Programming
KPOO features music and talk radio from local community activists. The music originally featured was jazz, blues and R&B from the 1950s, 1960s and 1970s.
The Fillmore’s KPOO was an early adopter, launching an all-rap show in 1979. By the mid-80s with the help of young DJ, Marcus Clemmons, KPOO became the center of hip-hop in the Bay Area and beyond. Marcus, who was active from the early 80s into early 90s, helped to create a bridge in rap from the underground to the mainstream by building relationships with the likes of radio programmer Joe Rudolph, Compton rapper Eazy-E and Russell Simmons to name a few.
In the summer of 1982, KPOO started playing rap music on Sunday afternoons from 3pm-7pm with DJ LeBaron Lord King.
Acts like Run-DMC, Public Enemy, Tupac, Paris, as well as Eric B and Rakim all made an appearance at the station or on the air waves. [3]
KPOO now broadcasts local public commentaries and talk programs with community and national Black leaders discussing what's going on in the Black community locally and nationally. The focus on the community continues with commentaries on a variety of talk and music programs. Some of the featured music programming includes salsa, jazz, blues, rap/hip hop, Latin, gospel and reggae, as well as an American Indian talk/music program, and local and national musicians host weekly music programs.
The new school of hip hop was a movement in hip hop music, beginning in 1983–84 with the early records of Run–D.M.C., Whodini, and LL Cool J. Predominantly from Queens and Brooklyn, it was characterized by drum machine-led minimalism, often tinged with elements of rock; rapped taunts, boasts, and socio-political commentary; and aggressive, self-assertive delivery. In song and image, its artists projected a tough, cool, street b-boy attitude. These elements contrasted sharply with funk and disco, novelty hits, live bands, synthesizers, and party rhymes of artists prevalent in the early 1980s. Compared to their older hip hop counterparts, new school artists crafted more cohesive LPs and shorter songs more amenable to airplay. By 1986, their releases began to establish hip hop in the mainstream.
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Lorenzo Wilson Milam, born on August 2, 1933, in Jacksonville, Florida; died on July 19, 2020, in Puerto Escondido, Oaxaca, Mexico, was an American writer and activist who was instrumental in starting many of the first listener-supported community radio stations in the United States, beginning with KRAB in Seattle in 1962.
