Animal Rights is the fourth studio album by American musician Moby, released on September 23, 1996. The album was a temporary style shift from the electronica music that Moby had previously released to an alternative rock sound influenced by the hardcore punk music that he had enjoyed as a teenager. The album was released to mediocre critical reviews and commercial performance.
Robert Wolfe Quine was an American guitarist. A native of Akron, Ohio, Quine worked with a wide range of musicians, though he himself remained relatively unknown. Critic Mark Deming wrote that "Quine's eclectic style embraced influences from jazz, rock, and blues players of all stripes, and his thoughtful technique and uncompromising approach led to rewarding collaborations with a number of visionary musicians."
Transformer is the second solo studio album by American recording artist Lou Reed. Produced by David Bowie and Mick Ronson, the album was released on November 8, 1972 by RCA Records. It is considered an influential landmark of the glam rock genre, anchored by Reed's most successful single, "Walk on the Wild Side", which touched on controversial topics of sexual orientation, gender identity, prostitution and drug use. Although Reed's self-titled debut solo album had been unsuccessful, Bowie had been an early fan of Reed's former band the Velvet Underground and used his fame to promote Reed, who had not yet achieved mainstream success.
The End of Everything is the second studio album by Voodoo Child, a pseudonym of American electronica musician Moby. It was released in July 1996 by record labels Trophy, Mute and Elektra.
Hard Rain is a live album by American singer-songwriter Bob Dylan, released on September 13, 1976, by Columbia Records. The album was recorded during the second leg of the Rolling Thunder Revue.
Margaret Ann "Maggie" Estep was an American writer and poet, best known for coming to prominence during the height of the spoken word and poetry slam performance rage. She published seven books and released two spoken word albums: No More Mr. Nice Girl and Love is a Dog From Hell.
Nilsson Sings Newman is the fifth studio album by American singer-songwriter Harry Nilsson, released in February 1970 on RCA Victor. It features songs written by Randy Newman. Recorded over six weeks in late 1969, the album showcases Nilsson's voice multi-tracked in layers of tone and harmony. Its arrangements are otherwise sparse, with most of the instrumentation provided by Newman on piano. The record was not a great commercial success, but won a 1970 "Record of the Year" award from Stereo Review magazine. The LP record cover art was illustrated by Dean Torrence.
Preemptive Strike is the first compilation album by American hip hop producer DJ Shadow, released by Mo' Wax on January 27, 1998. It contains DJ Shadow's singles released by Mo' Wax between 1993 and 1997. It peaked at number 118 on the Billboard 200 chart.
New Sensations is the thirteenth solo studio album by American rock musician Lou Reed, released in April 1984 by RCA Records. John Jansen and Reed produced the album. New Sensations peaked at No. 56 on the U.S. Billboard 200 and at No. 92 on the UK Albums Chart. This marked the first time that Reed charted within the US Top 100 since his eighth solo studio album Street Hassle (1978), and the first time that Reed had charted in the UK since his sixth solo studio album Coney Island Baby (1976). Three singles were released from the album: "I Love You, Suzanne", "My Red Joystick" and "High in the City", with "I Love You, Suzanne" being the only single to chart, peaking at No. 78 on the UK Singles Chart. The music video for "I Love You, Suzanne" did, however, receive light rotation on MTV.
No Talking, Just Head is the only studio album by the Heads, a band composed of Jerry Harrison, Tina Weymouth, and Chris Frantz of Talking Heads, joined by a variety of guest singers. Released in October 1996, the project was commercially and critically unsuccessful. The band members would go on to pursue other musical interests.
Lou Reed Live is a live album by Lou Reed, released in 1975. It was recorded at the same concert as Rock 'n' Roll Animal ; on December 21, 1973, at Howard Stein's Academy of Music in New York. It features three songs from Transformer, one song from The Velvet Underground & Nico and two songs from Berlin. Between this album and the remastered Rock 'n' Roll Animal, the entire show has been released, albeit in a different order than the original concert setlist.
Legendary Hearts is the twelfth solo studio album by American rock musician Lou Reed, released in March 1983 by RCA Records. Reed produced the album, and dedicated it to his then-wife, Sylvia, who was credited with the cover concept. Due to tensions with Reed, most of Robert Quine's guitar parts were mixed down or removed entirely.
The Bells is the ninth solo studio album by American rock musician Lou Reed, released in May 1979 by Arista Records. It was recorded in binaural sound at Delta Studios in Wilster, West Germany. Production was handled by Reed with Michael Fonfara serving as executive producer. Three out of nine songs on the album are the product of a short-lived writing partnership between Reed and Nils Lofgren. More of the team's work appeared on Nils' solo studio album Nils, released the same year. Lofgren released his version of "Stupid Man" as "Driftin' Man" on Break Away Angel (2001). Lofgren resurrected five songs he wrote with Reed in the late 70s on Blue with Lou (2019).
Hot Trip to Heaven is the fifth studio album by British rock band Love and Rockets, released in 1994 on Beggars Banquet in the United Kingdom and American in the United States. Released after a five-year hiatus, the album saw the band drop their former gothic, alternative rock sound in favour of a hi-tech electronic, ambient direction, taking influences from ambient techno artists such as The Orb and Orbital, while retaining the band's psychedelic focus. The group were first intrigued in making electronic music at the start of the decade.
No Alternative is an alternative rock compilation album produced by Paul Heck and Chris Mundy that was released in 1993. It was the third compilation put together by the Red Hot Organization, a charity dedicated to raising money for and awareness of AIDS relief. The album features original tracks and cover versions from bands who went on to define the alternative rock scene of the 1990s. It was released with two different versions of album art: the standard version depicting a boy, and the alternate version depicting a girl.
Givin' It Back is the ninth album released by The Isley Brothers on their T-Neck imprint on September 25, 1971. After years of having white rock acts covering their most famed material, particularly, "Shout" (1959) and "Twist and Shout" (1961), the Isleys decided to do the same to music made famous by white artists such as Stephen Stills, Eric Burdon and Neil Young. Among the songs they covered were "Spill the Wine", "Love the One You're With", the social commentary medley of "Ohio" and "Machine Gun", "Fire and Rain" by James Taylor and Bob Dylan's "Lay Lady Lay". The Isleys' perseverance paid off when their covers of "Love the One You're With", "Lay Lady Lay" and "Spill the Wine" became charted hits. Bill Withers plays guitar on the Isleys' version of his "Cold Bologna".
Dare to Be Surprised is the second studio album by the Folk Implosion. It was released on Communion in 1997.
Carmaig de Forest is a singer-songwriter, mainly on the ukulele, but also the guitar, originating from Los Angeles, California. Since starting his career as a ukulele singer-songwriter, he has mostly stayed in the creative musical underground of California and Baltimore, at one time touring with the Violent Femmes, who would later play with him on his DeathGrooveLoveParty album. Perhaps his most recognized achievement was being the warm-up artist for the Ramones in the early 1980s.
Ocean of Sound is a 1996 compilation album compiled and produced by English musician and author David Toop. The two-disc, cross-licensed "various artists" compilation contains 32 tracks culled from a variety of musical sources, including dub, exotica, free jazz, and field recordings. Toop compiled the recordings to serve as both a historical survey of ambient music and an aural companion to his 1995 book Ocean of Sound: Aether Talk, Ambient Sound and Imaginary Worlds.
No More Mr. Nice Girl is the debut album by American poet and spoken word artist Maggie Estep. It was released on April 26, 1994, via Nuyo and Imago Records. The album sold more than 30,000 copies, which was considered as "a modest showing by the recording industry but a clear bestseller by poetry standards."
