Pretty Woman | |
---|---|
The Musical | |
Music | Bryan Adams Jim Vallance |
Lyrics | Bryan Adams Jim Vallance |
Book | Garry Marshall J. F. Lawton |
Basis | Pretty Woman by J. F. Lawton Garry Marshall |
Premiere | March 13, 2018 : Oriental Theatre, Chicago |
Productions | 2018 Chicago 2018 Broadway 2020 West End 2021 US Tour |
Pretty Woman: The Musical is a musical with music and lyrics by Bryan Adams and Jim Vallance, and a book by Garry Marshall and J. F. Lawton. [1] The musical is based on the 1990 film of the same name written by Lawton and directed by Marshall. It centers around a free spirited Hollywood prostitute Vivian Ward, who is hired by Edward Lewis, a wealthy businessman, to be his escort for several business and social functions, and their developing relationship over the course of her week-long stay with him.
The original production of Pretty Woman: The Musical premiered at the Oriental Theatre, Chicago in March 2018, with direction and choreography by Jerry Mitchell, and starring Samantha Barks and Steve Kazee, as Vivian and Edward. It made its Broadway debut at the David T. Nederlander Theatre on August 16, 2018, to generally negative reviews, and closed one year later on August 18, 2019. [2]
The musical is based on the 1990 film Pretty Woman . [3] The film was produced on a budget of just $14 million, [4] earning over $463 million in global box office receipts. [5] Written by J. F. Lawton, and directed by Garry Marshall, the musical centers around Vivian Ward, a free spirited Hollywood prostitute who lives with her sarcastic wisecracking Greek American best friend and roommate Kit De Luca. Kit taught Vivian the prostitute trade. Vivian is hired by Edward Lewis, a handsome wealthy businessman, to be his escort for several business and social functions, and their developing relationship over the course of her week-long stay with him. [6]
In March 2014, it was announced that a musical adaptation of the film was being developed for the stage, with original screenwriter Lawton and director Marshall attached to write the book. [7] The following year Marshall revealed that rights had been secured. [8] Although Marshall died in July 2016, [9] producer Paula Wagner said that work on the musical would continue. [10] In September 2017, it was announced that the show would receive its world premiere at the Oriental Theatre, Chicago, before an expected Broadway transfer in fall 2018. [5]
In an interview, director Jerry Mitchell said that the score "will have the feel of late '80s-early '90s rock: That’s one of the great things about Bryan Adams—it's where he lives. So you’ve got the rock and roll stuff, the up-tempos." [11] Roy Orbison's "Oh, Pretty Woman" was originally excluded from the musical. [12] On June 19, 2019, the show included "Oh, Pretty Woman" during the curtain call. [13]
Pretty Woman: The Musical made its world premiere at the Oriental Theatre in Chicago, Illinois on March 13, 2018, [14] for a limited five week run until April 15. [15] Following its initial run it transferred to Broadway at the Nederlander Theatre beginning previews on July 20, 2018 [16] before the official opening on August 16, 2018. [17] Cast for the Chicago and Broadway productions featured Samantha Barks, in her Broadway debut as Vivian Ward, [18] Steve Kazee and Andy Karl as Edward Lewis, [19] Orfeh as Kit De Luca, Jason Danieley as Philip Stuckey, Eric Anderson as Mr. Thompson, and Kingsley Leggs and Ezra Knight as James Morse. [17] Kazee left the show after the Chicago engagement due to "family reasons" and was replaced by Andy Karl. [20]
During previews on August 2, 2018, a performance was dedicated to Garry Marshall (who died in 2016) [21] and was attended by Marshall's family and Julia Roberts, who played Vivian in the original film. [22] A seat in the Nederlander Theatre was also dedicated in his honor. [23] The musical broke the Nederlander Theatre box office record for an eight-performance week before its official opening August 16 with a gross of $1,142,989 (83.72% percent of its potential). [24] On July 9, 2019 Wesley Orbison and Alex Orbison joined the cast on stage to perform "Oh, Pretty Woman" to celebrate the 55th anniversary of the song's release and to pay tribute to their late father Roy Orbison. [25] The production closed on August 18, 2019, after 27 previews and 420 regular performances. [26] [2]
The production was directed and choreographed by Jerry Mitchell, [27] with set design by David Rockwell, [28] costume design by Gregg Barnes, [29] lighting design by Kenneth Posner and Philip S. Rosenberg [30] and sound design by John Shivers. [31] The Broadway cast recording for the musical was made available from Atlantic Records digitally on September 21, 2018. Physical CDs of the cast album went on sale October 26, 2018. [32]
On December 13, 2018, it was announced that the musical will begin performances at Stage Theater an der Elbe, Hamburg, Germany on September 23, with an official opening night of September 29, 2019. [33]
A US national tour was planned to begin in October 2020 at the Providence Performing Arts Center in Providence, Rhode Island, but it did not open due to the COVID-19 pandemic. [34] The musical launched a 32-city tour at the Providence Performing Arts Center on October 9, 2021. [35] [36]
Pretty Woman: The Musical began previews at the Piccadilly Theatre on the West End on February 13, 2020, [37] before the official opening on March 2, 2020. [38] The show closed on March 16, 2020 due to the COVID-19 pandemic and reopened on July 8, 2021 at the Savoy Theatre. [39]
In April 2021 Stage Entertainment Italy announced the first Italian version of the show, which opened on 28 September 2021 at the Teatro Nazionale in Milan. [40]
The musical numbers from the original Broadway production are as follows:
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A number of songs Adams and Vallance wrote for the musical ended up not being used in the show itself. However, several of them were included in subsequent Bryan Adams albums: "Please Stay" was recorded for the 2018 compilation album Ultimate , "I Could Get Used To This" can be found on the 2019 album Shine a Light , and "I've Been Looking For You" was included in the 2022 album So Happy It Hurts . Adams also re-recorded all the songs that did make it into the show for the album Pretty Woman – The Musical , released March 2022.
