"On the Road Again" | ||||
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Single by Canned Heat | ||||
from the album Boogie with Canned Heat | ||||
B-side | "Boogie Music" | |||
Released | April 24, 1968 | |||
Recorded | September 6, 1967 | |||
Studio | Liberty, Los Angeles | |||
Genre | ||||
Length |
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Label | Liberty | |||
Songwriter(s) | ||||
Producer(s) | Cal Carter | |||
Canned Heat singles chronology | ||||
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Official audio | ||||
"On The Road Again" (Remastered 2005) on YouTube |
"On the Road Again" is a song recorded by the American blues rock group Canned Heat in 1967. A driving blues rock boogie, [3] it was adapted from earlier blues songs and includes mid-1960s psychedelic rock elements. Unlike most of Canned Heat's songs from the period which were sung by Bob Hite, second guitarist and harmonica player Alan Wilson provides the distinctive high pitched vocal, sometimes described as a falsetto . [4]
"On the Road Again" first appeared on their second album, Boogie with Canned Heat , in January 1968. An edited version was released as a single in April 1968 on the Liberty label and became Canned Heat's first record chart hit and one of their best-known songs.
"On the Road Again" is based on early blues songs by Tommy Johnson and Floyd Jones. [5] The lyrics to Johnson's "Big Road Blues" (1928) include: "Well I ain't goin' down that big road by myself ... If I don't carry you gonna carry somebody else". In "Dark Road" (1951), Jones "reshaped Tommy Johnson's verses into an eerie evocation of the Delta": [6]
Whoaa well my mother died and left me
Ohh when I was quite young, when I was quite young ...
Said Lord have mercy ooo, on my wicked son
Jones later remade "Dark Road" with the title "On the Road Again" [6] and added:
Whoaa I had to travel, whoaa in the rain and snow in the rain and snow
My baby had quit me ooo (2×)
Have no place to go
Both songs share a "hypnotic one-chord drone piece"-arrangement that one-time Floyd Jones musical partner Howlin' Wolf used for his songs "Crying at Daybreak" and the related "Smokestack Lightning". [6] [7]
"On the Road Again" was among the first songs Canned Heat recorded as demos in April 1967 at the RCA Studios in Chicago [8] with original drummer Frank Cook. At over seven minutes in length, it has the basic elements of the later album version, but is two minutes longer with more harmonica and guitar soloing. [b]
During the recording for their second album, Canned Heat recorded "On the Road Again" with new drummer Adolfo "Fito" de la Parra. The session took place September 6, 1967, at the Liberty Records studio in Los Angeles. Alan Wilson used verses from Floyd Jones' "On the Road Again" and "Dark Road" and added some lines of his own:
Well I'm so tired of cryin' but I'm out on the road again, I'm on the road again (2×)
I ain't got no woman just to call my special friend
For the instrumental accompaniment, Canned Heat uses a "basic E/G/A blues chord pattern" [4] or "one-chord boogie riff" adapted from John Lee Hooker's 1949 hit "Boogie Chillen'". [9] Expanding on Jones' hypnotic drone, Wilson used an Eastern string instrument called a tambura to give the song a psychedelic ambience. Although Bob Hite was the group's primary vocalist, "On the Road" features Wilson as the singer, "utilizing his best Skip James-inspired falsetto vocal". [4] [c] Wilson also provides the harmonica parts. [d]
"On the Road Again" is included on Canned Heat's second album, Boogie with Canned Heat, released January 21, 1968, by Liberty Records. After receiving strong response from airplay on American "underground" FM radio, Liberty issued the song as a single on April 24, 1968. [11] To make the song more Top-40 AM radio-friendly, Liberty edited it from the original length of 4:55 to a 3:33 single version. It became Canned Heat's first single to appear in the record charts. [4] [e]
Chart (1968–1969) | Peak position |
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Australia Go-Set Top 40 [13] | 9 |
Belgium (Ultratop 50 Flanders) [14] | 5 |
Canada RPM Top Singles [15] | 8 |
France (SNEP) [16] | 7 |
Ireland (Irish Singles Chart) [17] | 14 |
Netherlands (Dutch Top 40) [18] | 5 |
Netherlands (Single Top 100) [19] | 3 |
Switzerland (Schweizer Hitparade) [20] | 3 |
U.K. (Official Singles Chart) [21] | 8 |
U.S. (Billboard Hot 100) [22] | 16 |
West Germany (GfK) [23] | 13 |
On the singles, Floyd Jones and Alan Wilson are listed as the composers, while the album credits Jim Oden/James Burke Oden (also known as St. Louis Jimmy Oden). [f] "On the Road Again" appears on several Canned Heat compilation albums, including Let's Work Together: The Best of Canned Heat (1989) and Uncanned! The Best of Canned Heat (1994).
