Manifesto (2015 film)

Last updated

Manifesto
Manifesto Poster.jpg
Theatrical release poster
Directed by Julian Rosefeldt
Written byJulian Rosefeldt
Produced byJulian Rosefeldt
Starring Cate Blanchett
Cinematography Christoph Krauss
Edited byBobby Good [1]
Production
companies
Distributed by FilmRise
Release dates
  • 9 December 2015 (2015-12-09)(ACMI)
  • 10 February 2016 (2016-02-10)(Berlin)
  • 23 January 2017 (2017-01-23)(Sundance)
Running time
  • 130 minutes (exhibition) [2]
  • 94 minutes (feature)
Countries
  • Australia
  • Germany
LanguageEnglish

Manifesto is a 2015 multi-screen film installation written, produced and directed by Julian Rosefeldt. It features Cate Blanchett in 13 different roles performing various manifestos. The film was shot over 12 days in December 2014, in locations in and around Berlin.

Contents

Manifesto premiered in Australia at the Australian Centre for the Moving Image (ACMI) on 9 December 2015. The multi-screen installation was exhibited in Australia, Germany, the United States, and Canada from 2015 to 2019. A 94-minute feature version of the film premiered at the Sundance Film Festival in January 2017. It was theatrically released by FilmRise in select cities in the US from 10 May to 16 May 2017, and was made available for streaming on Amazon Prime Video that year. The project received generally positive reviews from critics.

Plot

The film integrates various types of artist manifestos from different time periods with contemporary scenarios. Manifestos are depicted by 12 different characters (13 including the prologue voiceover), among them a school teacher, factory worker, choreographer, punk, newsreader, scientist, puppeteer, widow, and homeless man. The film consists of a 4-minute prologue and 12 main segments, each 10:30 minutes long. In each, a character recites parts of manifestos of various political and artistic movements. [3]

No.CharacterManifestos [1]
1. PrologueBurning fuse

Karl Marx / Friedrich Engels, Manifesto of the Communist Party (1848)
Tristan Tzara, Dada Manifesto 1918 (1918)
Philippe Soupault, Literature and the Rest (1920)

2. Situationism Homeless man

Lucio Fontana, White Manifesto (1946)
John Reed Club of New York, Draft Manifesto (1932)
Constant Nieuwenhuys, Manifesto (1948)
Alexander Rodchenko, Manifesto of Suprematists and Non-Objective Painters (1919)
Guy Debord, Situationist Manifesto (1960)

3. Futurism Broker

Filippo Tommaso Marinetti, The Foundation and Manifesto of Futurism (1909)
Giacomo Balla / Umberto Boccioni / Carlo Carrà / Luigi Russolo / Gino Severini, Manifesto of the Futurist Painters (1910)
Guillaume Apollinaire, The Futurist Antitradition (1913)
Dziga Vertov, WE: Variant of a Manifesto (1922)

4. Stridentism / Creationism Tattooed punk

Manuel Maples Arce, A Strident Prescription (1921)
Vicente Huidobro, We Must Create (1922)
Naum Gabo / Antoine Pevsner, The Realist Manifesto (1920)

5. Vorticism / Blue Rider / Abstract Expressionism CEO at a private party

Wassily Kandinsky / Franz Marc, "Preface to the Blue Rider Almanac" (1912)
Barnett Newman, The Sublime is Now (1948)
Wyndham Lewis, Manifesto (1914)

6. Dadaism Funeral speaker

Tristan Tzara, Dada Manifesto 1918 (1918)
Tristan Tzara, Manifesto of Monsieur Aa the Antiphilosopher (1920)
Francis Picabia, Dada Cannibalistic Manifesto (1920)
Georges Ribemont-Dessaignes, The Pleasures of Dada (1920)
Georges Ribemont-Dessaignes, To the Public (1920)
Paul Éluard, Five Ways to Dada Shortage or two Words of Explanation (1920)
Louis Aragon, Dada Manifesto (1920)
Richard Huelsenbeck, First German Dada Manifesto (1918)

7. Fluxus / Merz / Performance Choreographer

Yvonne Rainer, No Manifesto (1965)
Emmett Williams, Philip Corner, John Cage, Dick Higgins, Allen Bukoff, Larry Miller, Eric Andersen, Tomas Schmit, Ben Vautier (1963–1978), George Maciunas, Fluxus Manifesto (1963)
Mierle Laderman Ukeles, Maintenance Art Manifesto (1969)
Kurt Schwitters, The Merz Stage (1919)

