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This is a list of English poems over 1000 lines. This list includes poems that are generally identified as part of the long poem genre, being considerable in length, and with that length enhancing the poems' meaning or thematic weight. This alphabetical list is incomplete, as the label of long poem is selectively and inconsistently applied in literary academia.
Poet | Poem | Year published | Length | Verse form |
---|---|---|---|---|
Algerton, Frank C. | Columbia: an Epic Poem on the Late Civil War between the Northern and Southern States of North America | 1893 | heroic couplet | |
Ammons, A. R. | Sphere: The Form of a Motion | 1973 | ||
Ammons, A. R. | Tape for the Turn of the Year | 1965 | ||
Ashbery, John | Flow Chart | 1991 | ||
Atherstone, Edwin | The Fall of Nineveh | 1828-1868 | blank verse | |
Atherstone, Edwin | Israel in Egypt | 1861 | 20,000 | c.blank verse |
Auden, W.H. | The Age of Anxiety | 1944-46 | 2,500 | c.|
Aurobindo, Sri | Savitri: A Legend and a Symbol | 1951 | 24,000 lines | c.blank verse |
Anonymous | Beowulf | 8th-11th Century | 3,182 lines | alliterative verse |
Benét, Stephen Vincent | John Brown's Body | 1930 | 15,000 lines | c.various |
Blackmore, Richard | Eliza | 1705 | 8,000 lines | c.heroic couplet |
Blackmore, Richard | Redemption | 1722 | ||
Bowles, William Lisle | The Spirit of Discovery; or, the Conquest of Ocean | 1804 | blank verse | |
Branch, Anna Hempstead | Nimrod | 1910 | blank verse | |
Browning, Elizabeth Barrett | Aurora Leigh | 1856 | 10,938 lines | blank verse |
Browning, Robert | Sordello | 1840 | heroic couplet | |
Browning, Robert | The Ring and the Book | 1868-69 | 21,000 lines | c.blank verse |
Browning, Robert | Fifine at the Fair | 1872 | 2,530 lines | alexandrine couplets |
Bryant, John Delavau | Redemption, a Poem | 1857 | blank verse | |
Bulmer, Agnes | Messiah's Kingdom | 1833 | 14,000 lines | c.heroic couplet |
Byron, Lord | Don Juan | 1824 | 15,920 lines | ottava rima |
Byron, Lord | Childe Harold's Pilgrimage | 1812-18 | 4,455 lines | Spenserian stanza |
Chaucer, Geoffrey | Troilus and Criseyde | 1380 | c.8,239 lines | rhyme royal |
Clough, Arthur Hugh | The Bothie of Tober-na-Vuolich | 1848 | 1,870 | c.hexameter |
Cowper, William | The Task | 1785 | blank verse | |
Crane, Hart | The Bridge | 1930 | ||
Anonymous | Cursor Mundi | 1300 | c.30,000 lines, depending on manuscript | c.primarily eight-syllable couplets |
H.D. | Helen in Egypt | 1961 | ||
H.D. | Trilogy | 1944-46 | ||
Davenant, William | Gondibert | 1651 | 6,940 lines | decasyllabic quatrains |
Dickey, James | The Zodiac | 1976 | ||
Dorn, Edward | Gunslinger | 1989 | ||
Drayton, Michael | The Barons' Wars | 1603 | 3,624 lines | ottava rima |
Drummond, William Hamilton | The Battle of Trafalgar | 1806 | heroic couplet | |
Duncan, Robert | The Structure of Rime | 1960 | ||
Duncan, Robert | Passages | 1968 | ||
Drayton, Michael | Poly-Olbion | 1612; 1622 | 15,000 lines | alexandrine |
Dryden, John | The Hind and the Panther | 1687 | 2,569 lines | heroic couplet |
Emerson, Claudia | Pinion | 2002 | ||
Fitchett, John | King Alfred | 1841 | 131,000 lines [1] | c.blank verse |
Gawain Poet | Cleanness | late 14th century | 1,813 lines | alliterative verse |
Gawain Poet | Pearl | late 14th century | 1212 lines | alliterative verse |
Gawain Poet | Sir Gawain and the Green Knight | late 14th century | 2,530 lines | alliterative verse |
