Kitty Brazelton

Last updated
Kitty Brazelton
Kitty Brazelton Bass.jpg
Background information
BornOctober 5, 1951
Cambridge MA
Instrument(s)Voice, flute, bass, piano
Years active1970s – present
Websitekitbraz.info

Catherine B. Brazelton (born 1951 in Cambridge, Massachusetts) is a New York-based American composer, bandleader, improviser, singer/songwriter, and instrumentalist. She has released albums and fronted bands across varied genres, including contemporary classical, electronic music, pop, art rock, punk, and avant-garde jazz. She was awarded the 2012 Carl von Ossietsky Composition Prize for Storm, a choral setting of Psalm 104 featuring Brazelton's own retranslation . [1] Her opera Art of Memory was awarded the 2015 Grant for Female Composers from Opera America. [2]

Contents

Biography

Personal life

Brazelton was born on October 5, 1951, in Cambridge, Massachusetts, United States. Her father was pediatrician and author T. Berry Brazelton. [3] Brazelton attended Swarthmore College and received a doctorate in music from Columbia University in 1994. [4]

She was formerly married to jazz critic and president of the Jazz Journalists Association Howard Mandel and currently teaches composition at Bennington College in Vermont. [5]

Brazelton performing in Musica Orbis in 1975 Musica Orbis photo Tom Sherman.jpg
Brazelton performing in Musica Orbis in 1975

1970s — Musica Orbis

Brazelton fronted underground psychedelic rock band Musica Orbis in the 1970s. The band played multiple national tours across the United States and released one album, To the Listeners, in 1977, before disbanding in 1979. [6]

1980s — Hide the Babies and CBGBs

Brazelton performing with Hide the Babies at CBGB's in 1987 Kitty Brazelton 1987.jpg
Brazelton performing with Hide the Babies at CBGB's in 1987

In the 1980s she moved to New York City and played in clubs as lead singer and songwriter of the power pop band Hide the Babies. This led to a residency at NYC concert venue CBGBs, during which Brazelton curated numerous concerts of bands and ensembles of diverse genres from the downtown NYC avant-garde scene as part of her "Real Music Series," featuring regular performances on multiple stages on Sundays at CB's Gallery. [7]

1990s — Dadadah, What is it Like to Be a Bat?, and Hildegurls

Brazelton founded nine-piece avant-garde ensemble Dadadah in 1990. Dadadah has released two albums, Rise Up! in 1996 and Love Not Love, Lust Not Lust in 1998. David Fricke wrote in a review of Dadadah in Rolling Stone that the band possessed "impressive nerve ... a pop-operatic pow ... orchestrated like Kate Bush kickin’ it with the Mingus Big Band." [8] In 1991, she founded and toured with the American chamber music ensemble Bog Life, with musicians John Uehlein, Libby Van Cleve, Elizabeth Panzer, Chris Nappi, Jay Elfenbein, and Ed Broms. [9]

Brazelton performing with Dadadah in 1997 at the New York Jazz Festival at the World Trade Center DADADAH full band at the World Trade Center.jpg
Brazelton performing with Dadadah in 1997 at the New York Jazz Festival at the World Trade Center

Brazelton co-founded electronic/punk trio What is it Like to Be a Bat? in 1995 with sound artist/composer Dafna Naphtali. In 2001, Harvestworks, with funding from NYSCA, commissioned Bat to write a 30 minute piece, which became 5 Dreams; Marriage, a set of operatic arias based on Naphtali's wedding vows. [10]

The band released a self-titled album in 2003 on the NYC record label Tzadik Records, to critical acclaim. [11] Bat was described by composer John Zorn as "twisted, powerful chamber rock blending a raucous punk aesthetic with vocal harmonies...complex, visionary". [12]

Brazelton collaborated with composers Eve Beglarian, Lisa Bielawa, and Elaine Kaplinsky in 1996 as the band Hildegurls, performing electro-acoustic reinterpretations of medieval composer Hildegard von Bingen, most notably at the Lincoln Center Festival '98. The band later released an album, Electric Ordo Virtutum, in 2009, on Innova Recordings. [13]

