Live in London | ||||
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Live album by | ||||
Released | May 1970 | |||
Recorded | December 1, 1968 | |||
Venue | The Palladium, London | |||
Genre | Rock | |||
Length | 34:03 | |||
Label | Capitol | |||
Producer | Carl Wilson, Stephen Desper | |||
The Beach Boys chronology | ||||
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Alternate cover (cover picture from Top Of The Pops performance in November of 1970.) | ||||
Alternate cover | ||||
Review scores | |
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Source | Rating |
AllMusic | [1] |
Blender | [2] |
Encyclopedia of Popular Music | [3] |
The Rolling Stone Album Guide | [4] |
Live in London is a live album by American rock band the Beach Boys released by EMI in the UK in May 1970. When released in the US on November 15,1976,the album was renamed Beach Boys '69 (The Beach Boys In London) via Capitol Records.
1968 was a difficult year for the Beach Boys in the USA,where their reputation had soured considerably. Yet enthusiasm for the group in Europe was still strong,as evidenced by the performance recorded in December while the group were finishing their 20/20 album.
After the surprise success of the Endless Summer and Spirit of America hits packages in 1974 and 1975,the Beach Boys had a resurgence of popularity in America,especially on the concert circuit. It was during this time that Capitol decided to issue a renamed edition of the album for the first time in the US. The reissue had art by rock artist Jim Evans,and a new title,Beach Boys '69. Besides the fact that the live performance was recorded in December 1968,the LP's appearance added confusion to the marketplace as the group had recently issued a new,live double album— The Beach Boys in Concert —on their own Brother Records label,as part of a distribution deal with their new label,Reprise. Despite this,the record became a small chart success in the US,following the Top 10 placing of 15 Big Ones ,reaching #75 in the Fall of 1976 during a US chart stay of 10 weeks. The UK edition failed to chart.
Beach Boys observers believe that the group owed Capitol one more album (this may have been offered to fill such a role,instead of the Fading Rock Group Revival/Reverberation project),and that this release ended their relationship with that record label,as well as temporarily ending their association with EMI in the UK.[ citation needed ] When their albums were remastered for CD in 1990 (and again in 2001),Live in London was paired with their 1964 live release Beach Boys Concert .
All tracks written by Brian Wilson and Mike Love,unless otherwise noted.
The Beach Boys
Additional personnel
Pet Sounds is the eleventh studio album by the American rock band the Beach Boys,released on May 16,1966,by Capitol Records. It was initially met with a lukewarm critical and commercial response in the United States,peaking at number 10 on the Billboard Top LPs chart. In the United Kingdom,however,the album was lauded by critics and reached number 2 on the Record Retailer chart,remaining in the top ten for six months. Promoted there as "the most progressive pop album ever",Pet Sounds was recognized for its ambitious production,sophisticated music,and emotional lyrics. It is now considered to be among the greatest and most influential albums in music history.
David Lee Marks is an American guitarist who was an early member of the Beach Boys. While growing up in Hawthorne,California,Marks was a neighborhood friend of the original band members and was a frequent participant at their family get-togethers. Following his departure from the group,Marks fronted the Marksmen and performed and recorded as a session musician.
Sunflower is the 16th studio album by the American rock band the Beach Boys,released on August 31,1970 by Reprise Records,their first for the label. It received favorable reviews,but sold poorly,reaching number 151 on the US record charts during a four-week stay and becoming the lowest-charting Beach Boys album to that point. "Add Some Music to Your Day" was the only single that charted in the US,peaking at number 64. In the UK,the album peaked at number 29.
Beach Boys Concert is the first live album by the American rock band the Beach Boys,released on October 19,1964. It is their seventh album in all,and their third alone in the same year. It was their first of two chart-topping albums in the US,as well as the first live album to top pop music record charts,maintaining its position for four weeks during a sixty-two-week chart stay,and becoming another gold seller.
Beach Boys' Party! is the tenth studio album by the American rock band the Beach Boys,and their third in 1965,consisting mostly of cover songs played with acoustic instruments. It reached No. 6 in the US and No. 3 in the UK. The album spawned one single,a cover of the Regents' "Barbara Ann",which reached No. 2 in the US and No. 3 in the UK,and was their highest-charting British single to that point.
20/20 is the 15th studio album by the American rock band the Beach Boys,released February 10,1969 on Capitol Records. The LP was named for being their 20th overall release when factoring in live albums and compilations. Much of 20/20 consists of outtakes from earlier albums. It reached number 3 on UK record charts and number 68 in the U.S. Brian Wilson was absent during most of the album's recording after admitting himself into a psychiatric hospital,requiring brothers Carl and Dennis to retrieve several outtakes he had recorded years earlier. While Brian does not appear on the front cover,the inner gatefold of the original vinyl release features him alone,behind an eye examination chart.
