Madonna Live: The Virgin Tour | ||||
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Video by | ||||
Released | November 13, 1985 | |||
Recorded | May 25, 1985 | |||
Venue | Cobo Center (Detroit, Michigan) | |||
Genre | Live | |||
Length | 55 mins | |||
Label | ||||
Director |
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Producer | Simon Fields | |||
Madonna video chronology | ||||
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Madonna Live: The Virgin Tour is the second video album and the first live release by American singer-songwriter Madonna. It was released by Warner Music Video and Sire Records on November 13, 1985 and contains the concert footage from The Virgin Tour, filmed at Cobo Arena in Detroit, Michigan on May 25, 1985. Director Daniel Kleinman, who presided over the shooting of the tour on video, submitted the footage to Warner Bros. Records, who decided to release it as a video album. Madonna wanted to have a proper introduction added before the concert footage and asked director James Foley to shoot one, which portrayed her with her first image makeover, reciting lines related to how she became famous.
After its release, Madonna Live: The Virgin Tour received mixed reviews from critics, but went on to become a commercial success, topping the Music Video Sales chart of Billboard and becoming the top selling music video cassette of 1986. The video was certified platinum by the Recording Industry Association of America (RIAA) for shipment of 100,000 copies and in September 1986, it received a "Video Software Dealers Award" for the Most Popular Music Video. The live performances of "Like a Virgin" and "Dress You Up" were released as music videos on MTV to promote the video album. Both videos were nominated for "Best Choreography" at the 1986 MTV Video Music Awards.
Madonna's first concert tour, The Virgin Tour, promoted her first two studio albums, Madonna and Like a Virgin . The tour was a commercial success, with Billboard Boxscore reporting a gross of US $3.3 million. [1] After the tour was over, Madonna started recording her third studio album, True Blue . [2] Film director Daniel Kleinman, who presided over the shooting of the tour on video, submitted the footage to Warner Bros. Records, who decided to release it as a video album. [2] Madonna Live: The Virgin Tour chronicled The Virgin Tour as shot at Cobo Arena in Detroit, Michigan on May 25, 1985. [3] [4]
Madonna, who was busy with True Blue and shooting for the comedy film Shanghai Surprise , was contacted by Kleinman to ask about her approval of the shot footage. [4] She felt that the video "needed a proper introduction. I asked [James] Foley darling to shoot me saying something for adding it before the concert starts." [5] Foley, who directed the music video of her song "Live to Tell", shot an introduction which was added at the beginning of the video. It portrayed Madonna in her first image makeover, with platinum blond curls, and conservative wardrobe. [5] Madonna wanted to include a summation of her biography—which was used at the beginning of The Virgin Tour—to be added with the footage. Hence, with the footage, Madonna's voice was heard, declaring,
"I went to New York. I had a dream. I wanted to be a big star, I didn't know anybody, I wanted to dance, I wanted to sing, I wanted to do all those things, I wanted to make people happy, I wanted to be famous, I wanted everybody to love me. I wanted to be a star. I worked really hard, and my dream came true." [6]
This was followed by the concert, beginning with "Dress You Up". The performances of "Angel", "Borderline" and "Burning Up" were removed from the track list of the video, as Kleinman believed that Madonna's performance was not her best in them. [4] While shooting the tour on May 25, during the performance of "Like a Virgin", a fan suddenly came up on the stage and tried to get hold of Madonna, but was swiftly whisked away by security. Kleinman decided to keep the shot, as he felt that it illustrated the fanaticism which had grown around Madonna, and her popularity. [5] The live performances of "Like a Virgin" and "Dress You Up" were released as music video on MTV to promote the video album. [7] Both videos were nominated for "Best Choreography" at the 1986 MTV Video Music Awards. However, Madonna lost the award to Prince and The Revolution with their video "Raspberry Beret." [8]