8. Surrealism / Spatialism Puppeteer

André Breton, Manifesto of Surrealism (1924)
André Breton, Second Manifesto of Surrealism (1929)
Lucio Fontana, White Manifesto (1946)

9. Architecture Worker in a garbage incineration plant

Bruno Taut, Down with Seriousism! (1920)
Bruno Taut, Daybreak (1921)
Antonio Sant'Elia, Manifesto of Futurist Architecture (1914)
Coop Himmelb(l)au, Architecture Must Blaze (1980)
Robert Venturi, Non-Straightforward Architecture: A Gentle Manifesto (1966)

10. Suprematism / Constructivism Scientist

Naum Gabo / Antoine Pevsner, The Realistic Manifesto (1920)
Kazimir Malevich, Suprematist Manifesto (1916)
Olga Rozanova, Cubism, Futurism, Suprematism (1917)
Alexander Rodchenko, Manifesto of Suprematists and Non-Objective Painters (1919)

11. Pop Art Conservative mother with family Claes Oldenburg, I am for an Art... (1961)
12. Conceptual Art / Minimalism Newsreader and reporter

Sol LeWitt, Paragraphs on Conceptual Art (1967)
Sol LeWitt, Sentences on Conceptual Art (1969)
Sturtevant, Shifting Mental Structures (1999)
Sturtevant, Man is Double Man is Copy Man is Clone (2004)
Adrian Piper, Idea, Form, Context (1969)

13. Film / EpilogueTeacher

Stan Brakhage, Metaphors on Vision (1963)
Jim Jarmusch, Golden Rules of Filmmaking (2002)
Lars von Trier / Thomas Vinterberg, Dogme 95 (1995)
Werner Herzog, Minnesota Declaration (1999)
Lebbeus Woods, Manifesto (1993) – Epilogue

Production

Development

Director, writer and producer Julian Rosefeldt Julian Rosefeldt - IFFR 2017.jpg
Director, writer and producer Julian Rosefeldt

Rosefeldt began developing the project by researching and analysing an assortment of textual manifestos. He selected approximately 60 manifestos that he considered "the most fascinating and most requitable" or he thought corresponded to one another. He cited the comments from Wassily Kandinsky and Franz Marc as complementing the thoughts of Barnett Newman, as well as a connection between the texts of André Breton and Lucio Fontana, and the writings of the Dada or Fluxus artists being potentially "combined into a kind of condensation, a kind of Super-Dada or Super-Fluxus Manifesto". After collating and fragmenting numerous texts, eventually 12 manifesto collages materialised. [4]

Rosefeldt's main concept for the project was to have a woman embody the manifestos. [4] He wanted to "make a piece in which a woman performed multiple roles" in an art-based framework. [5]

In parallel, I began to sketch different scenes in which a woman talks, ending up with sixty short scenes, situations right across various educational levels and professional milieus. The only thing these draft scenes had in common was that they are being performed today, and that a woman is holding a monologue ... Sometimes we listen to the woman's inner voice; in other instances she addresses an audience; once she even interviews herself, etc. I finally edited everything down to twelve scenes and twelve corresponding text collages. [4]

Rosefeldt and Blanchett met in 2014 in Berlin through director Thomas Ostermeier, who had collaborated with Rosefeldt in theatre. Rosefeldt discussed with Blanchett her role as Bob Dylan in Todd Haynes' film I'm Not There , which influenced the conception of the project. [5] [6] The two met several times to brainstorm and developed the project together. [7] [8] [9] Blanchett said she was intrigued by the opportunity to perform multiple roles in a figurative context, noting that "on film, you're usually inviting an audience into a very literal narrative experience. So to allow an audience to free associate and find points of common reference is very exciting". [6] She found the material "absurd" and provocative, and Rosefeldt added that the humour in the work "does help discover that some of these texts were not written with 100 percent total sincerity". [6] Blanchett's husband Andrew Upton and their children performed in the Pop Art scene. [1]

Rosefeldt described the process of scripting as "very organic". He edited, combined and rearranged texts into new texts "that could be spoken and performed". [4] He was attracted to the idea of alluding to "a collection of voices, a conversation", and reframing those voices "into new monologues". [4] According to the ACMI, the project "questions the role of the artist in society today", drawing on the writings of Futurists, Dadaists, Fluxus artists, Situationists and Dogme 95, and the "musings of individual artists, architects, dancers and filmmakers". [10] Rosefeldt called it an "homage to the beauty of artists' manifestos − a manifesto of manifestos". [4] He titled it Manifesto as the core of the project is the texts and their poetry. [4]

