Lost Souls | ||||
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Studio album by | ||||
Released | 3 April 2000 | |||
Recorded | 1996–2000 | |||
Studio |
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Genre | ||||
Length | 59:09 | |||
Label | Heavenly | |||
Producer | Doves; Steve Osborne (track 8) | |||
Doves chronology | ||||
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Doves studio album chronology | ||||
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Singles from Lost Souls | ||||
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Lost Souls is the debut studio album by British indie rock band Doves,released by Heavenly Recordings on 3 April 2000. The album was recorded over a period of several years,following the dissolution of Doves' original musical incarnation as house music act Sub Sub. Lost Souls was a moderate chart success in the UK;the album peaked at number 16,while the three singles taken from the album charted in the Top 40.
Lost Souls was considered by many to be the best debut album by a British act since Oasis' Definitely Maybe . [4] It was met with positive critical acclaim and was a shortlist nominee for the Mercury Prize in 2000. The album was roundly praised on its release for its blending of claustrophobic intensity and euphoria,the sonic influences from electronic music present in its textures and for being "the perfect after-hours soundtrack." [5]
In the early 1990s,Jimi Goodwin and twin brothers Jez and Andy Williams were producing dance music as Sub Sub. The trio,along with guest vocalist Melanie Williams,had a club and chart hit single with "Ain't No Love (Ain't No Use)" in 1993,reaching #3 on the UK Singles Chart and becoming one of many dance singles to cross over into mainstream popularity in the UK. [6] [7] The song would remain Sub Sub's only hit single;the release of the sole studio album Full Fathom Five in September 1994 and a handful of singles thereafter struggled to match the single's success.
In February 1996,on the Williams twins' birthday,the band's recording studio located in Ancoats,Manchester caught fire and burned down,destroying virtually all of the band's equipment and recorded material. [8] In an interview with Excellent Online,Jimi Goodwin said of the fire,"Yeah,we lost tapes,we lost equipment. But we were insured. If we weren't insured,we might not be here now. When forty grand goes up,where would we be to get that back at 22 years old? So,yeah,we were lucky. It was a blessing in a way. I was laughing. After the initial shock,I started giggling,y'know? It was like [looking to the sky],'What else you gonna throw at me,man? C'mon then,fucking bring it on! Me bird just left me,what else you got?'" [9] The only surviving recorded material recovered from the ashes was released as Delta Tapes in February 1998,featuring early versions of later Doves tracks "Firesuite" and "Blue Water",as well as B-side tracks "Crunch" and "Lost in Watts". [10]
Before the fire,however,the band were looking towards a new musical direction. In a 2009 interview with QTheMusic.com ,Andy Williams stated that,"As Sub Sub we never made the album we thought we were all capable of. We'd always been in love with the idea of albums as opposed to just singles –which are cool in their way and suit dance music perfectly but we wanted to stretch ourselves and make a statement with a set of songs. So around 1996 we started writing and recording the songs which would finally become Lost Souls. We were for all intent and purposes still Sub Sub (we only called ourselves Doves a week or two before The Cedar Room was released,because we wanted a fresh start and a break from the past)." [8]
Sub Sub had been signed to Rob's Records,a label owned by Manchester-based manager Rob Gretton. After the studio fire,Gretton suggested that the band rent the studio owned by New Order in Cheetham Hill (VIBE Recording Studios,nicknamed 'Frank Bough Sound II' by the band [2] ) for recording. The bulk of what would become Lost Souls was recorded there;said Andy Williams,"We really did lock ourselves away for three to four years until we discovered how we wanted to sound,it was a pretty oppressive place with no windows and thieves trying to break in! But it was also an inspiring place to be as it belonged to New Order and we were fans ... The garage there was full of their old gear;it was full of vintage keyboards,sequencers,drum machines and was like some weird techno graveyard in there. I also remember finding Stephen Morris' Rogers drum kit that he used in Joy Division stuffed behind some knackered flight case." [8]