Although songs inspired by John Lee Hooker's "Detroit-era boogie" [3] had been recorded over the years by a variety of blues musicians, Canned Heat's "On the Road Again" popularized the guitar-boogie or E/G/A riff in the rock world. [7] As a result, "it's been a standard rock and roll pattern ever since". [7] Canned Heat used it frequently as the starting point for several of their extended jam songs, including the 40 minute live opus "Refried Boogie (Part I & II)" from their late 1968 Living the Blues album. When Hooker recorded an updated version of "Boogie Chillen'", titled "Boogie Chillen No. 2", with the group in 1970 for Hooker 'n Heat , it had come full circle. [24]
The song was covered by the French space rock band Rockets in 1978. [25]
John Lee Hooker was an American blues singer, songwriter, and guitarist. The son of a sharecropper, he rose to prominence performing an electric guitar-style adaptation of Delta blues that he developed in Detroit. Hooker often incorporated other elements, including talking blues and early North Mississippi hill country blues. He developed his own driving-rhythm boogie style, distinct from the 1930s–1940s piano-derived boogie-woogie. Hooker was ranked 35 in Rolling Stone's 2015 list of 100 greatest guitarists, and has been cited as one of the greatest male blues vocalists of all time.
Canned Heat is an American blues and rock band that was formed in Los Angeles in 1965. The group has been noted for its efforts to promote interest in blues music and its original artists. It was launched by two blues enthusiasts Alan Wilson and Bob Hite, who took the name from Tommy Johnson's 1928 "Canned Heat Blues", a song about an alcoholic who had desperately turned to drinking Sterno, generically called "canned heat". After appearances at the Monterey and Woodstock festivals at the end of the 1960s, the band acquired worldwide fame with a lineup of Hite (vocals), Wilson, Henry Vestine and later Harvey Mandel, Larry Taylor (bass), and Adolfo de la Parra (drums).
"Boogie Chillen'" or "Boogie Chillun" is a blues song first recorded by John Lee Hooker in 1948. It is a solo performance featuring Hooker's vocal, electric guitar, and rhythmic foot stomps. The lyrics are partly autobiographical and alternate between spoken and sung verses. The song was his debut record release and in 1949, it became the first "down-home" electric blues song to reach number one in the R&B records chart.
Alan Christie Wilson, nicknamed "Blind Owl", was an American musician, best known as the co-founder, leader, co-lead singer, and primary composer of the blues band Canned Heat. He sang and played harmonica and guitar with the group, live and on recordings. Wilson was the lead singer for the group's two biggest U.S. hit singles: "On the Road Again" and "Going Up the Country".
Canned Heat is the debut studio album by American blues and rock band Canned Heat, released shortly after their appearance at the 1967 Monterey Pop Festival. The album consists of covers of traditional and popular blues songs.
Boogie with Canned Heat is the second studio album by American blues and rock band Canned Heat. Released in 1968, it contains mostly original material, unlike their debut album. It was the band's most commercially successful album, reaching number 16 in the US and number 5 in the UK.