Review scores | |
---|---|
Source | Rating |
Entertainment Weekly | C− [9] |
The video received mixed reviews from critics. Annie Temple from Philadelphia Daily News said that the release was "not so flattering" and "was a sloppy job". [10] Dennis Hunt from Los Angeles Times said that "the video is sometimes distracting and blurry, wonder what went wrong during recording. The angles are awkward, especially when the audience members are shown touching Madonna's hand. Was it really necessary to show a fan coming unannounced on the stage?" [11] Terry Atkinson from the same paper said, "This follows the typical concert video format of putting you in the best seat in the hall and letting the aura of a superior performer encaptivate your senses." [12] Sylvia Chase from The Wichita Eagle said that "seeing Madonna live in an arena and seeing her up, close and personal in the tour cassette is totally different. The energy, the movements, the provocation—all captures you more." [13] Stephen Holden from The New York Times gave it a positive review, stating "filmed with abrupt, swooping camera movements that accentuate the singer's flouncing, slightly ungainly style of dancing, Madonna Live vividly captures the contradictory elements that have made the performer into a cultural icon in spite of a shrill, limited singing voice. In close-up, Madonna's provocative pouts, wiggles and come-hither glances become a more than half-deliberate burlesque of erotic centerfold photography. Both her post-disco music and defiant strut suggest a child's parody of grown-up posturing." [14]
The release debuted at 14 on Billboard's Top Music Videocassettes chart, on December 7, 1985 and climbed to number 11, the next week. [15] The video started a slow climb on the chart, and on the issue dated January 18, 1986, it reached the top of the chart, replacing Prince & The Revolution: Live by The Revolution on the chart. [16] On May 24, 1986, the video again climbed back in the top ten of the chart, at position two. It was present on the chart for a total of 65 weeks. [17] Madonna Live: The Virgin Tour was the top selling music videocassette for 1986. [18] The video was certified double platinum by the Recording Industry Association of America (RIAA) for shipment of 100,000 copies and received a "Video Software Dealers Award" for the Most Popular Music Video, in September 1986. [19] [20] By 1992, the release sold 35,000 copies of laserdiscs in the United States according to The Hollywood Reporter . [21]
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA) [26] | Platinum | 15,000^ |
Japan | — | 60,000 [27] |
United States (RIAA) [28] | Platinum | 100,000^ |
^ Shipments figures based on certification alone. |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Dress You Up" |
| 5:36 |
2. | "Holiday" |
| 6:41 |
3. | "Into the Groove" | 5:08 | |
4. | "Everybody" | Madonna | 4:32 |
5. | "Gambler" | Madonna | 2:56 |
6. | "Lucky Star" | Madonna | 4:54 |
7. | "Crazy for You" | 4:16 | |
8. | "Over and Over" |
| 4:04 |
9. | "Like a Virgin" | 5:31 | |
10. | "Material Girl" |
| 5:59 |
Notes
Credits adapted from the video's liner notes. [3]
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link)Like a Virgin is the second studio album by American singer and songwriter Madonna, released on November 12, 1984, by Sire Records. Following the success of her 1983 self-titled debut album, Madonna was eager to start working on its follow-up. She selected Nile Rodgers to produce the album due to his work on Let's Dance (1983) by David Bowie, which she was a fan of. To ensure it be exactly as she envisioned it, Madonna chose all the songs for the album: She penned six of her own, five of which were co-written with former boyfriend and collaborator Stephen Bray, and six written by other artists. Recording sessions took place at Power Station Studio in New York City. Rodgers enlisted the help of his former Chic bandmates Bernard Edwards and Tony Thompson.
"Papa Don't Preach" is a song by the American singer-songwriter Madonna, released on her third studio album True Blue (1986). It was written by Brian Elliot with additional lyrics by Madonna, and produced by Madonna and Stephen Bray. "Papa Don't Preach" combines pop and classical styles, with lyrics about teenage pregnancy, and the choices that come with it. Elliot was inspired by the teen gossip he heard outside his recording studio.