Anonymous | Generides | late 14th century | 6696 lines | rhyme royal |
Glover, Richard | Leonidas | 1737 | blank verse | |
Gower, John | Confessio Amantis | 1390 | c.33,000 lines | rhymed couplets |
Greening, John | Fotheringhay | 1995 | ||
Greening, John | Gascoigne's Egg | 2000 | ||
Greening, John | Omm Sety | 2001 | ||
Greening, John | The Silence | 2019 | ||
Thomas Hoccleve | Regiment of Princes | 1410–1413 | 5,464 lines | Seven-line decasyllabic rhymed stanzas |
Howe, Susan | The Liberties | 1980 | ||
Hughes, Langston | Montage of a Dream Deferred | 1951 | ||
Jones, David | The Anathemata | 1952 | ||
Jones, David | In Parenthesis | 1937 | ||
Kaye, John Brayshaw | Trial of Christ in Seven Stages | 1909 | blank verse | |
Kaye, John Brayshaw | Vashti | 1894 | blank verse | |
Keats, John | Endymion | 1818 | 4,100 | c.heroic couplet |
Anonymous | King Alisaunder | 1300 | c.4,000 lines | octosyllabic couplets |
Anonymous | King Horn | 1225 | c.1,650 lines | rhyming couplets with occasional alliterative metre |
Langland, William | Piers Plowman | 1370-90 | c.7,300 lines | c.alliterative metre |
Anonymous | Laud Troy Book | 1400 | c.18,664 lines | tetrameter couplets |
Lawrance, William Vicars | The Story of Judeth | 1889 | heroic couplet | |
Layamon | Brut | 1190-1215 | c.16,095 lines [2] | c.alliterative verse with rhyme |
Lydgate, John | The Fall of the Princes | 1431-1439 | 36,365 lines | rhyme royal |
Lydgate, John | Siege of Thebes | 1420-1422 | 4,716 lines | rhyme royal |
Lydgate, John | Troy Book | 1412–20 | 30,117 lines | ten-syllable couplets |
Longfellow, Henry Wadsworth | Evangeline | 1847 | 1396 lines | hexameter |
Longfellow, Henry Wadsworth | The Song of Hiawatha | 1855 | 5,414 lines | octosyllable |
Robert Mannyng | Handlyng Synne | 1303 | c.12,000 lines | c.four-stress rhyme royal |
Masefield, John | Dauber | 1912 | rhyme royal | |
Meek, Alexander Beaufort | The Red Eagle. A Poem of the South | 1855 | ||
Melville, Herman | Clarel | 1876 | 18,000 lines | irregularly rhymed iambic tetrameter |
Miles, Sibella Elizabeth | The Wanderer of Scandinavia, or Sweden Delivered | 1826 | Spenserian stanza | |
Milton, John | Paradise Lost | 1667 | 10,565 lines | blank verse |
Milton, John | Paradise Regained | 1671 | 2,070 lines | blank verse |
Milton, John | Samson Agonistes | 1671 | 1,758 lines | blank verse |
Moon, George Washington | Elijah the Prophet | 1866 | blank verse | |
Morris, William | The Earthly Paradise | 1868-1870 | various | |
Morris, William | The Story of Sigurd the Volsung and the Fall of the Niblungs | 1876 | 10,000+ lines | alliterative verse |
Ogilvie, John | Britannia | 1801 | blank verse | |
Olson, Charles | Maximus Poems | 1953–1975 | ||
Orrm | Ormulum | 1150–1180 | 18,956 lines | unrhymed strict heptameter |
Peterson, Joseph G. | Inside the Whale | 2011 | ||
Pound, Ezra | Cantos | 1915-62 | free verse | |
Anonymous | Prick of Conscience | 1325–1350 | c.9,600 lines | c.octosyllabic couplets |
Robinson, Edwin Arlington | Merlin | 1917 | 2,560 lines | c.blank verse |
Seymer, John Gunning | The Fall of Saul | 1839 | blank verse | |
Shakespeare, William | The Rape of Lucrece | 1594 | 1,855 lines | rhyme royal |
Shelley, Percy Bysshe | Queen Mab | 1813 | 2,289 lines | |
Shelley, Percy Bysshe | The Revolt of Islam | 1817 | 4,818 lines | Spenserian stanza |
Southey, Robert | Joan of Arc | 1796 | ||
Southey, Robert | Thalaba the Destroyer | 1801 | ||
