"Ordinary People" | ||||
---|---|---|---|---|
Single by John Legend | ||||
from the album Get Lifted | ||||
Released | April 7, 2005 | |||
Recorded | 2004 | |||
Genre | ||||
Length |
| |||
Label | ||||
Songwriter(s) |
| |||
Producer(s) |
| |||
John Legend singles chronology | ||||
| ||||
Music video | ||||
"Ordinary People" on YouTube |
"Ordinary People" is a song by American singer John Legend, released by GOOD Music and Columbia Records on April 7, 2005 as the second single from his debut studio album, Get Lifted (2004). Written and produced by Legend and fellow singer will.i.am, the song is a ballad discussing an emotionally tumultuous relationship.
"Ordinary People" was the widely acclaimed by music critics, who praised its raw emotion and simplicity. At the 48th Annual Grammy Awards "Ordinary People" received nominations for Song of the Year, Best R&B Song and Best Male R&B Vocal Performance, ultimately winning the latter. The song also peaked at number 24 on the Billboard Hot 100, received double platinum certification by the Recording Industry Association of America (RIAA), and appears on Now 19 .
The music video for "Ordinary People", directed by Chris Milk and Legend's then-label boss Kanye West, features Legend playing a grand piano in an all-white space, while couples and families fight and reconcile around and in front of the piano. For the final minute of the video, Legend is joined by a string section and a harmonica (played offscreen). Legend walks to and from the piano with a glass of water, as a short bookending to the video proper.
The main chord progression is derived from the introduction to Stevie Wonder's "My Cherie Amour", transposed to the key of F major. This is punctuated in the music video version, when the string section and harmonica are brought in at the last chorus of the song.
The song's lyrical themes include contrast, contradiction, guilt, doubt and fear.
Legend sings about how people make errors of judgment in relationships ("I know I misbehaved/And you've made your mistakes/And we both still got room left to grow."), and that fighting and making up in the end is a regular obstacle: "And though love sometimes hurts/I still put you first/And we'll make this thing work/But I think we should take it slow." The lyrics include parallel structure to address the common ups-and-downs of maintaining a relationship: "Maybe we'll live and learn/Maybe we'll crash and burn/Maybe you'll stay/Maybe you'll leave/Maybe you'll return/Maybe another fight/Maybe we won't survive/Maybe we'll grow, we never know." The song's title itself is taken from its chorus, "We're just ordinary people/We don't know which way to go/'Cause we're ordinary people/Maybe we should take it slow."
Legend explained the song's lyrical content in the book Chicken Soup For the Soul: The Story Behind The Song: "The idea for the song is that relationships are difficult and the outcome uncertain. If a relationship is going to work, it will require compromise and, even then, it is not always going to end the way you want it to. No specific experience in my life led me to the lyrics for this song, although my parents were married twice to each other and divorced twice from each other. Their relationship is, of course, one of my reference points, but I didn't write this to be autobiographical or biographical. It is just a statement about relationships and my view on them." [1]
Critics were overwhelmingly positive towards "Ordinary People", many of whom complimented the song's juxtaposition of simple stark piano and John Legend's vocal range. Entertainment Weekly noted "Ordinary People" as being both "the simplest" and "perhaps the most perfectly realized song" of the Get Lifted album, describing it as "an exquisite ballad" that is "both immediately familiar and intensely exotic." [2] A review from The Guardian called the song "a real gem", and lauded further: "[I]t's not only sonically arresting but lyrically reflective. Refusing to tie up loose ends, Legend is ambivalent about the relationship described in the song, admitting that there's 'no fairy-tale conclusion'. Good for him." [3] PopMatters was favorable towards the single, stating it "is representative of true talent." [4] Jonathan Forgang, reviewing for Stylus magazine, stated: "'Ordinary People,' the first of the piano and voice ballads, is a bit more derivative than the earlier tracks but expertly performed. Legend's voice has a naked quality to it, warm and full without any of the drawbacks of virtuosity." [5] The Times thought the song was full of "remorseful reflection" and said that "the album as a whole is a stunning advertisement for the less-is-more, from-the-soul approach, and Legend’s extraordinary voice (alternately angelic keen and cracked rasp) and piano-playing are equalled in quality by the depth of his songs." [6]
On 14 April 2012, the song was performed on BBC's The Voice UK by semi-finalist Jaz Ellington as a second song (requested by Jessie J), resulting in some members of the UK public buying the track on iTunes. The song re-entered the Official UK Top 40 at number 27 on 15 April, [7] and the following week climbed to number 4. [8]
Recorded at Record Plant, LA and Sony Music Studios
|
A
B
|
Weekly charts
| Year-end charts
Certifications
|
Region | Date | Format(s) | Label(s) | Ref. |
---|---|---|---|---|
United States | November 29, 2004 | Urban contemporary radio | Columbia | [31] |
Amanda Meta Marshall is a Canadian Juno award winning pop-rock singer and songwriter. She has released four studio albums; the first was certified diamond in Canada, with the second and third certified 3× platinum and platinum respectively. She is best known for her 1996 single, "Birmingham", which reached number 3 in Canada and was her only song to reach the US charts.
