| Llanllyfni lunula | |
|---|---|
| Lunula Llanllyfni | |
 Llanllyfni lunula, Wales, 2400BC-2000BC. Held by the British Museum, London, England. | |
| Material | gold (possibly Welsh gold) |
| Created | 2400BC-2000BC |
| Discovered | Llanllyfni, Wales |
| Present location | British Museum |
The Llanllyfni lunula (Welsh : Lunula Llanllyfni) is a gold lunula, found in Llanllyfni, Gwynedd, Wales but now held in the British Museum in London, England. It dates from 2400BC-2000BC.
The lunula is made of decorated gold and dated to 2200-2000 BCE and is one of the earliest gold ornaments from Wales. [1] Other estimates suggest 2400-2000 BC of the Late Neolithic/Early Bronze Age. [2] The lunula is the heaviest lunula from the islands of Britain and Ireland, weighing 185g. [3]
Llanllyfni lunula. Weighing 185.4g (6.5 ounces) and measuring 24cm (9.5 inches) in diameter. This crescent-shaped ornament probably originated as a single rod shaped ingot and was expertly hammered into shape. The intricate decoration of zig-zags, lines and dots was then added using a fine-pointed tool and a copper or bronze punch. These designs are very similar to those used to adorn pottery made at this time.
It is likely to have been a ceremonial piece. Lunulae are common finds in Ireland and research evidence suggests that multiple Irish lunulae are made from Cornish gold. The decoration on the Llanllyfni lunula is similar to the decoration of many Beaker pottery vessels from Wales. This is a 'Provincial' type lunula with normal transverse end-plates and fine incised geometric ornament towards the tips of the horns. [1]
The lunula was found in a bog of Llecheiddior-uchaf ffarm near Dolbenmaen in about 1869. A farmer noticed what he thought might be a yellow laurel leaf sticking out of some peat. Unsatisfied with his self-explanation, he later returned and unearthed the lunula in full. [3] [4]
The British Museum acquired the lunula in 1869 after purchasing it from a Griffith H Owen. [2]
A torc, also spelled torq or torque, is a large rigid or stiff neck ring in metal, made either as a single piece or from strands twisted together. The great majority are open at the front, although some have hook and ring closures and a few have mortice and tenon locking catches to close them. Many seem designed for near-permanent wear and would have been difficult to remove.
The Bell Beaker culture, also known as the Bell Beaker complex or Bell Beaker phenomenon, is an archaeological culture named after the inverted-bell beaker drinking vessel used at the very beginning of the European Bronze Age, arising from around 2800 BC. Bell Beaker culture lasted in Britain from c. 2450 BC, with the appearance of single inhumation graves, until as late as 1800 BC, but in continental Europe only until 2300 BC, when it was succeeded by the Unetice culture. The culture was widely dispersed throughout Western Europe, being present in many regions of Iberia and stretching eastward to the Danubian plains, and northward to the islands of Great Britain and Ireland, and was also present in the islands of Sardinia and Sicily and some small coastal areas in north-western Africa. The Bell Beaker phenomenon shows substantial regional variation, and a study from 2018 found that it was associated with genetically diverse populations.
A lock ring, also spelled lock-ring, is a late Bronze Age penannular hair ornament. Typically in gold, the intricate, decorative jewellery is recognized for its highly skilled workmanship. The name is derived from its suggested use as a hair fastener. Lock rings most likely originated in Ireland in the mid-eighth century B.C. They continued to be manufactured in Ireland, primarily in the River Shannon area into the seventh century B.C. Lock rings from the late Bronze Age have also been found in Great Britain and France.
Caergwrle is a village in the county of Flintshire, in north east Wales. Approximately 5–6 miles (8.0–9.7 km) from Wrexham and situated on the A541 road, it is contiguous with the villages of Abermorddu and Hope, though in parts Caergwrle and Hope are separated by a river border. The village lies on the River Alyn and sits at the base of Hope Mountain. At the 2001 Census, the population was 1,650. The population was subsequently absorbed in the community of Hope and only the electoral ward remained. The population of this ward as taken at the 2011 census was 1,619. The ward includes the area of Abermorddu. Further south is the village of Cefn-y-Bedd.
The history of Irish art starts around 3200 BC with Neolithic stone carvings at the Newgrange megalithic tomb, part of the Brú na Bóinne complex which still stands today, County Meath. In early-Bronze Age Ireland there is evidence of Beaker culture and a widespread metalworking. Trade-links with Britain and Northern Europe introduced La Tène culture and Celtic art to Ireland by about 300 BC, but while these styles later changed or disappeared under the Roman subjugation, Ireland was left alone to develop Celtic designs: notably Celtic crosses, spiral designs, and the intricate interlaced patterns of Celtic knotwork.
Celtic art is associated with the peoples known as Celts; those who spoke the Celtic languages in Europe from pre-history through to the modern period, as well as the art of ancient peoples whose language is uncertain, but have cultural and stylistic similarities with speakers of Celtic languages.
