"Mortal coil" is a poetic term for the troubles of daily life and the strife and suffering of the world. It is used in the sense of a burden to be carried or abandoned. To "shuffle off this mortal coil" is to die, exemplified in the "To be, or not to be" soliloquy in Shakespeare's Hamlet .
Derived from 16th-century English, "coil" refers to tumults or troubles. Used idiomatically, the phrase means "the bustle and turmoil of this mortal life". "Coil" has an unusual etymological history. It was coined repeatedly; at various times people have used it as a verb to mean "to cull", "to thrash", "to lie in rings or spirals", "to turn", "to mound hay" and "to stir". As a noun it has meant "a selection", "a spiral", "the breech of a gun", "a mound of hay", "a pen for hens", and "noisy disturbance, fuss, ado". [1] It is in this last sense, which became popular in the 16th century, that Shakespeare used the word.
"Mortal coil"—along with "the slings and arrows of outrageous fortune", "to sleep, perchance to dream" and "ay, there’s the rub"—is part of Hamlet’s famous "To be, or not to be" speech.
Arthur Schopenhauer, in his Parerga and Paralipomena which was written in German, Volume 2, § 232a, conjectured that this phrase might have been involved in a typesetter's error or a slip of the author's pen. [2]
Should there not have been originally 'shuttled off'? This verb itself no longer exists but 'shuttle' is an implement used in weaving. Accordingly, the meaning might be: 'when we have unwound and worked off this coil of mortality.'
In this way, the length of our life is metaphorically the length of thread that is coiled on a spool, a metaphor related to the ancient Greek mythological figures of the Fates. As humans live, the thread is unwound from the coil by the shuttle of the loom of time.
However, there are no other references in the speech to thread, looms, or weaving (aside from Bodkin), and the remaining content of the speech matches the usage of coil, coile, or coyle to mean turmoil. [3] [4]
Arthur Schopenhauer was a German philosopher. He is best known for his 1818 work The World as Will and Representation, which characterizes the phenomenal world as the manifestation of a blind and irrational noumenal will. Building on the transcendental idealism of Immanuel Kant (1724–1804), Schopenhauer developed an atheistic metaphysical and ethical system that rejected the contemporaneous ideas of German idealism. He was among the first thinkers in Western philosophy to share and affirm significant tenets of Indian philosophy, such as asceticism, denial of the self, and the notion of the world-as-appearance. His work has been described as an exemplary manifestation of philosophical pessimism. Though his work failed to garner substantial attention during his lifetime, Schopenhauer had a posthumous impact across various disciplines, including philosophy, literature, and science. His writing on aesthetics, morality, and psychology have influenced many thinkers and artists.
A loom is a device used to weave cloth and tapestry. The basic purpose of any loom is to hold the warp threads under tension to facilitate the interweaving of the weft threads. The precise shape of the loom and its mechanics may vary, but the basic function is the same.
Weaving is a method of textile production in which two distinct sets of yarns or threads are interlaced at right angles to form a fabric or cloth. Other methods are knitting, crocheting, felting, and braiding or plaiting. The longitudinal threads are called the warp and the lateral threads are the weft, woof, or filling. The method in which these threads are interwoven affects the characteristics of the cloth. Cloth is usually woven on a loom, a device that holds the warp threads in place while filling threads are woven through them. A fabric band that meets this definition of cloth can also be made using other methods, including tablet weaving, back strap loom, or other techniques that can be done without looms.
Denim is a sturdy cotton warp-faced textile in which the weft passes under two or more warp threads. This twill weave produces a diagonal ribbing that distinguishes it from cotton duck. While a denim predecessor known as dungaree has been produced in India for hundreds of years, denim as it is recognized today was first produced in Nîmes, France.
In language, an archaism is a word, a sense of a word, or a style of speech or writing that belongs to a historical epoch beyond living memory, but that has survived in a few practical settings or affairs. Lexical archaisms are single archaic words or expressions used regularly in an affair or freely; literary archaism is the survival of archaic language in a traditional literary text such as a nursery rhyme or the deliberate use of a style characteristic of an earlier age—for example, in his 1960 novel The Sot-Weed Factor, John Barth writes in an 18th-century style. Archaic words or expressions may have distinctive emotional connotations—some can be humorous (forsooth), some highly formal, and some solemn. The word archaism is from the Ancient Greek: ἀρχαϊκός, archaïkós, 'old-fashioned, antiquated', ultimately ἀρχαῖος, archaîos, 'from the beginning, ancient'.
