Between 1925 and 1976, Norman Rockwell created a painting for the yearly Boy Scouts of America calendar published by Brown & Bigelow.
Year | Name | Notes | Reference |
---|---|---|---|
1925 | A Good Scout | Originally printed in 1918 for The Red Cross Magazine under the name A Red Cross Man in the Making. | [1] |
1926 | A Good Turn | [2] [3] | |
1927 | Good Friend | [3] | |
1929 | Spirit of America | Used as the cover art for the 3rd edition of the Boy Scout Handbook . In the private collection of Steven Spielberg. | [4] [5] |
1931 | Scout Memories | In the collection of The Children's Museum of Indianapolis | [6] |
1932 | A Scout is Loyal | [7] | |
1933 | An Army of Friendship | [7] | |
1934 | Carry On | [7] [8] | |
1935 | A Good Scout | [7] | |
1936 | The Campfire Story | [9] | |
1937 | Scouts of Many Trails | In the collection of the National Scouting Museum | [3] [10] |
1938 | America Builds for Tomorrow | [8] | |
1939 | The Scouting Trail | Used as the cover art for the 4th edition of the Boy Scout Handbook . | [11] [12] |
1940 | A Scout is Reverent | [13] | |
1941 | A Scout is Helpful | [14] | |
1942 | A Scout is Loyal | [15] | |
1943 | A Scout is Friendly | [16] | |
1944 | We, too, have a Job to Do | [17] | |
1945 | I Will Do My Best | [18] | |
1946 | A Guiding Hand | [19] | |
1947 | All Together | [20] | |
1948 | Men of Tomorrow | [21] | |
1949 | Friend in Need | [16] | |
1950 | Our Heritage | [22] | |
1951 | Forward America | The only time an Air Scout was included in an Rockwell painting. In the collection of the National Scouting Museum | [23] [24] [10] |
1952 | The Adventure Trail | [8] | |
1953 | On My Honor | [25] | |
1954 | A Scout is Reverent | [26] | |
1955 | The Right Way | [8] | |
1956 | The Scoutmaster | Used as the cover art for the 1960 edition of the Scoutmaster's Handbook. | [27] |
1957 | High Adventure | [28] | |
1958 | Mighty Proud | In the collection of the National Scouting Museum | [10] |
1959 | Tomorrow's Leaders | [8] | |
1960 | Ever Onward | [29] | |
1961 | Homecoming | In the collection of the National Scouting Museum | [8] [10] |
1962 | Pointing the Way | [8] | |
1963 | A Good Sign All Over the World | [30] | |
1964 | To Keep Myself Physically Strong | [26] | |
1965 | A Great Moment | [31] | |
1966 | Growth of a Leader | [32] | |
1967 | Breakthrough for Freedom | [33] | |
1968 | Scouting is Outing | [26] | |
1969 | Beyond the Easel | In the collection of the National Scouting Museum | [34] [10] |
1970 | Come and Get It | Used as the cover art for the 9th edition of the Boy Scout Handbook . | [26] |
1971 | America's Manpower Begins with Boypower | [35] | |
1972 | Can't Wait | In the private collection of George Lucas. | [36] |
1973 | From Concord to Tranquility | [37] | |
1974 | We Thank Thee, O' Lord | [38] | |
1975 | So Much Concern | Stolen from the Elayne Gallery in 1978 and recovered in 2001. | [26] [39] |
1976 | The Spirit of 1976 | Stolen from the Elayne Gallery in 1978 and recovered in 2001. | [39] |
Steven Allan Spielberg is an American filmmaker. He is considered one of the founding pioneers of the New Hollywood era and one of the most popular directors and producers in film history. Spielberg started in Hollywood directing television and several minor theatrical releases. He became a household name as the director of Jaws (1975), which was critically and commercially successful and is considered the first summer blockbuster. His subsequent releases focused typically on science fiction/adventure films such as Close Encounters of the Third Kind (1977), Raiders of the Lost Ark (1981), E.T. the Extra-Terrestrial (1982), and Jurassic Park (1993), which became archetypes of modern Hollywood escapist filmmaking.
Norman Percevel Rockwell was an American painter and illustrator. His works have a broad popular appeal in the United States for their reflection of American culture. Rockwell is most famous for the cover illustrations of everyday life he created for The Saturday Evening Post magazine over nearly five decades. Among the best-known of Rockwell's works are the Willie Gillis series, Rosie the Riveter, The Problem We All Live With, Saying Grace, and the Four Freedoms series. He is also noted for his 64-year relationship with the Boy Scouts of America (BSA), during which he produced covers for their publication Boys' Life, calendars, and other illustrations. These works include popular images that reflect the Scout Oath and Scout Law such as The Scoutmaster, A Scout is Reverent and A Guiding Hand, among many others.
