Pre-Madonna | |
---|---|
Demo album by | |
Released | June 10, 1997 |
Recorded | 1980–81 |
Studio | The Music Building, New York City |
Genre | Pop |
Length | 47:27 |
Label | Soultone |
Producer |
|
Pre-Madonna (titled In the Beginning in European countries) is a collection of demos by American singer Madonna. It was released in 1997 by Stephen Bray, who was the producer of the songs when they were recorded, and was distributed by Soultone. Madonna met up with Bray, her former boyfriend, in 1980 when she was trying to establish her music career. She had left the band Breakfast Club and enlisted his help to further her career. Together they started writing songs and recorded them at New York's Music Building studio. The songs recorded at that time were released in Pre-Madonna.
The album was not authorized by Madonna, however, Bray decided to release Pre-Madonna regardless, and included original demos alongside new remixes. Included were the demo versions of "Everybody" and "Burning Up" which Madonna used for her self-titled debut album. The album received mixed reviews, with some critics deeming the release as unnecessary, while others were delighted to hear Madonna's original recordings.
In 1979, Madonna was trying to establish her career in the music industry. She was the drummer of a band called Breakfast Club, which was headed by the Gilroy brothers, Dan and Ed. [1] After their lead female vocalist left, Madonna was given the role of the lead female singer. However, she wanted to be the only female voice of the band, and opposed against the introduction of another female vocalist, Angie Smith. [1] This led to a dispute between Dan and her, which resulted in Madonna leaving the band. [2] She then formed a new band called Madonna and The Sky, but that also faced a major problem within a few weeks when its principal drummer Mike Shenoy, who had a full-time job and a fiancé, decided to leave the band. [2]
Undaunted by Shenoy's departure, Madonna partnered up with her Michigan boyfriend Stephen Bray. [3] Bray and Madonna had met at the University of Michigan in 1976, where he was working as a waiter in a club at Ann Arbor. Bray used to take Madonna on the tours of his band; after their romance ended, they remained good friends. [1] When Madonna telephoned Bray to come and join the band, he immediately accepted and joined as the drummer replacing Shenoy. Madonna's main focus now was to become a professional singer, and she asked Bray to help her achieve that. [4] Together they started writing songs and recorded them under Gotham Records, in New York's rehearsal studio called the Music Building. [1] They worked on a number of songs, with production provided by Bray: "Ain't No Big Deal", "Laugh to Keep from Crying", "Crimes of Passion", "Don't You Know", and "Stay", along with some songs that Madonna had previously written and recorded, including "Everybody" and "Burning Up". [5] The latter two songs were accepted for Madonna's self-titled debut album in reworked versions produced by Reggie Lucas. [3]
"Ain't No Big Deal" was released as the B-side to her singles "True Blue" and "Papa Don't Preach". [6] "Stay" and "Don't You Know" were combined into one song, "Stay", which was included on the Like a Virgin album.[ citation needed ]
Three tracks were remixed for the album which Bray produced with Tony Shepperd. The first is the track "Crimes of Passion". Bray said that there was "nothing salvagable" from the original tracks of the song, so he recreated the music. [7] He compared the song to "Into the Groove", calling it a "prototype" of the song. [7] Larry Flick from Billboard described "Crimes of Passion" as "disco-spiced". [8] The other two remixed songs, "Everybody" and "Ain't No Big Deal" – both subtitled with a "97" moniker – were remixed for a more contemporary appeal. [8] The remix of "Everybody" is significantly slower than the original, which Bray said was meant to give it a more "tropical" sound. [7]
The remainder of the album was produced and recorded between 1980 and 1981. [7] According to Bray, "These tracks carve the dance sound of a generation and chronicle Madonna's first musical self-definition phase." [8] "Laugh to Keep from Crying" was the earliest track recorded on the release. [7] It is a rock song that features Madonna playing the guitar. [7] AllMusic compared her sound on the song to that of The Pretenders. [9] Aside from the remixes, "Burning Up" was the latest recording on the set, which Bray compared to works of Joan Jet and New Order. [7]