Prehistoric Wales in terms of human settlements covers the period from about 230,000 years ago, the date attributed to the earliest human remains found in what is now Wales, to the year AD 48 when the Roman army began a military campaign against one of the Welsh tribes. Traditionally, historians have believed that successive waves of immigrants brought different cultures into the area, largely replacing the previous inhabitants, with the last wave of immigrants being the Celts. However, studies of population genetics now suggest that this may not be true, and that immigration was on a smaller scale.
The prehistory of Ireland has been pieced together from archaeological evidence, which has grown at an increasing rate over the last decades. It begins with the first evidence of permanent human residence in Ireland around 10,500 BC and finishes with the start of the historical record around 400 AD. Both the beginning and end dates of the period are later than for much of Europe and all of the Near East. The prehistoric period covers the Palaeolithic, Mesolithic, Neolithic, Bronze Age and Iron Age societies of Ireland. For much of Europe, the historical record begins when the Romans invaded; as Ireland was not invaded by the Romans its historical record starts later, with the coming of Christianity.
A gold lunula was a distinctive type of late Neolithic, Chalcolithic, and—most often—early Bronze Age necklace, collar, or pectoral shaped like a crescent moon. Most are from Prehistoric Ireland. They are normally flat and thin, with roundish spatulate terminals that are often twisted to 45 to 90 degrees from the plane of the body. Gold lunulae fall into three distinct groups, termed Classical, Unaccomplished and Provincial by archaeologists. Most have been found in Ireland, but there are moderate numbers in other parts of Europe as well, from Great Britain to areas of the continent fairly near the Atlantic coasts. Although no lunula has been directly dated, from associations with other artefacts it is thought they were being made sometime in the period between 2400–2000 BC; a wooden box associated with one Irish find has recently given a radiocarbon dating range of 2460–2040 BC.
Bronze Age Britain is an era of British history that spanned from c. 2500–2000 BC until c. 800 BC. Lasting for approximately 1,700 years, it was preceded by the era of Neolithic Britain and was in turn followed by the period of Iron Age Britain. Being categorised as the Bronze Age, it was marked by the use of copper and then bronze by the prehistoric Britons, who used such metals to fashion tools. Great Britain in the Bronze Age also saw the widespread adoption of agriculture.
The Mold gold cape is a ceremonial cape of solid sheet-gold from Wales dating from about 1900–1600 BCE in the British Bronze Age. It was found at Bryn yr Ellyllon burial mound near Mold, Flintshire in 1833.
The Banc Tynddol sun-disc is a small, decorated, gold ornament discovered at Cwmystwyth, Ceredigion, Wales. It most likely was part of a funerary garment and is dated to 2450-2150 BCE, which makes it the earliest gold artifact found in Wales. It was discovered on 16 October 2002 by a team of archaeologists who were investigating the site of Roman and medieval lead smelting hearths below the Bronze Age copper mine on Copa Hill.
Elizabeth Fritsch CBE is a British studio potter and ceramic artist born into a Welsh family in Whitchurch on the Shropshire border. Her innovative hand built and painted pots are often influenced by ideas from music, painting, literature, landscape and architecture.
Gold working in the Bronze Age British Isles refers to the use of gold to produce ornaments and other prestige items in the British Isles during the Bronze Age, between circa 2500 and c.800 BCE in Britain, and up to about 550 BCE in Ireland. In this period, communities in Britain and Ireland first learned how to work metal, leading to the widespread creation of not only gold but also copper and bronze items as well. Gold artefacts in particular were prestige items used to designate the high status of those individuals who wore, or were buried with them.
A lunula was a crescent moon shaped pendant worn by girls in ancient Rome. Girls ideally wore them as an apotropaic amulet, the equivalent of the boy's bulla. In the popular belief the Romans wore amulets usually as a talisman, to protect themselves against evil forces, demons and sorcery, but especially against the evil eye. Lunulae were common throughout the entire Medditeranean region while their male counterpart, the bulla, was most popular in Italy. In Plautus' play, Epidicus asks the young girl Telestis: "Don't you remember my bringing you a gold lunula on your birthday, and a little gold ring for your finger?" An explicit definition is provided by Isidore of Seville: "Lunulae are female ornaments in the likeness of the moon, little hanging gold bullae." But in Plautus' play Rudens, Palaestra says her father gave her a golden bulla on the day of her birth.
The Caergwrle Bowl is a unique object dating to the Middle Bronze Age, c. 1300 BC, originally manufactured from shale, tin and gold, and found in Caergwrle, Wales. It is thought to represent a boat, with its applied gold decoration signifying oars and waves, and either sun discs or circular shields. At both ends of the boat is a pair of oculi or 'eyes'.
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The archaeology of Wales is the study of human occupation within the country of Wales which has been occupied by modern humans since 225,000 BCE, with continuous occupation from 9,000 BCE. Analysis of the sites, artefacts and other archaeological data within Wales details its complex social landscape and evolution from Prehistoric times to the Industrial period. This study is undertaken by academic institutions, consultancies, charities as well as government organisations.
Various artefacts originally found in or culturally important to Wales, are housed in museums outside the country, namely in England and France. Their housing outside of Wales has been controversial to some in Wales, calling for some artefacts to be repatriated (returned) back to Wales, while others argue Wales lacks the necessary museums and security for the artefacts to be housed in Wales safely.
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