Mass in G major, K. 49

Last updated

Missa brevis in G major
Mass by W. A. Mozart
Portrait of Wolfgang Amadeus Mozart at the age of 13 in Verona, 1770.jpg
The composer in 1770
Key G major
Catalogue K. 49/47d
Composed1768 (1768): Salzburg
Movements6
Vocal SATB choir and soloists
Instrumental
  • two violins
  • viola
  • continuo

Mozart's Mass in G major, K. 49/47d), is his first full mass. It is a missa brevis scored for SATB soloists and choir, violin I and II, viola, and basso continuo.

Contents

Mozart wrote the Mass in G major at the age of 12. It was however neither his first setting of a part of the mass ordinary – two years earlier he had already composed a Kyrie (K. 33) —, nor was it his largest composition with a religious theme up to date: his sacred musical play Die Schuldigkeit des ersten Gebots had been premiered in the previous year.

History

Composed in Vienna in the autumn of 1768, [1] this mass is Mozart's only missa brevis to feature a viola part. [2] It is not clear what occasion it was composed for, and it has been confused with the Waisenhausmesse , composed in the same year. [3]

Religious music at the time was increasingly influenced by opera and Baroque embellishments in instrumentation; Mozart's early masses, such as K. 49/47d, have been seen as a return to the more austere settings of the pre-Baroque era. [4]

Movements

The six movements of the mass follow the traditional Order of Mass:

KyrieAdagio, G major, Commontime.svg
"Kyrie eleison" Andante, G major, 3
4
GloriaAllegro, G major, Commontime.svg
CredoAllegro, G major, 3
4
"Et incarnatus est" Poco adagio, C major, Allabreve.svg
"Et resurrexit" Allegro – Adagio – Allegro, G major, Allabreve.svg
"Et in Spiritum Sanctum" Andante, C major, 3
4; bass solo
"Et in unam sanctam" Allegro – Adagio – Allegro – Adagio, G major, Allabreve.svg and 3
4
"Et vitam venturi" Allegro, G major, Allabreve.svg
SanctusAndante, G major, 3
4
"Pleni sunt coeli et terra" Allegro, G major, 3
4
"Hosanna in excelsis" Allegro, G major, 4
2
BenedictusAndante, C major, 3
4; soloist quartet
"Hosanna in excelsis" Allegro, G major, 4
2
Agnus DeiAdagio, E minor, Allabreve.svg
"Dona nobis pacem" Allegro, G major, 3
8

Related Research Articles

<i>Great Mass in C minor</i>, K. 427

Great Mass in C minor, K. 427/417a, is the common name of the musical setting of the mass by Wolfgang Amadeus Mozart, which is considered one of his greatest works. He composed it in Vienna in 1782 and 1783, after his marriage, when he moved to Vienna from Salzburg. The large-scale work, a missa solemnis, is scored for two soprano soloists, a tenor and a bass, double chorus and large orchestra. It remained unfinished, missing large portions of the Credo and the complete Agnus Dei.

<i>Missa in Angustiis</i> 1798 Mass by Joseph Haydn

The Missa in angustiis or Nelson Mass, is one of fourteen masses written by Joseph Haydn. It is one of the six masses written near the end of his life which are, together, now seen as a culmination of Haydn's liturgical composition.

Coronation Mass (Mozart)

The Krönungsmesse, composed in 1779, is one of the most popular of Wolfgang Amadeus Mozart's 17 extant settings of the Ordinary of the Mass. It can be classified as either a Missa brevis or a Missa solemnis because although it includes all the sections of the Ordinary, it is relatively short.

Mass in B-flat major, K. 275

The Missa brevis No. 9 in B-flat major by Wolfgang Amadeus Mozart, K. 275/272b, was probably written before September 1777 for Salzburg. The mass is scored for SATB soloists, SATB choir, violin I, violin II, 3 trombones, string bass, and organ.

Mass in G major, K. 140 "Pastoral"

The Missa brevis in G major, K. 140, K3 Anh. 235d, K6 Anh. C 1.12, was probably composed by Wolfgang Amadeus Mozart shortly after returning to Salzburg, in March 1773, from his third trip to Italy.

Michael Haydn completed the Missa in honorem Sanctae Ursulae, Klafsky 1:18, MH 546, on August 5, 1793, probably for use at the ceremony in which Ursula Oswald, the daughter of a friend, professed her religious vows at the Benedictine Abbey of Frauenwörth Chiemsee. Because of that fact, the Mass is sometimes known as the Chiemsee Mass.

Mass in C major, K. 220 "Sparrow"

The Sparrow Mass is a mass in C major K. 220/196b, Mass No. 9, Missa brevis No. 5, composed by Wolfgang Amadeus Mozart in 1775 or 1776 in Salzburg. The mass is sometimes termed a missa brevis et solemnis, because it is short in a simple structure as a missa brevis, but festively scored like a missa solemnis with brass and timpani in addition to four soloists, strings and organ. It was possibly first performed on 7 April 1776 in a mass for Easter at the Salzburg Cathedral. The nickname is derived from violin figures in the Hosanna which resemble bird chirping.

