Sara (Fleetwood Mac song)

Last updated

"Sara"
Sarafleetwoodmac.jpg
Single by Fleetwood Mac
from the album Tusk
B-side "That's Enough for Me"
Released5 December 1979
Recorded1978–1979
Genre
Length6:22 (full album version)
4:37 (single edit) [1]
Label Warner Bros.
Songwriter(s) Stevie Nicks
Producer(s)
Fleetwood Mac singles chronology
"Tusk"
(1979)		"Sara"
(1979)		"Not That Funny"
(1980)
Music video
"Sara - Fleetwood Mac" on YouTube

"Sara" is a song written by singer-songwriter Stevie Nicks of the British-American rock band Fleetwood Mac, which was released as a single from the 1979 Tusk double LP. The song peaked at No. 7 in the US for three weeks, No. 37 in the UK for two weeks, No. 11 in Australia, and No. 12 in Canada.

Contents

Origin

"Sara" was originally conceived as a poem without any music attached to it, although Nicks later came up with a chord progression and melody to accompany it. Nicks told Fleetwood Mac engineer Hernán Rojas that she developed the lyrics and melody while doing ballet with a Russian teacher in a mirrored room with Jean-Michel Jarre's Oxygène playing in the background. [2]

Speaking in a radio interview for the Friday Rock Show with Tommy Vance in the early 1990s, Stevie Nicks said the song was partially written about her good friend, Sara Recor, who later married Nicks' ex-lover and bandmate, Mick Fleetwood. [3]

However, Nicks' former boyfriend Don Henley claimed that the song is about their unborn child. [4] In 1979, Nicks said, "If I ever have a little girl, I will name her Sara. It's a very special name to me." In a 2014 Billboard interview Nicks said, "Had I married Don and had that baby, and had she been a girl, I would have named her Sara... It's accurate, but not the entirety of it." [5]

In his 2014 autobiography, Fleetwood agreed with the suggestion that the song referred to an affair with a friend named Sara which ended his own relationship with Nicks. Fleetwood and Nicks had been involved in a romantic relationship in the late 1970s. The lyrics, "and he was just like a great dark wing/within the wings of a storm" refer to Fleetwood being an emotional comfort zone for Nicks following her breakup with fellow band member Lindsey Buckingham. [6] Although the relationship was not exclusive on either side, Fleetwood stated that Nicks became upset when she learned of Fleetwood's relationship with her best friend, Sara. This relationship effectively ended the romance between Nicks and Fleetwood. [7]

Recording

"Sara" began as a 16-minute demo with Sara Recor by her side. "[She] kept the cassettes coming and made sure we didn't run out of batteries, and it was a long, long night recording that demo." Upon completing the demo, she showed the 16-minute song to JD Souther and Don Henley, who both said "You know what, it's almost not too long. It's almost good in its full 16 minuteness–it's got all these great verses and it just kinda travels the world of your relationships." While Nicks knew she had to cut some verses, she struggled to bring the song under seven minutes. [8]

Rojas and producer Ken Caillat heard the cassette for "Sara" and encouraged Nicks to refine it further so she could present it to the rest of the band. Rojas suggested to Nicks that they record another demo on a Sunday, which she agreed to. [9] Tom Moncrieff, who later played bass on Nicks' Bella Donna album in 1981, assisted with the recording of the new demo at The Village Recorders by providing acoustic guitars and bass. [10] Moncrieff's girlfriend, Annie McLoone, also sang backing vocals. [2] Moncrieff used a Fender Precision Bass for this recording, which was sent through a fat box effects unit. [2]

Nicks sang her lead vocals while playing a tack piano, which was recorded with two AKG 451 microphones. [2] Originally, the band wanted Christine McVie to redo Nicks' piano part and planned for Nicks to record a new vocal take, but upon listening to the recording, they realized that "the timing of it was so individual-there was no way Chris could get in there." Nicks' piano leaked into her vocal mic, which made it difficult to separate the vocals and piano. Some of the other members objected to the use of Nicks' vocals and piano; they believed that the timing was "all over the place", so Fleetwood decided to play brushes on the recording instead of drum sticks to allow for a more fluid drum performance. Fleetwood spent around 24 hours "dropping in phrases, schmoozing my way around her timing... that's the track that survived, with Stevie playing the piano". [8]