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The Norman Rockwell Museum is an art museum in Stockbridge, Massachusetts, dedicated to the art of Norman Rockwell. It is home to the world's largest collection of original Rockwell art.
William Hillcourt, known within the Scouting movement as "Green Bar Bill", was an influential leader in the Boy Scouts of America (BSA) organization from 1927 to 1992. Hillcourt was a prolific writer and teacher in the areas of woodcraft, troop and patrol structure, and training; his written works include three editions of the BSA's official Boy Scout Handbook, with over 12.6 million copies printed, other Scouting-related books and numerous magazine articles. Hillcourt developed and promoted the American adaptation of the Wood Badge adult Scout leader training program.
Joseph Csatari is a realist artist who worked with Norman Rockwell. As a boy, Csatari had painstakingly recreated Saturday Evening Post covers that Rockwell had painted. In 1977, shortly before Rockwell died, Csatari was commissioned as the Boy Scouts of America (BSA)'s official artist.
The National Scouting Museum is the official museum of the Boy Scouts of America.
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Russian Schoolroom (1967) — also known as The Russian Classroom and Russian Schoolchildren — is an oil on canvas painting created by American illustrator Norman Rockwell (1894–1978) and commissioned by Look magazine. It depicts Russian schoolchildren in a classroom with a bust of Soviet leader Vladimir Lenin.
Willie Gillis, Jr. is a fictional character created by Norman Rockwell for a series of World War II paintings that appeared on the covers of 11 issues of The Saturday Evening Post between 1941 and 1946. Gillis was an everyman with the rank of private whose career was tracked on the cover of the Post from induction through discharge without being depicted in battle. He and his girlfriend were modeled by two of Rockwell's acquaintances.
The Four Freedoms is a series of four 1943 oil paintings by the American artist Norman Rockwell. The paintings—Freedom of Speech, Freedom of Worship, Freedom from Want, and Freedom from Fear—are each approximately 45.75 inches (116.2 cm) × 35.5 inches (90 cm), and are now in the Norman Rockwell Museum in Stockbridge, Massachusetts. The four freedoms refer to President Franklin D. Roosevelt's January 1941 Four Freedoms State of the Union address in which he identified essential human rights that should be universally protected. The theme was incorporated into the Atlantic Charter, and became part of the charter of the United Nations. The paintings were reproduced in The Saturday Evening Post for over four consecutive weeks in 1943, alongside essays by prominent thinkers of the day. They became the highlight of a touring exhibition sponsored by The Post and the U.S. Department of the Treasury. The exhibition and accompanying sales drives of war bonds raised over $132 million.
Robert W. Peterson was an American newspaper writer who later became a freelance author of magazine articles and books, especially on the topics of sports and Scouting. His 1970 chronicle of Negro league baseball entitled Only the Ball Was White was hailed by The New York Times as having "recaptured a lost era in baseball history and a rich facet of black life in America". The baseball commissioner at the time, Bowie Kuhn, later credited Peterson's book with having "focused greater attention on the accomplishments of Negro League players", leading to their admission to the Baseball Hall of Fame.
Lorraine Fox (1922–1976) was an American illustrator and commercial artist who illustrated magazines, book covers, and advertisements. Among the magazines she illustrated for were Woman's Day, Good Housekeeping, Redbook, McCall's, and Cosmopolitan. She was inducted into the Society of Illustrators' Hall of Fame in 1979.
Children Dancing at a Party, produced by Norman Rockwell, was used as the cover for the January 26, 1918 issue of The Saturday Evening Post. This painting has also been called "Boy Stepping on Girl’s Toe" and "Pardon Me". The original painting, oil on canvas measuring 23x19 inches, is in the collection of the National Museum of American Illustration.
The Scoutmaster is a 1956 painting by American illustrator Norman Rockwell. It was originally created by Rockwell for the 1956 Brown & Bigelow Boy Scout Calendar. Since then, it has become one of the most collected images that Rockwell created for the Boy Scouts of America.
Growth of a Leader is a 1964 painting by Norman Rockwell. It appeared as the 1966 Brown & Bigelow Boy Scout Calendar. Long-time Rockwell model James Edgerton and his son are depicted as a Scout moving though the stages of a man's Scouting career.
We, Too, Have a Job to Do is a painting by American illustrator Norman Rockwell that depicts a Boy Scout in full uniform standing in front of a waving American flag. It was originally created by Rockwell in 1942 for the 1944 Brown & Bigelow Boy Scout Calendar. The model, Bob Hamilton, won a contest to be in the painting and personally delivered a print to the Vice President of the United States at the time, Henry A. Wallace.
Working on the Statue of Liberty, also known as Statue of Liberty, is a 1946 oil painting by American illustrator Norman Rockwell, showing workmen cleaning the torch held aloft by the Statue of Liberty in New York Harbor.