Never Make Me Cry

Last updated

"Never Make Me Cry"
Single by Fleetwood Mac
from the album Tusk
A-side "Tusk"
Released1979
RecordedFebruary - July 1979
Studio The Village Recorder
Genre Soft rock
Length2:18
Label Warner Bros.
Songwriter(s) Christine McVie
Producer(s) Fleetwood Mac, Richard Dashut, Ken Caillat

"Never Make Me Cry" is a song by Fleetwood Mac from the 1979 double LP Tusk. It was one of six songs from the album composed and sung by Christine McVie. The song was released a B-side to the album's title track in September 1979.

Contents

Background

Work on "Never Make Me Cry" began in February 1979, although McVie wrote the song several months earlier on Dennis Wilson's boat. Producers Ken Caillat and Richard Dashut positioned a Yamaha grand piano in the middle of the recording space and miked the room before McVie's arrival. Engineer Hernan Rojas remembered that it was difficult to settle on a proper tempo, but ultimately settled on 77 BPM. [1]

McVie played through the song several times on a grand piano and in the process worked out an introduction and ascending melodic pattern that leads into the third verse. After working through the song several times with Buckingham strumming an acoustic guitar. Only three takes were required to achieve satisfactory piano and guitar tracks. McVie recorded a scratch vocal separately from the piano so that she could primarily focus on her singing. After this, Buckingham doubled his guitar strums and John McVie added some bass guitar. Originally, the song featured parts on a Hammond organ and a Chamberlin during the bridge, although these instruments were removed in favor of a nylon string guitar and some cymbals, the latter of which was played by Mick Fleetwood, which replaced the claves and timpani that he previously recorded. [1]

Although originally conceived as a piano ballad akin to "Songbird", Buckingham conducted a significant overhaul on the song several months later, scrapping all of the keyboards in favor of nine electric guitar tracks primarily played on his Fender Stratocaster. The guitars were sent through Caillat's Fat Box to boost the output of the instrument and sent into the console, and another line was sent through a Fender Twin amplifier in an isolation room. To provide additional character to the guitar strums, arpeggios, and volume swells, Caillat, Dashut, and Rojas applied reverb amongst other effects to the guitars, which according to Rojas, created the impression of a "sun-shimmering seabed." [1] Buckingham thought that the song could have worked well with a beat, but held off on this idea out of deference to McVie. [2]

The final lead vocal take was not recorded until July to avoid some of the consequences associated with colder weather, namely nasal congestion. During this recording session, Rojas said that McVie was in good spirits because Dennis Wilson had created a rose shaped garden for her birthday. [1] McVie later said of the incident that "he had all these people holding a candle around the edge of it, slowly sinking into the mud. Then he got up on the balcony and proposed to me. Then he sent me the bill for the work. I suppose his heart was in the right place." [3] The producers wanted McVie to deliver the song with maximum emotion, so she recorded her lead vocal five times from start to finish without any cuts or punch-ins. [1]

Critical reception

Contemporary music critics only briefly mentioned the song in reviews for Tusk. Ed Harrison of Billboard thought that the song's "minimal orchestration shows off McVie's vocal range." [4] Robert Hilburn of Los Angeles Times thought that several of McVie's compositions, including "Never Make Me Cry", benefited from "ore tailored arrangements." [5] Retrospective reviews have remained mostly positive, with PopMatters identifying the song as one of the album's "emotional centerpieces", although they were critical of the "unpleasant" echo on McVie's voice. [6] Far Out characterized the song's instrumentation as "almost ambient, leaving McVie in complete control of the song from start to finish." [7]

Following McVie's death in 2022, several publications have listed "Never Make Cry" as one of McVie's best songs. Lindsay Zoladz of The New York Times labeled the song as an "underappreciated gem buried on the C side of Tusk that "places McVie's angelic voice front and center." [8] Gwen Ihnat of Entertainment Weekly called the song a "beautiful, near-a cappella McVie showcase that underlines her eternal, emotional strength." [9] Rob Sheffield of Rolling Stone called the piano demo of "Never Make Me Cry" "one of her mightiest heartbreakers." He further noted the contrast between the delivery of the "defiant and victorious" first chorus and the end of the song, where her "refusal to cry" is the "saddest part" of the song. [10]

Personnel

Related Research Articles

<i>Tusk</i> (album) 1979 studio album by Fleetwood Mac

Tusk is the twelfth studio album by British-American rock band Fleetwood Mac, released as a double album on 12 October 1979 by Warner Bros. Records. It is considered more experimental than their previous albums, partly as a consequence of Lindsey Buckingham's sparser songwriting arrangements and the influence of post-punk. The production costs were initially estimated to be about $1 million but many years later were revealed to be about $1.4 million, making it the most expensive rock album recorded to that date.

