Super Fly is the third studio album by American soul musician Curtis Mayfield, released on July 11, 1972, by Curtom Records. It was released as the soundtrack for the Blaxploitation film of the same name. Widely considered a classic of 1970s soul and funk music, Super Fly was a nearly immediate hit. Its sales were bolstered by two million-selling singles, "Freddie's Dead" and the title track. Super Fly is one of the few soundtracks to out-gross the film it accompanied.
Mos Def & Talib Kweli Are Black Star is the debut studio album by American hip hop duo Black Star, composed of rappers Talib Kweli and Yasiin Bey. The album was released on September 29, 1998, to critical acclaim. The title is a reference to the Black Star Line, a shipping line founded by Pan-Africanist Marcus Garvey. The album deals with modern-day issues, philosophical ideas, and life in Brooklyn, New York City as the two artists know it.
Lonnie Rashid Lynn, known professionally as Common, is an American rapper and actor. He is the recipient of three Grammy Awards, an Academy Award, a Primetime Emmy Award, and a Golden Globe Award. At the age of 20, he signed with the independent label Relativity Records to release his debut studio album Can I Borrow a Dollar? (1992), which was met with critical acclaim along with its follow-ups, Resurrection (1994) and One Day It'll All Make Sense (1997). He maintained an underground following into the late 1990s, and achieved mainstream success through his work with the Black music collective, Soulquarians.
Done by the Forces of Nature is the second studio album by American hip hop group Jungle Brothers, released on November 7, 1989, by Warner Bros. Records. Recording sessions for the album took place in 1989 at Calliope Studios in New York City, and production was handled by the Jungle Brothers. It was mixed at Apollo Studios by Kool DJ Red Alert and the Jungle Brothers. The album's title may refer to a line from the Bhagavad Gita, a Hindu scripture, wherein Krishna says, "Those who are deluded by the illusive power (Maya) of Nature become attached to the work done by the forces of nature," 3:28.
Robert Thomas Christgau is an American music journalist and essayist. Among the most well-known and influential music critics, he began his career in the late 1960s as one of the earliest professional rock critics and later became an early proponent of musical movements such as hip hop, riot grrrl, and the import of African popular music in the West. He was the chief music critic and senior editor for The Village Voice for 37 years, during which time he created and oversaw the annual Pazz & Jop critics poll. He has also covered popular music for Esquire, Creem, Newsday, Playboy, Rolling Stone, Billboard, NPR, Blender, and MSN Music; he was a visiting arts teacher at New York University. CNN senior writer Jamie Allen has called Christgau "the E. F. Hutton of the music world–when he talks, people listen."
Vol. 2... Hard Knock Life is the third studio album by American rapper Jay-Z. It was released on September 29, 1998, by Roc-A-Fella Records and Def Jam Recordings. It went on to become his most commercially successful album, selling over 6 million copies in the United States. In the liner notes of the album, Jay-Z gives his thoughts on various tracks. The lyrics to the fast-paced "Nigga What, Nigga Who " are also included.
Paid in Full is the debut studio album by American hip-hop duo Eric B. & Rakim, released on July 7, 1987, by Island-subsidiary label 4th & B'way Records. The duo recorded the album at hip-hop producer Marley Marl's home studio and Power Play Studios in New York City, following Rakim's response to Eric B.'s search for a rapper to complement his disc jockey work in 1985. The album peaked at No. 58 on the Billboard 200 chart, No. 8 on the R&B/Hip-Hop Albums chart, and produced five singles: "Eric B. Is President", "I Ain't No Joke", "I Know You Got Soul", "Move the Crowd", and "Paid in Full".
Resurrection is the second studio album by American rapper Common Sense. It was released on October 4, 1994, by Relativity Records. It was mainly produced by No I.D., who also produced most of Common's 1992 debut Can I Borrow A Dollar? It is the last album to feature the rapper's full stage name, as after this album the "Sense" portion of the name was dropped, making the rapper simply known to this day as "Common".
Can I Borrow a Dollar? is the debut studio album by American rapper Common Sense. It was released on October 6, 1992, by Relativity Records. The album was produced by No I.D. and the Twilite Tone, with additional production by the Beatnuts, and includes guest vocals from Immenslope, Miss Jones and Common's then-girlfriend Rayshel.
Run-D.M.C. is the debut studio album by American hip hop group Run-D.M.C., released on March 27, 1984, by Profile Records, and re-issued by Arista Records. The album was primarily produced by Russell Simmons and Larry Smith.
Relativity Records was an American record label founded by Barry Kobrin at the site of his vinyl record shop, Important Record Distributors (IRD) in metropolitan New York City. The IRD distribution name was later known as RED Distribution and again as RED Music.