Sleeping Out of Doors, Brazelton's concerto for piano and orchestra, was commissioned and premiered in 1998 by Kristjan Järvi and the Absolute Ensemble, and received a grant from the American Music Center and the Margaret Jory CAP. [14]

2000s — Chamber Music for the Inner Ear, and Ecclesiastes

In 2002, Brazelton's album Chamber Music for the Inner Ear, a collection of 10 chamber pieces with performances from the California E.A.R. Unit and the Manhattan Brass Quintet, was released on CRI Emergency, and re-released in 2007 on New World Records. Frank Oteri wrote of her: "Brazelton, like many of these new composers, is a composer-performer, and equally at home writing a string quartet or playing in a punk rock band." [15] [16]

Ecclesiastes: A Modern Oratorio, an album of twelve choral works setting text from the Book of Ecclesiastes, was released in 2010 on Innova, with funding from NYFA. Brazelton used her own translation of the Hebrew text. [17]

2010s — Animal Tales and Fierce Grace

Brazelton's opera Animal Tales, with libretto by George Plimpton, was awarded the 2016 Grant for Female Composers from Opera America. [18]

In 2017, Fierce Grace, a song cycle commissioned by Opera America and co-composed by Brazelton, Laura Kaminsky, Ellen Reid, and Laura Karpman, with libretto by filmmaker Kimberly Reid based on the life of Jeannette Rankin, premiered at the Library of Congress. [19]

Kitty Brazelton performing in her opera The Art of Memory in 2013 at Avant Music Fest Kitty Brazelton Art of Memory.png
Kitty Brazelton performing in her opera The Art of Memory in 2013 at Avant Music Fest

2020s — Planes of Your Location, The Art of Memory, and The World is Not Ending—We've Been Here Before

During the 2020 pandemic lockdown Brazelton began work on The World is Not Ending—We've Been Here Before, a remote collaborative project involving over 40 singers and instrumentalists. [20] Brazelton is currently working on a new opera, The Art of Memory, based on the life of St. Augustine. [21] The Art of Memory was awarded a NYSCA Grant for production in 2020. She is also recording a studio album, The Planes of Your Location, with LA-based ensemble Isaura String Quartet. [22]

Partial Discography

List of Dadadah Personnel

Members

Related Research Articles

<span class="mw-page-title-main">John Zorn</span> American composer, saxophonist and bandleader

John Zorn is an American composer, conductor, saxophonist, arranger and producer who "deliberately resists category". His avant-garde and experimental approaches to composition and improvisation are inclusive of jazz, rock, hardcore, classical, contemporary, surf, metal, soundtrack, ambient, and world music. In 2013, Down Beat described Zorn as "one of our most important composers" and in 2020 Rolling Stone noted that "[alt]hough Zorn has operated almost entirely outside the mainstream, he's gradually asserted himself as one of the most influential musicians of our time".

<span class="mw-page-title-main">Annie Gosfield</span> American classical composer

Annie Gosfield is a New-York-based composer who works on the boundaries between notated and improvised music, electronic and acoustic sounds, refined timbres and noise. She composes for others and performs with her own group, taking her music to festivals, factories, clubs, art spaces and concert halls. Much of her work combines acoustic instruments with electronic sounds, incorporating unusual sources such as satellite sounds, machine sounds, detuned or out-of-tune samples and industrial noises. Her work often contains improvisation and frequently uses extended techniques and/or altered musical instruments. She won a 2012 Berlin Prize.

