McLintock! | |
---|---|
Directed by | Andrew V. McLaglen |
Written by | James Edward Grant |
Produced by | Michael Wayne |
Starring | |
Cinematography | William H. Clothier |
Edited by | Otho Lovering Bill Lewis |
Music by | De Vol |
Production company | |
Distributed by | United Artists |
Release date |
|
Running time | 127 minutes |
Language | English |
Budget | $4 million [1] |
Box office | $14.5 million [2] |
McLintock! is a 1963 American Western comedy film, starring John Wayne and Maureen O'Hara, directed by Andrew V. McLaglen. The film co-stars Wayne's son Patrick Wayne, Stefanie Powers, Jack Kruschen, Chill Wills, and Yvonne De Carlo (billed as special guest star). Loosely based on William Shakespeare's The Taming of the Shrew , the project was filmed in Technicolor and Panavision, and produced by Wayne's company, Batjac Productions.
In 1991, the film entered the public domain in the United States because the claimants did not renew its copyright registration in the 28th year after publication.
The year is 1895. Cattle baron and town namesake George Washington "G.W." McLintock lives as a bachelor on his ranch on the Mesa Verde. His wife, Katherine, abandoned him with no explanation and became a socialite back East two years prior; his daughter, Rebecca "Becky" McLintock, is away finishing her college degree. In town, G.W. is disliked by bureaucrat Matt Douglas, Indian agent Agard, and Governor Cuthbert H. Humphrey. Despite this, he is a friend to many, including Sheriff Lord, general store owner Jake Birnbaum, and the local beggars and Comanche Indians.
While inspecting a shipment of cattle, G.W. warns a group of homesteaders that the Mesa Verde is unsuitable for farming; an earlier group of homesteaders tried, but failed because of insufficient rain for growing crops. Devlin "Dev" Warren, a young man with a widowed mother and sister to support, asks G.W. for a job. G.W. initially refuses, but relents after Dev resorts to begging at the advice of aged drifter Bunny. Dev then lashes out in disgust after having to beg for a job. However, G.W. still hires him and also hires Dev's mother, Mrs. Warren, after tasting her cooking. G.W. then learns Katherine is in town seeking a divorce, which will give her a excuse to take Becky back East with her; hearing this, G.W. refuses. Katherine then decides to move back onto the ranch, and starts bossing everyone around, including Mrs. Warren.
The Comanche, led by Running Buffalo, come into town to meet a train carrying their newly-released chiefs; Sheriff Lord settles them near the homesteaders despite protests from Douglas. When a homesteader's daughter wanders off with her suitor, Douglas and the homesteaders assume the Comanche took her, and attempt to lynch Running Buffalo in retaliation. G.W. and his men try to defuse the situation, but a brawl ensues, with Katherine joining in on G.W.'s side.
The next day, Becky arrives home from college with a would-be suitor, Douglas' son "Junior." G.W. disapproves of Junior, so Katherine makes a show of approving to spite him. Also aboard Becky's train are four Comanche chiefs, one of whom is G.W.'s old enemy and blood brother Paramount Chief Puma. They have arrived for a hearing to determine if their people will be sent to a reservation in Fort Sill, Oklahoma. G.W. agrees to speak at the hearing on their behalf.
While preparing for Becky's welcome-home party, Dev and Becky get into an argument when he accuses Junior of being a "dude." At the party, Dev gets into a fistfight to protect Birnbaum's assistant Davy, and impresses everyone with his boxing skills. Later, after being deliberately taunted by Becky and Junior, Dev accuses Becky of being a trollop for kissing Junior before they were properly engaged. Becky demands G.W. shoot Dev for insulting her; G.W. relents and "shoots" him with a starter's pistol to teach Becky a lesson. Dev, angry that he could have been killed, spanks Becky with a coal shovel, which angers Katherine.
At the hearing the next day, G.W. delivers a plea from Puma to Governor Humphrey, but is ignored; as a result, the Comanche are ordered to be imprisoned until they can be sent to Fort Sill. Getting drunk that night, G.W. suggests to Bunny that, if the Comanche were to go out fighting as they requested, the Government might realize Humphrey's mismanagement of the territory and intervene.
G.W. returns home and pressures Mrs. Warren into drinking with him; while she tries to explain to G.W. that she is quitting as cook, Mrs. Warren eventually gives in. The two end up falling down the stairs while trying to turn in for the night. Katherine, overhearing their conversation, assumes the worst when she sees Mrs. Warren on G.W.'s lap at the foot of the stairs. Mrs. Warren then explains she is quitting because Sheriff Lord has asked her to marry him.
