"Perfect 10" | ||||
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Single by the Beautiful South | ||||
from the album Quench | ||||
B-side | "If" | |||
Released | 21 September 1998 [1] | |||
Length | 3:37 | |||
Label | ||||
Songwriter(s) | ||||
Producer(s) |
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The Beautiful South singles chronology | ||||
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Music video | ||||
"Perfect 10" on YouTube |
"Perfect 10" is a song by English pop rock band the Beautiful South, released on 21 September 1998 as the first single from their sixth studio album, Quench (1998). It debuted at number two on the UK Singles Chart, selling 89,000 copies during its first week of release, [2] and is the band's last UK top-10 single to date. It received a platinum certification from the British Phonographic Industry in 2021 for sales and streams exceeding 600,000 units.
As well as the contributions from band members, in the documentary Paul Heaton: From Hull to Heatongrad, songwriter Paul Heaton refers to contributions to the recording from Norman Cook and Paul Weller, who offered production assistance and rhythm guitar, respectively.[ citation needed ] Their contributions are also mentioned on the liner notes for Quench . [3]
This section needs additional citations for verification .(June 2019) |
The verses of the song—sung alternately by Paul Heaton and Jacqui Abbott—are made up of a series of innuendos using clothing sizes and penis length to illustrate a loving relationship between two people who don't conform to modern stereotypes of physical perfection. The male vocal shows that although his partner is a little on the large side ("but she wears a 12"), she is a 'perfect 10' in his eyes. He also states, "the anorexic chicks, the model 6, they don't hold no weight with me," preferring instead to, "hold something I can see."
Likewise, the female vocal references penis size in several places, suggesting that " XXL " is unnecessary ("Every penny don't fit the slot") and that even when all her partner has to offer is "a poor poor 4, there ain't no man can replace."
The chorus to the song is sung by both male and female vocals, and confirms the theme of a happy and accepting relationship beyond ideas of conventional beauty, with Heaton and Abbott stating:
"We love our love, in different sizes
I love her body, especially the lines
Time takes its toll, but not on the eyes
Promise me this, take me tonight."
Scottish newspaper Daily Record described the song as "great" and "bitter-sweet". [4] Caroline Sullivan from The Guardian called it "jazzy", noting that "Heaton's sweet-voiced 'I love her body, 'specially the lines', has one of the tenderest lines on an album full of memorable bons mots." [5] Adrian Thrills from Daily Mail declared it as "a rasping musical debate about sexual politics, neatly driven along by funky piano and honking sax". [6] Ian Hyland from Sunday Mirror rated the song nine out of ten, adding, "The funkier sound is new but their observations on the important things in life are sharp as ever. Almost perfect." [7] Johnny Dee from The Times remarked that it "manages to be both funny and touching at the same time." [8]
Personnel are adapted from the Quench liner notes. [3]
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
United Kingdom (BPI) [22] | Platinum | 600,000‡ |
‡ Sales+streaming figures based on certification alone. |
"Perfect 10" was seen as a 'tour classic' by the Beautiful South and it has been stated by Dave Stead that, "There are certain songs you just can't leave out...I think we would be lynched if we didn't play "You Keep It All In", "Don't Marry Her" and "Perfect 10"." [23]
0898 Beautiful South, also referred to as 0898, is the third studio album by English band the Beautiful South. After the success of their previous work over 1989–1991, the band hired prolific record producer Jon Kelly and recorded the album at AIR Studios in London. The album contains a more "muscular" yet sometimes more sombre sound than their previous albums, although still entirely retains lyricist Paul Heaton's witty and bitter lyrical style. The album "deals in fragile melodies and harmonies, soulful but low-key instrumentation, and lyrics full of subtle social commentary and humour." The album title refers to the 0898 premium rate dialling code associated with sex hotlines in the UK at the time.
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