"},"rev1":{"wt":"[[AllMusic]]"},"rev1score":{"wt":"{{Rating|5|5}}{{cite web |url=http://www.allmusic.com/album/lets-get-out-of-this-country-mw0000538326 |title=Let's Get Out of This Country – Camera Obscura |last=Sendra |first=Tim |publisher=[[AllMusic]] |accessdate=30 March 2018}}"},"rev2":{"wt":"''[[The A.V. Club]]''"},"rev2score":{"wt":"B+{{cite web |url=http://www.avclub.com/review/camera-obscura-emlets-get-out-of-this-countryem-8892 |title=Camera Obscura: Let's Get Out Of This Country |last=Phipps |first=Keith |date=21 June 2006 |website=[[The A.V. Club]] |accessdate=19 October 2014}}"},"rev3":{"wt":"''[[DIY (magazine)|DIY]]''"},"rev3score":{"wt":"8/10{{cite web |url=http://diymag.com/archive/camera-obscura-lets-get-out-of-this-country |title=Camera Obscura – Let's Get Out Of This Country |last=Swann |first=Emma |date=5 June 2006 |website=[[DIY (magazine)|DIY]] |accessdate=3 February 2019 |archiveurl=https://web.archive.org/web/20190204122255/http://diymag.com/archive/camera-obscura-lets-get-out-of-this-country |archivedate=4 February 2019}}"},"rev4":{"wt":"''[[The Guardian]]''"},"rev4score":{"wt":"{{Rating|3|5}}{{cite news |last=Costa |first=Maddy |date=2 June 2006 |title=Camera Obscura, Let's Get Out of This Country |url=https://www.theguardian.com/music/2006/jun/02/popandrock.shopping8 |newspaper=[[The Guardian]] |page=14 |accessdate=19 October 2014}}"},"rev5":{"wt":"''[[Mojo (magazine)|Mojo]]''"},"rev5score":{"wt":"{{Rating|4|5}}{{cite journal |date=July 2006 |title=Camera Obscura: Let's Get Out of This Country |journal=[[Mojo (magazine)|Mojo]] |issue=152 |page=102}}"},"rev6":{"wt":"''[[NME]]''"},"rev6score":{"wt":"6/10{{cite journal |last=Phull |first=Hardeep |date=10 June 2006 |title=Camera Obscura: Let's Get Out of This Country |journal=[[NME]] |page=41}}"},"rev7":{"wt":"''[[Pitchfork (website)|Pitchfork]]''"},"rev7score":{"wt":"7.8/10{{cite web |url=http://pitchfork.com/reviews/albums/9077-lets-get-out-of-this-country/ |title=Camera Obscura: Let's Get Out of This Country |last=Howe |first=Brian |date=5 June 2006 |work=[[Pitchfork (website)|Pitchfork]] |accessdate=19 October 2014}}"},"rev8":{"wt":"''[[Slant Magazine]]''"},"rev8score":{"wt":"{{Rating|4.5|5}}{{cite web |url=http://www.slantmagazine.com/music/review/camera-obscura-lets-get-out-of-this-country |title=Camera Obscura: Let's Get Out Of This Country |last=Keefe |first=Jonathan |date=6 June 2006 |website=[[Slant Magazine]] |accessdate=18 October 2014}}"},"rev9":{"wt":"''[[Spin (magazine)|Spin]]''"},"rev9score":{"wt":"{{Rating|3|5}}{{cite journal |url=https://books.google.com/books?id=s5jfV6kXmTEC&pg=PA83 |title=Camera Obscura: Let's Get Out of This Country |last=Catucci |first=Nick |date=July 2006 |journal=[[Spin (magazine)|Spin]] |volume=22 |issue=7 |accessdate=19 October 2014 |page=83}}"},"rev10":{"wt":"''[[Uncut (magazine)|Uncut]]''"},"rev10score":{"wt":"{{Rating|4|5}}{{cite journal |date=July 2006 |title=Camera Obscura: Let's Get Out of This Country |journal=[[Uncut (magazine)|Uncut]] |issue=110 |page=84}}"}},"i":0}}]}" id="mwRw">
Let's Get Out of This Country received positive reviews from music critics. [8] Indie music magazine Under the Radar called it "a gorgeous pop album, to say the least." [19] Spin wrote that the band "prove that there's such a thing as brawny twee…[The album] is indie pop but that's baroque but not self-indulgent." [17] The Guardian described Campbell's vocals as "gorgeously mellifluous one" but added that "sweetness gets monotonous, and the album could do with more jolts of bitter energy". [12] PopMatters said that the band had become "comfortable with its craft" and that its stronger songwriting was reflected in the album's "leisurely melodic lines". [20]
