Lifesong | ||||
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Studio album by | ||||
Released | August 30, 2005 | |||
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Genre | Christian rock, pop rock | |||
Length | 52:15 | |||
Label | Beach Street/Reunion | |||
Producer | Mark A. Miller | |||
Casting Crowns chronology | ||||
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Singles from Lifesong | ||||
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Lifesong is the second studio album by American Christian rock band Casting Crowns, released on August 30, 2005 by Beach Street Records and Reunion Records. Produced by Mark A. Miller, Lifesong was the follow-up to the band's self-titled debut album. Although the unexpected success of the first album led to tremendous demand for new music from Casting Crowns, lead vocalist Mark Hall was advised by Steven Curtis Chapman (a co-producer of the debut album) and Mac Powell not to worry about commercial expectations. Lifesong, which has a pop rock and adult contemporary sound, focuses on challenging believers and indicting piousness and hypocrisy in the Christian church. Worship themes are also prominent in the album.
Lifesong was received positively by music critics. Many critics praised the album's songwriting, although others felt the album's sound was derivative. The album and its singles were nominated for many awards, with the album winning the Grammy Award for Best Pop/Contemporary Gospel Album at the 48th Grammy Awards and the Dove Award for Pop/Contemporary Album of the Year at the 37th GMA Dove Awards. It debuted and peaked at number nine on the Billboard 200 and number on the Billboard Christian Albums chart, selling 71,000 copies in its first week. The 15th best-selling Christian album of the 2000s in the United States, Lifesong has been certified Platinum by the Recording Industry Association of America (RIAA) and has sold 1.4 million copies in the United States. All of the album's singles topped the Billboard Christian Songs and Hot Christian AC charts.
Following the unexpected success of their first album, there was tremendous demand for new music from Casting Crowns. Although lead vocalist Mark Hall, who either wrote or co-wrote all the songs on the album, felt "a little worried" about the band's follow-up album, fellow recording artists Steven Curtis Chapman (who co-produced the band's first album) and Mac Powell of Christian rock band Third Day encouraged Hall to "say what God wants you to say". [4] They also advised him to not worry about commercial expectations or whether "people are going to like it". [4] Ultimately, Hall "absorbed" the feedback their first record had received, using it as inspiration. [4] Lifesong focuses mainly on the "truth-can-be-a-tough-pill-to-swallow message" that "there are broken people within arm’s reach of the church, and if there is any hope of healing, it begins with people who will be the hands and feet of Jesus". [5] Hall responded to critics who felt the band's material was "preaching to the choir" by saying "How can writing songs that challenge the church, songs that ask Christians to consider their actions, be a bad thing? After all, it’s the message that matters... Everybody is passionate about what they do, about what they feel called to, so for one to say the other’s ministry is more or less meaningful or spiritual or anything is ridiculous". [5] Hall also felt that there were "too many walls in Christian music" and said "I think people listen to you if you’re transparent... People want to hear the truth. You just hang around church for a while, and you’ll see. People don’t want you to talk around it. They want you to tell it like it is, even if it hurts". [5] Hall ultimately wrote songs such as "Does Anybody Hear Her" and "Stained Glass Masquerade", which "challenge believers". [4] According to Hall, he was trying to say that he didn't think it bothers the world if people in the church sin. Rather, he felt that the world is bothered when Christians act like they don't sin. [4]
Lifesong was produced by Mark A. Miller, with recording and mixing done by Sam Hewitt at Zoo Studio in Franklin, Tennessee. Additional recording was done at Lifesong Studio in McDonough, Georgia. The album was mastered by Richard Dodd and engineered by Dale Oliver and John Lewis Lee III. The strings on the album were arranged by Bobby Huff and were recorded at Little Big Studio by Boeho Shin and Daewoo Kim. [6]
Musically, Lifesong is influenced by adult contemporary and pop rock music. [7] [8] The album also has influence from worship music in the vein of U2, with songs building into "sweeping choruses and dramatic climaxes". [9] Much of the album's lyrical content is devoted to challenging the Christian church [4] [5] [10] [11] and indicting hypocrisy and piousness within the church. [7] Songs such as the title track and "Father, Spirit, Jesus" have worshipful lyrics [7] [8] while others such as "Stained Glass Masquerade" note the inability of church congregations to share their burdens openly. [8] "Does Anybody Hear Her" condemns the church's focus on judging rather than realizing pain [10] and gives the message than condemning other people is wrong. [7] "Set Me Free" is set from the perspective of "the demon-possessed man", who is calling to Jesus for relief. It also incorporates more of a rock sound than Casting Crowns normally uses. [8]
Review scores | |
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Source | Rating |
About.com | [10] |
AllMusic | [12] |
Billboard | (positive) [11] |
CCM Magazine | A− [7] |
Christianity Today | [8] |
Cross Rhythms | [13] |
Jesus Freak Hideout | [14] |
USA Today | [9] |