At the Fourth of July celebrations the next day, Katherine refuses Humphrey's advances, but continues to treat her husband harshly. Bunny, who took G.W. seriously, helps set the Comanches free by suppyling them with Krag-Jorgensen military rifles from a military boxcar. The Comanches then charge through town, free their chiefs, and escape with the cavalry in hot pursuit. While hiding in a haystack during the raid, Dev and Becky reconcile and become engaged. Encouraged by this, and on advice from Birnbaum, G.W. confronts Katherine, getting her to admit that she left because she found lipstick on his shirt and incorrectly assumed he was having an affair. After pursuing her through town and publicly spanking her, G.W. tells Katherine that she is now free to divorce him, and leaves for home. However, she follows him, and the two reconcile.
The script was developed by John Wayne as a way for him to express his disapproval for how Westerns negatively represent Native Americans, his opinions on marital abuse, and discontent for political corruption from either party, intentionally contrasting previous films in which Wayne starred but had little creative-control, such as John Ford's The Searchers . Another sharp contrast from previous films of Wayne is the emphasis on comedy, and using the Western setting for slapstick possibilities. He offered the job of directing to Andrew McLaglen, son to Wayne's longtime co-star Victor McLaglen, who had directed a number of low-budget features and had worked widely in television. It was the first movie fully produced by Wayne's son, Michael, although Michael Wayne had worked on a number of other films in various capacities. The male juvenile lead was John Wayne's younger son, Patrick. [1]
Henry Hathaway said he was going to direct the film but Wayne was not willing to pay his fee. [3]
The film was shot at Old Tucson Studios, west of Tucson, Arizona, and at San Rafael Ranch House - San Rafael State Natural Area, south of Patagonia, Arizona, and Nogales. [4] [1] Although the name of the territory is never mentioned, and the Mesa Verde region where the film is set is located predominantly in Colorado, New Mexico, and Utah, in the court scene, the flag of Arizona is seen alongside the U.S. flag, although the flag of Arizona was not created until 1917.
Many of the cast and crew, including Andrew McLaglen, William H. Clothier, Bruce Cabot, Chill Wills, Edward Faulkner, Hank Worden, Strother Martin, Michael Pate, Leo Gordon, Chuck Roberson, John Stanley (the Navajo actor and veteran member of John Ford's stock company, who plays "Running Buffalo"), Patrick and Aissa Wayne, as well as Maureen O'Hara, had worked with Wayne on other productions. Wayne insisted a supporting role be given to Yvonne De Carlo, whose husband had been injured making How the West Was Won. [5] Michael Wayne estimated the budget as being $3.5 to $4.0 million. [1]
As in many other John Wayne films, Wayne is wearing his favorite "Red River D" belt buckle. It can be best seen in the scene where G.W. addresses the homesteaders about 10 minutes into the film, and at the end of the scene where the Comanche ride through town on the way to "the last fight of the Comanche," around 10 minutes from the end of the movie.
In the DVD Special Feature "Maureen O'Hara and Stefanie Powers Remember McLintock!," O'Hara reported that when Wayne and she filmed the famous scene in which he spanked her with a coal scuttle shovel, he did not pull his strokes. "He really spanked me! My bottom was black and blue for weeks!" [6]
The film was a box-office success, and a timely one, since The Alamo had cost Wayne in both financial and "box-office capital" terms. [7] McLintock! grossed $14,500,000 in North America, [2] earning $7.25 million in US theatrical rentals. [8]
Andrew McLaglen said the film "put me in the big time." [9] He made four more films with Wayne: Hellfighters (1968), The Undefeated (1969), Chisum (1970), and Cahill, U.S. Marshal (1973).
