"Silver Springs" is a song written by Stevie Nicks and performed by British-American band Fleetwood Mac. It was originally intended for the band's 1977 album Rumours but became a B-side to the single "Go Your Own Way" instead. The subject of the song is the breakup of the romantic relationship between Nicks and Fleetwood Mac guitarist and vocalist Lindsey Buckingham.
Conflicts over "Silver Springs" led Nicks to leave Fleetwood Mac in 1991. The song appeared on Fleetwood Mac's 1992 box set, 25 Years – The Chain. A live version of "Silver Springs" was released as a single from the band's 1997 album The Dance; this version of the song was nominated for the Grammy Award for Best Pop Performance by a Duo or Group with Vocals in 1998. A version of "Silver Springs" appeared on a remastered edition of Rumours in 2004, and the song was also included in Nicks' 2007 compilation album, Crystal Visions - The Very Best of Stevie Nicks. In 2018, a live edit from The Dance appeared on the physical release of 50 Years – Don't Stop; the digital edition of this album instead included the studio recording of "Silver Springs" found on 25 Years – The Chain.
Background
Composition and recording
Written by Stevie Nicks, "Silver Springs" describes the end of her romantic relationship with guitarist Lindsey Buckingham.[3][4] She said:
I wrote "Silver Springs" about Lindsey. And we were in Maryland somewhere driving under a freeway sign that said Silver Springs[sic]. And I loved the name… Silver Springs sounded like a pretty fabulous place to me. And 'You could be my silver springs' – that's just a whole symbolic thing of what you could have been to me.[a][5]
The band recorded the basic tracks for "Silver Springs" at the Record Plant in Sausalito on 11 February 1976 with drums, bass guitar, electric guitar, a Fender Rhodes electric piano, and a scratch vocal. Producer Ken Caillat has said this version had "a much harder feel" than the final mix. Two days later, the band recorded 19 more takes, but none were deemed satisfactory. On the 14th, the band played the song to a click track to keep time. Christine McVie switched from the Fender Rhodes to a grand piano, which was in an isolation room to prevent audio spill from the drums. Buckingham's guitars were fed through a guitar amplifier in one room and a Leslie speaker in another. Nicks sang her vocals into a directional microphone in a siphoned-off section of the studio with sound baffles on the walls. Take eight was deemed satisfactory and used for overdubs.[6]:122–126
Further work was conducted at Wally Heider Studios, where Buckingham redid his guitar part. Caillat applied reverbtape delay to the instrument and picked up the upper frequencies of the Stratocaster's guitar strings with a Lavalier microphone; in Caillat's estimation, this gave the guitar a "delicate, glasslike, music box-type sound."[6]:250–251 During the song's mixing, Caillat applied EQ to the bass drum to remove certain frequencies that resulted in a "nasty popping sound when it was turned up too loud."[6]:330
Omission from Rumours and Timespace
"Silver Springs" was intended to be released on the album Rumours. However, due to its length and relatively slow tempo, the song was excluded from Rumours over Nicks' strenuous and repeated objections.[3] In his book Making Rumours, Caillat described "Silver Springs" as "gorgeous", "powerful", and "a masterpiece". He added, "there was only one problem: I knew the song was too long to fit on the album."[6]:119 Caillat offered Nicks the option of replacing "Gold Dust Woman", another of her slower compositions, with "Silver Springs", but the idea was not pursued.[3] "Silver Springs" was released in late 1976 as the B-side of the "Go Your Own Way" single,[3] a Buckingham-written song about his breakup with Nicks.[7][8] In a 1997 documentary on the making of Rumours, engineer and co-producer Richard Dashut called it "the best song that never made it to a record album".[9]
Years later, after Fleetwood Mac's 1990 Behind the Mask Tour, Nicks left the group over a dispute with Mick Fleetwood: the drummer would not allow her to release "Silver Springs" on her 1991 album Timespace – The Best of Stevie Nicks because he planned to include it on a forthcoming Fleetwood Mac box set. Fleetwood felt that "Silver Springs" was in high demand for inclusion on a Fleetwood Mac release as its only other appearance had been as the B-side to "Go Your Own Way".[10] "Silver Springs" subsequently appeared on the 1992 box set 25 Years – The Chain.[11]