Camera Obscura had previously been compared to Belle and Sebastian, another Glaswegian band, because of similarities in the bands' style of "melancholy, grandiose retro-styled" indie pop, and reviewers noted a new contrast between the two acts. [16] Slant Magazine said that the album found "Camera Obscura stepping out from the considerable shadow cast by Stuart Murdoch and pals, brimming with a newfound confidence and a bolder, more ambitious sonic palette". [16] Uncut wrote that while Belle and Sebastian were "seemingly lost to soft-pop pastichery, [Camera Obscura] have come out of their shadow and flourished." [18] Pitchfork commented that the band had not changed significantly but that they "no longer recall Belle and Sebastian; they only sound like themselves." [15] The NME wrote, "Now that Belle and Sebastian have left their whimsical ways behind, it's up to their fellow Glaswegians Camera Obscura to take up the cause of indie-popsters everywhere, and it's something they appear to be bang up for." [14] AllMusic summarized Let's Get Out of This Country as "enchanting" and continued that "stepping fully out of the shadow of their onetime patrons Belle and Sebastian, the group has composed and performed an album that…ranks with the best indie pop albums ever". [9]
Pitchfork placed the album at 45 on its year-end list and at number 179 on their list of top 200 albums of the 2000s. [21] [22] PopMatters listed the album 60th on its list of the year's best albums, and it named Let's Get Out of This Country the second best indie pop album of the year. [23] [24] Stylus Magazine ranked the album 22 on its year-end list. [25] In a retrospective of Merge Records, Paste named Let's Get Out of This Country the label's best 2006 release. [26] Under the Radar ranked the album fourth in its list of the Best Albums of the Decade (2000–2009). [27] Fact magazine listed the album at 93 on its 2000s list. [28]
Spanish independent label Elefant Records released the album worldwide, except for North America where it was licensed to Merge Records. [29] Following the album's June release, Camera Obscura promoted it with a North American tour in July, followed by a series of performances at European festivals in August and September. [30] Let's Get Out of This Country went on to sell 17,100 copies in the United Kingdom and 58,000 copies in North America. [29]
"Lloyd, I'm Ready to be Heartbroken" was released as the album's lead single in May 2006, with B-side "Roman Holiday". [32] The song was written as a response to Lloyd Cole and the Commotions' 1984 song "Are You Ready to be Heartbroken?". [33] Campbell had been listening to Rattlesnakes and wanted to respond out of "pure and utter love for the song." [34] "Lloyd, I'm Ready to be Heartbroken" includes a string arrangement and organ interlude. [32] It placed 38 on the 2006 Pazz & Jop list. [35] The song was ranked 118 on Pitchfork's list of the best songs of the decade, [36] and Mojo put it at 46 on its list of the best UK indie records. [37]
The music video for "Lloyd, I'm Ready to Be Heartbroken" depicts a couple dancing through Tokyo, a department store, and "Lloyd"-brand boxes in the style of Andy Warhol's Brillo Boxes. [38] Campbell did not want to dance in the video, so it includes cuts of her standing still with a sullen expression. [39] An alternative video was directed by Victoria Bergsman, singer for The Concretes, and includes artwork by Frànçois & the Atlas Mountains's frontman François Marry. [40] The song was played over the opening credits of the films P.S. I Love You and Over Her Dead Body .