At the time the compilation was released, Madonna was riding a wave of publicity as a result of the film Evita and her pregnancy with daughter Lourdes. [10] Bray said in an interview with Extra that Madonna would receive royalties for the release, and added "There's nothing in these tapes that would be embarrassing, and just hoping that she would like it as much as we do." [10] In 1998, the album was reissued in Europe under the title In the Beginning. It features different artwork and a rearranged track list. [11]
Pre-Madonna received mixed reviews from critics. Mark Egan from Rocky Mountain News writes that "although the songs have soul in them, it's the delivery that lacks in Madonna's voice; you just feel that something is really missing." [12] Mark Zug from Chicago Tribune commented that "the demos on Pre-Madonna are a delight to listen to. To all the Madonna fans, this is one album worth collecting and replaying." [13] Jasmine Temple from Lexington Herald-Leader calls the album, "a gloriously voyeuristic—and unauthorized—glimpse at Madonna's past, the woman she was then. You can actually sense the development of the icon she is today from the songs." [14] Robin DeRosa from USA Today was disappointed with the release, saying that "it feels forced. This release is as unneeded as the hoopla surrounding Madonna's new born. Every artist has demo recordings in their early phases of career and they are generally not good. This one is not different." [15] After Madonna was inducted into the Rock and Roll Hall of Fame in 2008, Tony Sclafani from MSNBC noted that none of Madonna's songs were in the rock music genre, "but all use rock as a jumping off point. Audible evidence of Madonna's rock roots can be found on the collection of early demos Pre-Madonna." [16]
No. | Title | Writer(s) | Producer(s) [17] | Length |
---|---|---|---|---|
1. | "Laugh to Keep from Crying" |
| Bray | 3:50 |
2. | "Crimes of Passion" |
|
| 3:43 |
3. | "Ain't No Big Deal" ('97 Edit) | Bray |
| 4:00 |
4. | "Everybody" ('97) | Madonna |
| 4:50 |
5. | "Burning Up" | Madonna | Bray | 4:05 |
6. | "Ain't No Big Deal" ('81) | Bray | Bray | 6:39 |
7. | "Everybody" ('81) | Madonna | Bray | 4:49 |
8. | "Stay" ('81) |
| Bray | 4:21 |
9. | "Don't You Know" |
| Bray | 4:31 |
10. | "Ain't No Big Deal" ('97 Extended) | Bray |
| 6:39 |
Total length: | 47:27 |
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
1. | "Crimes of Passion" |
|
| 3:44 |
2. | "Everybody" ('97) | Madonna |
| 4:52 |
3. | "Ain't No Big Deal" ('97) | Bray |
| 4:02 |
4. | "Laugh to Keep from Crying" |
| Bray | 3:51 |
5. | "Burning Up" | Madonna | Bray | 4:06 |
6. | "Ain't No Big Deal" ('81) | Bray | Bray | 6:41 |
7. | "Everybody" ('81) | Madonna | Bray | 4:51 |
8. | "Stay" ('81) |
| Bray | 4:23 |
9. | "Don't You Know" |
| Bray | 4:31 |
Total length: | 41:01 |
Credits and personnel adapted from In the Beginning liner notes. [17]
Like a Virgin is the second studio album by American singer and songwriter Madonna, released on November 12, 1984, by Sire Records. Following the success of her self-titled debut album, Madonna chose Nile Rodgers to produce the album due to his work with David Bowie. Madonna wrote six songs on the record, five of which feature Steve Bray as a co-writer. The album was recorded at Power Station Studio in New York at a quick pace. Rodgers enlisted the help of his former Chic bandmates Bernard Edwards, who was the bassist, and Tony Thompson, who played drums. Jason Corsaro, the record's audio engineer, persuaded Rodgers to use digital recording, a new technique introduced at that time.
Madonna is the debut studio album by American singer-songwriter Madonna, released on July 27, 1983, by Sire Records. After having established herself as a singer in downtown New York City, Madonna was signed by Sire president Seymour Stein, due to the club success of her debut single, "Everybody" (1982). She became the sole writer for most of the album's tracks, and chose Reggie Lucas as its primary producer. Unhappy with Lucas's production outputs, she invited John "Jellybean" Benitez to complete the album; he remixed three tracks and produced "Holiday".
You Can Dance is the first remix album by American singer and songwriter Madonna. It was released on November 17, 1987, by Sire Records. The album contains remixes of tracks from her first three studio albums—Madonna (1983), Like a Virgin (1984) and True Blue (1986)—and a new track, "Spotlight".