<span class="mw-page-title-main">Susie Ibarra</span> American musician (born 1970)

Susie Ibarra is a contemporary composer and percussionist who has worked and recorded with jazz, classical, world, and indigenous musicians. One of SPIN's "100 Greatest Drummers of Alternative Music," she is known for her work as a performer in avant-garde, jazz, world, and new music. As a composer, Ibarra incorporates diverse styles and the influences of Philippine Kulintang, jazz, classical, poetry, musical theater, opera, and electronic music. Ibarra remains active as a composer, performer, educator, and documentary filmmaker in the U.S., Philippines, and internationally. She is interested and involved in works that blend folkloric and indigenous tradition with avant-garde. In 2004, Ibarra began field recording indigenous Philippine music, and in 2009 she co-founded Song of the Bird King, an organization focusing on the preservation of Indigenous music and ecology.

Meriwether Lewis Spratlan Jr. was an American music academic and composer of contemporary classical music.

Relâche is an American chamber ensemble dedicated to the performance of contemporary classical music.

Ethel is a New York based string quartet that was co-founded in 1998 by Ralph Farris, viola; Dorothy Lawson, cello; Todd Reynolds, violin; and Mary Rowell, violin. Unlike most string quartets, Ethel plays with amplification and integrates improvisation into its performances. The group's current membership includes violinists Kip Jones and Corin Lee.

Tina Davidson is an American composer.

<span class="mw-page-title-main">Donald Nally</span> Musical artist

Donald Nally is an American conductor, chorus master, and professor of conducting, specializing in chamber choirs, opera, and new music. He is conductor of the professional new-music choir, The Crossing, based in Philadelphia. He teaches graduate students at Northwestern University's Bienen School of Music.

Morris Palter is a Canadian drummer/percussionist who specializes in contemporary/classical chamber and solo percussion music. He also plays novelty ragtime xylophone and drum kit, and is also a composer, and university professor who was a founding member of the band Treble Charger.

<span class="mw-page-title-main">Anthony Coleman</span> American jazz pianist

Anthony Coleman is an avant-garde jazz pianist. During the 1980s and 1990s he worked with John Zorn on Cobra, Kristallnacht, The Big Gundown, Archery, and Spillane and helped push modern Jewish music into the 21st century.

<span class="mw-page-title-main">Virgil Moorefield</span> Musical artist

Virgil Moorefield is a composer and intermedia artist based in Rüschlikon, Switzerland.

Wu Fei is a virtuoso Chinese American composer, performer, and improviser from Beijing, China. She performs on the Chinese guzheng, an ancient zither with twenty-one strings, as well as sings. She currently resides in Nashville. Wu Fei has composed for a variety of musical genres, including choir, string quartet, chamber ensemble, Balinese gamelan, orchestral, film, and modern dance.

<span class="mw-page-title-main">Tzadik Records</span> American record label

Tzadik Records is a record label in New York City that specializes in avant-garde and experimental music. The label was established by composer and saxophonist John Zorn in 1995. He is the executive producer of all Tzadik releases. Tzadik is a not-for-profit, cooperative record label.

<span class="mw-page-title-main">Lisa Bielawa</span> American composer

Lisa Carol Bielawa is a composer and vocalist. She is a 2009 Rome Prize winner in Musical Composition and spent a year composing as a Fellow at the American Academy in Rome.

<span class="mw-page-title-main">Mark Applebaum</span> American composer

Mark Applebaum is an American composer and full professor of music composition and theory at Stanford University.

Kenji Bunch is an American composer and violist. Bunch currently serves as the artistic director of Fear No Music and teaches at Portland State University, Reed College, and for the Portland Youth Philharmonic. He is also the director of MYSfits, the most advanced string ensemble of the Metropolitan Youth Symphony.

<span class="mw-page-title-main">Gene Pritsker</span> Russian-born musician (born 1971)

Gene Pritsker is a Russian-born composer, guitarist, rapper and record producer living in New York City. He moved to the United States with his family in 1978 and lived in Sheepshead Bay, Brooklyn. He attended the Manhattan School of Music from 1990 to 1994 where he studied composition with Giampaolo Bracali.

