Jason Eskenazi (born April 23, 1960) [1] is an American photographer, based in Brooklyn, New York. The majority of his photography is from the countries of the former Soviet Union, including his book Wonderland: A Fairy Tale of the Soviet Monolith (2008). [2]
Eskenazi received the Dorothea Lange/Paul Taylor Prize [3] and a Guggenheim Fellowship, both in 1999. [4] Wonderland won first place in a book award from Pictures of the Year International in 2008. [5]
Eskenazi was born April 23, 1960, in Queens, New York. [1] He attended Bayside High School then studied psychology and American literature at Queens College. [1] While at Queens College he was photo editor for the yearbook, assisted photographers on assignment and worked as a freelance photographer for the Queens Tribune . After graduation he worked in darkrooms, obtained local photo assignments, continued as an assistant [1] and interned at a photo agency in New York. At age 29, inspired by the fall of the Berlin Wall, he began to travel and make photographs. [6] His first trips were to Romania (for its first democratic election) and to Germany, then Russia in 1991 just before the August coup that marked the end of the Soviet Union. [7]
In 2004 and 2005 Eskenazi directed a Kids with Cameras project in Jerusalem, [1] [8] teaching photography to Arab Muslims and Jewish children. Their photographs were exhibited in New York, San Francisco, [8] Oklahoma, and Montreal, and in Eskenazi's self-published book, Beyond the Wall.
In 2005, funded by a grant from the Fulbright Program, Eskenazi and Russian photographer Valeri Nistratov travelled in the Russian Federation, from Kaliningrad to Vladivostok. They made color portraits of people using a 4×5 large format camera, [3] resulting in the book Title Nation.
For economic reasons as well as to obtain health insurance, Eskenazi worked from 2008 to 2009 as a security guard at the Metropolitan Museum of Art in New York. [2] During this time, he worked as a guard for the exhibition Looking In: Robert Frank's The Americans, which allowed him much time to study and be inspired by Robert Frank's photographs. He asked renowned photographers and others he recognized visiting the exhibition what their favorite image was from Frank's book The Americans , and why. He edited the resulting notes and thoughts of 276 photographers into a book, By the Glow of the Jukebox: The Americans List. [9] William Meyers, writing in The Wall Street Journal, favorably reviewed The Americans List, [10] as did photographer David Carol. [11]
Eskenazi is one of the founding editors of Sw!pe magazine, created by guards at the Metropolitan who are artists in their free time. [12] [13] Eskenazi co-founded Red Hook Editions, a publishing cooperative of photographers. [14] He is co-creator of a large-format zine titled Dog Food, blending parody and photography and also published online. [n 1] [15]
Eskenazi's preferred way of disseminating his work is the photobook. His most important work is a trilogy of photobooks spanning 30 years. Although their page size varies, they share a common design with bare boards and an open spine. Each consists of three numbered sections; the numbering of these sections, and of the plates, is consecutive across the trilogy. In each book, the photography style appears documentary black and white, but the photos are recontextualized in an imagined conceptual and visual narrative. [16]
For the first of these books, Wonderland: A Fairy Tale of the Soviet Monolith, Eskenazi undertook an extensive project in Russia and the former Soviet Union between 1991 and 2001. [6] Using the fairy tale as a framework, he "took the title of his book from Alice in Wonderland, [and] likens the breakup of the Soviet Union (and the food and security provided by the Communist Party) to the end of childhood." [17] Eugene Richards commented: "Most photographers today either do art photography or create blunt, in-your-face messages. . . . The place he went to could be seen in a million ways, but Eskenazi always seems to capture the little non-moments, the lonely souls." [17] An exhibition of the work was held at the Leica Gallery in New York. The book won first prize in Pictures of the Year International's 'Best Use Books' category in 2008. [5] [6]
In 2011 Eskenazi successfully raised funding via a Kickstarter campaign to complete The Black Garden, envisioned as "a companion to" Wonderland and a photographic investigation of the East–west divide. [18] [19] It appeared, eight years later, as the second volume (largest in format) of a trilogy.
The framework for The Black Garden is Greek mythology, and the book was photographed within "the vast geographical and mythical world known to ancient Greece", [18] from the Mediterranean to the Caucasus, including Turkey, Greece, Iraq, Afghanistan, Ukraine, Egypt, Libya, and Sicily, as well as New York City.