Bryan Adams expressed some frustration about the songwriting process for the musical in the Dutch newspaper Metro . "Writing that musical was a masterclass in songwriting, it was also a masterclass in not losing your mind, as there was so much re-writing and rejection during the process of the production. But that doesn’t mean that the rejected songs haven’t found a home. I love I’ve Been Looking For You, Please Stay, and I Could Get Used To This, and of course it’s too bad they aren’t in the musical, but that’s the way the Broadway ball bounces." [43]
Character | Chicago (2018) [15] | Broadway (2018) | London (2020) [44] [45] | US Tour (2021) [46] [47] |
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Vivian Ward | Samantha Barks | Aimie Atkinson | Olivia Valli | |
Edward Lewis | Steve Kazee | Andy Karl | Danny Mac | Adam Pascal |
Kit De Luca | Orfeh | Rachael Wooding | Jessica Crouch | |
Happy Man/Mr. Thompson | Eric Anderson | Bob Harms | Kyle Taylor Parker | |
Philip Stuckey | Jason Danieley | Neil McDermott | Matthew Stocke | |
James Morse | Kingsley Leggs | Ezra Knight | Mark Holden | Chris Manuel |
Violetta | Allison Blackwell | Kimberly Blake | Amma Osei | |
Giulio | Tommy Bracco | Alex Charles | Matthew Vincent Taylor | |
Alfredo | Brian Calì | Oliver Brenin | Christian Douglas | |
David Morse | Robby Clater | Antony Hewitt | Alex Gibbs | |
Scarlett | Anna Eilinsfeld | Kelsee Sweigard | ||
Rachel | Jennifer Sanchez | Alexa Xioufaridou Moster | ||
Amanda | Ellyn Marie Marsh | Hannah Ducharme | Becca Suskauer |
Pretty Woman: The Musical was generally poorly received by critics, with the show's writing being a frequent focus of criticism. Critics found that the gender dynamics of the movie's plot had aged poorly and that the musical had failed to bring the story up to date for 2018. [48] In his review for The New York Times , Ben Brantley criticized the verbatim reuse of dialog from the movie, writing that the show's creators had "hewed suffocatingly close to the film’s story, gags and dialogue." Critics from The Guardian and Variety took issue with the show's glossiness and what they perceived as an attempt to make a "G-rated family show" from the source material. [48] [49]
The score by Bryan Adams and Jim Vallance was generally described as "pleasant" but "bland". [50] [51] [48] Critics generally approved of the show's performers, particularly stars Andy Karl and Samantha Barks, but found they were unable to rise above the show's material. In a review for Vulture, Sara Holdren expressed sympathy for the show's performers, writing that they were "hooked up like defibrillators to a body that, no matter how much energy they pump into it, can’t be revived". [50]
Year | Award | Category | Nominee | Result |
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2019 | Broadway.com Audience Awards [52] | Favorite Leading Actor in a Musical | Andy Karl | Won |
Favorite Featured Actress in a Musical | Orfeh | Won | ||
Favorite Diva Performance | Won | |||
Favorite Onstage Pair | Samantha Barks and Andy Karl | Nominated | ||
Favorite Breakthrough Performance (Female) | Samantha Barks | Nominated |
Pretty Woman is a 1990 American romantic comedy film directed by Garry Marshall, from a screenplay by J. F. Lawton. The film stars Julia Roberts and Richard Gere, and features Héctor Elizondo, Ralph Bellamy, Laura San Giacomo, and Jason Alexander in supporting roles.
Garry Kent Marshall was an American actor and filmmaker. He started his career in the 1960s writing for The Lucy Show and The Dick Van Dyke Show before he developed Neil Simon's 1965 play The Odd Couple for television in 1970. He gained fame for creating Happy Days (1974–1984), Laverne and Shirley (1976–1983), and Mork and Mindy (1978–1982). He is also known for directing Overboard (1987), Beaches (1988), Pretty Woman (1990), Runaway Bride (1999), and the family films The Princess Diaries (2001) and The Princess Diaries 2: Royal Engagement (2004). He also directed the romantic comedy ensemble films Valentine's Day (2010), New Year's Eve (2011), and Mother's Day (2016).
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