<span class="mw-page-title-main">Don't Stop (Fleetwood Mac song)</span> 1977 single by Fleetwood Mac

"Don't Stop" is a song by British-American rock band Fleetwood Mac, written by vocalist and keyboardist Christine McVie. The song was sung by guitarist Lindsey Buckingham and Christine McVie, and it was a single taken from the band's hit album Rumours (1977).

"Second Hand News" is a song written by Lindsey Buckingham. The song was first performed by the British-American rock band Fleetwood Mac as the opening track of their 1977 album Rumours.

<span class="mw-page-title-main">Tusk (song)</span> 1979 single by Fleetwood Mac

"Tusk" is a song by British-American rock band Fleetwood Mac from the 1979 double LP of the same name. The song peaked at number eight in the United States for three weeks, reached number six in the United Kingdom, number five in Canada, and number three in Australia. Lindsey Buckingham wrote the song and is the lead singer on the track.

<i>Live</i> (Fleetwood Mac album) 1980 live album by Fleetwood Mac

Live is a double live album released by British-American rock band Fleetwood Mac on 5 December 1980. It was the first live album from the then-current line-up of the band, and the next would be The Dance from 1997. The album was certified gold by the RIAA in November 1981. A deluxe edition of the album was released on 9 April 2021.

"The Ledge" is a song by British-American rock band Fleetwood Mac, released in 1979. It is the second song from the multi-platinum Tusk album and was composed by Fleetwood Mac guitarist Lindsey Buckingham. The band rehearsed “The Ledge” several times for the Tusk Tour, although it was ultimately not included in the set.

<span class="mw-page-title-main">Sara (Fleetwood Mac song)</span> 1979 single by Fleetwood Mac

"Sara" is a song written by singer-songwriter Stevie Nicks of the British-American rock band Fleetwood Mac, which was released as a single from the 1979 Tusk double LP. The vinyl album version length is 6 minutes 22 seconds, and the edited single version length is 4 minutes 37 seconds. The song peaked at No. 7 in the US for three weeks, No. 37 in the UK for two weeks, No. 11 in Australia, and No. 12 in Canada.

<span class="mw-page-title-main">Sisters of the Moon</span> 1980 single by Fleetwood Mac

"Sisters of the Moon" is a song by British-American rock group Fleetwood Mac. It was written and sung by band-member Stevie Nicks and was released in the US as the fourth single from the 1979 album Tusk. The song peaked at No. 86 on the Billboard Hot 100, although it was not released in the UK. The single version of "Sisters of the Moon" is included on the compilation The Very Best of Fleetwood Mac and both the 2004 and 2015 remasters of 'Tusk'.

<span class="mw-page-title-main">Love in Store</span> 1982 single by Fleetwood Mac

"Love in Store" is a song by British-American rock group Fleetwood Mac. The song is the opening track on the 1982 album Mirage, the fourth album by the band with Lindsey Buckingham acting as main producer with Richard Dashut and Ken Caillat. "Love in Store" was written by Christine McVie and Jim Recor and it became the album's third single in the US. Released in November 1982, it went on to peak at No. 22 for three weeks as the follow-up to Top 20 hits "Hold Me" and "Gypsy". It also peaked at number 11 on the Adult Contemporary chart. The song features lead vocals by Christine McVie with prominent vocal harmonies by Stevie Nicks and background vocals by Lindsey Buckingham.

<span class="mw-page-title-main">Think About Me</span> 1980 single by Fleetwood Mac

"Think About Me" is a song by British-American rock band Fleetwood Mac, released in March 1980. The song was composed by Fleetwood Mac keyboardist Christine McVie. "Think About Me" and "Not That Funny" were the first Tusk singles released in their remixed form.

"I Know I'm Not Wrong" is a song by Fleetwood Mac from the 1979 double LP Tusk. It was recorded as the final song of side three of the LP on 19 September 1979, written by Lindsey Buckingham, whose sparser songwriting arrangements and the influence of punk rock and new wave were the leading creative force on it and other Tusk tracks. The song was worked on for the duration of the Tusk album and took around a year to complete.

