"Je t'aime... moi non plus" (French for 'I love you... me neither') is a 1967 song written by Serge Gainsbourg for Brigitte Bardot. In 1969, Gainsbourg recorded the best-known version as a duet with English actress Jane Birkin. Although this version reached number one in the UK, the first foreign-language song to do so, and number two in Ireland, it was banned in several countries because of its overtly sexual content. In 1976 Gainsbourg directed Birkin in an erotic film of the same name.
The song was written and recorded in late 1967 for Gainsbourg's then-girlfriend, Brigitte Bardot. After a disappointing date with Bardot, she "phoned and demanded as a penance" the following day[2][3] that he write, for her, "the most beautiful love song he could imagine"; that night, he wrote "Je t'aime" and "Bonnie and Clyde".[4] They recorded an arrangement of "Je t'aime" by Michel Colombier at a Paris studio in a two-hour session in a small glass booth. The engineer William Flageollet said there was "heavy petting".[5] However, news of the recording reached the press, and Bardot's husband, German businessman Gunter Sachs, angrily called for the single to be withdrawn. Bardot pleaded with Gainsbourg not to release it. He complied, but was not pleased: "The music is very pure. For the first time in my life, I write a love song and it's taken badly."[5][6][7]:92
In 1968, Gainsbourg and the English actress Jane Birkin began a relationship on the set of the film Slogan. After the end of filming, he asked her to record "Je t'aime" with him.[5] Birkin had heard the Bardot version and considered it "so hot".[8] Birkin has stated that "I only sang it because I didn't want anybody else to sing it", jealous at the thought of Gainsbourg sharing intimacy in the recording studio with someone else. Gainsbourg asked her to sing an octave higher than Bardot, "so [she'd] sound like a little boy".[9] This version was recorded in an arrangement by Arthur Greenslade in a studio at Marble Arch Records.[5] Birkin said that she "got a bit carried away with the heavy breathing – so much so, in fact, that I was told to calm down, which meant that at one point I stopped breathing altogether. If you listen to the record now, you can still hear that little gap."[8]
There was media speculation, as with the Bardot version, that the recording documented unsimulated sex, to which Gainsbourg told Birkin, "Thank goodness it wasn't, otherwise I hope it would have been a long-playing record."[5] The recording featuring Birkin was released as a single in February 1969.[4] The single, which Philips relegated to its subsidiary Fontana,[4] had a plain cover, with the words "forbidden to those under 21" ("Interdit aux moins de 21 ans").[10]
Gainsbourg also asked Marianne Faithfull to record the song with him; she later recalled, "Hah! He asked everybody".[11] Others whom Gainsbourg approached included Valérie Lagrange and Mireille Darc.[5] Bardot later regretted not releasing her version, and her friend Jean-Louis Remilleux persuaded her to contact Gainsbourg. They released it in 1986.[7]:147
Lyrics and music
The title was inspired by a Salvador Dalí comment: "Picasso is Spanish, me too. Picasso is a genius, me too. Picasso is a communist, me neither".[10][12] Gainsbourg described "Je t'aime" as an "anti-fuck" song about the desperation and impossibility of physical love.[5] The lyrics are written as a dialogue between two lovers during sex. Phrases include:
"Je vais et je viens, entre tes reins" ("I go and I come, between your loins")
"Tu es la vague, moi l'île nue" ("You are the wave, me the naked island")
"L'amour physique est sans issue" ("Physical love is hopeless" [Gainsbourg sings 'sensationnel' in another version])
"Je t'aime, moi non plus" is translated as "I love you – me not anymore" in the Pet Shop Boys' version. The lyrics are sung, spoken and whispered over baroque pop-styled organ and guitar tracks[10][13] in the key of C major,[4] with a "languid, almost over-pretty, chocolate-box melody".[5]
Reception
The lyrical subtleties were lost on late-1960s Brits. What they heard was an expertly stroked organ, orgasmic groans and a soft-focus melody, the musical equivalent of a Vaseline-smeared Emmanuelle movie. It was confirmation that life across the Channel was one of unchecked lubriciousness, and Je t'aime became as essential a part of any successful seduction as a chilled bottle of Blue Nun.