John McVie later replaced Moncrieff's bass track, although Moncrieff claimed that some of his acoustic guitar playing was retained in the final mix. [10] Caillat also invited Christine McVie back to the studio to record a second piano part. The two piano tracks were then hard-panned to separate channels. [9]

Reception

Cash Box called "Sara" "a lush, entrancing Stevie Nicks composition, with effectively echoed lead vocals by Nicks" and called the arrangement "glistening". [11] Record World said that "While Stevie's vocals haunt, the inimitable McVie-Fleetwood rhythm section hypnotizes." [12] Matthew Fiander of PopMatters described the single-edit of "Sara" as a "claustrophobic four-ish minutes", but was more complimentary of both the 6:22 version and the extended mix found on the deluxe edition of Tusk. [13] Tyler Golsen of Far Out Magazine wrote that the song "acts as one long crescendo, never once rushing its way to the explosive finale" and is "one of the many anchors that keep Tusk from flying off into some other dimension." [14] The Guardian and Paste ranked the song number five and number 15 respectively on their lists of the 30 greatest Fleetwood Mac songs. [15] [16]

Versions

The version of the song featured on the original vinyl release of Tusk was the unedited 6:22 version, but when Tusk was first released as a single compact disc in 1987 it featured the edited single version, which leaves out the middle verse and musical bridge. It was not until the 1988 Fleetwood Mac Greatest Hits compilation was released that the 6:22 version of the song became available on compact disc. [17]

There is also a version known as "the cleaning lady" edit, so-called as Nicks is heard at the beginning of the demo recording, "I don't want to be a cleaning lady!" This version lasts almost nine minutes and was released on the 2-disc remastered version Tusk in March 2004. The song contains an extended vamp, which includes excised lines previously only heard in live performances, such as, "and the wind became crazy", "no sorrow for sorrow, you can have no more", and "swallow all your pride, don't you ever change—never change".

On 5 November 2015, a live version was released as part of a remastered Tusk. This recording features a heavier hitting drum beat from Fleetwood. [18] The 2018 Fleetwood Mac 50 Years – Don't Stop album includes the single edit of the song. [19]

Plagiarism suit

In 1980, Nicks was sued for plagiarism by a songwriter who had submitted a song called "Sara", which she had sent to Warner Bros. in 1978. Nicks showed that she had written and recorded a demo version of the song in July 1978, before the lyrics were sent to Warner, and the complainant accepted that no plagiarism had occurred. [20]

Personnel

Charts

Weekly charts

Weekly chart performance for "Sara"
Chart (1979–1980)Peak
position
Australia (Kent Music Report)11
Belgium (Ultratop 50 Flanders) [21] 14
Canada Top Singles ( RPM ) [22] 12
Canada Adult Contemporary ( RPM ) [23] 3
French Singles Chart 31
Germany (GfK) [24] 44
Netherlands (Single Top 100) [25] 14
New Zealand (Recorded Music NZ) [26] 12
South African Singles Chart18
UK Singles (OCC) [27] 37
US Billboard Hot 100 [28] 7
US Adult Contemporary ( Billboard ) [29] 13

Year-end charts

Year-end chart performance for "Sara"
Chart (1980)Rank
Australia (Kent Music Report) [30] 99
US Top Pop Singles (Billboard) [31] 87

Certifications

Certifications for "Sara"
RegionCertification Certified units/sales
United Kingdom (BPI) [32] Silver200,000‡

‡ Sales+streaming figures based on certification alone.

Related Research Articles

<i>Tusk</i> (album) 1979 studio album by Fleetwood Mac

Tusk is the twelfth studio album by British-American rock band Fleetwood Mac, released as a double album on 12 October 1979 in the United States and on 19 October 1979 in the United Kingdom by Warner Bros. Records. It is considered more experimental than their previous albums, partly as a consequence of Lindsey Buckingham's sparser songwriting arrangements and the influence of post-punk. The production costs were initially estimated to be about $1 million but many years later were revealed to be about $1.4 million, making it the most expensive rock album recorded to that date.

