Morricone about writing a string arrangement for their song "Jealousy", but instead he sent them an Italian song to work with. Pet Shop Boys used the music from the chorus of Morricone's song and wrote a new verse, [10] with Lowe adding chord changes. [9] Angelo Badalamenti contributed an arrangement which was programmed into a Fairlight by Blue Weaver in lieu of an orchestra. [11] The title "It Couldn't Happen Here" refers to an early belief, discussed by Tennant and his friend Christopher Dowell, that AIDS would not greatly impact the UK. By the time Tennant wrote the lyrics, Dowell had been diagnosed with the disease; he died two years later. [12] [13]
The last track on the album, "King's Cross", depicts the area around King's Cross station in London, which at the time was a destination for drug addicts, prostitutes, and the homeless, as well as people coming by train from northern England and Scotland seeking opportunities. [14] According to Tennant, "It's an angry song about Thatcherism. Mrs Thatcher came in on the promise of firm government and I'm interpreting 'the smack of firm government' literally as hitting someone. That's what firm government tends to mean—you hit the weakest person, the man at the back of the queue". [15] With this and songs like "Shopping" and "It Couldn't Happen Here", Tennant noted that Actually can be taken loosely as a critique of Thatcherism. [16]
Actually was recorded at Sarm Studios and Advision Studios. [17] On the album Pet Shop Boys worked with several producers, including Julian Mendelsohn and Stephen Hague. Mendelsohn produced and engineered half of the album's ten tracks, including the lead single and UK number one "It's a Sin", while Hague, who had produced the duo's previous album Please, this time only produced a few tracks, including "What Have I Done to Deserve This?", and mixed "It's a Sin". "Heart", which went on to became a UK number one single, was produced by Andy Richards and mixed by Mendelsohn. Wanting to keep everything fresh and not lose perspective, the production method was usually to work only a few hours at the time on each track and then switch to another. [18]
The album cover was originally going to feature a painting by Scottish artist Alison Watt, who had just won the National Portrait Gallery-supported John Player Portrait Award. [19] The group traveled to Glasgow, along with photographer Eric Watson and designer Mark Farrow, to meet her. Sittings for the painting would have taken three weeks, so instead photos were taken of the duo in different poses. After a few weeks, Watt submitted the painting, but Lowe was unhappy with how he looked in it. The painting was reworked and although Tennant was pleased with it, Lowe still had reservations. [19] It was decided that the painting wasn't right for the album and it was shelved. The painting was bought by Tennant. [19]
While shooting the video for "What Have I Done to Deserve This?", photographer Cindy Palmano was commissioned to take photographs of them for a Smash Hits cover. She placed them in front of a waist-high piece of reflective metal, with a similar sheet behind them. [19] The photo where Tennant is yawning and Lowe is scowling was the favourite and Smash Hits were keen to use it as a front cover. Eric Watson then took some photos, but it was thought these weren't strong enough for the album cover, so they were used for the inner sleeve. [19] The group then decided that Palmano's photo was the best choice. The issue of Smash Hits was due to go to press the following day. They persuaded the magazine to release Palmano's photograph and agreed to do a hastily arranged photo session for them. [20]
Inspired by Jean-Paul Goude's design for Grace Jones album Slave to the Rhythm , Mark Farrow tightly cropped the photo to remove the reflective background and just have the duo on a plain white background. [20] Chris Lowe was, and remains, unhappy with the cover. However it has come to be seen as the defining image of them. [20]
Actually was released on 7 September 1987, debuting at number two on the UK Albums Chart behind Michael Jackson's Bad . It was in the top 40 for 42 consecutive weeks, with 15 weeks in the top 10. [21] It is the only Pet Shop Boys album to be certified triple platinum by BPI. [22] Actually was also certified platinum in seven other countries, including Germany where sales exceeded 500,000 (see Certifications and sales). In the United States, Actually peaked at number 25 and spent 45 weeks on the Billboard 200, [23] selling over 750,000 copies with a gold certification. [24] [25]