According to Bosley Crowther, "the broadly comic Western ... sounded like a promising idea"; "the scenery is opulent and the action out-of-doors, the color lush, and the cast made up almost entirely of recruits from John Ford's long cinematic cycle commemorating the tradition of the American frontier." [10] Since "the direction was entrusted to a relative newcomer, Victor McLaglen's television-trained son, Andrew V. McLaglen ... good intentions, when the task at hand is as difficult as lusty farce, are not enough." [10] Emanuel Levy, in a review years after the film's release, said the film is "significant because it marks the beginning of Wayne's attempt to impose his general views, not just political ones, on his pictures. Most of Wayne's screen work after McLintock! would express his opinions about education, family, economics, and even friendship." [11]
Richard Wormser wrote a novelization of the screenplay. [12]
The film was produced by John Wayne's Batjac Productions and released through United Artists. Batjac failed to renew the copyright, which expired in 1991. In 1994, a legal case determined the film was in the public domain in the United States, but the music score remained under copyright. [13] [14] [15] [16]
Batjac Productions, a company now owned by John Wayne's estate, retains distribution rights for "officially restored" versions of the film and holds the original film negatives, as well as rights to the film's musical score.
Despite being available in the public domain by various distributors for the past decade (including GoodTimes Home Video and Simitar Entertainment), the first official home video issue of the film was released in the mid-1990s by MPI Home Video. In 2005, Paramount Home Media Distribution struck a distribution deal with Batjac (which owns the original film negatives) and was granted exclusive distribution rights for an official remastered release debuting on DVD in 2005. This "official" DVD release uses a restoration made from the original camera negative, under license from Batjac, with a newly created 5.1 surround mix and the original monoaural. Bonus features include a new extensive documentary, a "2 Minute Fight School" featurette, photo and trailer galleries, and an audio commentary with Leonard Maltin, Frank Thompson, Maureen O’Hara, Stefanie Powers, Michael Pate, Michael Wayne, and Andrew McLaglen. In spite of this licensed release, numerous versions of the film are still being released by other companies, with most using old TV prints and film elements outside of Batjac's official restoration.
Olive Films released a bare-bones Blu-Ray in March 2013, using a 2012 2K scan of a 35-mm Technicolor element with the original monoaural track. Olive's release had no involvement from Batjac Productions, as the 2K restoration was provided by the Library of Congress and is classified as public domain, whereas the "official" restoration is copyrighted to Batjac with Paramount handling exclusive distribution.
Paramount followed up in May 2014 with their Blu-Ray release, under license from Batjac Productions. This release uses a brand new 4K remaster from the original camera negative with Dolby TrueHD 5.1 surround and original mono. It also carries over all the bonus features from the previous Paramount DVD, with the only new addition of the original theatrical trailer scanned in 2K from a 35-mm element.
Victor Andrew de Bier Everleigh McLaglen was a British-American actor and boxer. His film career spanned from the early 1920s through the 1950s, initially as a leading man, though he was better known for his character acting. He was a well-known member of John Ford’s Stock Company, appearing in 12 of the director’s films, seven of which co-starred John Wayne.
The Quiet Man is a 1952 American romantic comedy drama film directed and produced by John Ford, and starring John Wayne, Maureen O'Hara, Victor McLaglen, Barry Fitzgerald, and Ward Bond. The screenplay by Frank S. Nugent was based on a 1933 Saturday Evening Post short story of the same name by Irish author Maurice Walsh, later published as part of a collection titled The Green Rushes. The film features Winton Hoch's lush photography of the Irish countryside and a long, climactic, semi-comic fist fight.
Maureen O'Hara was an Irish-born naturalized American actress who became successful in Hollywood from the 1940s through to the 1960s. She was a natural redhead who was known for playing passionate but sensible heroines, often in Westerns and adventure films. She worked with director John Ford and long-time friend John Wayne on numerous projects.
John Martin Feeney, known professionally as John Ford, was an American film director and producer. He is regarded as one of the most important and influential filmmakers during the Golden Age of Hollywood, and was one of the first American directors to be recognized as an auteur. In a career of more than 50 years, he directed over 130 films between 1917 and 1970, and received six Academy Awards including a record four wins for Best Director for The Informer (1935), The Grapes of Wrath (1940), How Green Was My Valley (1941), and The Quiet Man (1952).
Rio Grande is a 1950 American romantic Western film directed by John Ford and starring John Wayne and Maureen O'Hara. It is the third installment of Ford's "Cavalry Trilogy", following two RKO Pictures releases: Fort Apache (1948) and She Wore a Yellow Ribbon (1949). Wayne plays the lead in all three films, as Captain Kirby York in Fort Apache, then as Captain Nathan Brittles in She Wore a Yellow Ribbon, and finally as a promoted Lieutenant Colonel Kirby Yorke in Rio Grande. Rio Grande's supporting cast features Ben Johnson, Claude Jarman Jr., Harry Carey Jr., Chill Wills, J. Carrol Naish, Victor McLaglen, Grant Withers, the Western singing group the Sons of the Pioneers and Stan Jones.
