Naming of Qantas aircraft

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The naming of Qantas aircraft has followed various themes since 1926.

City names continued on all Qantas ordered and delivered Boeing 747, Boeing 747SP and Boeing 767 aircraft until 2008.

Wunala Dreaming at Kai Tak Airport Wunala Dreaming in KaiTak.jpg
Wunala Dreaming at Kai Tak Airport

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References

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  2. 1 2 "Establishing Q.A.N.T.A.S". QFOM. Archived from the original on 12 September 2009. Retrieved 21 August 2010.
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  10. Hicks, Ron (15 December 2006). "707 calls Australia home once more". The Australian . Retrieved 23 July 2008.
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  14. 1 2 "Boeing 737 - Australia". AussieAirliners.org. Retrieved 21 August 2010.
  15. 1 2 3 "95/103/1 Aircraft model, stand and print, Boeing 747-400, 'Wunala Dreaming', Qantas Airways, plastic / metal / wood / paper, designed by John and Ros Moriarty of Balarinji Studio in Australia and made by Scalecraft Models in New Zealand, 1993-1994". Powerhouse Museum Collection. Powerhouse Museum . Retrieved 23 July 2008.
  16. Squires, Nick (17 September 2000). "Aborigine fury as 'false image' sells Olympics". The Daily Telegraph - republished by European Network for Indigenous Australian Rights. Archived from the original on 21 July 2008. Retrieved 23 July 2008. Earlier this year Qantas, the national airline, featured a picture of a beaming 10-year-old Aborigine girl in an advertising campaign titled "The Spirit of Australia". ... highlights the difficulties companies face in employing Aboriginal imagery. Qantas has used Aboriginal dot painting designs on two of its Boeing 747s, called 'Wunala Dreaming' and 'Nilanji Dreaming'.
    The company says that it is a leading sponsor of Aboriginal art exhibitions, and has had an employment programme for Aborigines since 1988. Aborigines and Torres Strait Islanders, however, make up just over one per cent of its workforce.
  17. 1 2 Megaw, Vincent (March 2002). 173 pages "Whose Art is it anyway? or Some random thoughts on 20 years of collecting Indigenous Australian art for a small university art museum (pages 88-94) within The Fourth National Aboriginal and Torres Strait Islander Visual Arts Conference - Appendix: Conference proceedings" . Retrieved 23 July 2008. [page 92] All too often the art work— and this also goes for whitefella art – becomes so much wall-paper. Jenny Green has written of 'the hegemony of the dot' but sometimes it seems more like the enthralment of the dot. Every now and again the Empire strikes back, whether, small scale, in Turkey Tolson Tjupurrula's 'Two women' story', where the canvass was supplied by a pair of Adidas trainers , an entry in a fund-raiser where a number of artists, both Indigenous and non-Indigenous were invited to contribute artists' statements using sneakers as their medium. Another Indigenous entrant was Bororroloola-born and Flinders University-educated John Moriarty. Moriarty's Balarinji Designs have provided the art work for 'Wunala Dreaming' and its two sister Qantas 747s; the third and most recent design has been supplied by a Pitjitjantjarra woman from Uluru, though with one might still wonder how much of the positive and international feed-back accruing to the airline has benefited the Indigenous community as a whole.{{cite web}}: Check |url= value (help)
  18. Berry, Esther (2005). pages) "Philip Pullman: Postcolonial Dark Materials, the Daemon and the Search for Indigenous Authenticity". Papers from the Buddha of Suburbia: Proceedings of the Eighth Australian and International Religion, Literature and the Arts Conference 2004. 1–3 October 2004. The Sydney eScholarship Repository (University of Sydney) republishing from RLA Press. pp. 274–5. Retrieved 23 July 2008. No longer are we stealing children for the study of Dust, but rather we are thieving Indigenous spirituality and traditions that are marketable within the worlds of tourism and advertising; within the world of art where, as cultural theorist, Celia Lury, asserts, 'Dreamings [have] become the new multicultural 'high' gallery art.' As Gobblers, we guzzle down images of Qantas Australiana rhetoric: the company's current advertising campaign, the 'Spirit of Australia', imprinted on the bodies of company airplanes now painted in authentic Indigenous Dreaming designs – Nalanji Dreaming, Wunala Dreaming and the most recent Yananyi Dreaming – while the real bodies of Aborigines as sites of social in[ter]cision, 'power and knowledge' are displaced in national space when they do not correspond with our [post]colonial 'fantasy' of a 'manageable,' 'multicultural' Australia.{{cite web}}: Check |url= value (help)
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  21. Bartlett, Anne (2001). The Aboriginal Peoples of Australia. Lerner Publications. p. 25. ISBN   0-8225-4854-2.
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  29. http://www.qantas.com.au/regions/dyn/au/publicaffairs/details?ArticleID=2008/nov08/3852 Qantas Media Release 3852
  30. "Qantas Dreamliner Fleet Names Revealed". Qantas. Retrieved 21 June 2017.