"Oh Daddy" is a song written by Christine McVie that was first performed by the British-American rock band Fleetwood Mac as the tenth song off their 1977 album Rumours.

"The Dealer" is a 2014 song by the American singer/songwriter Stevie Nicks. It was the first single from her solo album, 24 Karat Gold: Songs from the Vault. The song was a minor hit in Belgium, where it peaked at No. 72 on the Wallonia Tip chart.

<span class="mw-page-title-main">Not That Funny</span> 1980 single by Fleetwood Mac

"Not That Funny" is a song by British-American rock band Fleetwood Mac, released in 1980. Composed and sung by guitarist Lindsey Buckingham, it was written as a response to the punk movement in the late 1970s. The song share some lyrics with "I Know I'm Not Wrong", another Buckingham penned song that appeared on the Tusk album.

"Walk a Thin Line" is a song by British-American rock band Fleetwood Mac, released in 1979. Composed and sung by guitarist Lindsey Buckingham, it was one of his nine songs that appeared on the Tusk album.

"That’s All For Everyone" is a song by British-American rock band Fleetwood Mac, released in 1979. Composed and sung by guitarist Lindsey Buckingham, it was one of his nine songs that appeared on the Tusk album. The song was also included on Fleetwood Mac's 1992 box set, 25 Years – The Chain.

"Brown Eyes" is a song by Fleetwood Mac from the 1979 double LP Tusk. It was one of six songs from the album composed and sung by Christine McVie. The song includes uncredited playing from founding member Peter Green.

"Over & Over" is a song by British-American rock band Fleetwood Mac, released in 1979. It is the opening song from the multi-platinum Tusk album and was composed by Fleetwood Mac keyboardist Christine McVie. The was played on the Tusk Tour and also appeared on the Live album in 1980.

"What Makes You Think You're the One" is a song by British-American rock band Fleetwood Mac, released in 1979. Composed and sung by guitarist Lindsey Buckingham, it was one of his nine songs that appeared on the Tusk album. The song was also included on the US 2002 and UK 2009 editions of The Very Best of Fleetwood Mac.

"Storms" is a song by British-American rock band Fleetwood Mac, released in 1979. Composed and sung by vocalist Stevie Nicks, it was one of her five songs that appeared on the Tusk album. The song was also included on the US 2002 and UK 2009 editions of The Very Best of Fleetwood Mac as the final track on disc one. An alternate mix with more stripped back production was included on the 2015 deluxe edition of Tusk. Nicks said that the song was about her affair with bandmate Mick Fleetwood, which she believed contributed to the dissolution of his marriage with Jenny Boyd.

References

  1. 1 2 3 4 5 Caillat, Ken; Rojas, Hernan (2019). Get Tusked: The Inside Story of Fleetwood Mac's Most Anticipated Album. Guilford, Connecticut: Backbeat Books. pp. 199–201. ISBN   978-1-4930-5983-6.
  2. Irvin, Jim (2016). Tusk (2015 Remastered) (Liner Notes). Fleetwood Mac. Los Angeles: Warner Bros. Records Inc. p. 16. Publisher Warner Bros #2HS-3350.
  3. Hodgkinson, Will (18 June 2004). "Surviving the Fleetwoods". The Guardian. ISSN   0261-3077 . Retrieved 11 February 2024.
  4. Harrison, Ed (27 October 1979). "Closeup". Billboard. p. 90. Retrieved 10 February 2024.
  5. Hilburn, Robert (14 October 1979). "Tusk Shows Fleetwood Mac's Artistry is More than a Rumour". The Blue Letter Archives. Archived from the original on 30 December 2015. Retrieved 10 February 2024.
  6. Soto, Alfred (9 March 2010). "Christine McVie's Warm Ways". PopMatters . Retrieved 10 February 2024.
  7. Golsen, Tyler (25 April 2023). "Fleetwood Mac - 'Tusk' album review". faroutmagazine.co.uk. Retrieved 10 February 2024.
  8. Zoladz, Lindsay (30 November 2022). "Christine McVie's 12 Essential Songs". The New York Times. Retrieved 10 February 2024.
  9. Ihnat, Gwen (8 December 2022). "12 essential Christine McVie songs". EW.com. Retrieved 10 February 2024.
  10. Sheffield, Rob (1 December 2022). "Farewell, Christine McVie, the Songbird Who Knew the Score". Rolling Stone. Retrieved 10 February 2024.