Manifesto was commissioned by the ACMI, in partnership with the Art Gallery of New South Wales, Museum für Gegenwart, Sprengel Museum, and Ruhrtriennale Festival of the Arts. [10] [11] The film was subsidised by the Medienboard Berlin-Brandenburg with €90,000. [12] It is a coproduction of the Ruhrtriennale, Schiwago Film GmbH, and the Berlin National Gallery, in cooperation with Bayerischer Rundfunk, the Burger Collection Hong Kong, and the Medienboard Berlin-Brandenburg. [13] [14] [15]

Filming

Production on the film began on 9 December 2014, lasting 12 days. [16] [17] The conditions under which the crew and actress worked in the Berlin winter, including the very tight time frame, allowed little room for improvisation. The crew had to "plan the shoot meticulously" as sometimes they had to shoot two roles per day. [4] Filming locations in Berlin included the Friedrichstadt-Palast, Helmholtz-Zentrum Berlin, Teufelsberg, Humboldt University of Berlin, and Technische Universität Berlin; in surrounding Brandenburg, filming was located in Rüdersdorf, Brandenburg University of Technology, and the Stahnsdorf South-Western Cemetery. [1] A total 130 minutes of footage was shot. [18] Rosefeldt framed Manifesto as "a series of episodes that can be seen separately but that can also be seen together in their entirety, as a choir of difference voices". [4]

Cinematographer Christoph Krauss used the Alexa XT Plus digital camera as his A-camera. Visual effects (VFX) shots were captured in ArriRaw format. Non-VFX sequences shot with the Alexa XT Plus and the Alexa Plus B-camera were recorded in ProRes 4444. Krauss used an additional Phantom Flex camera for two high-speed shots. He said he chose Cooke S4 lenses for the shoot because he likes the "slightly softer skin tones they produce". Cooke S4 lenses were combined with two Angénieux Optimo Zooms, which were used for "longer focal lengths and flexible second unit shots". Krauss aimed for a natural look, noting that "as in almost all of [Rosefeldt's] works, there is enough abstraction through either deceleration in long takes and slow motion, or unnatural perspectives like high top-shots". [18]

Release

Images from the film were released in April 2015. [19] Manifesto had its world premiere and was exhibited at ACMI from 9 December 2015 to 14 March 2016. [20] The installation was shown in Berlin at the Museum für Gegenwart from 10 February to 6 November 2016, [21] [13] and at the Sprengel Museum in Hanover from 5 June 2016 to 29 January 2017. [22] The Art Gallery of New South Wales in Sydney exhibited it from 28 May to 13 November 2016. [5] The first showing in North America was from 7 December 2016 to 8 January 2017 at the Park Avenue Armory in New York City. [23] The installation was also shown in Canada at the Musée d'art contemporain de Montréal from 20 November 2018 to 20 January 2019. [24]

A 94-minute linear version of the film had its world premiere at the 2017 Sundance Film Festival on 23 January 2017. [25] [26] [27] Shortly after, FilmRise acquired North American distribution rights. The film was released in New York on 10 May 2017, and in Los Angeles and other select cities on 26 May. [28] [29] It was made available for streaming on Amazon Prime Video later that year. [28] [30] The following year, a 90-minute linear version was screened on the German Bayerischer Rundfunk channel. [18] [14] In 2019, the film was displayed on 13 screens at Washington D.C.'s Hirshhorn Museum and Sculpture Garden, where it was part of a larger exhibition entitled "Manifesto: Art X Agency". [31]

Reception

Manifesto premiered to critical acclaim at the 2017 Sundance Film Festival. [32] On the review aggregator website Rotten Tomatoes , 75% of 85 critics' reviews are positive, with an average rating of 6.7/10.The website's consensus reads: "Laugh-out-loud humor and Cate Blanchett's tour de force performance(s) make Manifesto worth watching, even if the subject matter is too esoteric for all but a few." [33] Metacritic , which uses a weighted average , assigned the film a score of 72 out of 100, based on 21 critics, indicating "generally favorable" reviews. [34]