"Music" is a song recorded by American singer Madonna as the title track for her eighth studio album (2000). It was released as the lead single from the album to radio August 1, 2000, by Maverick and Warner Bros. Records and commercially released on August 21. "Music" was inspired by a Sting concert Madonna attended and was written and produced by her with Mirwais Ahmadzaï. It is a disco, electro-funk and dance-pop song in a static key of G minor. Madonna's vocals are electronically manipulated in the track, with the lyrics having political and social undertones and reiterating the uniting power of music.
"Spotlight" is a song by American singer Madonna from her first remix album You Can Dance (1987). It was released as a single in Japan on April 25, 1988 by Sire Records and Warner-Pioneer Japan. Initially rejected during her True Blue album recording sessions, the song was written by Madonna, Stephen Bray and Curtis Hudson who had presented the original to the singer. The song was remixed by John "Jellybean" Benitez.
"Lucky Star" is a song by American singer Madonna from her self-titled debut studio album (1983). Produced by Reggie Lucas, it was written by Madonna with the intention that her friend Mark Kamins would play it in his sets at Danceteria, where he was the resident DJ. In 1982, Madonna was signed on by Sire Records for the release of two 12" singles; after the success of first single "Everybody", the label approved the recording of an album, and the singer decided to work with Lucas. However, problems between Madonna and the producer arose and he ended up leaving the project; she then called John "Jellybean" Benitez, her boyfriend at the time, to work on the remaining songs.
"Burning Up" is a song written and recorded by American singer Madonna included on her debut studio album Madonna (1983). Written by the singer and produced by Reggie Lucas, the song was released as a double-sided single with "Physical Attraction" on March 9, 1983. In early 1980, Madonna was beginning her music career as a member of band the Breakfast Club; together with band drummer Stephen Bray, they formed a new band, Emmy and the Emmys, but shortly after, she decided to pursue a solo career. She and Bray created demos for three songs: "Everybody", "Ain't No Big Deal", and "Burning Up".
"Everybody" is a song written and recorded by American singer Madonna and produced by DJ Mark Kamins. In 1982, the singer was living with her former Michigan boyfriend Stephen Bray in New York, and since dance music was in style, they created a demo with four dance tracks, one of which was "Everybody". Madonna, who was not signed to any record label at the time, pitched the tape on her own: she would go to local nightclubs and try to convince the DJs there to play it. She met and befriended DJ Mark Kamins at Danceteria nightclub, who played "Everybody" to a positive reception from the crowd. Afterwards, Kamins took the tape to Sire Records, where Seymour Stein, the label's president, signed Madonna for two twelve-inch singles.
"Angel" is a song by American singer Madonna from her second studio album Like a Virgin (1984). It was released on April 10, 1985, by Sire Records as the album's third single. Written by Madonna and Steve Bray, it was one of the first songs developed for the project and, according to Madonna, was inspired by a girl who is saved by an angel, and she falls in love with him. "Angel" was released as a 12-inch single with "Into the Groove" in some countries and charted likewise. A music video was not filmed for "Angel", and instead, a promotional clip comprising segments of her previous videos was released in the United Kingdom.
"Another Suitcase in Another Hall" is a song recorded by Scottish singer Barbara Dickson, for the 1976 concept album Evita, the basis of the musical of the same name. The musical was based on the life of Argentinian leader Eva Perón. Written by Tim Rice and Andrew Lloyd Webber, the song is presented during a sequence where Eva throws her husband's mistress out on the streets. The latter sings the track, wondering about her future and concluding that she would be fine. The songwriters enlisted Dickson to record the track after hearing her previous work.
Evita is the soundtrack album to the 1996 musical film of the same name, performed mostly by American singer Madonna. It was released by Warner Bros. Records on October 28, 1996 in the United Kingdom and on November 12, 1996 in the United States. Directed by Alan Parker, the film was based on Tim Rice and Andrew Lloyd Webber's 1978 musical Evita about First Lady of Argentina Eva Perón, portrayed by Madonna. The soundtrack consists of reworked songs from its original 1976 concept album as well as a new song, "You Must Love Me". Additional performers on the soundtrack include Antonio Banderas, Jonathan Pryce and Jimmy Nail.