Living the Blues is the third album by Canned Heat, a double album released in late 1968. It was one of the first double albums to place well on album charts. It features Canned Heat's signature song, "Going Up the Country", which would later be used in the Woodstock film. John Mayall appears on piano on "Walking by Myself" and "Bear Wires". Dr. John appears on "Boogie Music". The 20-minute trippy suite "Parthenogenesis" is dwarfed by the album-length "Refried Boogie", recorded live.
Hallelujah is the fourth album by Canned Heat, released in 1969. It was re-released on CD in 2001 by MAM productions with four bonus tracks. It was the last album to feature classic lineup mark 1, as Vestine left the band prior to Future Blues.
Uncanned! The Best of Canned Heat is a two-disc CD set issued in 1994 that features various tracks from previous albums and some previously unreleased tracks. Highlights include an alternate, longer take of "On the Road Again," and the first release of "Let's Work Together" in stereo.
Hooker 'n Heat is a double album released by blues musician John Lee Hooker and the band Canned Heat in early 1971.
"Rollin' and Tumblin'" is a blues standard first recorded by American singer-guitarist Hambone Willie Newbern in 1929. Called a "great Delta blues classic", it has been interpreted by hundreds of Delta and Chicago blues artists, including well-known recordings by Muddy Waters. Rock musicians usually follow Waters' versions, with the 1960s group Cream's rendition being perhaps the best known.
Let's Work Together: The Best of Canned Heat is a compilation album by Canned Heat, released in 1989. All of the songs are taken from the first five albums released on Liberty Records between 1966 and 1970, except for "Rockin' with the King", which is from the United Artists Records album Historical Figures and Ancient Heads (1971).
Boogie rock is a style of blues rock music that developed in the late 1960s. Its key feature is a repetitive driving rhythm, which emphasizes the groove. Although inspired by earlier musical styles such as piano-based boogie-woogie, boogie rock has been described as "heavier" or "harder-edged" in its instrumental approach.
Canned Heat '70 Concert Recorded Live in Europe is a 1970 live album by Canned Heat. The album is taken from various locations on live concert European tour right before Alan Wilson's death and is the band's first officially released live album.
Vintage is the sixth album by Canned Heat. Produced by Johnny Otis, the album featured the Muddy Waters/Elmore James' song "Rollin' and Tumblin'" recorded with and without Alan Wilson's harmonica leads. These sessions have surfaced on a multiple of reissues including, Don't Forget to Boogie: Vintage Heat (2002), Vintage Canned Heat (1996), Eternal Boogie, Canned Heat in Concert and various other releases.
Live at Topanga Corral is a 1971 live album by Canned Heat. The album is taken from a 1968 concert at the Kaleidoscope in Hollywood, California and not at the Topanga Corral as the title suggests. Canned Heat was under contract to Liberty Records at the time and Liberty did not want to do a live album, so manager Skip Taylor told Liberty that the album had been recorded in 1966 & 1967 at the Topanga Corral and released the record with Wand Records to avoid legal complications. The record has been bootlegged and reissued countless times, and is also known as Live at the Kaleidoscope.
"Going Up the Country" is a song adapted and recorded by American blues rock band Canned Heat. Called a "rural hippie anthem", it became one of the band's biggest hits and best-known songs. As with their previous single, "On the Road Again", the song was adapted from a 1920s blues song and sung by Alan Wilson.
"Let's Stick Together" is a blues-based rhythm and blues song written by Wilbert Harrison. In 1962, Fury Records released it as a single. Harrison further developed the song and in 1969, Sue Records issued it as a two-part single titled "Let's Work Together". Although Harrison's original song did not appear in the record charts, his reworked version entered the U.S. Top 40.
"The Hunter" is a blues song first recorded by Albert King in 1967 for his landmark album Born Under a Bad Sign. It was written by Stax Records' house band, Booker T. and the MGs, and Carl Wells. Along with "Born Under a Bad Sign" and "Crosscut Saw", "The Hunter" is one of King's best-known and most-recorded songs. In 1969, Ike & Tina Turner's version reached the singles charts in the U.S.