New Moon | |
---|---|
Directed by | Jack Conway |
Written by | Book of musical play: ( The New Moon ) Oscar Hammerstein II Frank Mandel Laurence Schwab Adaptation: Sylvia Thalberg Frank Butler Cyril Hume (dialogue) |
Produced by | Paul Bern |
Starring | Lawrence Tibbett Grace Moore Adolphe Menjou Roland Young Gus Shy Emily Fitzroy |
Cinematography | Oliver T. Marsh |
Edited by | Margaret Booth |
Music by | William Axt |
Distributed by | Metro-Goldwyn-Mayer |
Release date |
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Running time | 78 minutes |
Country | United States |
Language | English |
New Moon is a 1930 black-and-white American, pre-Code romantic/drama/melodrama musical film version of the operetta The New Moon , with music by Sigmund Romberg and book and lyrics by Oscar Hammerstein II and others. The original stage version premiered on Broadway in 1928. A second adaptation, also titled New Moon , was released in 1940. To avoid confusion with the later version, the film was shown on television as Parisian Belle. [1]
The 1930 film, directed by Jack Conway, starred Grace Moore and Lawrence Tibbett. Its plot is entirely different from the original play and is set in Russia. This version added new songs not by Romberg.
New Moon is the name of a ship crossing the Caspian Sea. A young man named Lt. Petroff meets Princess Tanya and they have a ship-board romance. Upon arriving at the port of Krasnov, Petroff learns that Tanya is engaged to Governor Brusiloff.
Petroff, disillusioned, crashes the ball to talk with Tanya. When the couple are found by Brusiloff, they invent a story about her lost bracelet. To reward him, and remove him, Brusiloff sends Petroff to the remote, and deadly, Fort Darvaz. Soon, the big battle against overwhelming odds will begin.
The operetta The New Moon opened on Broadway in New York City on September 19, 1928 and closed on December 14, 1929 after 519 performances. The leads were played by Robert Halliday and Evelyn Herbert, and the supporting cast included Gus Shy, who was also in this film.
The production dates were from July 22, 1930 until October 3, 1930.
The film opened at the Astor Theatre in New York City on December 23, 1930. [1] [2]
A second film version of New Moon was remade in 1940 also titled New Moon and the Public Broadcasting Services (PBS) TV Series Great Performances : The New Moon (#17.2)" (1989), are all considered to be based on the stage play The New Moon.
New Moon is featured in the 1954 film Deep in My Heart – the Romberg written production number.
Oscar Greeley Clendenning Hammerstein II was an American lyricist, librettist, theatrical producer, and director in musical theater for nearly 40 years. He won eight Tony Awards and two Academy Awards for Best Original Song. Many of his songs are standard repertoire for vocalists and jazz musicians. He co-wrote 850 songs.
Richard Charles Rodgers was an American composer who worked primarily in musical theater. With 43 Broadway musicals and over 900 songs to his credit, Rodgers was one of the best-known American composers of the 20th century, and his compositions had a significant influence on popular music.
Otto Abels Harbach, born Otto Abels Hauerbach was an American lyricist and librettist of nearly 50 musical comedies and operettas. Harbach collaborated as lyricist or librettist with many of the leading Broadway composers of the early 20th century, including Jerome Kern, Louis Hirsch, Herbert Stothart, Vincent Youmans, George Gershwin, and Sigmund Romberg. Harbach believed that music, lyrics, and story should be closely connected, and, as Oscar Hammerstein II's mentor, he encouraged Hammerstein to write musicals in this manner. Harbach is considered one of the first great Broadway lyricists, and he helped raise the status of the lyricist in an age more concerned with music, spectacle, and stars. Some of his more famous lyrics are "Smoke Gets in Your Eyes", "Indian Love Call" and "Cuddle up a Little Closer, Lovey Mine".
Lorenz Milton Hart was an American lyricist and half of the Broadway songwriting team Rodgers and Hart. Some of his more famous lyrics include "Blue Moon"; "The Lady Is a Tramp"; "Manhattan"; "Bewitched, Bothered and Bewildered"; and "My Funny Valentine".
This is a list of notable events in music that took place in the year 1928.
Mary Willie Grace Moore was an American operatic lyric soprano and actress in musical theatre and film. She was nicknamed the "Tennessee Nightingale." Her films helped to popularize opera by bringing it to a larger audience. She was nominated for the Academy Award for Best Actress for her performance in One Night of Love.
Sigmund Romberg was a Hungarian-born American composer. He is best known for his musicals and operettas, particularly The Student Prince (1924), The Desert Song (1926) and The New Moon (1928).