The trio –with Gretton's assistance –started their own record label,Casino Records. The first release on the label was Cedar EP ,a limited edition 10" vinyl single featuring "The Cedar Room" and "Rise",two songs that would feature prominently on the album,and the instrumental track "Zither". [11] The EP was released in November 1998 and was limited to 1,000 copies. [11] [12] During the album recording sessions,the band were facing the prospect of finding a lead singer,but found themselves more than satisfied with bassist Jimi Goodwin's vocals:"I think the key songs for us on Lost Souls were 'The Cedar Room' and 'Break Me Gently',because they were the first songs Jimi sang properly and we realised we needn't go looking outside the band for this 'mythical singer',something our friend and label boss Rob Gretton had been telling us for years," said Andy Williams. [8] "And once Jimi started we [Andy and Jez] started singing as well. We took years to get there. He recognized something in us and helped us to share it with the world." [13]
"It would be hindsight to wonder what the reaction would have been if we'd have released Lost Souls in 1996. I'm glad it wasn't ready. I wasn't even singing in 1996. I was conveying ideas, but it wasn't a unified decision, like, 'Jimi, you should do it, because we're getting nowhere auditioning singers.' That was a bit later, that was around 1997, maybe even 1998. We were frustrated, though, we wanted it out. ... It's totally different to your Blur and your Oasis, y'know what I mean? It seems to have been the right time for it."
In late 1998, Doves joined Manchester-based musician Badly Drawn Boy as his backing band; their first release together was the single "Road Movie" in January 1999, recorded live in the studio. [14] Doves also performed on several songs on Badly Drawn Boy's debut album The Hour of Bewilderbeast , as well as accompanied him on tour dates. [15] Doves' second release was the Sea EP in May 1999. [15] A little more than a week before the EP's release, the band's mentor and friend Rob Gretton died of a heart attack. [16] In response, the band dedicated the music video for "Sea Song" to Rob's memory. [17] In August 1999, Doves' third EP Here It Comes was released, [18] with the title track charting at number 73 on the UK Singles Chart. [19]
Doves signed with London-based independent record label Heavenly Recordings, and a reissue of the band's debut single "The Cedar Room" was released as the forthcoming album's first single in March 2000. Andy Williams concluded of Lost Souls that, "The best thing was that after all the years of hard work and very testing times we knew we were finally creating the sort of music we had always wanted to ..." [8] The band also dedicated Lost Souls to their late friend and mentor Rob Gretton.
With their background in dance and house music, the band incorporated a variety of samples on Lost Souls: "A House" features the sounds of a fire burning, "Lost Souls" features funhouse music, "Break Me Gently" interpolates a sample of a telephone recording that originally appeared on hip hop group 3rd Bass's 1989 album The Cactus Album , [20] and "Sea Song" features a spoken-word dialogue extract from the 1984 Wim Wenders film Paris, Texas . [21] The band also cites Talk Talk's seminal 1988 album Spirit of Eden as a chief influence on Lost Souls. [13]
Lost Souls was released on 3 April 2000, and peaked at number 16 on the UK Albums Chart. [19] The album's first single "The Cedar Room" charted at number 33 on the Singles Chart. [19] "Catch the Sun", which was co-produced with Steve Osborne, was released as the album's second single in late May 2000, and third single "The Man Who Told Everything" was released at the end of October 2000. Both songs peaked at number 32 on the Singles Chart. [19] The album's release was supported by tours of the United Kingdom, including opening performances with Oasis at Wembley Stadium and Murrayfield Stadium in July 2000. [22] The band were also augmented live by keyboardist Martin Rebelski, who made his first appearance with Doves on the Here It Comes EP in 1999.
The U.S. release of the album came in October 2000 on Astralwerks, featuring three additional bonus tracks: "Darker", "Valley", and "Zither" (all of which were previously released on singles and EPs in the UK). "Darker" was later featured in the second episode of the American Fox television drama series 24 , and also in the movie Dandelion . The band embarked on their first-ever tour of North America in late 2000 and early 2001. Jimi Goodwin described to Excellent Online that the U.S. shows were "pleasantly surprising" with the turn-outs and crowd reactions: "The crowds have been amazing. Pretty much all selling out, which we couldn't believe. ... It's really nice. Astralwerks do seem pretty sussed, and they're just letting us be us. They're just as sniffy as us, going, 'Let's just check it out,' and not trying to convince people that you're the best thing since sliced bread, y'know. Let's just try sneaking in the back door a little. I don't know how American numbers work. I don't know how America works. This is our first time here as a band. We've travelled it, but not musically. We've done a few of them sit-down, meet-and-greets with radio, we've gotten some acoustic work out. ... But, yeah, we're really impressed by people loving the shows and everything. And we're playing better than ever, I think. In England, we've been getting a bit paranoid – 'we can't play this set anymore, we need some new tunes in there.' It's getting a bit old. Time to say, 'Come on lads, the band's playing the same set, time to throw in some new shit.'" [9]
Review scores | |
---|---|
Source | Rating |
AllMusic | [23] |
The Guardian | [24] |
Los Angeles Times | [25] |
NME | 9/10 [26] |
Pitchfork | 6.8/10 [27] |
Q | [28] |
Record Collector | [29] |
The Rolling Stone Album Guide | [30] |
Select | 4/5 [31] |
Uncut | [32] |
Lost Souls was met with generally positive reviews. In a 2009 review, BBC praised the album, and described the album as a rock record that kept the dance spirit alive, but could also appeal to a pop audience: "Lost Souls was a record that was widely discussed, and people wondered aloud whether its success marked the end of another era of dance music. In truth, it was a record about growing up; about giving up the drugs and the madness of The Haçienda, where the three Cheshire lads met. But because the simmering emotion on songs like 'The Cedar Room' was expressed through guitars rather than synths, in no way did that mean that Doves were taking dance music out the back and burying it in a shallow grave. But there was emotion, too – 'The Cedar Room' is a beautiful seven-minute break-up song that complains: 'I tried to sleep alone, but I couldn't do it.' This was a pop album that eventually appealed widely, and not just to the grown-up clubbers that could have been its sole audience." [33] Q called the album "heavy, sombre and lugubrious ... it makes for seriously claustrophobic listening, until it takes a great gulp of euphoria." [34] NME awarded the album 9 out of 10, and called the album "a serious and intense record ... the first great album to come from Manchester since Definitely Maybe ... they make being sad after drugs sound great." [26] In a mixed review, Pitchfork reviewer Sam Eccleston took a "straightforward" and "cynical" approach with the album and rated it 6.8 out of 10, saying, "Tonally, Lost Souls reflects the after-after-midnight hours, as if the boys felt the need to document the hung-over and blissed-out aftermath of the dancing-hours frenzy their Sub Sub days offered listeners years ago." The review goes on to say that, "The heart of the problem on Lost Souls is its overreaching ambition ... [but] ... despite its reach and ambition, works best in its most conventionally melodic moments." [27]
Lost Souls was nominated for the Mercury Prize in 2000, but lost out to Badly Drawn Boy's The Hour of Bewilderbeast , the album Doves had featured as a backing band on.
The album was included in the book 1001 Albums You Must Hear Before You Die . [35] Manchester icon and Doves influence Johnny Marr called the album "a vast 3am melancholic beauty brought to life." [5]
The sleeve design and artwork was done by frequent Doves collaborator and art director Rick Myers. Myers has done the artwork and design for all of Doves' albums and singles from 1998's Cedar EP to the band's compilation album The Places Between: The Best of Doves in 2010. [36] The photography was done by another frequent Doves collaborator, Richard Mulhearn, and the boxer featured in the photos is Sean McHale of the Ardwick Lads Boxing Club. [37]
In April 2020, to commemorate the 20th anniversary of the release of Lost Souls, Rick Myers posted the original photo montage that comprises the album cover to social media and the official Doves Music Blog. [3]
All tracks are written by Jez Williams, Jimi Goodwin, and Andy Williams
No. | Title | Lead vocals | Length |
---|---|---|---|
1. | "Firesuite" | (instrumental) | 4:36 |
2. | "Here It Comes" | Andy Williams, Jimi Goodwin | 4:50 |
3. | "Break Me Gently" | Goodwin | 4:38 |
4. | "Sea Song" | Goodwin | 6:12 |
5. | "Rise" | A. Williams, Jez Williams | 5:38 |
6. | "Lost Souls" | Goodwin | 6:09 |
7. | "Melody Calls" | A. Williams | 3:27 |
8. | "Catch the Sun" | Goodwin | 4:49 |
9. | "The Man Who Told Everything" | Goodwin | 5:47 |
10. | "The Cedar Room" | Goodwin | 7:38 |
11. | "Reprise" | (instrumental) | 1:45 |
12. | "A House" | Goodwin | 3:40 |
No. | Title | Lead vocals | Length |
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13. | "Darker" | Goodwin | 5:51 |
14. | "Valley" | Goodwin | 4:26 |
15. | "Zither" | (instrumental) | 2:36 |
No. | Title | Lead vocals | Length |
---|---|---|---|
13. | "Valley" | Goodwin | 4:26 |
14. | "Crunch" | (instrumental) | 4:00 |
15. | "Your Shadow Lay Across My Life" | J. Williams, Goodwin | 3:45 |
Country | Date | Label | Format | Catalogue # |
---|---|---|---|---|
United Kingdom | 3 April 2000 | Heavenly Recordings | CD | HVNLP26CD |
Double LP (heavyweight vinyl; gatefold sleeve) | HVNLP26 | |||
United States | 17 October 2000 | Astralwerks | CD (3 bonus tracks) | ASW 50248 (724385024825) |
Double LP (numbered edition; gatefold sleeve) | ASW 50248 (724385024818) | |||
Japan | 7 March 2001 | Toshiba-EMI | CD (3 bonus tracks) | TOCP-65682 |
Europe | 31 May 2019 | Universal Strategic Marketing/Virgin EMI | Double LP (limited/numbered edition on grey-coloured vinyl) [38] | 7748262 |
United Kingdom | 27 November 2020 | Double LP (black vinyl) | 856866 | |
United States | 15 January 2021 |
Chart (2000) | Peak position |
---|---|
UK Albums Chart [19] | 16 |
Australian Albums Chart [39] | 68 |
Irish Albums Chart [40] | 72 |
Doves are an English indie rock band, formed in Wilmslow, Cheshire in 1998. The band is composed of singer and bassist Jimi Goodwin and twin brothers, guitarist Jez and drummer Andy Williams.
Some Cities is the third studio album by the British indie rock band Doves. The album was released by Heavenly Recordings on 21 February 2005, and became the band's second consecutive album to top the UK Albums Chart at number 1. Some Cities was conceived as a rawer, stripped-down record, and conceptually touches upon the physical changes of the band's hometown of Manchester, as well as emotional transformations.
The Last Broadcast is the second studio album by British indie rock band Doves. The album was released by Heavenly Recordings on 29 April 2002, and went straight to number 1 on the UK Albums Chart. The album's first single "There Goes the Fear" entered the UK Singles Chart at number 3, the band's highest-charting single to date, despite being released and deleted on the same day. Two further singles, "Pounding" and "Caught by the River", were also successful, charting in the Top 30. The Last Broadcast garnered critical acclaim upon its release, and was a shortlist nominee for the Mercury Prize in 2002.
Sub Sub were an English dance act from Handforth, Cheshire composed of Jimi Goodwin and twin brothers Andy and Jez Williams.