— Sylvie Simmons, Serge Gainsbourg: A Fistful of Gitanes, 2001[5]
Some deemed the song's eroticism offensive. The lyrics are commonly thought to refer to the taboo of sex without love, and were delivered in a breathy, suggestive style. The Observer Monthly Music magazine later called "Je t'aime" "the pop equivalent of an Emmanuelle movie".[13]
When the version with Bardot was recorded, the French press reported that it was an "unedited recording" of physical intimacy ("audio vérité"). France Dimanche said the "groans, sighs, and Bardot's little cries of pleasure [give] the impression you're listening to two people making love".[5] The first time Gainsbourg played the song in public was in a Paris restaurant immediately after he and Birkin recorded their version. Birkin said that "as it began to play all you could hear were the knives and forks being put down. 'I think we have a hit record', [Gainsbourg] said."[5][8]
The sounds made by Birkin caused the song to be banned from radio in Spain, Sweden, Brazil, the United Kingdom,[13] and Italy,[14] banned from radio play before 11 pm in France, and not played by many radio stations in the United States.[4] The song was officially denounced by the Vatican and its newspaper, L'Osservatore Romano;[13][14] one report even claimed that the Vatican had excommunicated the record executive who released it in Italy.[10] Birkin said that Gainsbourg had called the Pope "our greatest PR man".[8] In Italy, the head of their record label was jailed for offending public morality.[15]
Birkin said in 2004 that, "It wasn't a rude song at all. I don't know what all the fuss was about. The English just didn't understand it. I'm still not sure they know what it means."[16] When Gainsbourg later went to Jamaica to record with Sly and Robbie, they initially did not get on well with Gainsbourg, but their mood changed immediately upon learning that "Je t'aime" was his work.[5]
Commercial success
The song was a commercial success throughout Europe, selling three million copies by October 1969.[17] By 1986, it had sold four million copies. In the United Kingdom, it was released on the Fontana label, but, after reaching number two, it was withdrawn from sale. Gainsbourg then arranged a deal with Major Minor Records, and on re-release it reached number one, making it the first banned number one single in the UK[13] and the first single in a foreign language to top the charts. It stayed on the UK chart for 31 weeks.[18] In the United States, it peaked at number 58 on the Billboard Hot 100 chart.[19]Mercury Records, the single's US distributor, faced criticism that the song was "obscene" and it received limited airplay, limiting US sales to around 150,000 copies.[20]
The single was re-released in the UK in late 1974 on the Atlantic Records subsidiary Antic Records, peaking at No. 31 and charting for nine weeks. By August 1969, the single had sold 300,000 copies in Italy,[21] while in France in 1969 alone sold 400,000 copies.[22] In UK sales were over 250,000.[23] By 1996, it had sold 6 million copies worldwide.[24]
The song has been frequently covered in the years since its release. In 1969, the Hollywood 101 Strings Orchestra released a 7-inch record single (on A/S Records label) with two versions: the A-side featured a fully instrumental recording while the B-side had sexually suggestive vocalizations done by Bebe Bardon.[30] The first covers were instrumentals, "Love at first sight", after the original was banned;[30] the first version by a British group named Sounds Nice (featuring Tim Mycroft on keyboard) became a top 20 hit.[31] (The group's name "sounds nice" represents the two words Paul McCartney said when he heard this instrumental cover of the song.)
Zvonimir Levačić 'Ševa' and Ivica Lako 'Laky', members of the Croatian antitelevision late night talk show Nightmare Stage, performed a live version of the song as part of a spoof singing competition during the show's airing. This version was later named the weirdest cover of the song ever.[34]
Cervantes' record label Butterfly Records released the disco rendition as "Je t'aime" by an all-female disco group Saint Tropez in August 1977,[37][38] the first disco rendition of the song,[39] as part of the album of the same name, Je T'aime (1977). Prompted by the minor success of Saint Tropez, a year later in 1978, Casablanca Records released[37][38] the Summer and Moroder duet rendition of "Je t'aime" in a 15-minute version for the film Thank God It's Friday.[36] The Summer–Moroder rendition was produced by Moroder and Pete Bellotte.
Serge Gainsbourg was a French singer-songwriter, actor, composer, and director. Regarded as one of the most important figures in French pop, he was renowned for often provocative releases which caused uproar in France, dividing public opinion. His artistic output ranged from his early work in jazz, chanson, and yé-yé to later efforts in rock, zouk, funk, reggae, and electronica. Gainsbourg's varied musical style and individuality make him difficult to categorise, although his legacy has been firmly established and he is often regarded as one of the world's most influential popular musicians.
Jane Mallory Birkin was a British-French actress and singer. She had a prolific career as an actress, mostly in French cinema.
Thank God It's Friday is a 1978 American musical-comedy film directed by Robert Klane and produced by Motown Productions and Casablanca FilmWorks for Columbia Pictures. Produced at the height of the disco craze, the film features The Commodores performing "Too Hot ta Trot", and Donna Summer performing "Last Dance", which won the Academy Award for Best Original Song in 1978. The film features an early performance by Jeff Goldblum and the first major screen appearance by Debra Winger. The film also features Terri Nunn, who later achieved fame in the 1980s new wave group Berlin. This was one of several Columbia Pictures films in which the studio's "Torch Lady" came to life in the opening credits, showing off her moves for a few seconds before the start of the film.
