No More Stories...[a] is the fifth studio album by the Danish alternative rock band Mew. It was released in Scandinavia on 17 August, the United Kingdom on 24 August, the United States on 25 August, and Japan on 26 August 2009.
Released on Columbia Records and produced by Rich Costey, who also did their breakthrough record Frengers, it is the band's first album as a trio after bassist Johan Wohlert left in 2006 to spend time with his family. As Wohlert rejoined Mew in 2014, it is the band's only album to not feature him.[1]
The album became Mew's first to reach number one in Denmark.[2] It was also their first (and only) album to chart in the United States, at number 130.
"Introducing Palace Players", the first single off No More Stories... was first released on their MySpace page on 28 May 2009. It features Swirlies vocalist/guitarist Damon Tutunjian on bass guitar.[3] Other than its inclusion as the lead-off track on the No More Stories EP, it has not been released as a physical single.
The opening track, "New Terrain", if played backwards reveals another song entitled "Nervous" which is added as a bonus track to the vinyl edition of the album. The lyrics were posted as a poem on their Danish record company Evil Office's website.
Album title
The full title of the album is No More Stories Are Told Today, I'm Sorry They Washed Away // No More Stories, The World Is Grey, I'm Tired, Let's Wash Away. Bjerre explained the unusually long title of the album to Gaffa: "We originally wanted a short title for the album but we couldn't find sufficiently redemptive words. The final title is the lyrics to the short intermezzo 'Hawaii Dream', and when Bo [Madsen] suggested that we used the complete text as a title it didn't take him long to convince Silas [Utke Graae Jørgensen] and myself. It was like finding the missing piece in a puzzle".[4]
No More Stories... was met with universal acclaim upon release. The album was extremely well received in the band's native Denmark upon release, getting top scores in reviews from most music magazines, including Gaffa[9] and Soundvenue.[15] Website Metacritic calculated an average score of 79 out of 100 from 17 professional reviews.[16]The A.V. Club gave it an A (the highest note), praising that "Mew really does inhabit a place where few contemporaries can be found."[6] The independent review site Pitchfork Media gave the album an 8.1/10, citing that "Mew has succeeded in developing a good sound from some of the least hip ingredients imaginable", while comparing the album to progressive rock bands of the late 1970s.[13] British music weekly NME gave the album 8/10, going on to say that, "Always inventive, often beautiful and occasionally totally sublime, Mew have always stood out from the pack."[11]Slant Magazine gave the album 3 out of 5 stars, stating that "Mew is not as thoughtful or smart as they think they are, but the force of their conviction is inspiring."[17]
↑ Borchmann, Jesper (14 August 2009). "Mew – fuldendt brobygning" (in Danish). Soundvenue. Archived from the original on 20 August 2009. Retrieved 3 September 2009.
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