A power loom is a mechanized loom, and was one of the key developments in the industrialization of weaving during the early Industrial Revolution. The first power loom was designed and patented in 1785 by Edmund Cartwright. It was refined over the next 47 years until a design by the Howard and Bullough company made the operation completely automatic. This device was designed in 1834 by James Bullough and William Kenworthy, and was named the Lancashire loom.
"To be, or not to be" is the opening phrase of a speech given by Prince Hamlet in the so-called "nunnery scene" of William Shakespeare's play Hamlet, Act 3, Scene 1. In the speech, Hamlet contemplates death and suicide, weighing the pain and unfairness of life against the alternative, which might be worse. The opening line is one of the most widely known and quoted lines in modern English literature, and the speech has been referenced in many works of theatre, literature, and music. Hamlet is not alone as he speaks because Ophelia is on stage waiting for him to see her and Claudius and Polonius have concealed themselves to hear him. Even so, Hamlet seems to consider himself alone and there is no definite indication that the others hear him before he addresses Ophelia, so the speech is almost universally regarded as a soliloquy.
Mention of textiles in folklore is ancient, and its lost mythic lore probably accompanied the early spread of this art. Textiles have also been associated in several cultures with spiders in mythology.
Mortal Coils is a collection of five short fictional pieces written by Aldous Huxley, published in 1921. The book consists of three short stories, a novelette and a play.
Shuffling is a procedure used to randomize a deck of playing cards.
A selvage or selvedge is a "self-finished" edge of a piece of fabric which keeps it from unraveling and fraying. The term "self-finished" means that the edge does not require additional finishing work, such as hem or bias tape, to prevent fraying.
The manufacture of textiles is one of the oldest of human technologies. To make textiles, the first requirement is a source of fiber from which a yarn can be made, primarily by spinning. The yarn is processed by knitting or weaving, which turns yarn into cloth. The machine used for weaving is the loom. For decoration, the process of colouring yarn or the finished material is dyeing. For more information of the various steps, see textile manufacturing.
William Shakespeare's play Hamlet has contributed many phrases to common English, from the famous "To be, or not to be" to a few less known, but still in everyday English.
Band weaving refers to the hand production of narrow woven fabric. This fabric may be called tape, band, inkle, strap, belt, back strap, trim, and more. It can be accomplished on a variety of types of looms, including inkle, band, tape, backstrap, and rigid heddle looms. Hole and slot heddles are also designed to weave bands. Depending on which loom is used, the material could be warp-faced or a balanced weave.
The Fates are a common motif in European polytheism, most frequently represented as a trio of goddesses. The Fates shape the destiny of each human, often expressed in textile metaphors such as spinning fibers into yarn, or weaving threads on a loom. The trio are generally conceived of as sisters and are often given the names Clotho, Lachesis, and Atropos, which are the names of the Moirai, the version of the Fates who appear in Greek mythology. These divine figures are often artistically depicted as beautiful maidens with consideration to their serious responsibility: the life of mortals. Poets, on the other hand, typically express the Fates as ugly and unwavering, representing the gravity of their role within the mythological and human worlds.
A weavers' cottage was a type of house used by weavers for cloth production in the putting-out system sometimes known as the domestic system.
Textile manufacturing is one of the oldest human activities. The oldest known textiles date back to about 5000 B.C. In order to make textiles, the first requirement is a source of fibre from which a yarn can be made, primarily by spinning. The yarn is processed by knitting or weaving to create cloth. The machine used for weaving is the loom. Cloth is finished by what are described as wet process to become fabric. The fabric may be dyed, printed or decorated by embroidering with coloured yarns.
Bradford Industrial Museum, established 1974 in Moorside Mills, Eccleshill, Bradford, United Kingdom, specializes in relics of local industry, especially printing and textile machinery, kept in working condition for regular demonstrations to the public. There is a Horse Emporium in the old canteen block plus a shop in the mill, and entry is free of charge.
The warp-weighted loom is a simple and ancient form of loom in which the warp yarns hang freely from a bar, which is supported by upright poles which can be placed at a convenient slant against a wall. Bundles of warp threads are tied to hanging weights called loom weights which keep the threads taut. Evidence of the warp-weighted loom appears in the Neolithic period in central Europe. It is depicted in artifacts of Bronze Age Greece and was common throughout Europe, remaining in use in Scandinavia into modern times. Loom weights from the Bronze Age were excavated in Miletos, a Greek city in Anatolia.
"Hoist with his own petard" is a phrase from a speech in William Shakespeare's play Hamlet that has become proverbial. The phrase's meaning is that a bomb-maker is blown off the ground by his own bomb ("petard"), and indicates an ironic reversal or poetic justice.