Mass in C major, K. 259 "Organ solo"

The Missa brevis No. 8 in C major, K. 259, is a mass composed by Wolfgang Amadeus Mozart in 1776. It is scored for SATB soloists, SATB choir, violin I and II, 2 oboes, 2 clarini, 3 trombones colla parte, timpani and basso continuo.

Mass in C major, K. 167 "in honorem Sanctissimae Trinitatis"

The Missa in honorem Sanctissimae Trinitatis in C major, K. 167, is a mass composed by Wolfgang Amadeus Mozart in June 1773. It is scored for SATB choir, violin I and II, 2 oboes, 2 clarini, 2 trumpets, timpani and basso continuo.

Mass in C major, K. 257 "Credo"

The Credo Mass in C major, K. 257, is a mass composed by Wolfgang Amadeus Mozart in 1776. It is scored for SATB soloists, SATB choir, violin I and II, 2 oboes, 2 clarini, 3 trombones colla parte and basso continuo.

Mass in C major, K. 66 "Dominicus"

The Missa solemnis in C major, K. 66, is a mass composed by Wolfgang Amadeus Mozart in 1769. It is scored for SATB soloists and choir, violins I and II, viola, 2 oboes, 2 horns, 2 clarini, 2 trumpets and basso continuo.

Mass in D major, K. 194

The Missa brevis in D major, K. 194/186h, is a mass composed by Wolfgang Amadeus Mozart and completed on 8 August 1774. It is scored for SATB soloists, SATB choir, violin I and II, 3 trombones colla parte, and basso continuo.

Mass in C major, K. 258 "Piccolomini"

The Missa brevis No. 7 in C major, K. 258, is a mass composed by Wolfgang Amadeus Mozart in 1776. It is scored for SATB soloists, SATB choir, violin I and II, 2 oboes, 2 clarini, 3 trombones colla parte, timpani and basso continuo.

Mass in C major, K. 262 "Missa longa"

The Missa longa in C major, K. 262/246a, is a mass composed by Wolfgang Amadeus Mozart in May 1776. Other sources claim it was composed in May 1775. It is scored for SATB soloists, SATB choir, violin I and II, 2 oboes, 2 horns, 2 clarini, 3 trombones colla parte, timpani and basso continuo.

Mass in D minor, K. 65

The Missa brevis in D minor, K. 65/61a, is a mass composed by Wolfgang Amadeus Mozart and completed on 14 January 1769. It is scored for SATB soloists and choir, violin I and II, 3 trombones colla parte, and basso continuo.

Mass No. 4 (Schubert)

Mass No. 4 in C major, D 452, is a mass composed by Franz Schubert in 1816. It was originally scored for soprano, alto, tenor and bass soloists, SATB choir, violin I and II, and basso continuo. It is classified as a missa solemnis.

Mass No. 5 (Schubert)

Mass No. 5 in A-flat major, D 678, is a mass composed by Franz Schubert, completed in 1822. There is no record of a performance during Schubert's lifetime. It is scored for soprano, alto, tenor and bass soloists, SATB choir with divisi, violin I and II, viola, flute, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones colla parte, timpani and basso continuo. It is classified as a missa solemnis.

Mass No. 6 (Schubert)

Mass No. 6 in E-flat major, D 950, is a mass composed by Franz Schubert, a few months before his death. It is scored for two tenor soloists, soprano, alto and bass soloists, SATB choir with divisi, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, violin I and II, viola, cello, and double bass. It was Schubert's final setting of the order of Mass, and is classified as a missa solemnis.

Missa Sancti Nicolai, Mass No. 6 in G major, Hob. XXII/6, also known as the Nicolaimesse, is a mass by Joseph Haydn, composed around 1772 and revised in 1802.

<i>Missa Cellensis</i>

Missa cellensis refers to two masses by Joseph Haydn:

References

  1. ↑ Einstein, Alfred (1945). Mozart: His Character, His Work. p. 326. ISBN   978-0-19-500732-9. Archived from the original on 27 March 2017.
  2. ↑ Eisen, Cliff; Keefe, Simon, eds. (2006). The Cambridge Mozart Encyclopedia. p. 272. ISBN   978-1-139-44878-9. Archived from the original on 18 August 2020.
  3. ↑ Melograni, Piero (2007). Wolfgang Amadeus Mozart: A Biography. p. 27. ISBN   978-0-226-51956-2. Archived from the original on 18 July 2018.
  4. ↑ Maragh-Ablinger, Renate. Wolfgang Amade Mozart. p. 51. Archived from the original on 24 July 2017. Retrieved 22 September 2016.
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.