Dan Rule of The Sydney Morning Herald said that the project is a "remarkable exploration of cultural and cinematic tropes and expectations, as well as the jarring, dislocating effect of context on content" and praised Blanchett's "sheer presence and acumen as an actor". [35] Reviewing an exhibition of the multi-screen installation, Jane Howard of Daily Review wrote that Rosefeldt "plays with the tension of bringing distinct thinking together", and while "the screens at first seem to invite solo viewing", walking further into the room shifts their arrangements as Manifesto "increasingly leans into the sound-bleed and an unspoken stand-off between characters". [36] Siobhan Calafiore of The Weekly Review deemed walking into Manifesto "like entering a strange world where you are both lost and found", and found a "beautiful unity" between the scenes. [37]

Writing for The Guardian , Toby Fehily gave the installation four out of five stars, praising Blanchett's "convincing, almost effortless performances" and writing that the manifestos "lose their gravity and perhaps some of their meaning" in the gallery, but Rosefeldt "found a way to shrinkwrap the ambitious spirit and poetry of these texts into humble everyday actions". [38] Joe McGovern of Entertainment Weekly called the film "operatic" and an "unexpectedly robust experience, with some segments that are hilariously droll". [6] In The New Republic , Jo Livingstone praised its production, cinematography and absurd humour. [39] The New York Times 's Glenn Kenny described Manifesto as an "oblique examination and critique of political and art history and their various interactions over the 20th century", and considered its feature film form to be a "very elaborate intellectual exercise, immaculate in every technical detail" and "both witty and provocative". [40]

Related Research Articles

<span class="mw-page-title-main">Cate Blanchett</span> Australian actor and producer (born 1969)

Catherine Élise Blanchett is an Australian actor and film producer. Regarded as one of the best performers of her generation, she is recognized for her versatile work across independent films, blockbusters, and the stage. Blanchett has received numerous accolades, including two Academy Awards, four British Academy Film Awards, and four Golden Globe Awards, in addition to nominations for two Primetime Emmy Awards and a Tony Award.

<span class="mw-page-title-main">Cate Shortland</span> Australian film and television writer and director

Cate Shortland is an Australian director and screenwriter. She received international acclaim for her 2004 romantic drama film Somersault, her 2012 historical drama film Lore, and her 2017 psychological thriller film Berlin Syndrome. She is best known for directing the 2021 superhero film Black Widow.

<span class="mw-page-title-main">Todd Field</span> American actor and filmmaker (born 1964)

William Todd Field is an American filmmaker and actor. He is known for directing In the Bedroom (2001), Little Children (2006), and Tár (2022), which were nominated for a combined fourteen Academy Awards. Field has personally received six Academy Award nominations for his films; two for Best Picture, two for Best Adapted Screenplay, one for Best Director, and one for Best Original Screenplay.

ACMI, formerly the Australian Centre for the Moving Image, is Australia's national museum of screen culture including film, television, videogames, digital culture and art. ACMI was established in 2002 and is based at Federation Square in Melbourne, Victoria.

<span class="mw-page-title-main">Sandra Hüller</span> German actress (born 1978)

Sandra Hüller is a German actress. She has appeared in German, Austrian, American, British, and French films. She has received various accolades, including two European Film Awards, a César Award and three German Film Awards, along with nominations for an Academy Award, two BAFTA Awards and a Golden Globe Award.

<i>Notes on a Scandal</i> (film) 2006 film by Richard Eyre

Notes on a Scandal is a 2006 British psychological drama thriller directed by Richard Eyre and produced by Robert Fox and Scott Rudin. Adapted from the 2003 novel by Zoë Heller, the screenplay was written by Patrick Marber. The film stars Judi Dench, Cate Blanchett, and Bill Nighy, and centres on a lonely veteran teacher who uncovers a fellow teacher's illicit affair with an underage student.

<span class="mw-page-title-main">Andrew Upton</span> Australian screenwriter

Andrew Upton is an Australian playwright, screenwriter, producer and director. He has adapted the works of Gorky, Chekhov, Ibsen, and others for London's Royal National Theatre and the Sydney Theatre Company. He wrote the original play Riflemind (2007), which premiered at the Sydney Theatre Company to favourable reviews, with Hugo Weaving starring and Philip Seymour Hoffman directing the London production.

<span class="mw-page-title-main">Julian Rosefeldt</span> German artist and filmmaker (born 1965)

Julian Rosefeldt is a German artist and film-maker. Rosefeldt's work consists primarily of elaborate, visually opulent film and video installations, often shown as panoramic multi-channel projections. His installations range in style from documentary to theatrical narrative.

