John Hurt at the 2011 Cannes Film Festival | ||||||||||||||||||||||||||||||||
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Totals | 6 | 24 | ||||||||||||||||||||||||||||||
Footnotes |
The Elephant Man is a 1980 American drama film based on the true story of Joseph Merrick (called John Merrick in the film), a severely deformed man in 19th century London. The film was directed by David Lynch and stars John Hurt, Anthony Hopkins, Anne Bancroft, John Gielgud, Wendy Hiller, Michael Elphick, Hannah Gordon, and Freddie Jones. Lynch adapted the screenplay draft by Christopher De Vore and Eric Bergren. Although Mel Brooks agreed to produce the film through his production company Brooksfilms, it was turned down by a number of studios before it was finally greenlit by Paramount Pictures. [1]
Seen perhaps as the most conventional of Lynch's otherwise surrealist films, [2] The Elephant Man was a commercial success, grossing over $26 million in the United States alone. [3] The film was also a critical success, garnering universal acclaim [4] and receiving multiple award nominations. Both Lynch and Hurt received nominations at the Academy Awards and British Academy Film Awards. The film went on to win the Best Film award at the latter, as well as Best Foreign Film at the César Awards.
The film's technical production was similarly lauded. John Morris' score was also nominated for several awards, including receiving a nod at the 24th Grammy Awards, but failed to win each time. The film's cinematography, by English cinematographer Freddie Francis, was likewise nominated for several awards, receiving one from the British Society of Cinematographers. In addition, the film's editing, costume design, art direction and screenplay received nominations at the Academy Award and BAFTA ceremonies.
The Elephant Man is a 1980 biographical drama film based on the life of Joseph Merrick, a severely deformed man who lived in London in the late 19th century. The film was directed by David Lynch, produced by Mel Brooks and Jonathan Sanger, and starred John Hurt, Anthony Hopkins, Anne Bancroft, John Gielgud, Wendy Hiller, Michael Elphick, Hannah Gordon, and Freddie Jones. The Elephant Man is generally regarded as one of Lynch's more accessible and mainstream works, alongside The Straight Story (1999).
Jean-Jacques Annaud is a French film director, screenwriter and producer. He directed Quest for Fire (1981), The Name of the Rose (1986), The Bear (1988), The Lover (1992), Seven Years in Tibet (1997), Enemy at the Gates (2001), Black Gold (2011), and Wolf Totem (2015).
The César Award for Best Actress is one of the César Awards, presented annually by the Académie des Arts et Techniques du Cinéma to recognize the outstanding performance in a leading role of an actress who has worked within the French film industry during the year preceding the ceremony. Nominees and winner are selected via a run-off voting by all the members of the Académie.
Sir Roger Alexander Deakins is an English cinematographer. He is the recipient of five BAFTA Awards for Best Cinematography, and two Academy Awards for Best Cinematography from sixteen nominations. He has collaborated multiple times with directors such as the Coen brothers, Sam Mendes, and Denis Villeneuve. His best-known works include The Shawshank Redemption (1994), Fargo (1996), O Brother, Where Art Thou? (2000), A Beautiful Mind (2001), Skyfall (2012), Sicario (2015), Blade Runner 2049 (2017), and 1917 (2019), the last two of which earned him Academy Awards.
Frederick William FrancisBSC was an English cinematographer and film director whose filmmaking career spanned over 60 years, from the late 1930s until the late 2000s. One of the most celebrated British cinematographers of his time, he received numerous accolades for his photography, including two Academy Awards and five BAFTA Awards. As a director, he was best known for his horror films, notably those made for production companies Amicus and Hammer in the '60s and '70s.
Darius KhondjiAFC, ASC is an Iranian-French cinematographer, known for works from a number of high-profile directors, including David Fincher, Woody Allen, Jean-Pierre Jeunet and James Gray.
Ronnie Rocket is an unfinished film project written by David Lynch, who also intended to direct it. Begun after the success of his 1977 film Eraserhead, Lynch shelved Ronnie Rocket due to an inability to find financial backing for the project. Instead, he sought out an existing script on which to base his next film, settling on what would become 1980's The Elephant Man. Lynch returned to Ronnie Rocket throughout the 1980s but by the following decade had stopped considering it to be a viable prospect.
Seamus McGarvey, ASC, BSC is a cinematographer from Armagh, Northern Ireland. He lives in Tuscany, Italy.
Bruno Delbonnel, ASC, AFC, is a French cinematographer. He worked on the films Amélie (2001), A Very Long Engagement (2004), Harry Potter and the Half-Blood Prince (2009), Inside Llewyn Davis (2013) and Darkest Hour (2017), and has appeared in Wes Anderson's The French Dispatch (2021) as Tip-Top.
Philippe Rousselot, AFC, ASC is a French cinematographer and film director best known for his wide range of work in both European and mainstream American cinema, ranging in genres from drama, to fantasy, to blockbusters. He has collaborated with directors such as Robert Redford, Neil Jordan, Stephen Frears, Tim Burton, David Yates, and Guy Ritchie. He is the recipient of three César Awards, a BAFTA, an Oscar, and is a nominee for the Palme d'Or.
Eduardo Martins Serra is a Portuguese cinematographer who has spent most of his career working in European film productions, mostly in French, Portuguese and British films, with frequent collaborations with directors Patrice Leconte and Claude Chabrol. Serra is best known for his work on the M. Night Shyamalan film, Unbreakable and the final two Harry Potter films, Harry Potter and the Deathly Hallows – Part 1 and Harry Potter and the Deathly Hallows – Part 2 both directed by David Yates
David Keith Lynch is an American filmmaker, painter, television director, visual artist, musician, and occasional actor. Known for his surrealist films, he has developed his own unique cinematic style which has been dubbed "Lynchian" and is characterized by its dream imagery and meticulous sound design. The surreal and, in many cases, violent elements to his films have earned them the reputation that they "disturb, offend or mystify" their audiences.
Eraserhead is a 1977 American independent surrealist psychological body horror film written, directed, produced, and edited by David Lynch. Lynch also created its score and sound design, which included pieces by a variety of other musicians. Shot in black and white, it was Lynch's first feature-length effort following several short films. Starring Jack Nance, Charlotte Stewart, Jeanne Bates, Judith Anna Roberts, Laurel Near, and Jack Fisk, it tells the story of a man (Nance) who is left to care for his grossly deformed child in a desolate industrial landscape.
David Keith Lynch is an American filmmaker, painter, television director, visual artist, musician and occasional actor. Known for his surrealist films, he has developed his own unique cinematic style, most often noted for its dreamlike imagery and meticulous sound design. The surreal and, in many cases, violent elements in his films have earned them a reputation as works that "disturb, offend or mystify" general audiences.
Six Men Getting Sick (Six Times) (sometimes known as Six Figures Getting Sick) is a 1967 experimental animated short film, directed by David Lynch. A student project that was developed over the course of a semester, it is Lynch's first film and was shot while he was attending the Pennsylvania Academy of the Fine Arts in Philadelphia, Pennsylvania. The film consists of an animated painting, depicting six dysmorphic figures regurgitating in sequence with the sound of a siren loop.
The British Society of Cinematographers Award for Best Cinematography in a Theatrical Feature Film is an award given annually by the British Society of Cinematographers (BSC). It was first given in 1953, since 1976 a set of nominees is presented.