Lost Sides is a compilation album by the band Doves. The original incarnation of Lost Sides was a promotional-only CD released in 2001, and only featured the B-sides from the singles taken from the band's debut album Lost Souls. The commercial edition of Lost Sides was released with a revised track listing in September 2003 as a single CD and as a limited edition double disc set. The first disc contains B-sides from Doves' first two albums, whilst the second disc features remixed material. The 2003 issue coincided with the band's first DVD release Where We're Calling From.
Jimi Goodwin is the bassist, vocalist and guitarist for Doves. Before their incarnation as Doves, the three members were in a house music group, Sub Sub.
The discography of the English alternative rock trio Doves comprises six studio albums, eighteen singles, and seven EPs, as well as a best-of compilation album, a B-sides compilation, and a full-length DVD compilation. After self-releasing their first three EPs on Casino Records, the band signed to Heavenly Recordings and released their debut album Lost Souls in April 2000. The album reached number 16 on the UK Albums Chart, and has since been certified platinum by the British Phonographic Industry. Their second album The Last Broadcast was even more successful upon its release in April 2002, reaching number 1 on the charts and yielding the band's highest-charting single to date, "There Goes the Fear", which peaked at number 3 on the UK Singles Chart. The album has also been certified platinum by the BPI. In February 2005, Doves released their third studio album Some Cities, which again topped the albums chart at number 1, and produced the hit single "Black and White Town", which charted at number 6, and the minor hit "Snowden", which peaked at number 17.
"There Goes the Fear" is the first single released from English alternative rock band Doves' second studio album, The Last Broadcast (2002). The single was released on 15 April 2002 in the UK on CD and 10-inch vinyl and charted at number three on the UK Singles Chart. Both formats were released and deleted on the same day. A single was also released for the song in the Netherlands and Australia, featuring two live B-sides. In October 2011, NME placed the song at number 137 on its list "150 Best Tracks of the Past 15 Years".
"Pounding" is the second single from English band Doves' second studio album, The Last Broadcast (2002). The single was released on 22 July 2002 in the UK on CD and 10-inch vinyl, reaching number 21 on the UK Singles Chart. An EP was released for the song in Japan the same year to coincide with Doves' 2002 Japan tour dates. The music video was directed by Julian House and Julian Gibbs at Intro, the same team that directed the band's previous video "There Goes the Fear."
Cedar is the debut EP from Doves, the first release from the band after the dissolution of their previous incarnation, Sub Sub. It was self-released on the band's Casino Records label on 9 November 1998 on limited 10" vinyl. The epic track "The Cedar Room" later became the band's first single from their debut album Lost Souls. Following the release of the Cedar EP, Doves briefly joined Badly Drawn Boy as his backing band.
Sea EP is the second EP from Doves. It was self-released on the band's Casino Records label on 24 May 1999 on limited CD and 10" vinyl. The band dedicated the EP to Rob Gretton, who helped fund Doves' early releases as well as when the band played as Sub Sub. Rob died of a heart attack only a few days before the EP was released. In the music video for "Sea Song," the opening title card reads "For Rob."
Here It Comes is the third EP from Doves. It was the last release on the band's Casino Records label on 2 August 1999 on limited CD and 10" vinyl. Martin Rebelski, the unofficial fourth member of Doves, plays piano on the title track. "Here It Comes" also charted on the UK Singles Chart at #73.
"The Cedar Room" is the first single from Doves' debut studio album Lost Souls. The single was released on 20 March 2000 in the UK on CD and 10" vinyl, and charted at number 33 on the UK Singles Chart. The songs "The Cedar Room" and "Zither" made their first appearance on Doves' debut release Cedar EP.