<span class="mw-page-title-main">Nina Hoss</span> German actress

Nina Hoss is a German stage, film and television actress. She is known for her collaborations with director Christian Petzold in films such as Barbara (2012) and Phoenix (2014). In addition, she also performed roles in The White Masai (2005) and The Audition (2019), and Pelican Blood (2020). She has also starred in the American TV series Homeland (2014–2017), The Defeated (2020), and Jack Ryan (2022).

<span class="mw-page-title-main">Kissinger Sommer</span> Classical music festival

The Kissinger Sommer is a classical music festival held every year in the summer in the city of Bad Kissingen in Bavaria, Southern Germany.

<span class="mw-page-title-main">Jack Reynor</span> Irish actor (born 1992)

Jack Reynor is an Irish actor. His notable roles include the films What Richard Did (2012), Transformers: Age of Extinction (2014), Glassland (2014), Macbeth (2015), Sing Street (2016) and Midsommar (2019), as well as the series Strange Angel (2018–2019) and The Peripheral (2022).

<i>Carol</i> (film) 2015 film by Todd Haynes

Carol is a 2015 historical drama romance film directed by Todd Haynes. The screenplay by Phyllis Nagy is based on the 1952 romance novel The Price of Salt by Patricia Highsmith. The film stars Cate Blanchett, Rooney Mara, Sarah Paulson, Jake Lacy, and Kyle Chandler. Set in 1950s New York City, the story is about a forbidden affair between an aspiring female photographer and an older woman going through a difficult divorce.

<i>Berlin Syndrome</i> (film) 2017 film by Cate Shortland

Berlin Syndrome is a 2017 psychological horror thriller film directed by Cate Shortland from a screenplay by Shaun Grant, based on the 2012 novel of the same name by Melanie Joosten. The film follows a young Australian photographer who travels to Germany, where she meets an attractive young English teacher. Waking up after a stormy night of passion with him, the photographer is suddenly taken hostage by her would-be lover.

Christoph Krauss is a freelance cinematographer and director of photography for fictional movie and TV-productions, documentaries and art projects.

<span class="mw-page-title-main">Cate Blanchett on screen and stage</span>

Cate Blanchett is an Australian actress who has worked extensively on screen and on stage. She made her stage debut in 1992 as Electra in the National Institute of Dramatic Art production of the play of the same name, and followed in 1993 with performances in Timothy Daly's Kafka Dances, for which she won the Sydney Theatre Critics Award for Best Newcomer, and the Sydney Theatre Company stage production of Oleanna, winning Best Actress. She is the first actor to win both awards at once. She went on to perform several other roles on stage, notably Susan Traherne in Plenty (1999), Hedda Gabler in Hedda Gabler (2004), Blanche DuBois in A Streetcar Named Desire (2009), Yelena in Uncle Vanya (2011), and Claire in The Maids (2013).

<span class="mw-page-title-main">2017 Sundance Film Festival</span> Film festival in Utah, US

The 2017 Sundance Film Festival took place from January 19 to January 29, 2017. The first lineup of competition films was announced November 30, 2016.

<i>Borderlands</i> (film) 2024 film by Eli Roth

Borderlands is a 2024 American science fiction action comedy film co-written and directed by Eli Roth, based on the video game series developed by Gearbox Software. It stars Cate Blanchett as Lillith, an outlaw who forms an alliance with a team of misfits to find the missing daughter of the most powerful man in the universe. The ensemble cast also features Kevin Hart, Jack Black, Edgar Ramirez, Ariana Greenblatt, Florian Munteanu, Gina Gershon, and Jamie Lee Curtis.

<i>Tár</i> 2022 film by Todd Field

Tár is a 2022 psychological drama film written and directed by Todd Field. Cate Blanchett stars as Lydia Tár, a world-renowned conductor, whose life unravels after being accused of misconduct. The supporting cast includes Nina Hoss, Noémie Merlant, Sophie Kauer, Julian Glover, Allan Corduner, and Mark Strong. Tár premiered at the 79th Venice International Film Festival in September 2022, where Blanchett won the Volpi Cup for Best Actress. It had a limited theatrical release in the United States on October 7, 2022, before a wide release on October 28 through Focus Features.