Actually produced four UK top 10 singles: the number-one single "It's a Sin", "Rent", "What Have I Done to Deserve This?"—which peaked at number two in both the UK and US and led to a resurgence of interest in Dusty Springfield's earlier work—and another UK number one in April 1988 with a remixed version of the song "Heart". [26]
In television commercials for the release, Lowe and Tennant were shown in black tie, blank-faced against a white background. The former seems unimpressed by a radio DJ-style Alan 'Fluff' Freeman voiceover listing their previous hits and new singles from Actually, while the latter eventually "gets bored" and yawns, with the image then freezing to create, roughly, the album's cover shot.[ citation needed ]
During this period Pet Shop Boys also completed a full-length motion picture called It Couldn't Happen Here . [27] Featuring songs by the duo, it was most famous for containing the video for "Always on My Mind" (starring Joss Ackland as a blind priest), which—while not on Actually—was released as a single during this period. [28]
Actually was re-released in 2001 as Actually: Further Listening 1987–1988. The new version was digitally remastered and came with a second disc of B-sides and previously unreleased material from around the time of the album's original release. [29] A remastered single-disc edition of Actually, containing only the 10 original tracks, was released in 2009. [30] In 2018, a newly remastered edition of Actually: Further Listening 1987–1988 was released, with the same contents as the 2001 edition. [29]
Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Los Angeles Times | ![]() ![]() ![]() ![]() |
Mojo | ![]() ![]() ![]() ![]() ![]() |
Q | ![]() ![]() ![]() ![]() ![]() |
Record Mirror | 3/5 [35] |
The Rolling Stone Album Guide | ![]() ![]() ![]() ![]() ![]() |
Sounds | ![]() ![]() ![]() ![]() ![]() |
Spin Alternative Record Guide | 9/10 [38] |
Uncut | 8/10 [39] |
The Village Voice | A− [40] |
Actually was generally well received by critics. At the time of its release, Chris White of Music Week said Actually was "well worth the wait with the duo coming up with another highly original and distinctive-sounding album" and called it a "great pop album which will deservedly be one of the year's biggest sellers". [41] In December 1987, Robert Christgau of The Village Voice praised it as "actual pop music with something actual to say—pure commodity, and proud of it." [40] In his retrospective review, Stephen Thomas Erlewine of AllMusic said that Actually is the album where "the Pet Shop Boys perfected their melodic, detached dance-pop." [31]
Actually is featured in the 2005 musical reference book 1001 Albums You Must Hear Before You Die , [42] and has been recognised in various other "must-listen" lists. In 2006, Q magazine included Actually in its list of the "40 Best Albums of the '80s" at number 22. [43] In 2012, Slant Magazine ranked the record at number 88 on its list of the "100 Best Albums of the 1980s". [44] In 2020, Rolling Stone placed Actually at number 435 on its list of the "500 Greatest Albums of All Time". [45]
Although not released as a single, the track "Shopping" is frequently featured as background music in British television news and current affairs programmes dealing with retail business issues and as bumper music on home shopping shows. [16] This is despite the fact that the song is actually a critique of privatisation in 1980s Britain, and has little to do with actual shopping. [46] "Shopping" was also used in a season 1 episode of the Disney Channel television series Lizzie McGuire . [47] A more appropriate use of "Shopping" is in the fourth episode of Andrew Marr's History of Modern Britain , dealing with privatisation and deregulation. [48]
"King's Cross" served in the Japanese media as a commercial song for the Aurex's (owned by Toshiba) cassette tape recorder model XDR.[ citation needed ] The album is featured in the preview of Naughty Dog's game Intergalactic: The Heretic Prophet . [49]
All tracks are written by Neil Tennant and Chris Lowe, except where noted
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "One More Chance" |
| 5:30 |
2. | "What Have I Done to Deserve This?" (with Dusty Springfield) |
| 4:18 |
3. | "Shopping" | 3:37 | |
4. | "Rent" | 5:08 | |
5. | "Hit Music" | 4:44 |
No. | Title | Writer(s) | Length |
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6. | "It Couldn't Happen Here" |
| 5:20 |
7. | "It's a Sin" | 4:59 | |
