Elinor Glyn was a British novelist and scriptwriter who specialised in romantic fiction, which was considered scandalous for its time, although her works are relatively tame by modern standards. She popularized the concept of the it-girl, and had tremendous influence on early 20th-century popular culture and, possibly, on the careers of notable Hollywood stars such as Rudolph Valentino, Gloria Swanson and, especially, Clara Bow.
Kismet is a musical adapted by Charles Lederer and Luther Davis from the 1911 play of the same name by Edward Knoblock, with lyrics and musical adaptation by Robert Wright and George Forrest. The music was mostly adapted from several pieces composed by Alexander Borodin. The story concerns a wily poet who talks his way out of trouble several times; meanwhile, his beautiful daughter meets and falls in love with the young caliph.
Otis A. Skinner was an American stage actor active during the late 19th and early 20th centuries.
Seena Owen was an American silent film actress and screenwriter.
Elinor Virginia Martin, known professionally as Elinor Fair, was an American motion picture actress.
Vincent Coleman was an American stage and film actor of the silent film era of the late 1910s and early 1920s.
The Miracle Man is a 1919 American silent drama film starring Lon Chaney and based on a 1914 play by George M. Cohan, which in turn is based on the novel of the same title by Frank L. Packard. The film was released by Paramount Pictures, directed, produced, and written by George Loane Tucker, and also stars Thomas Meighan and Betty Compson. The film made overnight successes of the three stars, most notably putting Chaney on the map as a character actor.
Film Booking Offices of America (FBO), registered as FBO Pictures Corp., was an American film studio of the silent era, a midsize producer and distributor of mostly low-budget films. The business began in 1918 as Robertson-Cole, an Anglo-American import-export company. Robertson-Cole began distributing films in the United States that December and opened a Los Angeles production facility in 1920. Late that year, R-C entered into a working relationship with East Coast financier Joseph P. Kennedy. A business reorganization in 1922 led to its assumption of the FBO name, first for all its distribution operations and ultimately for its own productions as well. Through Kennedy, the studio contracted with Western leading man Fred Thomson, who grew by 1925 into one of Hollywood's most popular stars. Thomson was just one of several silent screen cowboys with whom FBO became identified.
Montagu Love was an English screen, stage and vaudeville actor.
Frederick Clifton Thomson was an American silent film cowboy who rivaled Tom Mix in popularity before dying at age 38 of tetanus.
Kismet is a 1930 American pre-Code costume drama film photographed entirely in an early widescreen process using 65mm film that Warner Bros. called Vitascope. The film, now considered lost, was based on Edward Knoblock's play Kismet, and was previously filmed as a silent film in 1920 which also starred Otis Skinner.
Louis Joseph Gasnier was a French-American film director, producer, screenwriter and stage actor. A cinema pioneer, Gasnier shepherded the early career of comedian Max Linder, co-directed the enormously successful film serial The Perils of Pauline (1914), and capped his output with the notorious low-budget exploitation film Reefer Madness (1936) which was both a critical and box office failure.
Kismet is a 1955 American musical-comedy film directed by Vincente Minnelli and produced by Arthur Freed. It was filmed in CinemaScope and Eastmancolor and released by Metro-Goldwyn-Mayer.
Soft Cushions is a 1927 American comedy film directed by Edward F. Cline and featuring Boris Karloff. It is a comic take by actor and producer Douglas MacLean on the 1911 play Kismet and the 1920 silent film adaptation. It is listed as being lost by Arne Andersen's Lost Film Files website.
Kismet is a three-act play written in 1911 by Edward Knoblauch. The title means Fate or Destiny in Turkish and Urdu. The play ran for 330 performances in London and later opened in the United States. It was subsequently revived, and the story was later filmed several times and adapted for the 1953 musical.
Carol Ann "Cari" Beauchamp was an American author, historian, journalist, and documentary filmmaker. She authored the biography Without Lying Down: Frances Marion and the Power of Women in Hollywood, which was subsequently made into a documentary film. She was the resident scholar of the Mary Pickford Foundation.
Hamilton Revelle was a British-born stage and later silent screen actor.
John Sheehan was an American actor and vaudeville performer. After acting onstage and in vaudeville for several years, Sheehan began making films in 1914, starring in a number of short films. From 1914 to 1916, he appeared in over 60 films, the vast majority of them film shorts.
George E. Middleton was an American film director and producer. His work includes films for California Motion Picture Corporation (CMPC) and, after its failure, Beatriz Michelena Features. Middleton married stage actress and singer Beatriz Michelena, who starred in his films.