<i>Mirage</i> (Fleetwood Mac album) 1982 studio album by Fleetwood Mac

Mirage is the thirteenth studio album by British-American rock band Fleetwood Mac, released on 2 July 1982 by Warner Bros. Records. This studio effort's soft rock sound stood in stark contrast to its more experimental predecessor, 1979's Tusk. Mirage yielded several singles: "Hold Me", "Gypsy", "Love in Store", "Oh Diane", and "Can't Go Back".

<i>The Dance</i> (Fleetwood Mac album) 1997 live album by Fleetwood Mac

The Dance is a live album by the British-American rock band Fleetwood Mac, released on 19 August 1997. It hailed the return of the band's most successful lineup of Lindsey Buckingham, Mick Fleetwood, Christine McVie, John McVie, and Stevie Nicks, who had not released an album together since 1987's Tango in the Night, a decade earlier. It was the first Fleetwood Mac release to top the U.S. album charts since 1982's Mirage.

<i>Bella Donna</i> (album) 1981 studio album by Stevie Nicks

Bella Donna is the debut solo studio album by American singer and songwriter Stevie Nicks. Released on July 27, 1981, the album peaked at number one on the US Billboard 200 in September of that year. Bella Donna was awarded platinum status by the Recording Industry Association of America (RIAA) on October 7, 1981, less than three months after its release, and in 1990 was certified quadruple-platinum for four million copies shipped. Bella Donna spent nearly three years on the Billboard 200, from July 1981 to June 1984.

<span class="mw-page-title-main">Dreams (Fleetwood Mac song)</span> 1977 single by Fleetwood Mac

"Dreams" is a song by the British-American rock band Fleetwood Mac, written and sung by Stevie Nicks for the band's eleventh studio album, Rumours (1977). In the United States, "Dreams" was released as the second single from Rumours in March 1977, while in the United Kingdom, the song was released as the third single in June 1977. A stage performance of "Dreams" was used as the promotional music video.

<span class="mw-page-title-main">Gypsy (Fleetwood Mac song)</span> 1982 single by Fleetwood Mac

"Gypsy" is a song by British-American rock band Fleetwood Mac. The song was written by Stevie Nicks around 1979; the earliest demo recordings were made in early 1980 with Tom Moncrieff for possible inclusion on her debut solo album Bella Donna. When Nicks' close friend Robin Anderson died of leukemia, the song took on a new significance and Nicks dedicated the song to her in future performances. "Gypsy" was the second single release and second biggest hit from the Mirage album, following "Hold Me", reaching a peak of No. 12 on the Billboard Hot 100 for three weeks.

"Gold Dust Woman" is a song from British-American rock band Fleetwood Mac's 11th studio album, Rumours (1977). The song was written and sung by Stevie Nicks and released as a B-side to the "Don't Stop" single and the "You Make Loving Fun" single. The song's title, "Gold Dust Woman", comes from Gold Dust Lane, a street in Wickenburg, Arizona where Nicks spent time as a child.

<span class="mw-page-title-main">Tusk (song)</span> 1979 single by Fleetwood Mac

"Tusk" is a song by British-American rock band Fleetwood Mac from the 1979 double LP of the same name. The song peaked at number eight in the United States for three weeks, reached number six in the United Kingdom, number five in Canada, and number three in Australia. Lindsey Buckingham wrote the song and is the lead singer on the track.

<span class="mw-page-title-main">Rhiannon (song)</span> 1976 song by Fleetwood Mac

"Rhiannon" (released as a single under the title "Rhiannon (Will You Ever Win)") is a song written by Stevie Nicks and originally recorded by the British-American rock band Fleetwood Mac on their eponymous album in 1975; it was issued as a single the following year. The song's U.S. chart peak was in June 1976, when it hit no. 11. The song peaked at no. 46 in the UK singles chart for three weeks after re-release in February 1978.

<span class="mw-page-title-main">Sisters of the Moon</span> 1980 single by Fleetwood Mac

"Sisters of the Moon" is a song by British-American rock group Fleetwood Mac. It was written and sung by band-member Stevie Nicks and was released in the US as the fourth single from the 1979 album Tusk. The song peaked at No. 86 on the Billboard Hot 100, although it was not released in the UK. The single version of "Sisters of the Moon" is included on the compilation The Very Best of Fleetwood Mac and both the 2004 and 2015 remasters of 'Tusk'.