Disclaimer is a psychological thriller miniseries written and directed by Alfonso Cuarón, based on the 2015 novel of the same name by Renée Knight. It stars Cate Blanchett as a documentarian who is forced to confront her past, and Kevin Kline as the father of the boy she let drown in Italy 20 years earlier. The supporting cast includes Sacha Baron Cohen, Kodi Smit-McPhee, Louis Partridge, Leila George and Lesley Manville.

References

  1. 1 2 3 4 "Manifesto – Further information". Julian Rosefeldt. Archived from the original on 2 December 2023. Retrieved 11 February 2018.
  2. ↑ Scherpe, Mary (6 April 2016). "Art in Berlin: Julian Rosefeldt's Manifesto". Still in Berlin. Archived from the original on 19 April 2016. Retrieved 6 April 2016.
  3. ↑ "Manifesto", julianrosefeldt.com
  4. 1 2 3 4 5 6 7 8 9 "Julian Rosefeldt Interview". ACMI. 20 November 2015. Archived from the original on 17 June 2018. Retrieved 21 November 2015.
  5. 1 2 3 Bunbury, Stephanie (11 November 2015). "Cate Blanchett as you've never seen her before". The Sydney Morning Herald . Archived from the original on 2 October 2023. Retrieved 21 November 2015.
  6. 1 2 3 4 McGovern, Joe (10 May 2017). "Cate Blanchett says 'My dreams are like dog dreams.' Find out what she means". Entertainment Weekly . Archived from the original on 28 February 2021. Retrieved 2 August 2024.
  7. ↑ Sagansky, Gillian (9 May 2017). "Cate Blanchett Went Straight from Winning an Oscar for Blue Jasmine to Playing 12 Characters in Manifesto". W . Archived from the original on 24 May 2024. Retrieved 9 October 2024.
  8. ↑ Vankin, Deborah (31 October 2018). "A chameleonic Cate Blanchett materializes in Julian Rosefeldt's 'Manifesto' at Hauser & Wirth gallery". Los Angeles Times . Archived from the original on 2 July 2024. Retrieved 9 October 2024.
  9. ↑ Chlumsky, Frank (11 May 2017). "Cate Blanchett, Beyond Character". Interview . Archived from the original on 23 March 2023. Retrieved 9 October 2024.
  10. 1 2 "Julian Rosefeldt: Manifesto". ACMI. Archived from the original on 3 March 2016. Retrieved 21 November 2015.
  11. ↑ "Julian Rosefeldt: Manifesto". Julian Rosefeldt. Archived from the original on 1 March 2016. Retrieved 17 February 2016.
  12. ↑ "Förderentscheidungen 4. Quartal: Okt. bis Dez. 2013" [Funding Decisions Q4: Oct. to Dec. 2013] (in German). Medienboard Berlin-Brandenburg. Archived from the original on 2 April 2015. Retrieved 28 December 2014.
  13. 1 2 "Julian Rosefeldt. Manifesto". Berlin.de. Archived from the original on 2 December 2023. Retrieved 15 February 2016.
  14. 1 2 "Manifesto von Julian Rosefeldt" [Manifesto by Julian Rosefeldt]. Bayerischer Rundfunk. 16 February 2016. Archived from the original on 17 April 2024. Retrieved 17 February 2016.
  15. ↑ "Ruhrtriennale 2016 zeigt Filminstallation "Manifesto" von Julian Rosefeldt mit Cate Blanchett" [Ruhrtriennale 2016 shows film installation Manifesto by Julian Rosenfeldt with Cate Blanchett] (in German). Regionalverband Ruhr. 9 December 2015. Archived from the original on 10 May 2017. Retrieved 17 February 2016.
  16. ↑ "Videokunstprojekt mit Cate Blanchett" [Video art project with Cate Blanchett] (in German). Bayerischer Rundfunk. 22 December 2014. Archived from the original on 3 July 2015. Retrieved 21 November 2015.
  17. ↑ Cooke, Dewi (8 December 2015). "Cate Blanchett performs as 12 characters in Julian Rosefeldt's Manifesto at ACMI". The Sydney Morning Herald . Archived from the original on 28 November 2023. Retrieved 15 February 2016.
  18. 1 2 3 Bugler, Pauline. "Alexa on Manifesto video installation". Arri. Archived from the original on 24 February 2016. Retrieved 15 February 2016.
  19. ↑ "Julian Rosefeldt macht aus Manifesto Kinoversion". Monopol (in German). 17 January 2017. Archived from the original on 9 October 2024. Retrieved 8 October 2024.
