"The Only Thing That Looks Good on Me Is You" | ||||
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Single by Bryan Adams | ||||
from the album 18 til I Die | ||||
B-side |
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Released | May 8, 1996 | |||
Genre | Alternative rock | |||
Length |
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Label | A&M | |||
Songwriter(s) |
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Producer(s) |
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Bryan Adams singles chronology | ||||
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Music video | ||||
"The Only Thing That Looks Good On Me Is You" on YouTube |
"The Only Thing That Looks Good on Me Is You" is a song by Canadian singer-songwriter Bryan Adams. Adams co-wrote and co-produced the track with Robert John "Mutt" Lange. It was released in May 1996 as the lead single from Adams' seventh studio album, 18 til I Die (1996). The song peaked at number one in Canada, number six in the United Kingdom, and number 52 in the United States.
In 1997, Adams was nominated for the Grammy Award for Best Male Rock Vocal Performance for the song but lost to Beck's "Where It's At". [1] Adams was also nominated for a Juno Award for Best Producer the same year. [2] The track appears on Adams' compilation albums The Best of Me and Anthology .
Larry Flick from Billboard wrote, "Adams' single output has been so ballad-heavy in recent years that it is easy to forget that he is a diehard rocker at the core. This first peek into his forthcoming " 18 'Til I Die " collection is a fun reminder of that fact, as Adams tears through a hearty spree of blues-tinged pop beats and jittery guitars with the glee of a hormone-crazed kid in his first band." [3] Another editor, Paul Verna noted that "Adam excels" on "the straight-ahead rocker". [4] Daina Darzin from Cash Box described it as "a happy, driving rocker with a big, catchy hook". [5]
The accompanying music video for "The Only Thing That Looks Good on Me Is You" was directed by Matthew Rolston, who also directed "Let's Make a Night to Remember". The video was nominated for MTV Video Music Award for Best Male Video. In an interview with Songfacts, Adams stated that the clip is his own favorite video. [6] It features various male and female models (including Ana Cristina Oliveira) walking and dancing up and down a catwalk wearing sexy and outrageous outfits. It also features Adams in a bathroom sitting on the toilet with his guitar and standing in front of the mirror trying to do his hair. A shot from recording sessions is used as the cover of Adams' 18 til I Die album cover. The music video is shown in the film Red Corner (1997) starring Richard Gere.
Weekly charts
| Year-end charts
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Region | Date | Format(s) | Label(s) | Ref. |
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Canada | May 8, 1996 | — | A&M | [41] |
United States | May 14, 1996 | Contemporary hit radio | [42] | |
United Kingdom | May 20, 1996 |
| [43] | |
Japan | May 22, 1996 |
| [44] |
18 til I Die is the seventh studio album by the Canadian singer-songwriter Bryan Adams. Released on June 4, 1996, by A&M Records, the album became a commercial success peaking at No. 1 in the United Kingdom and No. 2 in his home country Canada. It was recorded on different locations which included Jamaica and France. 18 til I Die featured the number one song "Have You Ever Really Loved a Woman?", which had been released as a single and on the soundtrack to the film Don Juan DeMarco over a year prior, and 4 other singles: "The Only Thing That Looks Good on Me Is You", "Let's Make a Night to Remember", "Star", and "18 til I Die"; the album track "I'll Always Be Right There" was also released to radio in the United States. Adams traveled throughout North America and Europe to promote the album after its June release, notably playing in front of over 70,000 people at Wembley Stadium in July 1996. The album performed lower than expectations in the US but it sold 5 million copies worldwide.
"The Best Things in Life Are Free" is a duet between American singers Luther Vandross and Janet Jackson, recorded for the Jimmy Jam and Terry Lewis produced soundtrack to the 1992 American film Mo' Money, starring Damon Wayans. The song was composed by Jam, Lewis, Michael Bivins, Ronnie DeVoe, Harry Wayne Casey and Richard Finch. The song was released as the soundtrack's lead single on May 12, 1992, by Perspective Records and A&M Records. Additionally, the song was remixed by David Morales, Frankie Knuckles, and CJ Mackintosh. The duet became a major hit in several countries, peaking at number two in Australia and the United Kingdom, number six in Ireland and New Zealand, number eight in Canada and Germany, and number 10 in the United States. Its music video was directed by Paris Barclay, but didn't feature Vandross and Jackson. The song was nominated for the Grammy Award for Best R&B Performance by a Duo or Group with Vocals.
"Everyday Is a Winding Road" is the second single from American singer and songwriter Sheryl Crow's 1996 eponymous album. Neil Finn, lead singer of Crowded House, provides backing vocals. Paul Hester, another member of Crowded House, was the inspiration for the song. The single was issued in the United Kingdom in November 1996 and was released in the United States the following year.
"If It Makes You Happy" is a song by American singer-songwriter Sheryl Crow, released as the lead single from her 1996 eponymous album in September 1996. The song peaked at number 10 on the US Billboard Hot 100, becoming Crow's final top-10 solo hit in the United States, and at number nine on the UK Singles Chart. It also reached number one in Canada and won Best Female Rock Vocal Performance at the 1997 Grammy Awards. In 2003, Q Magazine ranked "If It Makes You Happy" at number 663 in their list of the "1001 Best Songs Ever".
"Counting Blue Cars (Tell Me Your Thoughts on God)" is a song by American alternative rock band Dishwalla from their 1995 A&M Records album Pet Your Friends. It is their only hit song, peaking at number 15 on the US Billboard Hot 100 and topping the same magazine's Modern Rock Tracks chart in 1996. It received two ASCAP awards (1997 and 1998) as the most-played song of the year on radio in the United States.