Release as a live single
A live version of "Silver Springs" appeared on The Dance, Fleetwood Mac's 1997 reunion album "for posterity" according to Nicks.[3]The Dance was recorded across three performances at Warner Bros. Studios.[2] "I never thought that 'Silver Springs' would ever be performed onstage [again]," Nicks reflected during a 1997 MTV interview. "My beautiful song just disappeared [20 years ago]. For it to come back around like this has really been special to me."[3]
The live concert footage for "Silver Springs" was filmed on a sound stage in Burbank, California, on Friday May 23, 1997.[12][13] Fred Schruers of Rolling Stone observed this performance and noted that Nicks "ripped the mike and turned toward her ex-lover with every semblance of smoldering anger and hurt", particularly on the lines 'You’ll never get away from the sound of the woman that loved you' and 'Was I just a fool?'.[14] Nicks said that rehearsals of "Silver Springs" did not resemble the rendition that ultimately appeared on the video version of The Dance. She described the other performances as "good", but felt that they would have been insufficient in cementing the song's legacy.[12][14]
In six weeks of rehearsal, it was never like that. Only on Friday night did we let it go into something deeper. When we went on Friday, I knew we'd bring it out in case it was the last thing we'd ever do. The other shows were really, really good, but they weren't the show I wanted to leave behind. This show was. I wanted people to stand back and really watch and understand what (the relationship) was.
On a remastered edition of Rumours released in 2004, "Silver Springs" was included (as a previously unreleased, slightly longer 4:47 version) between "Songbird" and "The Chain". "We always loved her," remarked musician Danielle Haim. "But when we heard 'Silver Springs' – a song that didn't make Rumours and landed on one of the box sets – we fell in love all over again."[20]
"Silver Springs" also appeared on Nicks' compilation Crystal Visions - The Very Best of Stevie Nicks in 2007. Nicks wrote in the liner notes that the song was intended as a gift for her mother Barbara, who later referred to it as her "rainy day song". Nicks said that the exclusion of the song from Rumours was a source of anger for many years.[21] Nicks was particularly upset that "Silver Springs" initially generated little money for her mother, who was gifted publishing rights for the song in the 1970s.[22] Two months after the release of The Dance, her mother received a royalty check of $50,000 from the song's inclusion on that album.[3] At the insistence of her mother, Stevie included the song on Crystal Visions. Stevie Nicks stated that "having that song on this package makes her a part of this."[23]
Critical reception
Rolling Stone wrote that "Nicks' tender yet vengeful post-mortem on her breakup with Buckingham [became] an emotional lightning rod. The song would have behind-the-scenes repercussions for decades to come – nearly leading to the breakup of the band."[3] In its review of the live recording from The Dance, Billboard said that Nicks was at her "glorious, quirky best here, giving her words a poignant, worldly vibe."[24] Jonathan Rush, a program director from WNOK, expressed skepticism that the live recording would perform well commercially, saying that the song "doesn't jump off the radio like we'd like it to." He nonetheless found the concept of releasing a reworked and unearthed song to be intriguing.[2]
Amanda Petrusich of Pitchfork wrote that the song epitomised "the story of how Buckingham and Nicks lost each other" more than any other song before the release of Tusk. She also highlighted the dynamics between Nicks and Buckingham for live performances of the song and described Nicks' voice as "feral" during the "was I just a fool?" lyric.[25]The Guardian and Paste ranked the song number six and number two, respectively, on their lists of the 30 greatest Fleetwood Mac songs.[26][27]
1 2 3 4 Caillat, Ken; Stiefel, Ken (2012). Making Rumours: The Inside Story of the Classic Fleetwood Mac Album. United States: Trade Paper Press. ISBN978-1-68336-590-7.
This page is based on this Wikipedia article Text is available under the CC BY-SA 4.0 license; additional terms may apply. Images, videos and audio are available under their respective licenses.