<span class="mw-page-title-main">Think About Me</span> 1980 single by Fleetwood Mac

"Think About Me" is a song by British-American rock band Fleetwood Mac, released in the US in March 1980. The song was composed by Fleetwood Mac keyboardist Christine McVie. "Think About Me" was slightly remixed for single release.

"I Know I'm Not Wrong" is a song by Fleetwood Mac from the 1979 double LP Tusk. It was recorded as the final song of side three of the LP on 19 September 1979, written by Lindsey Buckingham, whose sparser songwriting arrangements and the influence of punk rock and new wave were the leading creative force on it and other Tusk tracks. The song was worked on for the duration of the Tusk album and took around a year to complete.

"Oh Daddy" is a song written by Christine McVie that was first performed by the British-American rock band Fleetwood Mac as the tenth song off their 1977 album Rumours.

"The Dealer" is a 2014 song by the American singer/songwriter Stevie Nicks. It was the first single from her solo album, 24 Karat Gold: Songs from the Vault. The song was a minor hit in Belgium, where it peaked at No. 72 on the Wallonia Tip chart.

"Walk a Thin Line" is a song by British-American rock band Fleetwood Mac, released in 1979. Composed and sung by guitarist Lindsey Buckingham, it was one of his nine songs that appeared on the Tusk album.

"Beautiful Child" is a song by British-American rock band Fleetwood Mac, released in 1979. Composed and sung by vocalist Stevie Nicks, it was one of her five songs that appeared on the Tusk album. Despite not appearing on the accompanying Tusk Tour, the song resurfaced several years later on their 2003-2004 Say You Will Tour.

"Brown Eyes" is a song by Fleetwood Mac from the 1979 double LP Tusk. It was one of six songs from the album composed and sung by Christine McVie. The song includes uncredited playing from founding member Peter Green.

"What Makes You Think You're the One" is a song by British-American rock band Fleetwood Mac, released in 1979. Composed and sung by guitarist Lindsey Buckingham, it was one of his nine songs that appeared on the Tusk album. The song was also included on the US 2002 and UK 2009 editions of The Very Best of Fleetwood Mac.

"Storms" is a song by British-American rock band Fleetwood Mac, released in 1979. Composed and sung by vocalist Stevie Nicks, it was one of her five songs that appeared on the Tusk album. The song was also included on the US 2002 and UK 2009 editions of The Very Best of Fleetwood Mac as the final track on disc one. An alternate mix with more stripped back production was included on the 2015 deluxe edition of Tusk. Nicks said that the song was about her affair with bandmate Mick Fleetwood, which she believed contributed to the dissolution of his marriage with Jenny Boyd.

"That's Enough For Me" is a song by Fleetwood Mac from the 1979 double LP Tusk, on which it is the shortest track. It was one of nine songs from the album composed and sung by Lindsey Buckingham, who also supplied all of the instrumentation. The song was released a B-side to "Sara" in December 1979.