"Don't Give Up" is a song by British electronic music artist Chicane featuring vocals from Canadian singer Bryan Adams. The track was released on 6 March 2000 as the second single from Chicane's second studio album, Behind the Sun (2000). "Don't Give Up" peaked at number one on the UK Singles Chart and became a popular dance track in clubs across Europe and North America.
"You're Makin' Me High" is the lead single from American singer Toni Braxton's second studio album, Secrets (1996). The mid-tempo song represents a joint collaboration between the Grammy Award-winning producer Babyface and Bryce Wilson. The beat of the song was originally for singer-songwriter Brandy, with Dallas Austin pegged to write a lyric to override; however, Braxton had Babyface write lyrics for the song. It was ultimately issued in the United States as a double A-side with "Let It Flow", the airplay hit from the 1995 film Waiting to Exhale.
"Mouth" is a song written by Australian singer-songwriter Merril Bainbridge and produced by Siew for Bainbridge's debut album, The Garden (1995). It was released as the album's first single in October 1994 in Australia, then was re-issued in 1995. "Mouth" became her biggest hit, peaking at number one on the Australian ARIA Singles Chart for six consecutive weeks and in Canada for one week. The song also became a top-five hit in Iceland and the United States and reached number 17 in New Zealand.
"Strong Enough" is a song by American singer-songwriter Sheryl Crow from her debut album, Tuesday Night Music Club (1993). The song reached number five on the US Billboard Hot 100 for three consecutive weeks, number three in Australia, and number one in Canada, becoming her second chart-topper there following "All I Wanna Do". In Australia, the song received a double-platinum certification for sales and streams exceeding 140,000 units.
"Insensitive" is the second single released from Canadian singer-songwriter Jann Arden's second studio album, Living Under June (1994). Written by Anne Loree and produced by Ed Cherney, the song became Arden's most successful single, reaching number one in Canada and Australia and number 12 in the United States.
"Cloud Number Nine" is a song by Canadian singer-songwriter Bryan Adams. It was released on May 3, 1999, as the third single from his eighth studio album, On a Day Like Today (1998). The single version is notable for being one of the few remixes Bryan Adams released with British musician Chicane. "Cloud Number Nine" reached number six on the UK Singles Chart, number seven in Canada, and number 13 in Austria.
"Can't Cry Anymore" is a song by American singer-songwriter Sheryl Crow from her debut album, Tuesday Night Music Club (1993), released through A&M Records. Released in May 1995, the song reached number 36 on the US Billboard Hot 100, becoming Crow's third top-40 hit. In Canada, the song reached number three to become Crow's third consecutive top-three hit, following the number-one singles "All I Wanna Do" and "Strong Enough". Elsewhere, the song had limited success, reaching number 33 in the United Kingdom and number 41 in Australia.
"Thought I'd Died and Gone to Heaven" is a song by Canadian singer and songwriter Bryan Adams from his sixth studio album, Waking up the Neighbours (1991). Penned by Robert Lange and Bryan Adams, the song became Adams' third chart-topper in his native Canada, reached No. 13 on the US Billboard Hot 100, and peaked at No. 8 in the United Kingdom.
"Roll to Me" is a song by Scottish pop rock band Del Amitri, released as the third single from their fourth studio album, Twisted (1995). The song became their biggest hit in the United States when it reached number 10 on the Billboard Hot 100 chart. It finished at number 55 on the Billboard Year-End Hot 100 singles chart of 1995. In the United Kingdom, it was a moderate hit, peaking at number 22 on the UK Singles Chart.
"Follow You Down" is a song by American rock band Gin Blossoms, and the first single released from their album Congratulations I'm Sorry. It was released as a double A-side single with "Til I Hear It from You" in the United States. The song received a fair amount of radio play and has been featured in several films, including How to Lose a Guy in 10 Days. It reached number nine on the US Billboard Hot 100 in a 46-week stay on the chart. It also became the band's second number-one single in Canada, after "Til I Hear It from You", and reached number 30 in the United Kingdom.
"On a Day Like Today" is a song by Canadian musician Bryan Adams, released on September 22, 1998, as the first single from his eight album, On a Day Like Today (1998). The song reached number one in Canada and number nine in Hungary. In the United Kingdom, it peaked at number thirteen on the UK Singles Chart.
"If I Ever Lose My Faith in You" is a song by English singer-songwriter Sting, released on 1 February 1993 by A&M Records as the lead single from his fourth studio album, Ten Summoner's Tales (1993). The song reached number 17 on the US Billboard Hot 100 and the top 40 in several European countries. In Canada, the song reached number one, spending three weeks atop the RPM 100 Hit Tracks chart and finishing 1993 as Canada's fourth-most-successful single.
"Do I Have to Say the Words?" is a song by Canadian singer and songwriter Bryan Adams from his sixth studio album, Waking Up the Neighbours (1991). It was written and produced by Adams and Robert John "Mutt" Lange, with Jim Vallance serving as its co-writer. It was released in July 1992 as the sixth single from the album. "Do I Have to Say the Words?" is a mid-tempo pop rock ballad with guitar riffs and soft synths in its instrumentation, while Adams gives a dramatic vocal delivery.
"The Hardest Thing" is the third single released from American boy band 98 Degrees's second studio album, 98 Degrees and Rising (1998). "The Hardest Thing" peaked at number five in the United States, number 10 in Canada, number 29 in the United Kingdom, and number 31 in Ireland. It also experienced moderate success in Oceania, peaking at number 24 in Australia and number five in New Zealand. The single was certified gold by the Recording Industry Association of America (RIAA) for sales of 500,000 units.
"As Long as It Matters" is a song by American power pop band Gin Blossoms. It was released in July 1996 via A&M Records as the third single from their third studio album, Congratulations I'm Sorry (1996). The song was written by Phillip Rhodes, Jesse Valenzuela, and Robin Wilson and produced by John Hampton and the band.
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