Finis Dean Smith was an American track and field athlete, winner of a gold medal in the 4 × 100 m relay at the 1952 Summer Olympics; he was also an actor and noted stuntman, appearing in many films and TV series.
The High and the Mighty is a 1954 American aviation disaster film, directed by William A. Wellman, and written by Ernest K. Gann, who also wrote the 1953 novel on which his screenplay was based. Filmed in WarnerColor and CinemaScope, the film's cast was headlined by John Wayne, who was also the project's co-producer.
Big Jake is a 1971 American Technicolor Western film starring John Wayne, Richard Boone and Maureen O'Hara. The picture was the final film for George Sherman in a directing career of more than 30 years, and Maureen O'Hara's last film with John Wayne and her last before her twenty-year retirement. The supporting cast features Patrick Wayne, Christopher Mitchum, Glenn Corbett, Jim Davis, John Agar, Harry Carey Jr. and Hank Worden.
Andrew Victor McLaglen was a British-born American film and television director, known for Westerns and adventure films, often starring John Wayne or James Stewart.
Batjac Productions is an independent film production company co-founded by John Wayne in 1952 as a vehicle for Wayne to both produce and star in movies. The first Batjac production was Big Jim McLain released by Warner Bros. in 1952, and its final film was McQ, in 1974, also distributed by Warner Bros. After John Wayne's death in 1979, his son Michael Wayne owned and managed the company until his own death in 2003, when his wife Gretchen assumed ownership.
Jamaica Inn is a 1939 British adventure thriller film directed by Alfred Hitchcock and adapted from Daphne du Maurier's 1936 novel of the same name. It is the first of three of du Maurier's works that Hitchcock adapted. It stars Charles Laughton and Maureen O'Hara in her first major screen role. It is the last film Hitchcock made in the United Kingdom before he moved to the United States.
Burton Raphael Kennedy was an American screenwriter and director known mainly for directing Westerns. Budd Boetticher called him "the best Western writer ever."
Cahill U.S. Marshal is a 1973 American Western film in Technicolor starring John Wayne as a driven lawman in a black hat. The film was directed by Andrew V. McLaglen and filmed on location in Durango, Mexico. The supporting cast features George Kennedy, Neville Brand, Marie Windsor, Royal Dano, Denver Pyle, Jackie Coogan, Harry Carey Jr., Paul Fix and Hank Worden.
The Foxes of Harrow is a 1947 American-British adventure film directed by John M. Stahl. The film stars Rex Harrison, Maureen O'Hara, and Richard Haydn. It is based on the novel of the same name by Frank Yerby, the sixth best-selling novel in the US in 1946.
Michael Anthony Morrison, better known by his stage name Michael Wayne, was an American film producer and actor. He was the eldest son of actor John Wayne and his first wife, Josephine Saenz.
Mari Blanchard was an American film and television actress, known foremost for her roles as a B movie femme fatale in American productions of the 1950s and early 1960s.
Lady Godiva of Coventry is a 1955 American Technicolor historical drama film, directed by Arthur Lubin. It starred Maureen O'Hara in the title role. Alec Harford, the English actor who portrayed Tom the Tailor, died eight months before the film's release.
Comanche Territory is a 1950 American Western film directed by George Sherman and starring Maureen O'Hara and Macdonald Carey. Jim Bowie is sent into Comanche country on a mission to allow the government to mine silver on the Indian's land.
Gun the Man Down is a 1956 American western film directed by Andrew V. McLaglen and starring James Arness and Angie Dickinson in her first leading role. The film was produced by Robert E. Morrison for his brother John Wayne's company Batjac Productions. It was the second theatrical feature directed by McLaglen, who was a prolific director of television westerns.
Maureen O'Hara (1920–2015) was an Irish singer and actress from Dublin, who worked primarily in American film and television. She was born into a close-knit and artistically talented family; her mother was a contralto vocalist, and her three sisters and two brothers were budding actors and musical performers. O'Hara received music and dance lessons at the Ena Burke School of Elocution and Drama, becoming a member of the Rathmines Theatre Company when she was 10 years old. While still a teenager, she won several Radio Éireann Players contests to perform with them. She also won the Dublin Feis Award, for her performance as Portia in The Merchant of Venice. O’Hara was a member of the Abbey Theatre School, and a graduate of the Guildhall School of Music.