"The Man Who Told Everything" is the third single from Doves' debut studio album Lost Souls. The single was released on 30 October 2000 in the UK on 2 CDs, then released on 7" vinyl on 6 November 2000. The song charted at #33 on the UK Singles Chart. The single version is subtitled "Summer Version" and features a different mix from the album version. The live version of "Rise" on CD1 was recorded live for Australia's Triple J Radio; "The Cedar Room" and "Here It Comes" recorded live at the same sessions would later be released as B-sides to the band's "There Goes the Fear" single in the Netherlands in 2002 and the Japanese EP for "Pounding."
"Ain't No Love (Ain't No Use)" is a song by British dance music act Sub Sub, released on 29 March 1993 by independent label Rob's Records as the second single from their debut album, Full Fathom Five (1994). It features Temper Temper's Melanie Williams on vocals. The song was the act's biggest single, reaching number three on the UK Singles Chart and number one on the UK Dance Singles Chart; it became one of many dance singles in 1993 to cross over into mainstream popularity in the UK. In the accompanying music video, Jimi Goodwin plays bass, Jez Williams plays keyboards and percussion, and Jez' twin brother Andy Williams plays keytar. After struggling to repeat the success of the single, and after a fire destroyed the band's Ancoats studio in 1996, the group eventually reformed with a radically different sound as Doves in 1998.
Kingdom of Rust is the fourth studio album from British indie rock band Doves. The album was released on 6 April 2009 in the UK via Heavenly Recordings. Kingdom of Rust was met with generally positive critical acclaim, and entered the UK Albums Chart at number 2. Two singles were released from the album: the title track, released a week prior to the album in March 2009, which charted at number 28 on the UK Singles Chart; and "Winter Hill", released in July 2009, which became the band's first single not to chart in the top 100.
"Winter Hill" is the second single from Doves' fourth studio album Kingdom of Rust. The single was released on 20 July 2009 via Heavenly Records. The song is one of three songs recorded during the album sessions produced by John Leckie. The radio edit of "Winter Hill" features a new mix by David Bascombe. In a track-by-track discussion with NME, Doves said that the song is about Winter Hill near Bolton, and that the track had been "hanging around since Lost Souls but we've not worked on it before...it just kept knocking on our door." "Winter Hill" was released as a limited edition 7" vinyl single, with the exclusive new "Dylanesque" B-side "Brazil." Three limited edition 12" singles or two separate digital download-only sets feature exclusive remixes of "Jetstream" and "Compulsion" by Sasha, Hans-Peter Lindstrøm, and Andrew Weatherall. "Winter Hill" became the band's first single not to chart in the top 100 of the UK Singles Chart on its week of release. It does not appear on their 2010 best-of album The Places Between, although its video is included on the accompanying DVD.
The Places Between: The Best of Doves is a compilation album from Manchester-based indie rock band Doves. The compilation was released on 5 April 2010 in the UK via Heavenly Recordings, and on 20 April 2010 in North America via Astralwerks. The album encompasses the band's entire career, collecting from their 2000 debut album Lost Souls, 2002's The Last Broadcast, 2005's Some Cities, and their 2009 album Kingdom of Rust, as well as an assortment of EPs and singles. The compilation was released as a standard single-disc best-of, as well as a deluxe three-disc edition, featuring the best-of album along with a bonus disc of B-sides, rarities, alternate versions, and album cuts, plus a bonus DVD collecting all of the band's music videos from 1998 through 2009. It peaked at #12 on the UK Albums Chart.
"Catch the Sun" is the second single from Doves' debut studio album Lost Souls. The single was released on 29 May 2000 in the UK on 2 CDs and 10" vinyl, and charted at number 32 on the UK Singles Chart. The psychedelic, kaleidoscopic music video for "Catch the Sun" was directed by Sophie Muller. Jamie Cullum covered "Catch the Sun" on his album Catching Tales.
The Universal Want is the fifth studio album by British rock band Doves. The album was released by Heavenly Recordings and Virgin/EMI on 11 September 2020. The Universal Want is the band's first album following a hiatus that began in 2010; the band members pursued solo projects in the interim.