References

  1. ↑ Everett, Walter (May 2010). "'If you're gonna have a hit': Intratextual mixes and edits of pop recordings". Popular Music. 29 (2): 244. doi:10.1017/S026114301000005X. JSTOR   40926920. S2CID   162240986.
  2. 1 2 3 4 Caillat, Ken; Rojas, Hernan (2019). Get Tusked: The Inside Story of Fleetwood Mac's Most Anticipated Album. Guilford, Connecticut: Backbeat Books. pp. 50, 159, 161, 163. ISBN   978-1-4930-5983-6.
  3. ↑ Nicks, Stevie (May 1994). "Stevie Nicks on Sara". Stevie Nicks In Her Own Words. Interviewed by Tommy Vance. Retrieved 16 March 2021. 'I sat up with a very good friend of mine whose name is Sara, who was married to Mick Fleetwood. She likes to think it's completely about her, but it's really not completely about her. It's about me, about her, about Mick, about Fleetwood Mac. Its about all of us at that point. There's little bits about each one of us in that song and when it had all the other verses it really covered a vast bunch of people. Sara was the kind of song you could fall in love with, because I fell in love with it...
  4. ↑ "Fleetwood Mac". Fleetwood Mac.net. Archived from the original on 22 February 2014. Retrieved 24 May 2014. Years later, Henley had this to say about his affair with Nicks: "[Stevie had] named the unborn kid Sara, and she had an abortion." She then wrote the song of the same name (which became a huge hit for her) and, according to Henley, dedicated it "to the spirit of the aborted baby"
  5. ↑ "Stevie Nicks on Fleetwood Mac, Tom Petty, and Don Henley". Billboard . 26 September 2014.
  6. ↑ Fleetwood, Mick; Bozza, Anthony (2014). Play On: Now, Then & Fleetwood Mac: The Autobiography. Hodder & Stoughton. ISBN   978-1-444-75325-7.
  7. ↑ Brown, Mick (7 September 2007). "Stevie Nicks: a survivor's story". The Daily Telegraph . ISSN   0307-1235 . Retrieved 15 September 2019.
  8. 1 2 3 Irvin, Jim (2016). Tusk (2015 Remastered Deluxe Edition) (liner notes). Fleetwood Mac. Los Angeles: Warner Bros. Records Inc. p. 14. Publisher Warner Bros #2HS-3350.
  9. 1 2 Patrick Foster and Jim Lenahan (23 October 2020). "Fleetwood Mac's 'Tusk' - An Interview with the Producer and Engineer". Rockin' the Suburbs (Podcast). Event occurs at 15:38, 19:16. Retrieved 14 October 2023.
  10. 1 2 "Q&A Sessions - Tom Moncrieff: August 20, 2008, Page 1". www.fleetwoodmac.net. Retrieved 14 October 2023.
  11. ↑ "CashBox Singles Reviews" (PDF). Cash Box. 15 December 1979. p. 11. Retrieved 1 January 2022.
  12. ↑ "Hits of the Week" (PDF). Record World. 15 December 1979. p. 1. Retrieved 11 February 2023.
  13. ↑ Fiander, Matthew (12 February 2016). "Fleetwood Mac: Tusk (Deluxe Edition)". PopMatters. Retrieved 23 July 2023.
  14. ↑ Golsen, Tyler (25 April 2023). "Fleetwood Mac - 'Tusk' album review". faroutmagazine.co.uk. Retrieved 24 January 2024.
  15. ↑ Petridis, Alexis (19 May 2022). "Fleetwood Mac's 30 greatest songs – ranked!". The Guardian . Retrieved 18 October 2023.
  16. ↑ Mitchell, Matt (7 August 2023). "The 30 Greatest Fleetwood Mac Songs". Paste . Retrieved 18 October 2023.
  17. ↑ "Sara – Fleetwood Mac". AllMusic. Retrieved 11 June 2019.
  18. ↑ Grow, Kory (5 November 2015). "Hear Fleetwood Mac's 'Real Pretty' Live 'Sara' From New 'Tusk' Box Set". Rolling Stone . Retrieved 8 November 2015.
  19. ↑ 50 Years: Don't Stop. AllMusic review
  20. ↑ White, Timothy (3 September 1981). "With Her New Solo Album, Fleetwood Mac's Good Fairy Tries to Balance Two Careers – and Two Personalities". Rolling Stone . Retrieved 24 May 2014.
  21. ↑ "Fleetwood Mac – Sara" (in Dutch). Ultratop 50.
  22. ↑ "Top RPM Singles: Issue 9470a." RPM . Library and Archives Canada.
  23. ↑ "Top RPM Adult Contemporary: Issue 9489." RPM . Library and Archives Canada.
  24. ↑ "Fleetwood Mac – Sara" (in German). GfK Entertainment charts. Retrieved 1 May 2022.
  25. ↑ "Fleetwood Mac – Sara" (in Dutch). Single Top 100.
  26. ↑ "Fleetwood Mac – Sara". Top 40 Singles.
  27. ↑ "Fleetwood Mac: Artist Chart History". Official Charts Company.
  28. ↑ "Fleetwood Mac Chart History (Hot 100)". Billboard.
  29. ↑ "Fleetwood Mac Chart History (Adult Contemporary)". Billboard.
  30. ↑ "National Top 100 Singles for 1980". Kent Music Report. 5 January 1981. Retrieved 17 January 2022– via Imgur.
  31. ↑ "1980 Talent in Action – Year End Charts : Pop Singles". Billboard. Vol. 92, no. 51. 20 December 1980. p. TIA-10. Retrieved 5 April 2020.
  32. ↑ "British single certifications – Fleetwood Mac – Sara". British Phonographic Industry.
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.