Author | Agatha Christie |
---|---|
Cover artist | Not known |
Language | English |
Series | Hercule Poirot |
Genre | Crime |
Publisher | Dodd, Mead and Company |
Publication date | February 1952 |
Publication place | United Kingdom United States |
Media type | Print (hardback & paperback) |
Pages | 243 (first edition, hardback) |
Preceded by | The Under Dog and Other Stories |
Followed by | After the Funeral |
Mrs McGinty's Dead is a work of detective fiction by British writer Agatha Christie, first published in the US by Dodd, Mead and Company in February 1952 [1] and in the UK by the Collins Crime Club on 3 March the same year. [2] The US edition retailed at $2.50 [1] and the UK edition at nine shillings and sixpence (9/6). [2] The Detective Book Club issued an edition, also in 1952, as Blood Will Tell.
The novel features the characters Hercule Poirot and Ariadne Oliver. The story is a "village mystery", a subgenre of whodunit which Christie usually reserved for Miss Marple. The novel is notable for its wit and comic detail, something that had been little in evidence in the Poirot novels of the 1930s and 1940s. Poirot's misery in the run-down guesthouse, Mrs Oliver's observations on the life of a detective novelist and her growing frustration at artistic liberties taken during adaptions of her characters into plays, provide considerable entertainment in the early part of the novel. The publication of Mrs McGinty's Dead may be considered as marking the start of Poirot's final phase, in which Ariadne Oliver plays a large part. Although she had appeared in Cards on the Table in 1936, Mrs Oliver's most significant appearances in Christie's work begin here. She appears in five of the last nine Christie novels featuring Poirot, and appears on her own without Poirot at all in The Pale Horse (1961).
Superintendent Spence visits Poirot to ask him to find evidence that would forestall the execution of James Bentley, who has recently been convicted of killing his elderly landlady, Mrs McGinty, for a meager £30. All evidence points to his guilt, but something about Bentley's surly acceptance of his fate just doesn't sit right with the experienced Spence. Poirot agrees to go to the village of Broadhinny and investigate the murder. Taking a room in the Summerhayes' guest house, Poirot finds that Mrs McGinty often worked as a charwoman at various village houses. No one suspects otherwise in their initial talk to Poirot, most being satisfied that Bentley is guilty.
During the course of his investigations, Poirot discovers that, three days before the murder, Mrs McGinty took a clipping from a notorious Sunday newspaper, containing an article showing photos of females who had disappeared after being involved in decades-old criminal cases. She then wrote to the paper, claiming to have found a photo like one of the women, proving a villager was one of the missing women in disguise. However, her terrible spelling had caused the paper to dismiss her as a simple fame-seeker. Poirot and Spence, using the ages of people in the town, conclude that someone is either Lily Gamboll, who committed murder with a meat cleaver at only 12 years old, or Eva Kane, a governess who had had an affair with her employer, Mr Craig. Craig was later convicted and executed for killing his wife. After being acquitted as an accessory, a pregnant Eva had changed her surname to "Hope" and left the country. Some sources claim she had a child named Evelyn, and several women in the town are the right age to be Evelyn, as well.
Shortly afterwards, Poirot discovers an old sugar cutter with traces of blood on it in the Summerhayes' house; the house is never locked, and the hammer could have been easily accessible to anyone. In an attempt to flush out the murderer, Poirot claims to know more than he does, and is nearly pushed under an oncoming train, proving that the guilty party is still at large. Having acquired originals of the photos used in the article, Poirot shows them to the villagers at a gathering at wealthy Mrs Laura Upward's house. Mrs Upward claims to have seen the photo of Lily Gamboll, but refuses to say where.
Later, Poirot is contacted by Maude Williams, who had worked at an estate agent's with Bentley in another town before Bentley was laid off. She refuses to believe he is capable of murder, and offers to help Poirot. He accepts, and gets her to pose as a maid in the house of Mrs Wetherby, one of the houses Mrs McGinty cleaned. Poirot notices that Mrs Wetherby's daughter by her first marriage, Deirdre Henderson, is rather sulky and defeated, much like Bentley. Deirdre is also the only villager who, like Maude, believes in Bentley's innocence.
