Electric Circus | ||||
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Studio album by | ||||
Released | December 10, 2002 | |||
Recorded | 2002 [1] | |||
Studio | Electric Lady (New York) | |||
Genre | ||||
Length | 73:26 | |||
Label | MCA | |||
Producer |
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Common chronology | ||||
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Singles from Electric Circus | ||||
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Electric Circus is the fifth studio album by American rapper Common, released on December 10, 2002, on the now-defunct MCA Records. The album was highly anticipated and praised by many critics for its ambitious vision. However, it was not as commercially successful as his previous album, Like Water for Chocolate , selling under 300,000 copies. An eclectic album, Electric Circus features fusions of several genres such as hip hop, pop, rock, electronic, and neo soul. "I wasn't feeling hip hop," the rapper remarked. "So my motivation for that album were other genres of music, like Pink Floyd and Jimi Hendrix. It wasn't hip hop." [2] This was Common's second and last album for MCA, as well as the final album released under the label, which would soon be merged into Geffen Records a year later.
The label hadn't heard my music until I got near the end of the album. At one point it was like 'yo, man, you departed so far from the last album... the music you're making ain't really conducive to what's going on in modern music right now'.
Common, Chicago Sun-Times interview [3]
Common worked with a large (and eclectic) number of musicians on Electric Circus. Among them were Mary J. Blige (who provided vocals for the album's lead single, "Come Close"), The Neptunes, Lætitia Sadier (of Stereolab), Cee-Lo Green, J Dilla, Bilal and Jill Scott. The music on Electric Circus challenges the boundaries of the hip hop genre in a similar fashion to The Roots' Phrenology (2002) and Outkast's Speakerboxxx/The Love Below (2003). This is especially the case on tracks like the grungy "Electric Wire Hustler Flower" (featuring P.O.D.'s Sonny Sandoval in the chorus), the abstract "Aquarius", and the electronic "New Wave". Erykah Badu joins Common for a duet on ("Jimi Was A Rock Star"), which is a dedication to Jimi Hendrix. The second Neptunes collaboration on the record, the cross-genre "I Got A Right Ta", is a musical departure from the styles of both artists, and features Pharrell singing the hook in a blues-inspired style. A triumphant sounding Common proclaims himself "the only cat in hip hop that can go into a thrift shop, bring that get up to the ghetto and get props". The song was placed on the B-Side of "Come Close".
"Between Me, You & Liberation", in which Common discusses sexual abuse and its effects on a young woman, confronting his homophobia after learning about the sexuality of a longtime friend, and the loss of a relative to cancer, contains themes considered to be wholly unusual for a rap song at the time of its release, and is, perhaps, the rapper's most vulnerable moment on record. [4] About "Liberation..." Pop Matters wrote that it's "one of those rare occasions when a male hip-hop artist owns up to his investment in some of the genre's more unsavory sexual politics". Musically, the song is very downbeat and moody, and features a guest spot from rapper/singer/producer Cee-lo Green (making this the pair's third collaboration after One Day It'll All Make Sense 's "G.O.D.", and Like Water For Chocolate 's "A Song For Assata").
Following LWFC's tributes to Fela Kuti, and Assata Shakur, Electric Circus pays homage to someone altogether more familiar (Jimi Hendrix) on "Jimi Was A Rock Star". The 8 minute-plus song is a duet between Common and his then-girlfriend Erykah Badu, which gradually builds up into its cryptic, chanting finale. This song is Common's first all-singing performance. The center-piece of the album, the epic "Heaven Somewhere", features 6 vocalists who all give insight into what their interpretation of Heaven is. Common's father Lonnie Lynn ends the affair with an introspective look at his ideal place.