Like Water for Chocolate is the fourth studio album by American rapper Common, released on March 28, 2000, through MCA Records. It was Common's first major label album and was both a critical and commercial breakthrough, receiving widespread acclaim from major magazine publications and selling 70,000 copies in its first week. The album was certified Gold on August 11, 2000, by the Recording Industry Association of America. According to Nielsen SoundScan, the album had sold 748,000 copies by March 2005. The video for "The Light" was frequently shown on MTV, adding to Common's exposure. The album also formally marked the formation of the Soulquarians, a collective composed of Questlove, J Dilla, keyboardist James Poyser, soul artist D'Angelo and bassist Pino Palladino, among numerous other collaborators. This group of musicians would also be featured on Common's next album, Electric Circus.
Illadelph Halflife is the third studio album by American hip hop band the Roots, released September 24, 1996, on DGC and Geffen Records. It features a tougher and broader sound than their previous album, Do You Want More?!!!??! (1995). The album also contains integration of programmed drums and guest contributions by R&B musicians such as Amel Larrieux and D'Angelo, as well as jazz musicians such as David Murray, Steve Coleman, Cassandra Wilson, Graham Haynes. In 1998, the album was selected as one of The Source's 100 Best Rap Albums. In 2006, the album was selected as one of Hip Hop Connection's 100 Best Rap Albums from 1995 to 2005. The multi-track tapes recorded to mix the album were destroyed in a fire at the Universal Studios back lot in 2008, however, the original 1996 master tape remains unaffected.
Karriem Riggins is an American jazz drummer, record producer, DJ and songwriter from Detroit, Michigan. He met Chicago rapper Common and fellow Detroit musician J Dilla both in 1996, and served as an extensive contributor for releases by both artists. He produced for Common's 1997 album One Day It'll All Make Sense, did so on much of his further projects, and formed the musical trio August Greene with the rapper alongside fellow jazz instrumentalist Robert Glasper in 2018. Furthermore, he formed the Jahari Massamba Unit with Madlib in 2020, and has also worked with prominent music industry artists including Paul McCartney, Kanye West, Denzel Curry, Earl Sweatshirt, and Norah Jones, among others.
He Got Game is a soundtrack and sixth studio album by American hip hop group Public Enemy, released on April 28, 1998, under Def Jam Recordings. It was released as the soundtrack to Spike Lee's 1998 film of the same name and was the group's last album for Def Jam until 2020's What You Gonna Do When the Grid Goes Down. He Got Game was produced by members of the Bomb Squad, along with producers Abnes Dubose, Danny Saber, D. R. Period, and Jack Dangers.
"Retrospect for Life" is the first single from rapper Common's third album One Day It'll All Make Sense. It features production from James Poyser and No I.D., vocals from Lauryn Hill and bass guitar playing by Vere Isaacs. Its autobiographical lyrics weigh the choices of abortion and birth for a woman impregnated by Common. The lyrics as well as a "mellow, piano-driven beat" has caused Dan Menella to call it the most memorable track on Common's third album. Kevin Powell of Rolling Stone considers it to be the centerpiece of its album, and Leo Stanley of Allmusic similarly boasts of its significant emotional impact. Lauryn Hill's verse embodies portions of "Never Dreamed You'd Leave in Summer" by Stevie Wonder, while the song's beat samples "A Song for You" by Donny Hathaway. A music video directed by Lauryn Hill was made for it. Two of its b-sides, "Invocation" and "Hungry," received low budget music videos.
Coloring Book is the third mixtape by American rapper Chance the Rapper. It was produced by his group The Social Experiment, Lido, and Kaytranada, among others. For the mixtape, Chance also collaborated with musicians such as Kanye West, Young Thug, Francis and the Lights, Justin Bieber, 2 Chainz, Kirk Franklin, and the Chicago Children's Choir.
Anthony Christopher Khan, known by his stage name The Twilite Tone, is an American record producer, recording artist, composer, DJ, and radio host. Among others, he has worked with Gorillaz, Kanye West, Common, Big Sean, John Legend, My Brightest Diamond and U-God among others.
Christgau's Consumer Guide: Albums of the '90s is a music reference book by American music journalist and essayist Robert Christgau. It was published in October 2000 by St. Martin's Press's Griffin imprint and collects approximately 3,800 capsule album reviews, originally written by Christgau during the 1990s for his "Consumer Guide" column in The Village Voice. Text from his other writings for the Voice, Rolling Stone, Spin, and Playboy from this period is also featured. The book is the third in a series of influential "Consumer Guide" collections, following Christgau's Record Guide: Rock Albums of the Seventies (1981) and Christgau's Record Guide: The '80s (1990).