"Ms. Jackson" is a song by the American hip hop duo Outkast, consisting of André 3000 and Big Boi. It was released on October 24, 2000, as the second single from Outkast's fourth album, Stankonia. It topped the US Billboard Hot 100 chart for one week on February 17, 2001, and reached number one in Germany, the Netherlands, Norway, and Sweden. Rolling Stone ranked it 55th on its "100 Best Songs of the 2000s" list in June 2011 and at number 145 on its "Top 500 Greatest Songs of All Time" list in 2021. On October 2011, NME placed it at number 81 on its list of the "150 Best Tracks of the Past 15 Years".
"Someone to Call My Lover" is a song by American singer-songwriter Janet Jackson from her seventh studio album, All for You (2001). Written and produced by Jackson and Jimmy Jam and Terry Lewis, the song was released as the album's second single on June 12, 2001, by Virgin Records. Using a guitar riff from America's "Ventura Highway" and the melody from Erik Satie's "Gymnopédie No. 1", "Someone to Call My Lover" talks about being determined to find a perfect match.
"Someday We'll Know" is a song by the New Radicals. It was released in March 1999 as the second single off their album Maybe You've Been Brainwashed Too (1998). Lyrically, the song explores the confusion over why a relationship ended. The group dissolved before the single's release, and as a result the song failed to match the success of the preceding single, "You Get What You Give", which had topped the charts in New Zealand and Canada and peaked within the top 5 in the United Kingdom. In contrast, "Someday We'll Know" became a top 40 hit only in Brazil where it made number 38 there, and failed to chart on the Billboard Hot 100. The song is the group's second and final single, and has been covered by numerous artists, including Mandy Moore & Jon Foreman of Switchfoot, America and Hall & Oates.
Get Lifted is the debut studio album by American singer John Legend. It was released by GOOD Music, Sony Urban Music, and Columbia Records on December 28, 2004 in the United States. The production on the album was handled by Legend's then-manager, Kanye West, who also served as the album's executive producer, as well as Dave Tozer, will.i.am, and Devo Springsteen. The album also features guest appearances by West, Snoop Dogg and Miri Ben-Ari.
"Big Yellow Taxi" is a song written, composed, and originally recorded by Canadian singer-songwriter Joni Mitchell in 1970, and originally released on her album Ladies of the Canyon. It was a hit in her native Canada as well as Australia and the UK. It only reached No. 67 in the US in 1970, but was later a bigger hit there for her in a live version released in 1974, which peaked at No. 24. Charting versions have also been recorded by the Neighborhood, and most notably by Amy Grant in 1995 and Counting Crows in 2002. The song was also sampled in Janet Jackson's "Got 'til It's Gone" (1997).
"U Remind Me" is a song by American singer Usher. It was written by Edmund "Eddie Hustle" Clement and Anita McCloud and produced by Clement along with duo Jimmy Jam & Terry Lewis for Usher's third studio album 8701 (2001). A mid-tempo R&B track, the song is about a man who meets a woman who seems like a nice catch, but he decides not to enter a relationship with her because she looks too much like an ex-girlfriend with whom he had a bad breakup.
"Dreams" is a song by the British-American rock band Fleetwood Mac, written and sung by Stevie Nicks for the band's eleventh studio album, Rumours (1977). In the United States, "Dreams" was released as the second single from Rumours in March 1977, while in the United Kingdom, the song was released as the third single in June 1977. A stage performance of "Dreams" was used as the promotional music video.