Aggregate scores | |
---|---|
Source | Rating |
Metacritic | 80/100 [5] |
Review scores | |
Source | Rating |
AllMusic | [6] |
Blender | [7] |
Entertainment Weekly | A [8] |
The Guardian | [9] |
NME | 8/10 [10] |
Pitchfork | 6.5/10 (2003) [11] 8.4/10 (2017) [12] |
Q | [13] |
Rolling Stone | [14] |
Spin | 6/10 [15] |
The Village Voice | B [16] |
The album's style tended to divide critics; most praised its ambitious vision while some criticized it for the same reason. Most of the criticism tended to revolve around the album's experimental nature. Some felt Common had strayed too far from his previous sound. Longtime Common fans also viewed his relationship with Erykah Badu as having an overly experimental influence on him, while some critics compared the album to Marvin Gaye's I Want You and Richard Ashcroft's Human Conditions , [17] both of which were experimental works that initially received mixed criticism. In a 2003 review, Nick Southall of Stylus Magazine gave the album a D+ and wrote:
So, is this genius or is this madness? As enjoyable as it is on occasion, I’m inclined to side with the latter. Marvin Gaye tried it. Richard Ashcroft tried it. One of them did a fantastic job, the other did not. Common sits somewhere between the two. Odd. Very, very odd. [18]
Official reviews were mostly positive. "Pushing past the accepted boundaries of contemporary black pop" is how PopMatters described the album by giving it all ten stars. [19] Likewise, Playlouder gave it four stars out of five, calling it "a brilliant, visionary album", [20] as did Rolling Stone who only gave it three stars out of five and saw it as "breaking hip-hop rules with a freewheeling fearlessness." [14] Ink Blot Magazine's Matt Cibula called it his "favorite record of 2002". [21] The Independent gave it a favorable review and called it "is the most heartening recent development in hip hop, the kind of album that might help lead the genre out of its present darkness." [22] The Village Voice gave it an average review and said it "sounds chocolatey and recombinant even when it doth protest the Enlightened Guy angle too much." [23] RapReviews gave it a score of 7 out of 10 and said, "Last time around on 'Like Water for Chocolate' Common still had his Chicago flows, just spiced a little differently with Okayplayer oregano. This could and SHOULD have worked again, but the mix this time is bitter and leaves me feeling a little salty. The 'Electric Circus' could rightly have been called the 'Eclectic Circus' for the unconventional way it tries to combine disparate elements into a cohesive whole." [24]
In the decades since release, critical reappraisals of Electric Circus have noted the album's artistic significance, with Pitchfork describing the album as providing "the groundwork for what we see black popular music as now [...] a flawed but classic album". [25] Others have noted its enduring influence on hip-hop, with Patrick Corcoran considering Electric Circus as one of two albums — the other being The New Danger by Mos Def — to demonstrate that hip-hop had no limits. Corcoran concludes that artists like Kendrick Lamar would not have been "inspired to craft the transcendent" To Pimp a Butterfly without Electric Circus. [26] Electric Circus was also chosen by Record Collector for inclusion in their 70 Landmark Albums of the Last 70 Years [27]
Despite the critical approval, the record debuted at #47 on the Billboard 200 chart, 31 spots lower than Like Water for Chocolate's highest chart position. With "Come Close" as the only single, the album quickly fell off the charts altogether, and MCA Records halted any further promotion. Part of the reason for its lack of promotion was MCA's absorption under Geffen Records in the summer of 2003, a mere six to seven months after the album's release. [28] Since both labels were under the Universal Music Group, Common's record contract would be carried over to Geffen, which itself was a subsidiary of another Universal Music label, Interscope Records, whose co-founder Jimmy Iovine oversaw the direction of both labels. Either way, the handling of Electric Circus (an already under-performing album) was neglected. The lack of promotion may have also led to only 295,000 copies being sold based on 2005 Nielsen SoundScan statistics. [29]
In a 2006 interview concurrent with the release of The Roots' album Game Theory , Questlove, the album's executive producer, maintained that Common's relationship with Erykah Badu had little influence on the album and stated that the greater influence was the recording atmosphere at the famous Electric Lady Studios (built by Jimi Hendrix) and the group of artists that Common was collaborating with at the time:
To understand that record is to understand the history of what Electric Lady Studios was to this whole Soulquarian unit. We started off in the spring of '96 and that's where we created Things Fall Apart for The Roots, D'Angelo's Voodoo , Erykah's Mama's Gun , Common's Like Water for Chocolate , the Black Star record, Mos Def's record, Bilal's record, Musiq's album... Pretty much the left of center of hip-hop was using that place as much more than a studio. That place was like a clubhouse: you'd [go] even if you didn't have a session, just hopin' somethin' would come up. [4]
The album's cover appears to be a nod to "Midnight Marauders", the third studio album by American hip hop group A Tribe Called Quest, released on November 9, 1993. Also, The Beatles' 1967 album Sgt. Pepper's Lonely Hearts Club Band , another work known for its experimental nature. The images (a mixture of known personalities, personal friends, and family of the artist) represent those directly or indirectly involved in, or influential to the making of the album. The 87 people depicted in the photos are:
Common (in the center), (from top-left to bottom-right) Prince, Leroy Matthais, Simon Johns, Chad Hugo, Larenz Tate, Stic.man, Pharrell, Mattie Turner, Kenyetta Snyder, Big Daddy Kane, Vinia Mojica, Erykah Badu, Rahsaan Abraham, James Poyser, Tim Gane, DJ Dumi, Questlove, Black Thought, Grandma Gipson, Marie Daulne, Richard Pryor, Marlon Everett, Jay Dee (J Dilla), Mary Campbell, Steef Van De Gevel, M-1, Don "Babatunde" Eaton, Tye Tribbett, Pino Palladino, Abiodun Oyewole, Andrew Dosunmu, Umar Bin Hassan, Louis Farrakhan, Joseph Sharrieff, Steve Mandel, Jimi The Cat, Dartanian Donaldson, Mary Hansen, Steve Hess, Morgane Lhote, Kimberly Jones, Aunt Stella, Q-Tip, Marc Baptiste, Grandma Mable Lynn, Derek Dudley, Uncle Charles, Uncle Steve, John Hancock, Bob Power, Koryan Wright, Ashaka Givens, Dwayne Lyle, Eevin Wright, Russ Elevado, Marcus Murray, Barbara Sims, Rachelle, Cee-Lo Green, Jill Scott, Bayatae Abraham, Charlie Malone, Jeff Lee Johnson, Assata Shakur, Leslie Sims, Angela Murray, Kolleen "Queenie" Wright, Lætitia Sadier, Cousin Bianca, Omoye Lynn, Mary J. Blige, Grandma Elva Brown, Millie Malone, Chris Webber, Bilal, Lonnie "Pops" Lynn, Jimi Hendrix, George Daniels, Fred Hampton Jr., Fred Hampton, Omar, Seven, Karriem Riggins, Ma, and Ralph.
Writing credits by Allmusic.com. [30]
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
1. | "Ferris Wheel" (featuring Vinia Mojica and Marie Daulne) |
| 2:48 | |
2. | "Soul Power" |
| 4:38 | |
3. | "Aquarius" (featuring Bilal) |
|
| 4:54 |
4. | "Electric Wire Hustler Flower" (featuring Sonny Sandoval) |
|
| 5:54 |
5. | "The Hustle" (featuring Omar and Dart Chillz) |
| Karriem Riggins | 4:20 |
6. | "Come Close" (featuring Mary J. Blige) | The Neptunes | 4:35 | |
7. | "New Wave" (featuring Lætitia Sadier) |
|
| 5:08 |
8. | "Star *69 (PS With Love)" (featuring Bilal) |
|
| 5:30 |
9. | "I Got a Right Ta" (featuring Pharrell Williams) |
| The Neptunes | 4:54 |
10. | "Between Me, You and Liberation" (featuring Cee Lo Green) |
|
| 6:23 |
11. | "I Am Music" (featuring Jill Scott) |
|
| 5:21 |
12. | "Jimi Was a Rock Star" (featuring Erykah Badu) |
|
| 8:32 |
13. | "Heaven Somewhere" (featuring Omar, Cee Lo Green, Bilal, Jill Scott, Mary J. Blige, Erykah Badu and Lonnie "Pops" Lynn) |
|
| 10:24 |
No. | Title | Notes | Length |
---|---|---|---|
1. | "Come Close" (with Mary J. Blige) | Music video | 4:18 |
2. | "The Making of Come Close" | Short documentary, explaining the making of the video | |
3. | "Electric Circus" | Studio session footage |
Notes
By Allmusic.com. [31]
|
|
Weekly charts
| Year-end charts
|
Year | Song | Peak positions | |||
---|---|---|---|---|---|
US Hot 100 | US R&B | US Rap | |||
2002 | "Come Close" | 65 | 21 | 18 |
Erica Abi Wright, known professionally as Erykah Badu, is an American singer and songwriter. Influenced by R&B, soul, and hip hop, Badu rose to prominence in the late 1990s when her debut album Baduizm (1997), placed her at the forefront of the neo soul movement, earning her the nickname "Queen of Neo Soul" by music critics.
Lonnie Rashid Lynn, known professionally as Common, is an American rapper and actor. He is the recipient of three Grammy Awards, an Academy Award, a Primetime Emmy Award, and a Golden Globe Award. At the age of 20, he signed with the independent label Relativity Records to release his debut studio album Can I Borrow a Dollar? (1992), which was met with critical acclaim along with its follow-ups, Resurrection (1994) and One Day It'll All Make Sense (1997). He maintained an underground following into the late 1990s, and achieved mainstream success through his work with the Black music collective, Soulquarians.