During the maid's night off, Mrs Upward's spoiled son, playwright Robin Upward, goes to the theatre with famed mystery writer Ariadne Oliver, whose novel he is planning to dramatize. When they return home, they find Mrs Upward strangled to death. She has evidently had coffee with her murderer, and the lipstick on a coffee cup and perfume in the air points to a woman having committed the crime. Mrs Upward had invited three people to her house that night: Eve Carpenter, Deirdre Henderson, and Shelagh Rendell. Only Henderson (Mrs Summerhayes) came, but she found the house dark, and left without speaking to anyone. Any of the three women could be someone from the photographs. Additionally, the postmistress's assistant, Edna (who is having an affair with the husband of Mrs McGinty's niece), saw someone with blonde hair enter the house; Carpenter and Rendell (who both refuse to cooperate with the police) are blonde, but Henderson is brunette.
A book is discovered in the Upward house with Evelyn Hope's signature written on the flyleaf, suggesting Mrs Upward was actually Eva Kane, further confusing the situation. Poirot then finds a photo in a drawer in the Summerhayes' house, and realizes it must be the photo Mrs McGinty saw. It is of Eva Kane, with the inscription of "my mother" on the back. Recognizing the handwriting, Poirot gathers the suspects together and abruptly accuses Robin Upward of the murders, startling him into a confession.
Robin Upward is Eva Kane's son, Evelyn Hope (at the time, the name Evelyn was still often given to male children); the real Robin Upward had died young, while Mrs Upward lived elsewhere. Too proud to be pitied as a childless widow, Mrs Upward took in impoverished young men to take Robin's place, although she treated them more as a patron would a protégé, and dropped them if they turned out less than satisfactory. Evelyn Hope had been the most successful son, and had been living with her at the time she moved to Broadhinny; he was assumed by most to really be her son Robin, although Mrs Summerhayes, herself an adopted child, deduced the truth. Mrs McGinty found the photo of Eva Kane while working at the Upward house, and assumed the photo was of Mrs Upward as a young woman.
Evelyn, realizing that any scandal would put an end to his use of Mrs Upward's money, stole the sugar cutter and killed Mrs McGinty before she could tell too many people of her discovery. He framed Bentley by stealing the £30, correctly assuming Bentley would panic and incriminate himself. The night of the party, Mrs Upward had recognized Eva Kane's photo as that of Evelyn's mother, whose backstory Evelyn had falsified to her. She wanted to confront Evelyn by herself, so she pointed to the photo of Lily Gamboll to put Poirot off the scent.
Evelyn suspected the truth; pretending to forget something the night of the play, he left Mrs Oliver waiting in the car and went back inside, killing Mrs Upward to inherit her money. He planted the evidence, and made the three calls in a disguised voice, to make it appear as if a woman had committed the crime. He later planted the photo at Mrs Summerhayes' house to incriminate her; however, Poirot had gone through the drawer a short time earlier, and the photo had not been in it then. It had been put in afterwards, and only Evelyn had been free to do so at the time in question.
Further revelations are also made. Eve Carpenter wanted to conceal her past from her aristocratic husband, which was why she would not co-operate in the investigation. Spence discovers that Shelagh Rendell has been receiving poison pen letters claiming her husband murdered his first wife. Poirot heavily suspects that it was Dr Rendell's neurotic wife, and not Evelyn Hope, who tried to push him under the oncoming train, afraid of the old scandal being raked up. Maude Williams turns out to be Maude Craig. Despite the jury deciding otherwise, both Maude and the police are convinced her mother was actually murdered by Eva Kane and not Mr Craig, who chivalrously took the blame since Eva was carrying his child. Maude was the blonde who was seen going to see Mrs Upward, as she had been trying to trace Eva Kane through Evelyn, knowing his true identity. However, Maude found Mrs Upward's body, realized she might be accused of murder, and left quietly. She admits this to Poirot, who agrees to keep it a secret and wishes her good luck in her life.
Deirdre Henderson is revealed to be mistreated by her stepfather and forced to care for her malingering mother; Deirdre has money of her own, left to her by her biological father, that they do not want to lose the use of. She also has some romantic feelings for Bentley, and he for her. Bentley is freed, though he is still too bewildered over events to show proper gratitude. However, Spence is convinced they have closed the case at last, much to Poirot's relief.
The novel is named after a children's game – a sort of follow-the-leader type of verse somewhat like the Hokey-Cokey — that is explained in the course of the novel.