Southey, Robert | Madoc | 1805 | ||
Southey, Robert | Roderick the Last of the Goths | 1814 | ||
Spenser, Edmund | The Faerie Queene [3] | 1590, 1596 | 34,928 lines | Spenserian stanza |
Stanford, Frank | The Battlefield Where The Moon Says I Love You | 1977 | 15,283 lines | |
Stein, Gertrude | Stanzas in Meditation | 1956 | ||
Swinburne, Algernon Charles | Tristram of Lyonesse | 1882 | 4,488 lines | heroic couplet |
Thomson, James | The Castle of Indolence | 1748 | 1,422 lines | Spenserian stanza |
Thomson, James | The Seasons | 1730 | 5,405 lines | blank verse |
Tighe, Mary | Psyche, or the Legend of Love [4] | 1805 | 3,348 lines | Spenserian stanza |
Tolkien, J. R. R. | The Lay of Leithian | 1985 | 4,223 lines | rhyming couplets |
Tolkien, J. R. R. | The Lay of the Children of Húrin | 1985 | 2,276 lines | alliterative verse |
Tolson, Melvin B. | Harlem Gallery | 1965 | ||
Townsend, George | Armageddon | 1815 | blank verse | |
Walcott, Derek | Omeros | 1990 | 8,000 | c.terza rima, free verse |
Whitman, Walt | Song of Myself | 1881 | 1346 lines | free verse |
Williams, Saul | , said the shotgun to the head | 2006 | ||
Williams, William Carlos | Paterson | 1946-58 | ||
Wordsworth, William | The Prelude | 1850 | blank verse | |
Zukofsky, Louis | "A" | 1928-78 | free verse |
An epic poem, or simply an epic, is a lengthy narrative poem typically about the extraordinary deeds of extraordinary characters who, in dealings with gods or other superhuman forces, gave shape to the mortal universe for their descendants.
In poetry, metre or meter is the basic rhythmic structure of a verse or lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody.
The Divine Comedy is an Italian narrative poem by Dante Alighieri, begun c. 1308 and completed around 1321, shortly before the author's death. It is widely considered the pre-eminent work in Italian literature and one of the greatest works of Western literature. The poem's imaginative vision of the afterlife is representative of the medieval worldview as it existed in the Western Church by the 14th century. It helped establish the Tuscan language, in which it is written, as the standardized Italian language. It is divided into three parts: Inferno, Purgatorio, and Paradiso.
The Hyperion Cantos is a series of science fiction novels by Dan Simmons. The title was originally used for the collection of the first pair of books in the series, Hyperion and The Fall of Hyperion, and later came to refer to the overall storyline, including Endymion, The Rise of Endymion, and a number of short stories. More narrowly, inside the fictional storyline, after the first volume, the Hyperion Cantos is an epic poem written by the character Martin Silenus covering in verse form the events of the first two books.
Terza rima is a rhyming verse form, in which the poem, or each poem-section, consists of tercets with an interlocking three-line rhyme scheme: The last word of the second line in one tercet provides the rhyme for the first and third lines in the tercet that follows. The poem or poem-section may have any number of lines, but it ends with either a single line or a couplet, which repeats the rhyme of the middle line of the previous tercet.
The Lays of Beleriand, published in 1985, is the third volume of Christopher Tolkien's 12-volume book series, The History of Middle-earth, in which he analyzes the unpublished manuscripts of his father J. R. R. Tolkien.