Lifesong received mostly positive reviews from music critics. Kim Jones of About.com gave it five out of five stars, saying "Bottom line - my hat goes off to Casting Crowns for a job well done, once again. This is one band that doesn't soft-pedal their message, even if it is one that people enjoying a "comfort-zone" may not want to hear". [10] Jared Johnson of AllMusic gave the album four-and-a-half out of five stars, opining "One of the brightest spots on the CCM map in 2005, Lifesong was powered by a second dose of Mark Hall's earnestly challenging worship themes and a penchant for reflective pop... From start to finish, the album showcases songwriting that is consistent, polished, and potent, furthering the septet's reputation as one of Christian music's most popular acts of the 21st century". [12] Deborah Evans Price of Billboard said that "there is no sophomore letdown here for Casting Crowns... This is intelligent, soulful music that goes beyond mere entertainment to something deeper". [11] David McCreary of CCM Magazine gave Lifesong an A−, opining "staying true to their approach of assimilating crisp melodies, forthright lyrics and stout vocals, the Crowns effectively blend uptempo worship anthems and emotive ballads for another well-balanced set". [7] Russ Breimeier of Christianity Today gave the album three-and-a-half out of five stars, calling the music "derivative", said that "[Casting Crowns] fans will find much to love, while others continue to ponder the secret of this band's success. All can probably agree that Lifesong is a sequel in the truest sense, offering more of the same to the delight of those so touched and inspired by the music of Casting Crowns the first time". [8]
Simon Eden of Cross Rhythms gave the album ten out of ten squares, saying "With 'Lifesong' being officially [Casting Crowns'] second release, the pressure is on to see if they can deliver. The simple answer is quite probably yes as the band use a refreshing formula that challenges the Church instead of serving up milk and cookies". [13] John DiBiase of Jesus Freak Hideout gave it three out of five stars, opining "Overall, Lifesong is musically an assortment of experimentation and familiarity, as the band continues to offer songs with relatable messages to the church body. Frontman and chief songwriter Mark Hall's strained, shouting-style vocals is [sic] still an acquired taste, along with his straightforward and often simplistic lyrics, but Lifesong is a noteworthy second chapter in an already impressive career for this young band". [14] Brian Mansfield of USA Today gave the album two-and-a-half out of four stars, commenting "[Casting Crowns] comes from the school of U2-influenced modern-worship music, so its songs predictably build to sweeping choruses and dramatic climaxes. The band's message is more distinctive, calling out the "happy plastic people under shiny plastic steeples" to offer themselves to the lonely, the grieving, the desperate". [9]
Lifesong and its singles received various awards and nominations. At the 48th Grammy Awards, it received the Grammy Award for Best Pop/Contemporary Gospel Album. [15] It received the Dove Award for Pop/Contemporary Album of the Year award at the 37th GMA Dove Awards. [16] The album's title track won the Dove Award for Pop/Contemporary Song of the Year and was nominated for the Dove Award for Song of the Year at the 37th GMA Dove Awards. [17] "Praise You In This Storm" won the Dove Award for Pop/Contemporary Song of the Year at the 38th GMA Dove Awards and was nominated for the Dove Award for Worship Song of the Year at the 39th GMA Dove Awards. [18] [19]
Lifesong was released on August 30, 2005. [12] It sold 71,000 copies in its first week, debuting at number nine on the Billboard 200 and Billboard Christian Albums chart. [20] It spent a total of two weeks atop the Christian Albums chart [21] [22] and later appeared on the Billboard Catalog Albums chart in 2007, peaking at number thirty-four. [23] By April 1, 2006, Lifesong had sold 503,000 copies. [24] It had sold 950,000 copies by August 25, 2007 [25] and, as of December 5, 2009, it has sold a total of 1.2 million copies. [26] As of March 2014, the album has sold 1.4 million copies. [27]
Three official singles ("Lifesong", "Praise You In This Storm", "Does Anybody Hear Her") were released in promotion of Lifesong. [2] [3] [28] All of the singles topped the Billboard Hot Christian Songs and Hot Christian AC charts. [29] [30] An additional song, "Set Me Free", was released to Christian CHR radio, [31] and peaked at number 23. [32]
All tracks are written by Mark Hall except where noted
No. | Title | Writer(s) | Length |
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1. | "Lifesong" | 5:17 | |
2. | "Praise You in This Storm" | Hall, Bernie Herms | 4:59 |
3. | "Does Anybody Hear Her" | 4:30 | |
4. | "Stained Glass Masquerade" | Hall, Nichole Nordeman | 3:52 |
5. | "Love Them Like Jesus" | Hall, Herms | 4:32 |
6. | "Set Me Free" | Hall, Herms | 4:27 |
7. | "While You Were Sleeping" | 4:55 | |
8. | "Father, Spirit, Jesus" | Hall, David Hunt | 5:11 |
9. | "In Me" | 4:44 | |
10. | "Prodigal" | 5:45 | |
11. | "And Now My Lifesong Sings" | 4:03 |
Credits adapted from the album liner notes of Lifesong. [6]
Casting Crowns
Additional musicians
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Casting Crowns is a contemporary Christian and Christian rock band which began in Daytona Beach, Florida. The band was formed in 1999 by lead vocalist Mark Hall. They moved to Stockbridge, Georgia, and more members joined. Some members of the band are currently ministers for Eagle's Landing First Baptist Church in McDonough, Georgia. The band has won a Grammy and a Dove Award.