The third book in the trilogy, Departure Lounge completes the cycle by revisiting the territory of the first book, forming "an aged or matured Wonderland, as you can see some of the Wonderland characters reappearing in Departure Lounge". The book investigates how we depart from reality, from friends, and from ourselves. The Black Garden and Departure Lounge were published simultaneously in 2019. Eskenazi felt that with that release, his work was completed, and has stated his intention to quit photography and start a family. [16]
Eskenazi's work is held in the following collections:
Robert Frank was a Swiss American photographer and documentary filmmaker. His most notable work, the 1958 book titled The Americans, earned Frank comparisons to a modern-day de Tocqueville for his fresh and nuanced outsider's view of American society. Critic Sean O'Hagan, writing in The Guardian in 2014, said The Americans "changed the nature of photography, what it could say and how it could say it. [ ... ] it remains perhaps the most influential photography book of the 20th century." Frank later expanded into film and video and experimented with manipulating photographs and photomontage.
Henri Cartier-Bresson was a French artist and humanist photographer considered a master of candid photography, and an early user of 35mm film. He pioneered the genre of street photography, and viewed photography as capturing a decisive moment.
Elliott Erwitt is a French-born American advertising and documentary photographer known for his black and white candid photos of ironic and absurd situations within everyday settings. He has been a member of Magnum Photos since 1953.
Stephen Shore is an American photographer known for his images of scenes and objects of the banal, and for his pioneering use of color in art photography. His books include Uncommon Places (1982) and American Surfaces (1999), photographs that he took on cross-country road trips in the 1970s.
Ilse Bing was a German avant-garde and commercial photographer who produced pioneering monochrome images during the inter-war era.
Christopher Horace Steele-Perkins is a British photographer and member of Magnum Photos, best known for his depictions of Africa, Afghanistan, England, Northern Ireland, and Japan.
Ellis (Eli) Reed is an American photographer and photojournalist. Reed was the first full-time black photographer employed by Magnum Agency and the author of several books, including Black In America. Several of the photographs from that project have been recognized in juried shows and exhibitions.
Keld Helmer-Petersen was a Danish photographer who achieved widespread international recognition in the 1940s and 1950s for his abstract colour photographs.
Maciej Dakowicz is a Polish street photographer, photojournalist and gallerist. He is from Białystok in North East Poland. Dakowicz is best known for his series of photographs of Cardiff night-life titled Cardiff after Dark. He and others set up and ran Third Floor Gallery in Cardiff and he was a member of the In-Public street photography collective.
David Jeffrey Carol is the editor-in-chief of Peanut Press, which he co-founded with Ashly Stohl, and the author of a number of photography books. He is the former Director of Photography at Outfront Media and was a contributing editor and writer for Photo District News' Emerging Photographer series. He was also a writer at Rangefinder Magazine, authoring a column entitled "Photo Finish."
Rodney Lewis Smith was a New York-based fashion and portrait photographer.
Vanessa Winship HonFRPS is a British photographer who works on long term projects of portrait, landscape, reportage and documentary photography. These personal projects have predominantly been in Eastern Europe but also the USA. Winship's books include Schwarzes Meer (2007), Sweet Nothings (2008) and She Dances on Jackson (2013).
Matt Stuart (1974) is a British street photographer. He was a member of the In-Public street photography collective. Stuart also works as an advertising photographer.
Jesse Marlow (1978) is an Australian street photographer, editorial and commercial photographer who lives and works in Melbourne.
Max Pinckers (1988) is a Belgian photographer based in Brussels.
Martin Kollár is a Slovak photographer and cinematographer.
Richard Bram is an American street photographer. He is based in London and was a member of the In-Public street photography collective.
Rafał Milach is a Polish visual artist and photographer. His work is about the transformation taking place in the former Eastern Bloc, for which he undertakes long-term projects. He is an associate member of Magnum Photos.
Craig Semetko is an American street photographer and speaker based in Los Angeles. He is known for the strong sense of humor and irony that appears in his candid and spontaneous photos of everyday life. He teaches workshops around the world and his photography has been exhibited in the United States, Europe, and Asia.
Peter Kayafas is an American photographer, publisher, and educator based in New York City. He creates black and white photographs that are "simple and spare, yet quietly overpowering with their evocation of a history on a scale beyond that of individual human lives."