"Material Girl" is a song recorded by American singer Madonna for her second studio album, Like a Virgin (1984). It was released on January 23, 1985, by the Sire label as the second single from Like a Virgin. It also appears slightly remixed on the 1990 greatest hits compilation, The Immaculate Collection, in its original form on the 2009 greatest hits compilation, Celebration and Finally Enough Love: 50 Number Ones (2022). The song was written by Peter Brown and Robert Rans, and produced by Nile Rodgers. Madonna said the concept of the song was indicative of her life at that time, and she liked it because she felt it was provocative.
True Blue is the third studio album by American singer-songwriter Madonna, released on June 30, 1986, by Sire Records. In early 1985, Madonna became romantically involved with actor Sean Penn, and married him six months later on her 27th birthday. Additionally, she met producer Patrick Leonard while on the Virgin Tour, and formed a professional relationship with him. The first songs they created together were "Love Makes the World Go Round", and the ballad "Live to Tell", which was featured on At Close Range, a film which Penn starred. In late 1985, Madonna and Leonard began working on her third studio album; she also enlisted the help of former boyfriend Stephen Bray, with whom she had worked on her previous record Like a Virgin (1984). Titled True Blue, the record saw Madonna co-writing and co-producing for the first time in her career. Inspired by Madonna's love for Penn, to whom she dedicated it, True Blue is a dance-pop album that features influences of Motown sound, girl groups, and Latin pop.
Madonna is the eponymous debut studio album by American singer Madonna, released on July 27, 1983, by Sire Records. In the late 1970s, Madonna had established herself as a singer in downtown New York City; alongside her Michigan boyfriend Stephen Bray, she put together a demo tape with four dance tracks and began pitching it around local nightclubs. She managed to get Mark Kamins, the resident DJ at Danceteria, to play "Everybody" —one of the songs from the tape. The song was met with a positive reception from the crowd, and Kamins took Madonna to Sire Records, where label president Seymour Stein signed her on for three twelve-inch singles. Following its release on October 2, 1982, "Everybody" found success on the dance scene, and the label approved the recording of an album.
"Dress You Up" is a song by American singer Madonna from her second studio album, Like a Virgin (1984). It was released as the album's final single on July 24, 1985, by Sire Records. Composed by Andrea LaRusso with lyrics by Peggy Stanziale, and produced by Nile Rodgers, who also played guitar on the track, it was the final song to be added to the album. Rodgers had asked the writers to compose something similar to the work of his band Chic but, due to LaRusso and Stanziale being busy with other projects, the composition took time. When the lyrics were submitted, the producer initially rejected them, as he felt there was no time to compose a melody; Madonna, however, liked the lyrics and convinced him to include the song on Like a Virgin. Musically, "Dress You Up" is a dance-pop song whose lyrics are an extended metaphor for fashion and lust, comparing dressing up with passion.
"Like a Virgin" is a song recorded by American singer Madonna from her second album of the same name. The song was written and composed by Tom Kelly and Billy Steinberg, and it was released as the album's lead single on October 31, 1984. A dance song with two hooks, Madonna sings in a high register while a continuous arrangement of synths are heard along the bassline. The song's lyrics are ambiguous, consisting of hidden innuendos and open to various interpretations.
"Lucky Star" is a song by American singer Madonna from her self-titled debut studio album (1983). Produced by Reggie Lucas, it was written by Madonna with the intention that her friend Mark Kamins would play it in his sets at Danceteria, where he was the resident DJ. In 1982, Madonna was signed on by Sire Records for the release of two 12" singles; after the success of first single "Everybody", the label approved the recording of an album, and the singer decided to work with Lucas. However, problems between Madonna and the producer arose and he ended up leaving the project; she then called John "Jellybean" Benitez, her boyfriend at the time, to work on the remaining songs.
"Holiday" is a song by American singer Madonna from her self-titled debut album (1983). It was written by Curtis Hudson and Lisa Stevens-Crowder for their own musical act Pure Energy, and produced by John "Jellybean" Benitez. Hudson came up with the lyrics of the song while watching negative news on television, and together with Stevens-Crowder worked on the music. They recorded a demo, which was turned down by their label Prism Records. Afterwards, Benitez pitched the track and offered it to several artists, including former The Supremes singer Mary Wilson, but it was rejected. Around the same time, Benitez was working with Madonna on her album; after realizing they needed a song for the project, Benitez thought of "Holiday" and approached Hudson and Stevens-Crowder.