"Dirty Little Secret" is a song by American rock band the All-American Rejects from their second studio album Move Along. It was released on June 6, 2005, as the lead single from the album.
"A Thousand Miles" is the debut single of American pop singer Vanessa Carlton. Produced by Curtis Schweitzer and Ron Fair, the song was released as the lead single for Carlton's first album, Be Not Nobody (2002). First released to US radio in February 2002, it became Carlton's biggest hit in the United States and her only single to reach the top 10 of the Billboard Hot 100, peaking at number five. The song also experienced commercial success worldwide, reaching number one in Australia, number three in Ireland, and the top 10 in the United Kingdom, France, Italy, the Netherlands, and New Zealand.
"Sleeping Satellite" is a song by British singer-songwriter Tasmin Archer, released in September 1992 by EMI and SBK as the first single from her debut album, Great Expectations (1992). The song was written by Archer with John Beck and John Hughes, and produced by Julian Mendelsohn and Paul Wickens. It received favorable reviews from music critics and became an international hit. "Sleeping Satellite" peaked at number one in the United Kingdom, Greece, Ireland, and Israel, and reached the top 20 in 13 other countries, as well as numbers 32 and 24 on the US Billboard Hot 100 and Cash Box Top 100 in June 1993. There were two different music videos produced to promote the single.
"Used to Love U" is the debut single by American singer John Legend. It was written and produced by Legend and rapper-producer Kanye West for his debut album Get Lifted (2004). Released as Legend's debut single as well as the album's leading single in August 2004, the song reached number 30 in New Zealand and the United Kingdom as well as number 11 in the Flemish region of Belgium. "Used to Love U" also peaked at number 32 on the US Billboard Hot R&B/Hip-Hop Songs.
"She's So High" is a power pop song written and performed by Canadian singer-songwriter Tal Bachman. It was released as a single to North American radio on February 13, 1999, from his self-titled debut album (1999). The song peaked at number three in Canada, topped the US Billboard Adult Top 40 chart, and reached number 14 on the Billboard Hot 100. It also became a top-10 hit in Australia and New Zealand and peaked at number 30 in the United Kingdom. American media group AllMusic named it an "album pick". The song won a BMI award and a Juno Award for Best Producer.
"Free Loop (One Night Stand)" (titled as "Free Loop" on Daniel Powter) is a song written by Canadian singer Daniel Powter. It was his second single and the follow-up to his successful song, "Bad Day". In the United Kingdom, the single was deemed ineligible to chart since a live version of "Bad Day" was included as a B-side whilst it was still present in the UK top 40 at the time. In the US, it did not chart on the Billboard Hot 100, but it did reach the top 30 of the Billboard Adult Contemporary chart.
"Ordinary Day" is a song written and performed by Vanessa Carlton from her 2002 debut album, Be Not Nobody. Carlton wrote the song when she was 17 and was the first song that she had ever written in only one sitting. Released as a single on July 1, 2002, the song peaked at number 30 on the US Billboard Hot 100.
"Hey Jupiter" is a song written and performed by American singer-songwriter Tori Amos. It was released as the fourth single from her third studio album, Boys for Pele (1996), and was her first extended play (EP) since Crucify in 1992. The US EP Hey Jupiter features a re-recorded version of "Hey Jupiter" followed by four live tracks recorded during her Dew Drop Inn Tour of 1996. The song is also featured on the double A-side CD singles released in the UK and Australia.
The discography of American singer John Legend consists of ten full-length studio albums, five live albums, two video albums, three extended plays, 51 singles and two promotional singles.
"Lego House" is a song by English singer-songwriter Ed Sheeran. It was released on 11 November 2011 as the third single lifted from his debut studio album + of 2011. It was released as the second single in the US on 11 February 2013. It was written by Sheeran, Jake Gosling and Chris Leonard, and produced by Jake Gosling.
"All of Me" is a song by American singer John Legend from his fourth studio album Love in the Future (2013). It is dedicated to Legend's wife Chrissy Teigen. "All of Me" first aired on American mainstream urban radio as the album's third single on August 12, 2013.
"Lay Me Down" is a song by English singer Sam Smith, released on 15 February 2013 as the lead single from their debut studio album In the Lonely Hour (2014). It originally peaked at number 46 on the UK Singles Chart and at number 25 on the US Bubbling Under Hot 100 Singles chart in 2014.