Propaganda is communication that is primarily used to influence or persuade an audience to further an agenda, which may not be objective and may be selectively presenting facts to encourage a particular synthesis or perception, or using loaded language to produce an emotional rather than a rational response to the information that is being presented. Propaganda can be found in a wide variety of different contexts.
Triumph of the Will is a 1935 German Nazi propaganda film directed, produced, edited and co-written by Leni Riefenstahl. Adolf Hitler commissioned the film and served as an unofficial executive producer; his name appears in the opening titles. It chronicles the 1934 Nazi Party Congress in Nuremberg, which was attended by more than 700,000 Nazi supporters. The film contains excerpts of speeches given by Nazi leaders at the Congress, including Hitler, Rudolf Hess and Julius Streicher, interspersed with footage of massed Sturmabteilung (SA) and Schutzstaffel (SS) troops and public reaction. Its overriding theme is the return of Germany as a great power with Hitler as its leader. The film was produced after the Night of the Long Knives, and many formerly prominent SA members are absent.
Why We Fight is a series of seven propaganda films produced by the US Department of War from 1942 to 1945, during World War II. It was originally written for American soldiers to help them understand why the United States was involved in the war, but US President Franklin Roosevelt ordered distribution for public viewing.
The Nazis Strike is the second film of Frank Capra's Why We Fight propaganda film series. It introduces Germany as a nation whose aggressive ambitions began in 1863 with Otto von Bismarck and the Nazis as its latest incarnation.
War Comes to America is the seventh and final film of Frank Capra's Why We Fight World War II propaganda film series.
An Airman's Letter to His Mother (1941) is a documentary-style British propaganda short film based on an actual letter from a British bomber pilot to his mother published in The Times in June 1940. Subsequently, the letter was published as a pamphlet and received wide distribution in the UK. "The letter in question had touched a nation's heart and made a popular film subject." In 1941, Michael Powell directed An Airman's Letter to His Mother, based on a dramatization of the letter, and narrated by John Gielgud.
Know Your Enemy: Japan is an American World War II propaganda film about the war in the Pacific directed by Frank Capra, with additional direction by experimental documentary filmmaker Joris Ivens. The film, which was commissioned by the U.S. War Department, sought to educate American soldiers about Japan, its people, society and history, and its totalitarian militaristic government. However, the film never realized its full purpose because its completion was delayed by disputes between Hollywood and Washington, and the abrupt end of the Pacific War soon after the film's release in August 1945. The film's first public screening was in 1977 as part of a PBS special.
The Negro Soldier is a 1944 documentary film created by the United States Army during World War II. It was produced by Frank Capra as a follow-up to his successful film series Why We Fight. The army used the film as propaganda to convince black Americans to enlist in the army and fight in the war. Most people regarded the film very highly, some going as far as to say that The Negro Soldier was "one of the finest things that ever happened to America". Due to both high reviews and great cinematography, The Negro Soldier proved to be a breakout film influencing army members and civilians of all races. In 2011, it was chosen to be preserved in the National Film Registry of the Library of Congress.
The Battle of Britain was the fourth of Frank Capra's Why We Fight series of seven propaganda films, which made the case for fighting and winning the Second World War. It was released in 1943 and concentrated on the German bombardment of the United Kingdom in anticipation of Operation Sea Lion, the planned German invasion.
What Makes a Battle was a propaganda short produced by the US Army Pictorial Service in 1944. It documents the taking of the Marshall Islands while also encouraging increased war production.
During American involvement in World War II (1941–45), propaganda was used to increase support for the war and commitment to an Allied victory. Using a vast array of media, propagandists instigated hatred for the enemy and support for America's allies, urged greater public effort for war production and victory gardens, persuaded people to save some of their material so that more material could be used for the war effort, and sold war bonds.
Here Is Germany is a 1945 American propaganda documentary film directed by Frank Capra and written by William L. Shirer, Gottfried Reinhardt, Ernst Lubitsch, Georg Ziomer and Anthony Veiller. Like its companion film, Know Your Enemy: Japan, the film is a full-length exploration of why one of the three major Axis countries started World War II and what had to be done to keep them from "doing it again".
Britain re-created the World War I Ministry of Information for the duration of World War II to generate propaganda to influence the population towards support for the war effort. A wide range of media was employed aimed at local and overseas audiences. Traditional forms such as newspapers and posters were joined by new media including cinema (film), newsreels and radio. A wide range of themes were addressed, fostering hostility to the enemy, support for allies, and specific pro war projects such as conserving metal and growing vegetables.
Nazi propaganda towards the United Kingdom changed its position over time in keeping with Anglo-German relations. Prior to 1938, as the Nazi regime attempted to court the British into an alliance, Nazi propaganda praised the "Aryan" character of the British people and the British Empire. However, as Anglo-German relations deteriorated, and the Second World War broke out, Nazi propaganda vilified the British as oppressive German-hating plutocrats. During the war, it accused "perfidious Albion" of war crimes and sought to drive a wedge between Britain and France.
World War II changed the possibilities for animation. Prior to the war, animation was mostly seen as a form of family entertainment. The attack on Pearl Harbor was a turning point in its utility. On December 8, 1941, the United States Army began working with Walt Disney at his studio, stationing Military personnel there for the duration of the war. The Army and Disney set about making various types of films for several different audiences. Most films meant for the public included some type of propaganda, while films for the troops included training and education about a given topic.
The Nazi Party and its ideological allies used cartoons and caricatures as a main pillar in their propaganda campaigns. Such techniques were an effective way to spread their ideology throughout Nazi Germany and beyond. The use of caricatures was a popular method within the party when pursuing their campaign against the United States, in particular its then-President Franklin D. Roosevelt.
Scrap the Japs is a 1942 American anti-Japanese cartoon with the popular character Popeye as protagonist. It follows his adventures after being sent for punishment on a ship and running into Japanese sailors.
Food Will Win the War is an American short animated film produced by Walt Disney Studios and released on July 21, 1942, seven months and two weeks after the December 7, 1941 attack on Pearl Harbor. The 6-minute short was one of a series of animated films produced by Disney during the war as part of a propaganda campaign. The animation was produced on order of the Department of Agriculture, first and foremost to educate about the importance of American agriculture in the war effort and also, to offset fears and panic of Americans who thought too many supplies were being sent overseas. The film was a morale boosting production, in the hope of improving public mood and opinion about sacrifice for the war effort.
During World War II, Morocco, which was then occupied by France, was controlled by Vichy France from 1940 to 1942 after the occupation of France by Nazi Germany. However, after the North African campaign, Morocco was under Allied control and thus was active in Allied operations until the end of the war.
Propaganda in World War II had the goals of influencing morale, indoctrinating soldiers and military personnel, and influencing civilians of enemy countries.