8. | "I Want to Wake Up" | 5:08 | |
9. | "Heart" | 3:58 | |
10. | "King's Cross" | 5:10 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "I Want to Wake Up" (breakdown mix) (previously unreleased) | 6:00 | |
2. | "Heart" (Shep Pettibone version) (previously unreleased) | 4:12 | |
3. | "You Know Where You Went Wrong" | 5:50 | |
4. | "One More Chance" (seven-inch mix) (previously unreleased) | 3:50 | |
5. | "It's a Sin" (disco mix) | 7:41 | |
6. | "What Have I Done to Deserve This?" (extended mix) |
| 6:47 |
7. | "Heart" (disco mix) | 8:40 | |
8. | "A New Life" |
| 4:55 |
9. | "Always on My Mind" (demo version) (previously unreleased on CD) | 4:03 | |
10. | "Rent" (seven-inch mix) | 3:33 | |
11. | "I Want a Dog" | 4:58 | |
12. | "Always on My Mind" (extended dance mix) |
| 8:15 |
13. | "Do I Have To?" | 5:15 | |
14. | "Always on My Mind" (dub mix) (previously unreleased on CD) |
| 2:15 |
Credits adapted from the liner notes of Actually: Further Listening 1987–1988. [17]
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Austria (IFPI Austria) [79] | Gold | 25,000* |
Brazil | — | 160,000 [80] |
Canada (Music Canada) [81] | Platinum | 100,000^ |
Finland (Musiikkituottajat) [82] | Platinum | 68,416 [82] |
Germany (BVMI) [83] | Platinum | 500,000^ |
Hong Kong (IFPI Hong Kong) [84] | Platinum | 20,000* |
New Zealand (RMNZ) [85] | Platinum | 15,000^ |
Spain (PROMUSICAE) [86] | Platinum | 100,000^ |
Sweden (GLF) [87] | Gold | 50,000^ |
Switzerland (IFPI Switzerland) [88] | Platinum | 50,000^ |
United Kingdom (BPI) [89] | 3× Platinum | 1,000,000 [3] |
United States (RIAA) [90] | Gold | 750,000 [24] |
Summaries | ||
Worldwide | — | 4,000,000 [4] |
* Sales figures based on certification alone. |
Pet Shop Boys are an English synth-pop duo formed in Chelsea, London, in 1981. Consisting of primary vocalist Neil Tennant and keyboardist Chris Lowe, they have sold more than 100 million records worldwide and were listed as the most successful duo in UK music history in the 1999 edition of The Guinness Book of Records.
Very is the fifth studio album by English synth-pop duo Pet Shop Boys, released on 27 September 1993 by Parlophone, nearly three years after the duo's previous studio album, Behaviour, and following the compilation album Discography: The Complete Singles Collection. It is the only Pet Shop Boys album to reach number one on the UK Albums Chart, and it produced two top ten singles, "Can You Forgive Her?" and "Go West". Very exhibits one of many turning points the Pet Shop Boys would make to their music, shifting from the subdued electronic pop of Behaviour to richly instrumented dance arrangements. The content and lyrics led to Very being called their "coming-out" album, since it was during this time that Neil Tennant had publicly discussed his long-rumoured homosexuality.
Please is the debut studio album by English synth-pop duo Pet Shop Boys, released on 24 March 1986 by Parlophone in the United Kingdom and by EMI America Records in the United States. According to the duo, the album's title was chosen so that people could go into a record shop and say "Can I have the Pet Shop Boys album, please?" Please featured the number one hit "West End Girls" and nine other songs, including the singles "Opportunities ", "Love Comes Quickly", and "Suburbia".
Disco is the first remix album by English synth-pop duo Pet Shop Boys, released on 17 November 1986 by Parlophone in the United Kingdom and by EMI America Records in the United States. Disco consists of remixes of tracks from the band's debut album Please and its respective B-sides. The album includes remixes by Arthur Baker, Shep Pettibone and Pet Shop Boys themselves.
Introspective is the third studio album by English synth-pop duo Pet Shop Boys, released on 10 October 1988 by Parlophone. It received generally positive reviews from critics.
Behaviour is the fourth studio album by the English synth-pop duo Pet Shop Boys, released on 22 October 1990 by Parlophone. A Japanese special edition included a bonus mini CD, exclusive artwork and printed lyrics in a white velvet-like box.
Discography: The Complete Singles Collection is the first greatest hits album by English synth-pop duo Pet Shop Boys, released on 4 November 1991 by Parlophone.
PopArt: The Hits is a greatest hits album by English synth-pop duo Pet Shop Boys. It was released on 24 November 2003 by Parlophone. The album consists of Pet Shop Boys' top 20 UK singles along with two new tracks, "Miracles" and "Flamboyant", which were also released as singles.