Maurice Richardson of The Observer of 23 March 1952 thought that Poirot was "slightly subdued" and summed up "Not one of A.C's best-constructed jobs, yet far more readable than most other people's." [3]
Robert Barnard: "This village murder begins among the rural proletariat (cf. Death by Drowning in The Thirteen Problems and the excellent London working-class woman in The Hollow ), but after a time it moves toward the better-spoken classes. Poirot suffers in a vividly awful country guesthouse in order to get in with the community and rescue a rather unsatisfactory young man from the gallows. Highly ingenious – at this point she is still able to vary the tricks she plays, not repeat them." [4]
The novel was adapted by MGM in 1964 as the film Murder Most Foul . However, in an unusual move, the character of Poirot was replaced with Miss Marple (portrayed by Margaret Rutherford), who comes onto the case when she is a juror in the trial of the lodger who is accused of the murder. She is the only juror to believe the lodger is innocent and will not join with the others to vote guilty. The jury foreman says to the judge that they cannot make up their minds. The judge rules for a mistrial and arranges for a retrial in a week, giving Miss Marple seven days to solve the case.
However, the film is otherwise only loosely based on the novel, altering almost all the characters, subplots, names, and deaths. The motive for the murder remains the same, but the killer's name and role are changed from that of the novel. The film's tone is more playful and light-hearted than the novel, as was characteristic of Rutherford's Christie film adaptations.
A television programme was produced in 2007 with David Suchet as Poirot in the ITV series Agatha Christie's Poirot , first broadcast on 14 September 2008. It was directed by Ashley Pearce, who also directed Appointment with Death and Three Act Tragedy for the ITV series. It also starred Zoë Wanamaker returning as Ariadne Oliver (who first appeared in Cards on the Table ) and Richard Hope as Superintendent Spence (who first appeared in Taken at the Flood ), respectively. The adaptation is reasonably faithful to the novel, with the deletion of a few characters and omitting two of the women from the newspaper article – only focusing on Lily Gamboll and Eva Kane.
The characters of Deirdre Henderson and Maude Williams are merged in the film. Thus it is Maude Williams, the estate agents' secretary (with dark hair instead of blonde), who is in love with Bentley and helps Poirot throughout his investigation. Maude and Bentley are reunited by Poirot in the final scene. [5] Also, Dr Rendall's secret is not that he is suspected of killing his first wife, but of mercy killing terminally ill patients. It is Mrs Rendall, rather than her husband, who makes an attempt on Poirot's life.
The novel was adapted as a 2015 episode of the French television series Les Petits Meurtres d'Agatha Christie .
Mrs McGinty's Dead was adapted for radio by Michael Bakewell for BBC Radio 4 in 2006, featuring John Moffatt as Poirot.
In the US, the novel was serialised in the Chicago Tribune in its Sunday edition in thirteen parts from 7 October to 30 December 1951 under the title of Blood Will Tell.
Death in the Clouds is a work of detective fiction by British writer Agatha Christie, published in 1935. It features the Belgian detective Hercule Poirot and Chief Inspector Japp. It is a "closed circle" murder mystery: the victim is a passenger on a cross-Channel aircraft flight, and the perpetrator can only be one of eleven fellow-passengers and crew.
The Mysterious Affair at Styles is the first detective novel by British writer Agatha Christie, introducing her fictional detective Hercule Poirot. It was written in the middle of the First World War, in 1916, and first published by John Lane in the United States in October 1920 and in the United Kingdom by The Bodley Head on 21 January 1921.
The Murder of Roger Ackroyd is a detective novel by the British writer Agatha Christie, her third to feature Hercule Poirot as the lead detective. The novel was published in the UK in June 1926 by William Collins, Sons, having previously been serialised as Who Killed Ackroyd? between July and September 1925 in the London Evening News. An American edition by Dodd, Mead and Company followed in 1926.
Hallowe'en Party is a work of detective fiction by English writer Agatha Christie, first published in the United Kingdom by the Collins Crime Club in November 1969 and in the United States by Dodd, Mead and Company later in the same year. This book was dedicated to writer P. G. Wodehouse. It has been adapted for television, radio, and most recently for the film A Haunting in Venice (2023).
Ariadne Oliver is a fictional character in the novels of Agatha Christie. She is a crime fiction novelist, the creator of the fictional Finnish detective Sven Hjerson, and a friend of Hercule Poirot.
After the Funeral is a work of detective fiction by Agatha Christie and first published in the US by Dodd, Mead and Company in March 1953 under the title of Funerals are Fatal and in UK by the Collins Crime Club on 18 May of the same year under Christie's original title. The US edition retailed at $2.50 and the UK edition at ten shillings and sixpence (10/6).