  20. ↑ "ACMI presents Julian Rosefeldt: Manifesto". ACMI. Archived from the original on 18 July 2016. Retrieved 21 November 2015.
  21. ↑ "Julian Rosefeldt. Manifesto". Staatliche Museen zu Berlin. Archived from the original on 29 February 2024. Retrieved 10 October 2016.
  22. ↑ "130% Sprengel: 05. Juni 2016 – 29. January 2017". Sprengel Museum. Archived from the original on 19 January 2017. Retrieved 23 June 2016.
  23. ↑ "Manifesto: Program & Events". Park Avenue Armory Conservancy. Archived from the original on 12 February 2024. Retrieved 1 August 2024.
  24. ↑ "Julian Rosefeldt : Manifesto" (in French). Musée d'art contemporain de Montréal. Archived from the original on 7 November 2017. Retrieved 8 October 2024.
  25. ↑ "Manifesto". Sundance Film Festival . Archived from the original on 18 August 2018. Retrieved 10 February 2017.
  26. ↑ Sharf, Zack (6 December 2016). "Manifesto First Look: Cate Blanchett Channels Lars von Trier and Jim Jarmusch in Sundance Premiere". IndieWire . Archived from the original on 2 December 2023. Retrieved 6 December 2016.
  27. ↑ Patten, Dominic (5 December 2016). "Sundance 2017: Robert Redford, New Rashida Jones Netflix Series, Rebel in the Rye & More on Premiere, Docu, Midnight & Kids Slates". Deadline Hollywood . Archived from the original on 1 November 2023. Retrieved 5 December 2016.
  28. 1 2 Sanderson, Katherine (10 February 2017). "Berlin: Cate Blanchett's Manifesto Lands at FilmRise". The Hollywood Reporter . Archived from the original on 2 December 2023. Retrieved 10 February 2017.
  29. ↑ "Cate Blanchett Transforms into 13 Different Characters in the Subversive Film Manifesto". Elle . Archived from the original on 19 June 2024. Retrieved 9 March 2017.
  30. ↑ "Amazon Nabs 12 More Sundance Films, Extends Festival Program to SXSW, Tribeca, Toronto (Exclusive)". Variety . 2 March 2017. Archived from the original on 1 August 2021. Retrieved 2 August 2024.
  31. ↑ Smith, Ryan (26 July 2019). "Cate Blanchett Dons 13 Guises in This Daring Art Installation". Smithsonian.com. Retrieved 26 July 2019.
  32. ↑ "Cate Blanchett-starring Manifesto gets North American deal". Screen Daily . 10 February 2017. Archived from the original on 20 November 2022. Retrieved 2 August 2024.
  33. ↑ "Manifesto". Rotten Tomatoes . Fandango Media . Retrieved 30 May 2024. OOjs UI icon edit-ltr-progressive.svg
  34. ↑ "Manifesto". Metacritic . Fandom, Inc. Retrieved 26 August 2023.
  35. ↑ Rule, Dan (8 February 2016). "Art: Melbourne gallery shows include Andy Warhol/Ai Weiwei and Julian Rosefeldt". The Sydney Morning Herald . Archived from the original on 31 May 2023. Retrieved 16 February 2016.
  36. ↑ Howard, Jane (11 December 2015). "Manifesto Review (ACMI Melbourne Then AGNSW Sydney)". Daily Review . Australia. Archived from the original on 29 November 2023. Retrieved 10 February 2016.
  37. ↑ Calafiore, Siobhan (8 December 2015). "Cate Blanchett stars in artist Julian Rosefeldt's Manifesto at ACMI". The Weekly Review. Australia. Archived from the original on 13 February 2016. Retrieved 10 February 2016.
  38. ↑ Fehily, Toby (8 December 2015). "Julian Rosefeldt's Manifesto Review – 13 Cate Blanchetts in Search of a Meaning". The Guardian . Archived from the original on 4 June 2023. Retrieved 10 February 2016.
  39. ↑ Livingstone, Jo (9 May 2017). "In Manifesto, Cate Blanchett Delivers a Virtuoso Set of Performances". The New Republic . Archived from the original on 26 September 2023. Retrieved 2 August 2024.
  40. ↑ Kenny, Glenn (9 May 2017). "Review: Cate Blanchett in Manifesto, a Cerebral Exercise". The New York Times . Archived from the original on 11 November 2020. Retrieved 2 August 2024.
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.