Casting Crowns is the first studio album by American Christian rock band Casting Crowns. Produced by Mark A. Miller and Steven Curtis Chapman, the album was released on October 7, 2003, by Beach Street Records. It incorporates a pop rock and rock sound, with the main instruments used in the album being guitar, keyboard and violin. Casting Crowns received positive reviews from music critics, many of whom praised the album's lyrics and production quality. It was nominated for Pop/Contemporary Album of the Year at the 35th GMA Dove Awards, while its singles were nominated for and received various awards.
"If We Are the Body" is the debut single by Christian rock band Casting Crowns. Written by Mark Hall and produced by Mark A. Miller and Steven Curtis Chapman, it was released as the lead single from the band's 2003 self-titled debut album through Beach Street Records on July 26, 2003. The song, originally written by Hall as a "teaching tool" for his youth group, is a CCM and acoustic rock song. It incorporates the violin, mandolin, and accordion in its arrangement and questions why the Christian church does not minister impartially.
"Who Am I" is a song recorded by Christian rock band Casting Crowns. Written by Mark Hall and produced by Mark A. Miller and Steven Curtis Chapman, it was released on February 22, 2004, as the second single from the band's 2003 self-titled debut album. A pop rock and adult contemporary ballad, the song is based around the piano and utilizes orchestral sounds. Lyrically, the song is centered on worshiping God. The song received positive reviews from music critics upon its release, with several regarding it as one of the best songs on their debut album.
"Lifesong" is a song recorded by Christian rock band Casting Crowns. Written by Mark Hall and produced by Mark A. Miller, it was released as the lead single from the band's 2005 album of the same name. According to Mark Hall, the lead vocalist of Casting Crowns, "Lifesong" came out of what he found himself saying to students in his church's youth ministry. Compared to the work of rock band U2, the song lyrically points believers towards honoring God in all they do.
The Altar and the Door is the third studio album by American Christian rock band Casting Crowns, released on August 28, 2007 on Beach Street Records and Reunion Records. Produced by Mark A. Miller, the album was inspired by lead singer Mark Hall's experience looking at the MySpace pages of his youth ministry students. The album's main theme is the difference between how Christians feel in church and the compromises they make outside of it. Its musical tone, which Hall says is different and more progressive, incorporates more of a rock sound than their previous, more polished studio efforts.
"East to West" is a song recorded by contemporary Christian band Casting Crowns. Written by Mark Hall and Bernie Herms and produced by Mark A Miller, it was released as the lead single from the band's 2007 album The Altar and the Door. Lyrically, the song deals with the concept of forgiveness. The song met with a positive to mixed reception from music critics and won two awards at the 39th GMA Dove Awards: Song of the Year and Pop/Contemporary Recorded Song of the Year. It was also nominated for the Grammy Award for Best Gospel Performance at the 51st Grammy Awards.
Coming Up to Breathe is the fourth studio album by Christian rock band MercyMe. Released on April 25, 2006, by INO Records, the album was intended by MercyMe to be edgier than their previous albums. Coming Up to Breathe sold 58,000 copies its first week, MercyMe's biggest sales week at the time. It debuted and peaked at number one on the Billboard Christian Albums chart, number five on the Rock Albums chart, and number thirteen on the Billboard 200. It also appeared on the Alternative Albums chart in 2007, peaking at number thirteen. Coming Up to Breathe was certified Gold by the Recording Industry Association of America (RIAA) in 2007, signifying shipments of over 500,000 copies.