M.I.U. Album is the 22nd studio album by the American rock band the Beach Boys,released on September 25,1978. Characterized for its easy-listening sound,the album was produced by Al Jardine and touring member Ron Altbach during one of the most acrimonious periods in the band's history. It sold poorly,peaking at number 151 in the U.S,and was met with confused reactions from critics and fans.
"Good Vibrations" is a song by the American rock band the Beach Boys that was composed by Brian Wilson with lyrics by Mike Love. It was released as a single on October 10,1966,and was an immediate critical and commercial hit,topping record charts in several countries including the United States and the United Kingdom. Characterized by its complex soundscapes,episodic structure and subversions of pop music formula,it was at the time the most expensive single ever recorded. "Good Vibrations" later became widely acclaimed as one of the finest and most important works of the rock era.
Still Cruisin' is the twenty-sixth studio album by the Beach Boys,their thirty-fifth official album,and their last release of the 1980s. It is also the last album of new material released during a brief return to Capitol Records.
Ten Years of Harmony is an official double album compilation album released by the Beach Boys in 1981,and spanning their entire Brother Records-era up to that point (1970–80),including some unreleased or rare material. Although the song "Darlin'" had originally been recorded in 1967 while the group was signed to Capitol Records,the version on Ten Years of Harmony was recorded live in 1973 for the album The Beach Boys in Concert.
"I Know There's an Answer" is a song by American rock band the Beach Boys from their 1966 album Pet Sounds. Written by Brian Wilson,Terry Sachen,and Mike Love,the song was inspired by Wilson's experience with the drug LSD and his struggle with ego death. Musically,it is distinguished for its colorful arrangement,unorthodox structure,and bass harmonica solo. The instrumentation also includes guitars,tambourine,tack piano,banjo,clarinets,flutes,electric keyboards,and timpani. Wilson,Love,and Al Jardine trade the lead vocal,for which the melody spans two octaves.
"That's Not Me" is a song by the American rock band the Beach Boys from their 1966 album Pet Sounds. Written by Brian Wilson and Tony Asher,it is distinguished for its sophisticated harmonic structure and its sudden shifts in mood and instrumental textures. Owing to its relatively sparse orchestration,it is the track on Pet Sounds that most closely resembles a conventional rock song.
"Here Today" is a song by the American rock band the Beach Boys from their 1966 album Pet Sounds. Written by Brian Wilson and Tony Asher,the lyric warns the listener of inevitable heartbreak before the narrator reveals himself to be the ex-boyfriend of the listener's newfound love. Musically,the song features an uncommon formal structure,the use of electric bass guitar as a lead instrument,and a 20-bar length instrumental break.
"Surfin' Safari" is a song by American rock band the Beach Boys,written by Brian Wilson and Mike Love. Released as a single with "409" in June 1962,it peaked at number 14 on the Billboard Hot 100. The song also appeared on the 1962 album of the same name.
Made in U.S.A. is a 1986 double vinyl album compilation of some of The Beach Boys' biggest successes. Released by their original record label,Capitol Records,it marked a brief return to the label,with whom The Beach Boys released one further album,1989's Still Cruisin'.
Summer Days is the ninth studio album by the American rock band the Beach Boys,released on July 5,1965,by Capitol Records. The band's previous album,The Beach Boys Today!,represented a departure for the group through its abandonment of themes related to surfing,cars,and teenage love,but it sold below Capitol's expectations. In response,the label pressured the group to produce bigger hits. Summer Days thus returned the band's music to simpler themes for one last album,with Brian Wilson combining Capitol's commercial demands with his artistic calling.
Live –The 50th Anniversary Tour is a live album by the Beach Boys released on May 21,2013. The album was recorded during the band's 50th anniversary reunion tour.
Beach Boys' Party! Uncovered and Unplugged is a compilation and remix album released by Capitol Records on November 20,2015. It is an 81-track expansion of Beach Boys' Party!,presenting it without informal chatter overdubs followed by a selection of outtakes collected from the album's original five recording sessions.
The Beach Boys with the Royal Philharmonic Orchestra is a 2018 album of remixed Beach Boys recordings with new orchestral arrangements performed by the Royal Philharmonic Orchestra. It was produced by Nick Patrick and Don Reedman,who conducted similar projects for Roy Orbison and Elvis Presley.
The Beach Boys On Tour:1968 is a live album recorded by the Beach Boys,released on December 14,2018 by Capitol Records. It compiles eight of their full concert performances from 1968.