Love to Love You Baby is the second studio album by American singer Donna Summer, released on August 27, 1975, and her first to be released internationally and in the United States. Her previous album Lady of the Night (1974) was released only in the Netherlands. The album was commercially successful, mainly because of the success of its title track, which reached number 2 on the US Pop charts despite some radio stations choosing not to play the song due to its sexually explicit nature.
Du chant à la une !... is the debut studio album by French musician Serge Gainsbourg, released in 1958. This was the debut album for Gainsbourg, released on a 10" vinyl. The album did not do well with critics at the time of its release. However, the album did win the grand prize from the L'Academie Charles Cross in 1959.
"Les Sucettes" ("Lollipops") is a French pop song written by Serge Gainsbourg and first recorded by France Gall in 1966. One of Gall's biggest hits, it was an unusually risqué song for its time, containing numerous sexually-charged double-entendres, although she had said that she was unaware of this at the time.
"Poupée de cire, poupée de son" recorded by French singer France Gall with music composed and French lyrics written by Serge Gainsbourg. It represented Luxembourg in the Eurovision Song Contest 1965 held in Naples, winning the contest.
Di doo dah is the debut solo album by Jane Birkin, released in 1973 on Fontana Records. Subsequent reissues in 2001 and 2010 included two bonus tracks from the 1972 7" single "La Décadanse" by Birkin and Serge Gainsbourg.
Jane Birkin/Serge Gainsbourg is a 1969 collaborative studio album by Serge Gainsbourg and Jane Birkin. It was originally released by Fontana Records. It includes "Je t'aime... moi non plus", which reached number 1 on the UK Singles Chart.
Je t'aime moi non plus is a 1976 feature film written, directed, and scored by Serge Gainsbourg, starring Jane Birkin, Hugues Quester and Joe Dallesandro, and featuring a cameo by Gérard Depardieu.
Je t’aime may refer to:
The Ultimate Collection is a greatest hits three-CD compilation of recordings by American singer Donna Summer released in the Netherlands in early 2003.
Monsieur Gainsbourg Revisited is a tribute album to the works of late French singer/songwriter Serge Gainsbourg. First released on Virgin Records in 2006, it consists of English language cover versions of Gainsbourg songs, performed by a diverse array of contemporary artists. Gainsbourg's former wife, Jane Birkin, sang on one track.
"Lemon Incest" is a song recorded by French father and daughter Serge and Charlotte Gainsbourg. It was recorded in 1984 and released as a single from Serge's 1985 album Love on the Beat and on Charlotte's 1986 debut album Charlotte For Ever, marking her musical debut. It is a pop song about a relationship between Serge and Charlotte, the latter of whom was 12 or 13 years old at the time, set to the melody of Frédéric Chopin's Étude Op. 10, No. 3. Its title is a play on the French term un zeste de citron, which translates to lemon zest in English.
Aux Armes et cætera is the thirteenth studio album by Serge Gainsbourg, released in the early spring of 1979. It was recorded in Kingston, Jamaica, with some of the island's best reggae musicians at the time as well as members of the I Threes, Bob Marley's backup chorus which includes Rita Marley. Further expanded by new mixes, dubs and Jamaican versions released in 2003 and 2015, the album is considered by many as one of his masterpieces. The French edition of Rolling Stone magazine named this album the 50th greatest French rock album. The recording marked the first time a white singer had recorded a full reggae-influenced album in Jamaica, following previous single-song recordings from Paul Simon and Peter Tosh and Mick Jagger. By 1991, it sold 650,000 copies in France.
Best of Vanessa Paradis is the first greatest hits album from French musician and actress Vanessa Paradis. The album is also known as simply Best of.
"Guitar Song" is a single released by Scottish band Texas, taken from their greatest hits album The Greatest Hits. It contains a sample of the song "Je t'aime... moi non plus" performed by Serge Gainsbourg and Jane Birkin. The song was released in 2001 exclusively in Belgium, where it charted inside the top 50 in both Flanders and Wallonia.
You're Under Arrest is the sixteenth and final studio album by French singer-songwriter Serge Gainsbourg. The album was released in 1987 through Philips Records. It was produced by Philippe Lerichomme and the American guitarist Billy Rush, who collaborated with Gainsbourg on his previous album, Love on the Beat (1984).
Slogan is a 1969 French satirical romantic comedy-drama film co-written and directed by Pierre Grimblat. It stars Serge Gainsbourg and Jane Birkin in their first film together. The film marked the beginning of the 13-year relationship between Gainsbourg and Birkin.
The discography of French singer-songwriter Serge Gainsbourg consists of 16 studio albums, 4 live albums, 1 compilation album, 80 singles and EPS, and several soundtrack albums.
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