Neo soul is a genre of popular music. As a term, it was coined by music industry entrepreneur Kedar Massenburg during the late 1990s to market and describe a style of music that emerged from soul and contemporary R&B. Heavily based in soul music, neo soul is distinguished by a less conventional sound than its contemporary R&B counterpart, with incorporated elements ranging from funk, jazz fusion, and hip hop, and to pop, rock, and electronic music. It has been noted by music writers for its traditional R&B influences, conscious-driven lyrics, and strong female presence.
Mama's Gun is the second studio album by American singer Erykah Badu. It was recorded between 1999 and 2000 at Electric Lady Studios in New York and released on November 21, 2000, by Motown Records. A neo soul album, Mama's Gun incorporates elements of funk, soul, and jazz styles. It has confessional lyrics by Badu, which cover themes of insecurity, personal relationships, and social issues. The album has been viewed by critics as a female companion to neo soul artist D'Angelo's second album Voodoo (2000), which features a similar musical style and direction. Critics have also noted that while Badu's first album Baduizm contained its share of cryptic lyricism, Mama's Gun is much more direct in its approach, and places the artist in a subjective position more than its predecessor.
Worldwide Underground is the third studio album by American singer Erykah Badu, released September 16, 2003, by Motown Records. Recording sessions for the album took place during 2003, following Badu's period of writer's block, and her performances during the Frustrated Artist Tour. Production was handled primarily by the production group Freakquency , consisting of Badu, Rashad Smith, James Poyser, and RC Williams. Prominently influenced by old-school 1970s and 80s hip hop, soul, R&B and funk elements, the album features an unconventional musical structure; the songwriting took a path of somewhat less subliminal, metaphorical lyrics than Badu’s previous work, expressing more lighthearted feelings, instead. The album’s content mainly focused on the general state of hip hop culture, reminiscing on good times, friends, partying, young love, “hood life”, and some references to gang culture. The album features appearances from artists Dead Prez, Common, Queen Latifah, Bahamadia, and singer Angie Stone.
Electric Lady Studios is a recording studio in Greenwich Village, New York City. It was commissioned by rock musician Jimi Hendrix in 1968 and designed by architect John Storyk and audio engineer Eddie Kramer. It was completed by 1970. Hendrix spent only ten weeks recording in Electric Lady before his death that year, but it quickly became a famed studio used by many top-selling recording artists from the 1970s onwards, including Led Zeppelin, Stevie Wonder, and David Bowie.
A jam session is a relatively informal musical event, process, or activity where musicians, typically instrumentalists, play improvised solos and vamp over tunes, drones, songs, and chord progressions. To "jam" is to improvise music without extensive preparation or predefined arrangements. Original jam sessions, also called "free flow sessions," are often used by musicians to develop new material (music) and find suitable arrangements. Both styles can be used simply as a social gathering and communal practice session. Jam sessions may be based upon existing songs or forms, may be loosely based on an agreed chord progression or chart suggested by one participant, or may be wholly improvisational. Jam sessions can range from very loose gatherings of amateurs to evenings where a jam session coordinator or host acts as a "gatekeeper" so that appropriate-level performers take the stage to sophisticated improvised recording sessions by professionals which are intended to be broadcast live on radio or TV or edited and released to the public.
James Jason Poyser is an American record producer, multi-instrumentalist, and songwriter from Philadelphia, Pennsylvania. He has been a member of the hip hop band The Roots since 2009, and plays with The Roots in the house band for The Tonight Show with Jimmy Fallon and formerly, Late Night with Jimmy Fallon.
Be is the sixth studio album by American rapper Common. It was released on May 24, 2005, by Geffen Records and GOOD Music. The album is Common's first album under Geffen, following the mediocre performance of 2002's Electric Circus and the July 2003 merger of preceding label MCA Records, which, like Geffen and its sister label Interscope Records, was a division of Universal Music Group.
"You Got Me" is a song by American hip hop band The Roots, featuring vocals from Erykah Badu and Eve, then known as Eve of Destruction, who raps the second verse but does not appear in the music video. The track was released as a single from the band's fourth studio album, Things Fall Apart (1999), in January 1999.