"Does Anybody Hear Her" is a song recorded by Christian rock band Casting Crowns, released by Beach Street Records, Reunion Records, and Provident Label Group. Written by Mark Hall and produced by Mark A. Miller, it was released on September 23, 2006, as the third single from the band's 2005 album Lifesong. An alternative CCM and adult contemporary song, "Does Anybody Hear Her" relates the story of a girl who is being pushed away by the Christian church as well as the message that condemning other people is wrong.
John Mark Hall is an American musician. He is the lead vocalist for the Georgia-based contemporary Christian music group Casting Crowns, a seven-member group composed of worship leaders. He is also youth pastor at Eagle's Landing First Baptist Church in McDonough.
"Praise You In This Storm" is a song recorded by contemporary Christian music band Casting Crowns, released by Beach Street and Reunion Records. Written by Mark Hall and Bernie Herms and produced by Mark A. Miller, it was released on January 28, 2006, as the second radio single from the band's 2005 album Lifesong. Inspired by the band's experience with a girl, Erin Browning, who died of cancer, the song has the lyrical theme of maintaining faith through difficult circumstances. A power ballad, "Praise You In This Storm" incorporates a wall of sound dynamic into its alternative CCM and adult alternative sound.
Peace on Earth is the first Christmas album by American Christian rock band Casting Crowns. Produced by Mark Hall and Mark A. Miller, it was released on October 7, 2008. Intended by Hall to bring out the worshipful aspect of Christmas, the album does not have songs relating to secular Christmas traditions, instead featuring a mix of traditional Christmas carols and original songs. As co-producer, Hall attempted to differentiate the album from their previous ones by attempting to use creative ideas they had not tried before, and he also wanted to utilize the band's female members in a broader and more visible role on the album.
"Slow Fade" is a song by Christian rock band Casting Crowns. Written by Mark Hall, it was released as the third single from Casting Crowns' 2007 studio album The Altar and the Door. Written after the public falls from grace of several church leaders, "Slow Fade" is a cautionary tale against making the wrong choices. It was positively received by music critics, who praised the song's lyrical theme.
"By Your Side" is a song by contemporary Christian band Tenth Avenue North from their debut album Over and Underneath. It was released as the album's lead single in August 2008, and reached number 1 on R&R's Christian contemporary hit radio chart in January 2009. In 2010, "By Your Side" won the 41st Annual GMA Dove Award for Song of the Year. In addition, the song also appeared on compilation albums WOW Hits 2010 and WOW #1s.
Until the Whole World Hears is the fourth studio album by American Christian rock band Casting Crowns. Released on November 17, 2009, the album was produced by Mark A. Miller and features a sound that has been described as 'pure American rock', 'soft adult contemporary', and 'CCM'. Lyrically, the album discusses Christian subjects such as God, Jesus, and salvation, with several songs being reinventions of classic hymns. Until the Whole World Hears sold over 167,000 copies in its first week, Casting Crowns' highest sales week to date, and debuted at No. 4 on the Billboard 200 and at No. 1 on the Billboard Christian Albums chart. In the United States, the album ranked as the 37th best-selling album of 2010 and the 137th best-selling album of 2011; it ranked as the first and third best-selling Christian album in those years, respectively. It has sold over 1.1 million copies and been certified platinum by the Recording Industry Association of America (RIAA).
"Until the Whole World Hears" is a song by Christian rock band Casting Crowns. Written by Mark Hall, Bernie Herms, Jason McArthur and Roger Glidewell and produced by Mark A. Miller, it was released as a digital download on August 20, 2009 and to Christian radio on August 29, 2009 as the lead single from the band's 2009 album of the same title. Musically, Until the Whole World Hears is an arena rock song with a crunchy guitar lick accompanied by blasting guitar chords and the "throaty growl" of Mark Hall's vocals. Lyrically, it revolves around speaking the truth into a culture that doesn't want to hear it. Part of the chorus references the Biblical character of John the Baptist.
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Come to the Well is the fifth studio album by American contemporary Christian band Casting Crowns, released on October 18, 2011, through Beach Street and Reunion Records. The album, which has a predominantly pop rock and rock sound, was based on the Biblical story of the woman at the well. In writing the album, lead vocalist Mark Hall collaborated with songwriters Steven Curtis Chapman, Matthew West, and Tom Douglas. The album received mostly positive reviews from critics, many of whom praised the album's songwriting, and received the award for Top Christian Album at the 2012 Billboard Music Awards.
"You Are More" is a song by the Christian band Tenth Avenue North, released as the second single from their 2010 album The Light Meets the Dark. It is also on the WOW Hits 2012 compilation album. The video for the song won the "Short Form Music Video of the Year" at the 43rd GMA Dove Awards.
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