"West End Girls" is a song by English synth-pop duo Pet Shop Boys. Written by Neil Tennant and Chris Lowe, the song was released twice as a single. The song's lyrics are concerned with class and the pressures of inner-city life in London which were inspired partly by T. S. Eliot's poem The Waste Land. It was generally well received by contemporary music critics and has been frequently cited as a highlight in the duo's career.
Results is the ninth studio album by Liza Minnelli, released in October 1989. It was produced by Pet Shop Boys and Julian Mendelsohn.
Fundamental is the ninth studio album by English synth-pop duo Pet Shop Boys. It was released in May 2006 in the United Kingdom, Europe, Japan and Canada. It was released in late June 2006 in the United States. The album entered the UK Albums Chart at number five on 28 May 2006. In the US the album peaked at number 150 selling 7,500 copies in its first week. As of April 2009 it had sold 46,000 copies in the US and 66,000 copies in the UK. Fundamental earned two Grammy nominations at the 2007 Grammy Awards for Best Dance/Electronic Album and Best Dance Recording with "I'm with Stupid".
"Suburbia" is a song by English synth-pop duo Pet Shop Boys from their debut album, Please (1986). It was re-recorded with producer Julian Mendelsohn for release as the fourth single from the album. Peaking at number eight on the UK Singles Chart, "Suburbia" was the band's second top 10 hit after "West End Girls", and in their view it saved them from becoming a one-hit wonder.
"It's a Sin" is a song by English synth-pop duo Pet Shop Boys from their second studio album, Actually (1987). Written by Chris Lowe and Neil Tennant, the song was released on 15 June 1987 as the album's lead single. It became the duo's second number-one single on the UK Singles Chart, spending three weeks atop the chart. Additionally, the single topped the charts in Austria, Denmark, Finland, West Germany, Ireland, Norway, Portugal, South Africa, Spain, Sweden, Switzerland, and Zimbabwe, while reaching number nine on the US Billboard Hot 100. It remains one of Pet Shop Boys' most popular songs with 40 million streams in the UK.
"Heart" is a song by English synth-pop duo Pet Shop Boys from their second studio album, Actually (1987). It was released as the album's fourth and final single on 21 March 1988 by Parlophone. The song topped the UK Singles Chart for three weeks in April 1988, becoming the duo's fourth and final chart-topper to date in the United Kingdom. Its music video was directed by Jack Bond and filmed in Slovenia. The group had initially written the song for Madonna, though they never asked her to record it, instead keeping it for themselves.
"Jealousy" is a song originally written in 1982 by English synth-pop duo Pet Shop Boys, recorded for their fourth studio album, Behaviour (1990). It was released on 28 May 1991 as the album's fourth and final single in a slightly remixed form, which appears on the Pet Shop Boys' greatest hits albums. It reached number 12 on the UK singles chart. The song was performed by Robbie Williams at the Pet Shop Boys' 2006 BBC Radio 2 concert at the Mermaid Theatre, a recording of which was released on the Pet Shop Boys' live album Concrete.
"What Have I Done to Deserve This?" is a song by English synth-pop duo Pet Shop Boys and soul singer Dusty Springfield, taken from the duo's second studio album, Actually (1987). The song was released as the second single from the album on 10 August 1987.
"Rent" is a song by English synth-pop duo Pet Shop Boys from their second studio album, Actually (1987). It was released as the album's third single on 12 October 1987.
"Left to My Own Devices" is a song by English synth-pop duo Pet Shop Boys, released in November 1988 by Parlophone as the second single from their third studio album, Introspective (1988). It is the first track of the album. The song fared better than the album's lead single, "Domino Dancing", charting three positions higher on the UK Singles Chart, at number four. It was the first song that Pet Shop Boys recorded with an orchestra, arranged by Richard Niles. Since its release, it has become a staple of Pet Shop Boys' live performances. Eric Watson directed its music video.
"One More Chance" is a song by English synth-pop duo Pet Shop Boys, first released as their second single in 1984 and re-recorded for their second album Actually in 1987. The track was originally credited to Neil Tennant and producer Bobby Orlando before Chris Lowe wrote additional music for the album version.
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