<span class="mw-page-title-main">Musica Orbis</span> Musical artist

Musica Orbis was an American electric chamber music quintet based in Philadelphia, performing between 1972 and 1979. Instrumentation included voices, harp, flute, cello, acoustic and electric bass, drums, marimba, vibes, synthesizer, organ, pump organ, knee harp, wooden recorder, bells, hand percussion, Fender Rhodes, and piano.

Kathleen Supové is an American pianist specializing in modern classical music. She has premiered the works of dozens of composers on her Exploding Piano series. Her recitals involve recitation, costume, theatrical elements such as lighting, and sets. Kathleen's intention is to augment and extend the piano recital, and to borrow from contemporary theater, film and dance to create a new context for modern classical music. She also performs works that extend the sonic world of the piano recital, by using electronics both live and pre-recorded, preparation of the piano, and playing inside the piano on the strings themselves.

George Hurd is an American composer whose work focuses primarily on electroacoustic music combining classical instrumentation and electronics. He has also written a substantial amount of music for solo electronics and classical chamber ensemble. He is based in San Francisco, CA and heads The Hurd Ensemble, a chamber group dedicated to performing his pieces. A large portion of his work is concert music for The Hurd Ensemble and other groups, and music for dance, most notably having collaborated with choreographer Loni Landon and LEVYdance on Meet Me Normal (2014) and the murmur of yearning for Kinetech Arts.

References

  1. "Kitty Brazelton receives 12th annual Ossietzky Prize for Psalm 104 setting | Chorus America". chorusamerica.org. Retrieved 2022-02-16.
  2. "Animal Tales". Ardea Arts. Retrieved 2022-02-16.
  3. Langer, Emily (2018-03-14). "T. Berry Brazelton, pediatrician who soothed generations of parents, dies at 99". Washington Post. ISSN   0190-8286 . Retrieved 2023-08-06.
  4. "Kitty Brazelton's Bio". www.kitbraz.com. Retrieved 2022-02-16.
  5. "about kitty brazelton". Kitty Brazelton - composer, musicmaker. Retrieved 2022-02-16.
  6. Musica Orbis - To The Listeners , retrieved 2022-02-16
  7. "Kitty Brazelton's Real Music Series, Contents". www.kitbraz.com. Retrieved 2022-02-16.
  8. "1999 CD Review "Love Not Love Lust Not Lust" by Kitty Brazelton & Dadadah". www.kitbraz.com. Retrieved 2022-02-16.
  9. "Bog Life, Unusual American Chamber Music". www.kitbraz.com. Retrieved 2022-02-16.
  10. "WHEN IS what is it like to be a bat?". www.kitbraz.com. Retrieved 2022-02-25.
  11. "Volume Detail". www.tzadik.com. Retrieved 2022-02-16.
  12. "Reviews, Picks & Features of Kitty Brazelton's Music". www.kitbraz.com. Retrieved 2022-02-16.
  13. "Four 21st-c. Woman Composers". www.kitbraz.com. Retrieved 2022-02-16.
  14. "Kitty Brazelton | Bennington College". www.bennington.edu. Retrieved 2022-02-16.
  15. "Kitty Brazelton: Chamber Music for the Inner Ear". newworld-records. Retrieved 2022-02-25.
  16. "Chamber Music for the Inner Ear, by Kitty Brazelton". Kitty Brazelton. Retrieved 2022-02-25.
  17. "Ecclesiastes: A Modern Oratorio | Innova Recordings". www.innova.mu. Retrieved 2022-02-25.
  18. "OPERA America Members Portal". apps.operaamerica.org. Retrieved 2022-02-25.
  19. "Fierce Grace: Jeannette Rankin". Library of Congress. Retrieved 2022-02-16.
  20. "COVID Choirs". Kitty Brazelton - composer, musicmaker. Retrieved 2022-02-16.
  21. "Brazelton Explores The Art of Memory | Bennington College". www.bennington.edu. Retrieved 2022-02-16.
  22. "the planes of your location". Kitty Brazelton - composer, musicmaker. Retrieved 2022-02-16.