"Ode to the West Wind" is an ode, written by Percy Bysshe Shelley in 1819 in Cascine wood near Florence, Italy. It was originally published in 1820 by Charles Ollier in London as part of the collection Prometheus Unbound, A Lyrical Drama in Four Acts, With Other Poems. Perhaps more than anything else, Shelley wanted his message of reform and revolution spread, and the wind becomes the trope for spreading the word of change through the poet-prophet figure. Some also believe that the poem was written in response to the loss of his son, William in 1819. The ensuing pain influenced Shelley. The poem allegorises the role of the poet as the voice of change and revolution. At the time of composing this poem, Shelley without doubt had the Peterloo Massacre of August 1819 in mind. His other poems written at the same time—"The Masque of Anarchy", Prometheus Unbound, and "England in 1819"—take up these same themes of political change, revolution, and role of the poet.
Purgatorio is the second part of Dante's Divine Comedy, following the Inferno and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil—except for the last four cantos, at which point Beatrice takes over as Dante's guide. Allegorically, Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem posits the theory that all sins arise from love—either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things.
The poem In Memoriam A.H.H. (1850) by Alfred, Lord Tennyson, is an elegy for his Cambridge friend Arthur Henry Hallam, who died of cerebral haemorrhage at the age of twenty-two years, in Vienna in 1833. As a sustained exercise in tetrametric lyrical verse, Tennyson's poetical reflections extend beyond the meaning of the death of Hallam, thus, In Memoriam also explores the random cruelty of Nature seen from the conflicting perspectives of materialist science and declining Christian faith in the Victorian era (1837–1901), the poem thus is an elegy, a requiem, and a dirge for a friend, a time, and a place.
The canto is a principal form of division in medieval and modern long poetry.
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In English literature, Don Juan, written from 1819 to 1824 by the English poet Lord Byron, is a satirical, epic poem that portrays the Spanish folk legend of Don Juan, not as a womaniser as historically portrayed, but as a victim easily seduced by women. As genre literature, Don Juan is an epic poem, written in ottava rima and presented in 16 cantos. Lord Byron derived the character of Don Juan from traditional Spanish folk legends; however, the story was very much his own. Upon publication in 1819, cantos I and II were widely criticised as immoral because Byron had so freely ridiculed the social subjects and public figures of his time. At his death in 1824, Lord Byron had completed 16 of 17 cantos, whilst canto XVII remained unfinished.
"The Soldier" is a poem written by Rupert Brooke. It is the fifth and final sonnet in the sequence 1914, published posthumously in 1915 in the collection 1914 and Other Poems.
This is a glossary of poetry terms.
Javanese poetry is traditionally recited in song form. The standard forms are divided into three types, sekar ageng, sekar madya, and sekar macapat, also common with the ngoko terms: tembang gedhé, tembang tengahan, and tembang macapat. All three types follow strict rules of poetic construction. These forms are highly influential in Javanese gamelan.
Mahākāvya, also known as sargabandha, is a genre of Indian epic poetry in Classical Sanskrit. The genre is characterised by ornate and elaborate descriptions of phenomena such as scenery, love, and battles. Typical examples of mahākāvya are the Kumarasambhava and the Kiratarjuniya.
Inferno is the first part of Italian writer Dante Alighieri's 14th-century narrative poem The Divine Comedy. It is followed by Purgatorio and Paradiso. The Inferno describes the journey of a fictionalised version of Dante himself through Hell, guided by the ancient Roman poet Virgil. In the poem, Hell is depicted as nine concentric circles of torment located within the Earth; it is the "realm [...] of those who have rejected spiritual values by yielding to bestial appetites or violence, or by perverting their human intellect to fraud or malice against their fellowmen". As an allegory, the Divine Comedy represents the journey of the soul toward God, with the Inferno describing the recognition and rejection of sin.
Paradiso is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God.
The Bride of Abydos is a poem written by Lord Byron in 1813. One of his earlier works, The Bride of Abydos is considered to be one of his "Heroic Poems", along with The Giaour, Lara, The Siege of Corinth, The Corsair and Parisina. These poems contributed to his poetic fame at the time in England.