"Crazy for You" is a song recorded by American singer Madonna for the film Vision Quest (1985). It was released in February 1985 by Geffen Records as the lead single from the film's soundtrack album. Film producers Jon Peters and Peter Guber, along with music director Phil Ramone, decided to use Madonna after listening to her previous recordings, employing John Bettis and Jon Lind to write the song. After reading the script of the film, Bettis and Lind wrote the song about the situation in which the lead characters meet at a nightclub. Initial recording sessions did not impress Bettis and Lind, and they felt that "Crazy for You" would be dropped from the soundtrack. However, a new version was recorded to their liking.
"Angel" is a song by American singer Madonna from her second studio album Like a Virgin (1984). It was released on April 10, 1985, by Sire Records as the album's third single. Written by Madonna and Steve Bray, it was one of the first songs developed for the project and, according to Madonna, was inspired by a girl who is saved by an angel, and she falls in love with him. "Angel" was released as a 12-inch single with "Into the Groove" in some countries and charted likewise. A music video was not filmed for "Angel", and instead, a promotional clip comprising segments of her previous videos was released in the United Kingdom.
"Into the Groove" is a song recorded by American singer Madonna, and featured on the 1985 film Desperately Seeking Susan. Written and produced by both Madonna and Stephen Bray, the main inspiration behind the song was the dance floor; the singer wrote it while watching a Latin American man to whom she was attracted. Its instrumentation features synthesizers and drum machines, with Madonna's voice being double tracked on the chorus. Sexual innuendos and undertones are present throughout the lyrics, which are written as an invitation to dance with the singer. Originally written for her friend Mark Kamins, Madonna later decided to use it on the film, as one of the scenes needed a dance song. It was later added to the 1985 international re-issue of her second studio album, Like a Virgin (1984), and in her compilations You Can Dance (1987), The Immaculate Collection (1990), Celebration (2009), and Finally Enough Love: 50 Number Ones (2022).
"You Give Good Love" is the debut solo single by American singer Whitney Houston for her 1985 eponymous debut studio album. It was written by La Forrest 'La La' Cope and produced by Kashif. When La La sent Kashif a copy of the song, originally offered to Roberta Flack, he thought it would be a better fit for Houston and told Arista Records he would be interested in recording with her.
"Love Don't Live Here Anymore" is a song written by Miles Gregory and originally recorded by Rose Royce. It was produced by former Motown songwriter and producer Norman Whitfield for Whitfield Records. Lead vocals were sung by Gwen Dickey and the song was released as the second single from their third studio album Strikes Again. The song was developed as a result of producer Whitfield's interest to work with Paul Buckmaster, the British arranger and composer. Together they asked songwriter Miles Gregory to write a song for them. Gregory's undergoing medical care for his deteriorating physical health became the inspiration behind the song. "Love Don't Live Here Anymore" incorporated the use of the Pollard Syndrum TwinDrum, and was one of the first songs to effectively use the sound reverbs of the instrument. The song was mainly recorded at music contractor Gene Bianco's house, where Dickey was present during the recording.
"Open Your Heart" is a song recorded by American singer Madonna from her third studio album True Blue (1986). Written by Gardner Cole and Peter Rafelson, it was conceived as a rock and roll song titled "Follow Your Heart" for singer Cyndi Lauper, although it was never played for her. At the time, Cole's management was working with Madonna's, who were looking for material for True Blue. "Follow Your Heart" was among the songs offered to the singer. She liked it and, alongside producer Patrick Leonard, turned it into a dance song, changed its title and re-wrote some of the lyrics, thus receiving a songwriting credit.
