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Marassa Jumeaux | |
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Loa of Divinity, Divine Twins | |
Venerated in | Haitian Vodou, Folk Catholicism |
Patronage | Divine power, justice, truth, reason, mystery |
Marassa Jumeaux are the divine twins in Vodou. [1] [2] They are children, but more ancient than any other loa. "Love, truth and justice. Directed by reason. Mysteries of liaison between earth and heaven and they personify astronomic-astrological learning. They synthesize the vodou Loa as personification of divine power and the human impotence. Double life, they have considerable power which allow them manage people through the stomach. They are children mysteries." [3]
The Marassa are somewhat different from standard Loa, both on a level above them, and counted in their number, they are both twins, and yet they number three, they are male and female, and both male and both female - an example of the Haitian worldview's capacity to retain two seemingly contradictory concepts. In some houses they are not channelled through possession in Vodou ritual, but served first after Legba.
The Marassa are commonly syncretised with the Catholic Saints Cosmas and Damian.
Edwidge Danticat explores philosophical themes associated with Marassa in her novel The Dew Breaker. [4]
Paul Beaubrun released a song dedicated to the Lwa, titled "Marasa Elou" on his album Ayibobo. [5]
Lwa, also called loa or loi, are spirits in the African diasporic religion of Haitian Vodou. They have also been incorporated into some revivalist forms of Louisiana Voodoo. Many of the lwa derive their identities in part from deities venerated in the traditional religions of West Africa, especially those of the Fon and Yoruba.
Vodun is a religion practiced by the Aja, Ewe, and Fon peoples of Benin, Togo, Ghana, and Nigeria.
Agassou is a loa who guards the old traditions of Dahomey in the West African Vodun religion and the rada loa of Haitian Vodou.
Ayida-Weddo is a powerful loa spirit in Vodou, revered in regions across Africa and the Caribbean, namely in Benin and Haiti. Known as the "Rainbow Serpent", Ayida-Weddo is the loa of fertility, rainbows, wind, water, fire, wealth, thunder, and snakes. Alongside Damballa, Ayida-Weddo is regarded among the most ancient and significant loa, and variants of her name include Ayida, Ayida-Wedo, Aido Quedo, Aido Wedo, Aida Wedo, and Aido Hwedo. Considered in many sources as the female half of Damballa's twin spirit, the names Da Ayida Hwedo, Dan Ayida Hwedo, and Dan Aida Wedo have also been used to refer to her. Thought to have existed before the Earth, Ayida-Weddo assisted the creator goddess Mawu-Lisa in the formation of the world, and is responsible for holding together the Earth and heavens. Ayida-Weddo bestows love and well-being upon her followers, teaching fluidity and the connection between body and spirit.
Ayizan is the loa of the marketplace and commerce in Vodou, especially in Haiti.
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Kalfu is one of the petro aspects of Papa Legba, a lwa in Haitian Vodou. He is often envisioned as a young man or as a enigmatic spirit; his color is black or red and he favors rum infused with gunpowder. He is often syncretized with the Shadow
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Edwidge Danticat is a Haitian-American novelist and short story writer. Her first novel, Breath, Eyes, Memory, was published in 1994 and went on to become an Oprah's Book Club selection. Danticat has since written or edited several books and has been the recipient of many awards and honors. As of the fall of 2023, she will be the Wun Tsun Tam Mellon Professor of the Humanities in the department of African American and African Diaspora Studies at Columbia University.
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Zaka is the loa of the harvest in Haitian Vodou mythology. Another way to reference this loa is through the name "Azaka Médé".
A bokor (male) or caplata (female) is a Vodou witch for hire who is said to serve the loa "with both hands", practicing for both good and evil. Their practice includes the creation of zombies and of 'ouangas', talismans that house spirits.
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A manbo is a priestess in the Haitian Vodou religion. Haitian Vodou's conceptions of priesthood stem from the religious traditions of enslaved people from Dahomey, in what is today Benin. For instance, the term manbo derives from the Fon word nanbo. Like their West African counterparts, Haitian manbos are female leaders in Vodou temples who perform healing work and guide others during complex rituals. This form of female leadership is prevalent in urban centers such as Port-au-Prince. Typically, there is no hierarchy among manbos and oungans. These priestesses and priests serve as the heads of autonomous religious groups and exert their authority over the devotees or spiritual servants in their hounfo (temples).
The Rada are a family of lwa spirits in the religion of Haitian Vodou. They are regarded as being sweet-tempered and "cool", in this contrasting with the Petro lwa, which are regarded as volatile and "hot".
Louisiana Voodoo, also known as New Orleans Voodoo, is an African diasporic religion that originated in Louisiana. It arose through a process of syncretism between the traditional religions of West Africa, the Roman Catholic form of Christianity, and Haitian Vodou. No central authority is in control of Louisiana Voodoo, which is organized through autonomous groups.
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