Things Fall Apart is the fourth studio album by American hip hop band the Roots, released on February 23, 1999, by MCA Records. Recording sessions for the album took place at Electric Lady during 1997 to 1998, coinciding with recording for other projects of the Soulquarians collective, including D'Angelo's Voodoo (2000), Erykah Badu's Mama's Gun (2000), and Common's Like Water for Chocolate (2000). According to Spin magazine, the album became a landmark moment for the Roots and the collective, as it "swelled the Roots clique into a movement-style posse".
Bilal Sayeed Oliver is an American singer, songwriter, and record producer. He is an independent artist, noted for his wide vocal range, work across multiple genres, and intense live performances.
Like Water for Chocolate is the fourth studio album by American rapper Common, released on March 28, 2000, through MCA Records. It was Common's first major label album and was both a critical and commercial breakthrough, receiving widespread acclaim from major magazine publications and selling 70,000 copies in its first week. The album was certified Gold on August 11, 2000, by the Recording Industry Association of America. According to Nielsen SoundScan, the album had sold 748,000 copies by March 2005. The video for "The Light" was frequently shown on MTV, adding to Common's exposure. The album also formally marked the formation of the Soulquarians, a collective composed of Questlove, J Dilla, keyboardist James Poyser, soul artist D'Angelo and bassist Pino Palladino, among numerous other collaborators. This group of musicians would also be featured on Common's next album, Electric Circus.
"Come Close" is a single by rapper Common featuring guest vocals by Mary J. Blige. The song is produced by Chad Hugo and Pharrell's production team, the Neptunes. Peaking at #65 on the Billboard Hot 100, "Come Close" is the only song from Common's 2002 album Electric Circus to make an appearance on the national music chart. It was released in conjunction with a promo video directed by Sanaa Hamri and Questlove of the Roots. The song's lyrics are a loving marriage proposition to Common's then girlfriend Erykah Badu. Jack LV Isles of Allmusic describes it as a "slow-paced dialogue [...] that borders on typical," but will inevitably be a commercial success. Mark Anthony Neal of Pop Matters comments on its mainstream sound saying that it's not a "sell-out" track, just a "fly love song" in which the Neptunes "brought their A-game."
Karriem Riggins is an American jazz drummer, record producer, DJ and songwriter from Detroit, Michigan. He met Chicago rapper Common and fellow Detroit musician J Dilla both in 1996, and served as an extensive contributor for releases by both artists. He produced for Common's 1997 album One Day It'll All Make Sense, did so on much of his further projects, and formed the musical trio August Greene with the rapper alongside fellow jazz instrumentalist Robert Glasper in 2018. Furthermore, he formed the Jahari Massamba Unit with Madlib in 2020, and has also worked with prominent music industry artists including Paul McCartney, Kanye West, Denzel Curry, Earl Sweatshirt, and Norah Jones, among others.
Dave Chappelle's Block Party, also known as Block Party, is a 2005 American documentary film hosted and written by comedian Dave Chappelle, and directed by Michel Gondry.
The Soulquarians were a rotating collective of experimental Black music artists active during the late 1990s and early 2000s. Initially formed by singer and multi-instrumentalist D'Angelo, drummer and producer Ahmir "Questlove" Thompson, and producer-rapper J Dilla. They were later joined by singer-songwriter Erykah Badu, trumpeter Roy Hargrove, keyboardist James Poyser, singer Bilal, bassist Pino Palladino, rapper-producers Q-Tip and Mos Def, and rappers Talib Kweli and Common. Prior to its formation, Q-Tip, Common, Mos Def, and Talib Kweli were members of the Native Tongues collective, whilst Q-Tip's original group A Tribe Called Quest served as one of the inspirations behind the Soulquarians.
"Love of My Life " is a song recorded by American singer Erykah Badu for the Brown Sugar soundtrack (2002). It features American rapper Common, who co-wrote the song alongside Badu, Madukwu Chinwah, Robert Ozuma, James Poyser, Rashad Smith, Glen Standridge and the song's sole producer Raphael Saadiq. The song follows the film and its soundtrack's common lyrical theme of personifying hip hop. It was released as the lead single from Brown Sugar on August 5, 2002, by MCA Records.
"The Light" is the second single from Common's 2000 album Like Water for Chocolate. It was produced by Jay Dee and features keyboards performed by James Poyser. It samples "Open Your Eyes" as performed by Bobby Caldwell and the drums from "You're Gettin' a Little Too Smart" by the Detroit Emeralds. Framed as a love letter, it is a confession of Common's love for a woman – specifically, his girlfriend at the time, Erykah Badu.
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