The Virgin Tour was the debut concert tour by American singer-songwriter Madonna. The tour supported her first two studio albums, Madonna (1983) and Like a Virgin (1984). It started on April 10, 1985, at the Paramount Theatre in Seattle, United States, and ended on June 11 of the same year at the Madison Square Garden in New York City. Although initially planned for an international audience, the tour was restricted to the United States and Canada. Warner Bros. Records decided to send Madonna on tour after Like a Virgin became a success. After an official announcement on March 15, 1985, Madonna and her team began production plans. She wanted the tour to be a reflection of her own self and collaborated with designer Maripol for the costumes.
The Who's That Girl World Tour was the second concert tour by American singer and songwriter Madonna. The tour supported her 1986 third studio album True Blue, as well as the 1987 soundtrack Who's That Girl. It started on June 14, 1987, at the Osaka Stadium in Osaka, Japan, and ended on September 6 of the same year at the Stadio Artemio Franchi in Florence, Italy. It was Madonna's first world tour and marked her first visits to Japan and Europe. Musically and technically superior to her previous Virgin Tour, Who's That Girl incorporated multimedia components to make the show more appealing.
Ciao Italia: Live from Italy is a video album by American singer-songwriter Madonna and was released by Warner Reprise Video and Sire Records on May 24, 1988. It contained footage from a previous TV special of the Who's That Girl World Tour, Madonna in Concerto, broadcast in Europe in 1987, filmed at the Stadio Comunale in Turin, Italy. The video release also contained footage from shows recorded in Florence, Italy and Tokyo, Japan, the latter having previously been released as a Japanese TV special and home video release, Who's That Girl: Live in Japan. The decision to release Ciao Italia was spurred by the fact that this previous release became a commercial success in Japan. A re-release of the video took place in 1999, when it was released in DVD format, with a stereo soundtrack containing the songs only.
Blond Ambition World Tour Live is a video album by American singer-songwriter Madonna released exclusively on LaserDisc by Pioneer Artists on December 13, 1990. It contained the Blond Ambition World Tour's final show, filmed at the Stade Charles-Ehrmann in Nice, France, on August 5, 1990. The concert had previously been broadcast on American network HBO as Live! Madonna: Blond Ambition World Tour 90, and became one of its highest rated specials. The decision to release it exclusively on Laserdisc grew when Pioneer Artists signed up to sponsor the tour; the company also wanted to use Madonna to reach a new demographic and increase Laserdisc sales. It received positive reviews, with some critics saying it captured the concert better than the documentary Madonna: Truth or Dare (1991) and the HBO broadcast. At the 34th Annual Grammy Awards, it won for Best Music Video-Long Form, becoming the first Grammy award Madonna received in her career. With over 100,000 copies sold, Blond Ambition World Tour Live was one of the highest selling laserdiscs of its time.
The videography of American recording artist Whitney Houston, nicknamed “The Voice”, consists of fifty-five music videos, four music video compilations, a concert tour video and three music video singles. In 1983, Houston signed a recording contract with Arista Records and two years later released her eponymous debut album. Houston's first music video was for the single "You Give Good Love", which was selected to establish her in the black marketplace first. Houston then released the video of her worldwide hit "Saving All My Love for You". The following video, for the song "How Will I Know", helped introduce the singer to a wider audience when it became one of the first videos by a black female singer to earn heavy rotation on MTV, and it won MTV Video Music Award for Best Female Video at its 3rd ceremony of 1986. "Greatest Love of All", the final single released from Houston's debut album, helped cement the M.O. for the classic Whitney video. In June 1986, Houston released her first video compilation The No. 1 Video Hits, containing her four music videos off the Whitney Houston album. It reached number-one on the Billboard Top Music Videocassettes chart and stayed there for 22 weeks, which remains the all-time record for a video collection by a female artist, it was also certified Platinum for shipments of 100,000 units by the Recording Industry Association of America (RIAA) on July 15, 1986. In 1987, Houston released the music video for "I Wanna Dance with Somebody ", the first single from her second album Whitney (1987), which depicts Houston in one of her iconic looks, the clip―towering curly wig, colorful dangly earrings and a series of going-to-the-club outfits. In 1988, the music video for the song "One Moment in Time", the title track off the 1988 Summer Olympics Album: One Moment in Time, was released.