"Let's Get Out of This Country" became the album's second single. The song discusses boredom and wanting to change one's life. The single includes a gloomy cover of Sheena Easton's 1980 single "Modern Girl" as its B-side. [41]
The band released a single for "If Looks Could Kill" in January 2007. It had three new songs, including a cover of The Paris Sisters' 1961 single "I Love How You Love Me". [42] "If Looks Could Kill" uses hard-hitting percussion and guitar similar to The Velvet Underground. [43] The song was used on American TV program Grey's Anatomy . [42]
"Tears for Affairs" became the album's fourth and final single. [40] The song features Campbell singing softly over a bossa nova sound. [20]
All tracks are written by Tracyanne Campbell [44]
No. | Title | Length |
---|---|---|
1. | "Lloyd, I'm Ready to Be Heartbroken" | 3:49 |
2. | "Tears for Affairs" | 4:04 |
3. | "Come Back Margaret" | 3:47 |
4. | "Dory Previn" | 4:16 |
5. | "The False Contender" | 3:38 |
6. | "Let's Get Out of This Country" | 3:21 |
7. | "Country Mile" | 3:59 |
8. | "If Looks Could Kill" | 3:29 |
9. | "I Need All the Friends I Can Get" | 3:18 |
10. | "Razzle Dazzle Rose" | 5:28 |
Belle & Sebastian are a Scottish indie pop band formed in Glasgow in 1996. Led by Stuart Murdoch, the band has released twelve studio albums. They are often compared with acts such as the Smiths and Nick Drake. The name "Belle & Sebastian" comes from Belle et Sébastien, a 1965 children's book by French writer Cécile Aubry later adapted for television. Though consistently lauded by critics, Belle & Sebastian's "wistful pop" has enjoyed only limited commercial success.
Merge Records is an independent record label based in Durham, North Carolina. It was founded in 1989 by Laura Ballance and Mac McCaughan. It began as an outlet for music from their band Superchunk and music created by friends, and has expanded to include artists from around the world, with records reaching the top of the Billboard music charts.
Lloyd Cole is an English singer and songwriter. He was lead vocalist of Lloyd Cole and the Commotions from 1984 to 1989 and subsequently worked solo.
Lloyd Cole and the Commotions were a British rock/pop band that formed in Glasgow, Scotland in 1982. Between 1984 and 1989, the band scored four Top 20 albums and five Top 40 singles in the UK; it also had success in several other countries including Australia, the Netherlands, Sweden and New Zealand. After they broke up in 1989, Cole embarked on a solo career but the band reformed briefly in 2004 to perform a 20th anniversary mini-tour of the UK and Ireland.
Camera Obscura are a Scottish indie pop band from Glasgow. The group formed in 1996, and have released five albums to date – the most recent of which, Desire Lines, was released in 2013. The current members of the band are vocalist Tracyanne Campbell, guitarist Kenny McKeeve, bassist Gavin Dunbar, and drummer Lee Thomson. The band undertook an extended hiatus in 2015, following the death of long-serving keyboardist Carey Lander. The surviving members later reconvened in 2018.
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Biggest Bluest Hi-Fi is the debut LP from the indie pop band Camera Obscura. It was released in 2001 by Andmoresound and in 2002 by Elefant, then re-released in 2004 by Merge.
"Are You Ready to Be Heartbroken?" is a song by Lloyd Cole and the Commotions from the 1984 album Rattlesnakes.
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Tracyanne Campbell is a Scottish singer and musician who is the lead vocalist of the Glasgow-based indie pop band Camera Obscura.
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Andmoresound was an independent record label based in Glasgow, Scotland, managed and operated by musician and businessman, Lindsay Boyd. It was named in homage to the song "Andmoreagain" by the band Love.
A Frightened Rabbit EP is an EP by Scottish indie rock band Frightened Rabbit, released on 31 October 2011 on Atlantic Records as a free download and on ten-inch, limited edition vinyl. Self-produced by the band, A Frightened Rabbit EP was the band's first release on Atlantic, and the first to feature contributions from guitarist Gordon Skene.
Desire Lines is the fifth album released by Scottish indie pop band Camera Obscura. The album was released on 3 June 2013 on the 4AD record label. It was recorded in Portland, Oregon with producer Tucker Martine, and features guest vocals from Neko Case and My Morning Jacket's Jim James. It is the last album recorded with keyboardist Carey Lander, who was diagnosed with osteosarcoma during the early stages of the album's creation in 2011. Though lead singer Tracyanne Campbell found it difficult to write songs during Lander's illness, the latter insisted that the album be finished. After completing the album and touring with the band in support of it, Lander died on 11 October 2015.
"Archie, Marry Me" is a song by Canadian indie pop band Alvvays. It was released on April 6, 2013, as the lead single from the band's eponymous debut album (2014). "Archie, Marry Me" examines modern romance and traditional marriage, and touches on themes of commitment and financial stability. It was written by vocalist and guitarist Molly Rankin with guitarist Alec O'Hanley as a critique of the standard societal expectation that one is to marry upon entering adulthood.
Wild Loneliness is the twelfth studio album by the American indie rock band Superchunk. It was released on February 25, 2022, by Merge Records. Ahead of the album release, the band put out three singles: "Endless Summer," "This Night," and "On the Floor."
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