Something to Remember is a compilation album by American singer Madonna, released by Maverick Records on November 3, 1995. The album was conceived after a highly controversial period in Madonna's career, during which many critics speculated that her career was in decline. The compilation of ballads presented a softer image for the singer and span over a decade, including a reworked version of "Love Don't Live Here Anymore" as well as three new songs: "You'll See", "One More Chance" and a cover of Marvin Gaye's "I Want You". The singles "I'll Remember" and "This Used to Be My Playground", were also included, marking the first time these songs were featured on a Madonna album.
"One More Chance" is a song by American singer Madonna for her ballads compilation album, Something to Remember (1995). Written and produced by Madonna and David Foster, it was released on March 7, 1996 by Maverick Records as the album's second single in Australia and Japan, and the third single in the European countries. An acoustic pop ballad, the song lyrically talks about attempting to win a lost lover back. The song was inspired by Madonna's real life experience, but she wrote it from the opposite point of view.
"Love Don't Live Here Anymore" is a song written by Miles Gregory and originally recorded by Rose Royce. It was produced by former Motown songwriter and producer Norman Whitfield for Whitfield Records. Lead vocals were sung by Gwen Dickey and the song was released as the second single from their third studio album Strikes Again. The song was developed as a result of producer Whitfield's interest to work with Paul Buckmaster, the British arranger and composer. Together they asked songwriter Miles Gregory to write a song for them. Gregory's undergoing medical care for his deteriorating physical health became the inspiration behind the song. "Love Don't Live Here Anymore" incorporated the use of the Pollard Syndrum TwinDrum, and was one of the first songs to effectively use the sound reverbs of the instrument. The song was mainly recorded at music contractor Gene Bianco's house, where Dickey was present during the recording.
"True Blue" is a song by American singer Madonna from her third studio album of the same name (1986), released as the third single on September 10, 1986, by Sire Records. Written and produced by Madonna and Steve Bray, the song deals with Madonna's feelings for her then-husband Sean Penn. A dance-pop song, it features instrumentation from a rhythm guitar, a synthesizer, keyboards, and drums. The main chorus is backed by an alternate one, incorporating a chord progression generally found in doo-wop music.
"Like a Prayer" is a song by American singer Madonna from her 1989 fourth studio album of the same name. Sire Records released it as the album's lead single on March 3, 1989. Written and produced by Madonna and Patrick Leonard, the song heralded an artistic and personal approach to songwriting for Madonna, who believed that she needed to cater more to her adult audience. Thematically, "Like a Prayer" speaks about a passionate young girl in love with God, who becomes the only male figure in her life.
"Rescue Me" is a song by American singer Madonna from her first greatest hits album, The Immaculate Collection (1990). Written and produced by Madonna and Shep Pettibone, the song was released as the second single from The Immaculate Collection on February 26, 1991, in the United States, and as the third single on April 7 in the United Kingdom. A dance-pop and gospel-house track, the song is accompanied by the sound of thunder and rain, with the lyrics talking of romantic love rescuing the singer.
"Keep It Together" is a song by American singer Madonna from her fourth studio album, Like a Prayer (1989). It was released as the fifth and final single from the album in the United States, Canada and Japan on January 30, 1990, by Sire Records. Written and produced by Madonna and Stephen Bray, the main inspiration behind "Keep It Together" was Madonna's relationship with her family—whom she dearly missed after her divorce from Sean Penn. The song was dedicated to the American band Sly and the Family Stone. The lyrics deal with the realization of how important Madonna's family has been to her life. A pop, funk and deep funk song consisting of an upbeat rhythm and groove, "Keep It Together" features instrumentation from percussion, banjo and a conga.
"Sidewalk Talk" is a song by American record producer John "Jellybean" Benitez from his first extended play, Wotupski!?! (1984). It was released on October 21, 1984, by EMI Records as the first single from the EP. The song was written by Madonna and produced by Benitez. They had initially met in 1983 and Benitez worked as a producer on Madonna's self-titled debut album. When he started work on his debut EP, Wotupski!?!, Madonna wrote "Sidewalk Talk" for him. The song features bass and electric guitars, synthesizers, piano as well drums. Lead vocals are sung by Catherine Buchanan, and additional chorus vocals by Madonna.
"Physical Attraction" is a song by American singer Madonna. It was included on her debut studio album Madonna (1983). Written and produced by Reggie Lucas, the song was released as a double A-side single with "Burning Up" on March 9, 1983.
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