The Undertones are a rock band formed in Derry, Northern Ireland in 1974. From 1975 to 1983, the Undertones consisted of Feargal Sharkey (vocals), John O'Neill, Damian O'Neill, Michael Bradley and Billy Doherty (drums). Much of the earlier Undertones material drew influence from punk rock and new wave; the Undertones also incorporated elements of rock, glam rock and post-punk into material released after 1979, before citing soul and Motown as the influence for the material released upon their final album. The Undertones released thirteen singles and four studio albums between 1978 and 1983 before Sharkey announced his intention to leave the band in May 1983, citing musical differences as the reason for the break up.
Stiff Little Fingers are an Ulster punk rock band from Belfast, Northern Ireland (UK). They formed in 1977 at the height of the Troubles, which informed much of their songwriting. They started out as a schoolboy band called Highway Star, doing rock covers, until they discovered punk. They were the first punk band in Belfast to release a record – the "Suspect Device" single came out on their own independent label, Rigid Digits. Their album Inflammable Material, released in partnership with Rough Trade, became the first independent LP to enter the UK top 20.
"Teenage Kicks" is the debut single by Northern Irish punk rock band the Undertones. Written in the summer of 1977 by J.J. O'Neill, the band's rhythm guitarist and principal songwriter, the song was recorded on 15 June 1978 and initially released that September on independent Belfast record label Good Vibrations, before the band signed to Sire Records on 2 October 1978. Sire Records subsequently obtained all copyrights to the material released upon the Teenage Kicks EP and the song was re-released as a standard vinyl single on Sire's own label on 14 October that year, reaching number 31 in the UK Singles Chart two weeks after its release
Join Hands is the second studio album by English rock band Siouxsie and the Banshees, released on 7 September 1979 by Polydor Records. Upon its release, it was praised by the British press, including Melody Maker, Sounds, NME and Record Mirror.
"Sometimes" was the third single released from Northern Irish rock band Ash's third studio album, Free All Angels (2001). It was released on 9 July 2001 as two CD singles, as a 7-inch vinyl, and a DVD single. Although "Sometimes" reached only number 21 on the UK Singles Chart, it helped contribute to increase in sales for Free All Angels. The song also reached number 41 in Ireland.
The Undertones is the 1979 debut album by the Undertones. The album was recorded at Eden Studios in Acton, West London in January 1979 and was released in May that year. The original release included just one single release: "Jimmy Jimmy" and an album version of "Here Comes the Summer", which was never released as a single.
Hypnotised is a 1980 album released by the Undertones. The album, the second of four released by the band, was recorded at Wisseloord Studios in the Netherlands in December 1979, and at Eden Studios in London in January 1980, with the majority of the songs to appear on the album being written between March and December 1979. In addition, although the primary lyrical concern of the songs upon this album focused upon teenage angst, boisterousness, and heartbreak, several of the songs upon Hypnotised are notably both lyrically and musically more sophisticated than material released upon The Undertones.
Jesus of Cool is the solo debut album by British singer-songwriter Nick Lowe. Produced by Lowe, it was released in March 1978 by Radar Records in the UK.
That Petrol Emotion were a London-based Northern Ireland-originating band with an American vocalist, Steve Mack. It featured the O'Neill brothers from celebrated Derry pop-punk band The Undertones plus ex-members of fellow Derry bands Bam Bam and The Calling and The Corner Boys. They recorded five albums between 1986 and 1994, exploring an eclectic fusion of alternative rock, post-punk, garage rock and dance music which in part anticipated and overlapped with the dance-pop era of the 1990s.
Secondhand Daylight is the second studio album by English post-punk band Magazine. It was released on 30 March 1979 by record label Virgin. One single, "Rhythm of Cruelty", was released from the album.
John Joseph O'Neill is a musician who is the rhythm guitarist and principal songwriter of the punk rock/new wave band the Undertones. O'Neill, along with his younger brother Vincent and friends Feargal Sharkey, Michael Bradley and Billy Doherty, founded the Undertones in 1975, but Vincent O'Neill was replaced the following year with his younger brother Damian O'Neill, who became the band's lead guitarist.
Stephen Damian O'Neill is the lead guitarist in the pop-punk band, The Undertones. He joined the band following the departure of his older brother, Vincent, in 1976, and remained with the band until their break up in 1983. O'Neill wrote several album tracks and singles during the career of The Undertones, usually writing with bassist Michael Bradley.
Good Vibrations was a Belfast record label and store. Founded by Terri Hooley in the early 1970s, Good Vibrations started out in a small derelict building on Great Victoria Street, Belfast. Good Vibrations began life as a record shop, opening in late 1976; it grew to become a popular record shop.
The Sin of Pride is the fourth and final album to be released by the original line-up of the Undertones. The album, which was produced by Mike Hedges, was recorded between the autumn of 1982 and the spring of 1983. Unlike the three previous albums released by the Undertones, which primarily consisted of guitar-oriented music, The Sin of Pride drew much inspiration from both Soul music and Motown. The band's lead singer, Feargal Sharkey, has opined The Sin of Pride as being "the finest Undertones album."
"You've Got My Number " is a 1979 punk rock song originally written and recorded by Northern Irish band the Undertones. Written in the summer of 1979 by the band's main songwriter, John O'Neill, the single was released on 9 October that year and reached number 32 in the UK charts. The song was performed live on Top of the Pops on 15 November 1979.
"My Perfect Cousin" is a song by Northern Irish punk rock band the Undertones. The song – inspired by an actual cousin of one of the band members – was written during the summer of 1979 and recorded at Wisseloord Studios in Hilversum in December 1979.
"Jimmy Jimmy" is a Top 20 punk rock song originally written and recorded by Northern Irish band the Undertones in the spring of 1979. The song was written by the band's main songwriter, John O'Neill, it was the Undertones' third single and was released on 20 April 1979, reaching number 16 on the UK Singles Chart, making "Jimmy Jimmy" the Undertones' first Top 20 single. The song was included on both the original issue and subsequent reissue of the band's debut album, The Undertones.
"Ruby Red" is a song by English rock band Slade, released in 1982 as the third single from the band's tenth studio album, Till Deaf Do Us Part. It was written by lead vocalist Noddy Holder and bassist Jim Lea, and was produced by Slade. "Ruby Red" reached number 51 in the UK Singles Chart and remained in the top 75 for three weeks.
"It's Going to Happen!" is a new wave song originally written and recorded by Northern Irish band the Undertones. The song was written in the winter of 1980 and recorded at Wisseloord Studios in the Netherlands in January, 1981. "It's Going to Happen!" was the eighth single released by the band and the second single released to be co-written by lead guitarist Damian O'Neill and bassist Michael Bradley.
Industry Standard is the debut studio LP by the American punk rock band Big Boys. It was released in 1981 on vinyl through Wasted Talent Records, operated by members of the Judy's. In 2004, the record was reissued on vinyl by Red C Records. It has never been officially released on cassette or CD, although it appears in its entirety on The Skinny Elvis, a retrospective multi-format compilation released by Touch and Go in 1993. The album's title and many of its themes were inspired by a growing dissatisfaction with elements of the Austin, Texas punk rock scene from which the Big Boys had spawned.
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