Curtain: Poirot's Last Case is a work of detective fiction by British writer Agatha Christie, first published in the UK by the Collins Crime Club in September 1975 and in the US by Dodd, Mead and Company later in the same year, selling for $7.95.
Dead Man's Folly is a work of detective fiction by Agatha Christie, first published in the US by Dodd, Mead and Company in October 1956 and in the UK by the Collins Crime Club on 5 November of the same year. The US edition retailed at $2.95 and the UK edition at twelve shillings and sixpence (12/6). It features Hercule Poirot and Ariadne Oliver.
Elephants Can Remember is a work of detective fiction by British writer Agatha Christie, first published in 1972. It features her Belgian detective Hercule Poirot and the recurring character Ariadne Oliver. This was the last novel to feature either character, although it was succeeded by Curtain: Poirot's Last Case, which had been written in the early 1940s but was published last. Elephants Can Remember concentrates on memory and oral testimony.
Appointment with Death is a work of detective fiction by British writer Agatha Christie, first published in the UK by the Collins Crime Club on 2 May 1938 and in the US by Dodd, Mead and Company later in the same year. The UK edition retailed at seven shillings and sixpence (7/6) and the US edition at $2.00.
Taken at the Flood is a work of detective fiction by British writer Agatha Christie, first published in the US by Dodd, Mead and Company in March 1948 under the title of There is a Tide. .. and in the UK by the Collins Crime Club in the November of the same year under Christie's original title. The US edition retailed at $2.50 and the UK edition at eight shillings and sixpence (8/6). It features her famous Belgian detective, Hercule Poirot, and is set in 1946.
Hickory Dickory Dock is a work of detective fiction by Agatha Christie and first published in the UK by the Collins Crime Club on 31 October 1955 and in the US by Dodd, Mead and Company in November of the same year under the title of Hickory Dickory Death. The UK edition retailed at ten shillings and sixpence (10/6) and the US edition at $3.00. It features her Belgian detective Hercule Poirot. The novel is notable for featuring Poirot's efficient secretary, Miss Felicity Lemon, who had previously appeared only in the Poirot short stories.
Cat Among the Pigeons is a work of detective fiction by Agatha Christie, first published in the UK by the Collins Crime Club on 2 November 1959, and in the US by Dodd, Mead and Company in March 1960 with a copyright date of 1959. The UK edition retailed at twelve shillings and sixpence (12/6), and the US edition at $2.95.
The Pale Horse is a work of detective fiction by British writer Agatha Christie, first published in the UK by the Collins Crime Club on 6 November 1961, and in the US by Dodd, Mead and Company the following year. The UK edition retailed at fifteen shillings and the US edition at $3.75. The novel features her novelist detective Ariadne Oliver as a minor character, and reflects in tone the supernatural novels of Dennis Wheatley who was then at the height of his popularity. The Pale Horse is mentioned in Revelation 6:8, where it is ridden by Death.
The Clocks is a work of detective fiction by British writer Agatha Christie, first published in the UK by the Collins Crime Club on 7 November 1963 and in the US by Dodd, Mead and Company the following year. It features the Belgian detective Hercule Poirot. The UK edition retailed at sixteen shillings (16/-) and the US edition at $4.50.
Third Girl is a work of detective fiction by Agatha Christie and first published in the UK by the Collins Crime Club in November 1966 and in the US by Dodd, Mead and Company the following year. The UK edition retailed at eighteen shillings (18/-) and the US edition at $4.50.
Sarah Smart is an English actress.
Murder Most Foul is the third of four Miss Marple films made by Metro-Goldwyn-Mayer. Loosely based on the 1952 novel Mrs McGinty's Dead by Agatha Christie, it stars Margaret Rutherford as Miss Jane Marple, Ron Moody as the theatre company director H. Driffold Cosgood, Charles Tingwell as Inspector Craddock, and Stringer Davis as Mr Stringer. The story is ostensibly based on Christie's novel, but notably changes the action and the characters. Hercule Poirot is replaced by Miss Marple and most of the other characters are not in the novel. Through out the investigation, Marple quotes from "The Shooting of Dan McGrew".
Superintendent Battle is a fictional character created by Agatha Christie who appeared in five of her novels.
Hercule Poirot is a series of full cast BBC Radio drama adaptations of Agatha Christie's Hercule Poirot novels and short stories adapted by Michael Bakewell, broadcast on BBC Radio 4 between 1985 and 2007. With the exception of the first two adaptations, the series stars John Moffatt as Poirot.