Vincent Millie Youmans was an American Broadway composer and producer.
The Desert Song is an operetta with music by Sigmund Romberg and book and lyrics by Oscar Hammerstein II, Otto Harbach and Frank Mandel. It was inspired by the 1925 uprising of the Riffs, a group of Berber fighters, against French colonial rule in Morocco. It was also inspired by stories of Lawrence of Arabia aiding native guerrillas. Many tales romanticizing Saharan North Africa were in vogue, including Beau Geste and The Son of the Sheik.
The New Moon is an operetta with music by Sigmund Romberg, lyrics by Oscar Hammerstein II and book by Oscar Hammerstein II, Frank Mandel, and Laurence Schwab. The show was the third in a string of Broadway hits for Romberg written in the style of Viennese operetta. Set around the time of the French Revolution, the story centers on a young French aristocrat in disguise, who has fled his country and falls in love with the daughter of a prominent New Orleans planter.
"Ol' Man River" is a show tune from the 1927 musical Show Boat with music by Jerome Kern and lyrics by Oscar Hammerstein II, who wrote the song in 1925. The song contrasts the struggles and hardships of African Americans with the endless, uncaring flow of the Mississippi River. It is sung from the point of view of a black stevedore on a showboat, and is the most famous song from the show. The song is meant to be performed in a slow tempo; it is sung complete once in the musical's lengthy first scene by the stevedore "Joe" who travels with the boat, and, in the stage version, is heard four more times in brief reprises. Joe serves as a sort of musical one-man Greek chorus, and the song, when reprised, comments on the action, as if saying, "This has happened, but the river keeps rolling on anyway."
Maytime is a 1937 American musical and romantic-drama film produced by MGM. It was directed by Robert Z. Leonard, and stars Jeanette MacDonald and Nelson Eddy. The screenplay was rewritten from the book for Sigmund Romberg's 1917 operetta Maytime by Rida Johnson Young, Romberg's librettist; however, only one musical number by Romberg was retained.
Deep in My Heart is a 1954 American MGM biographical musical film about the life of operetta composer Sigmund Romberg, who wrote the music for The Student Prince, The Desert Song, and The New Moon, among others. Leonard Spigelgass adapted the film from Elliott Arnold's 1949 biography of the same name. Roger Edens produced, Stanley Donen directed and Eugene Loring choreographed. José Ferrer played Romberg, with support from soprano Helen Traubel as a fictional character and Merle Oberon as actress, playwright, librettist, producer, and director Dorothy Donnelly.
A Lady's Morals is a 1930 American pre-Code film directed by Sidney Franklin. Its plot is a highly fictionalized account of opera singer Jenny Lind. The film features Grace Moore as Lind, Reginald Denny as a lover and Wallace Beery as P. T. Barnum. It contains operatic arias by Moore.
New Moon is a 1940 American musical film released by Metro-Goldwyn-Mayer and directed by Robert Z. Leonard, with uncredited direction by W. S. Van Dyke.
"Lover, Come Back to Me" is a popular song composed by Sigmund Romberg with lyrics by Oscar Hammerstein II for the Broadway show The New Moon, where the song was introduced by Evelyn Herbert and Robert Halliday. The song was published in 1928.
May Wine is a musical with a book by Frank Mandel, lyrics by Oscar Hammerstein II, and music by Sigmund Romberg. The show was adapted from the novel The Happy Alienist by Eric von Stroheim and Wallace Smith. The story concerns the rich and absent-minded psychology professor, Johann Volk, who falls in love with Marie. The malevolent Baron Kuno Adelhorst, who also loves Marie, tries to get the professor's money by having Marie marry him, but after they are married she comes to love the professor and does not want to blackmail him. However, the Professor thinks he has been deceived and tries to shoot Marie. He does not hurt her, and all ends well. The subplot involves an artist's model, Friedl, who wants a man's attention and gets it from the Baron.
The Girl of the Golden West is a 1938 American musical Western film adapted from the 1905 play of the same name by David Belasco, better known for providing the plot of the opera La fanciulla del West by Giacomo Puccini. A frontier woman falls in love with an outlaw.
"Softly, as in a Morning Sunrise" is a song with music by Sigmund Romberg and lyrics by Oscar Hammerstein II and Frank Mandel from the 1928 operetta The New Moon. One of the best-known numbers from the show, it is a song of bitterness and yearning for a lost love, sung in the show by Philippe (tenor), the best friend of the hero, Robert Mission (baritone).
Lover Come Back may refer to: