11 | ||||
---|---|---|---|---|
Studio album by | ||||
Released | March 17, 2008 | |||
Recorded | 2005–2007 | |||
Studio | The Warehouse Studio, Vancouver, Canada | |||
Genre | Soft rock | |||
Length | 47:12 | |||
Label | Polydor | |||
Producer |
| |||
Bryan Adams chronology | ||||
| ||||
Singles from 11 | ||||
|
11 is the eleventh studio album by Canadian singer-songwriter Bryan Adams. The album was released by Polydor Records on March 17, 2008. 11 was the first release of new Adams material since Colour Me Kubrick in 2005 and the first studio album in four years since Room Service . Adams, Jim Vallance, Eliot Kennedy, Gretchen Peters, Trevor Rabin and Robert John "Mutt" Lange received producing and writing credits. Similar to Adams' previous material, the themes in 11 are mainly based on love, romance, and relationships. 11 received generally mixed reviews from contemporary music critics.
Three songs were released from the album in various forms: "I Thought I'd Seen Everything", "Tonight We Have the Stars" and "She's Got a Way", of which all were released internationally. "I Thought I'd Seen Everything" was the only one to have any lasting effects on the music chart, reaching mostly the Top 50, Top 100 and Top 200 in Europe and Canada. Adams was nominated for a Juno Award in the category "Best Artist" in 2009 for this record.
The album peaked within the top ten in eleven territories worldwide, including Canada (with sales just below 10,000 units in its first week), the United Kingdom, Germany, Denmark and Switzerland. 11 charted within the top twenty in three other territories.
In an interview on Canada AM, Adams said the title 11 was picked because it was his 11th studio album, when soundtrack album Spirit: Stallion of the Cimarron is included. In addition, Adams mentioned there was no hidden meaning behind the title, [1] it was his eleventh studio release and contained eleven tracks, "there are no secondary meanings" as Adams later mentioned in an interview with the BBC. [2] The album's cover was taken during a photo shoot in a hotel in Switzerland, while Adams was doing a self-photo story for an Italian men's magazine. Adams ended up liking the photo so much that he ended up using it as the album's cover [3]
As with the previous album, Room Service , significant portions of the album were produced while on tour. [4] According to co-writer Jim Vallance modern technology and equipment made it a lot easier to record the album. [5] Adams recorded the album while on tour, making use of the time between playing on stage and readying himself for the next gig. Vallance and Adams recorded the album normally while sitting backstage or in a hotel room with small devices which they usually carried along on tours, but especially during their off days. [3] Adams, in an interview, mentioned that when recording a song, they needed to set up mattresses against the windows, and having microphones run through the toilet. [5]
11 was originally going to be an acoustic record, aiming for the "soft-hard approach" perfected by the British rock group, The Who. However, after a long tour, some of the acoustic songs started growing on him, which led to changes. Adams would record for a few hours, until he wheeled the whole recording kit back onstage. "It makes me a little more interested in going on tour," he said in retrospect. [6] Adams who was never fully committed to the idea of creating a full-fledged acoustic album, decided not to after seeing an acoustic band opening for him during one of his concerts. What he saw made him certain that he was not able to create such an album. [7]
When the writing season for 11 had ended, Adams and his companions had written 30 songs. After a selection process, 19 of these songs were removed, however some of them made it to the deluxe edition released later in 2008. The first single, "I Thought I'd Seen Everything" was written in 2007, and went through two or three changes before Adams made the finishing touches. Originally, it had another title, and a different melody, and as Adams later put it; "in the course of listening to the music and spending time with it, you do end up changing it. [3]
Adams hadn't worked together on an album with Vallance since the late-1980s. [5] They teamed up after, as Adams said, "throwing ideas back and forth" [3] from 2003 until the album was released. Vallance would send MP3 audio files by e-mail to Adams during the recording seasons. Adams would then add some elements to them and send them back. They continued doing this until a song was completed; Vallance claimed it took longer for them to write songs than during their previous collaborations, but felt the end product was just as good. [5]
The main themes in the album, in Adams words are; "searching for something". The lyrical meaning behind track number four, "Oxygen" is what a person needs to survive. In other words, "The person you are with is giving you the air you breathe", and that people in general "need each other 100%." [8] The album's first single, "I Thought I'd Seen Everything" is about keeping an open mind." [3] The theme of "Broken Wings" is about "somebody who taught me how to fly", a metaphor which for "putting your trust in somebody who can give you faith and the belief that you can succeed." "Something to Believe In" is based upon the affirmation of life and faith, while "Walk on By" warns the listener of distrustfulness. As with other albums, according to Adams, he likes to end the album with a melancholic song, such as "Something to Believe In" in 11, it's not the last track however. [8] "Flowers Gone Wild" touches on the same theme as two songs he wrote in the early 1980s, "Cover Girl" and "The Best Is Yet To Come", are based upon the murdered playboy bunny Dorothy Stratten. But also people with misplaced emotions and their unfulfilled needs, which are pushed forth by the media, which Adams says, leads people to lose their "sense of decency". Adams explained further; "It's a sort of new love affair with an old story, devouring our celebrities and leaving them when we are done." [3]
The finishing touches to the album were done in September 2007, but the European release of the album was delayed until March 2008. [7] The album was released independently in the United States exclusively through Wal-Mart and Sam's Club retail stores on May 13, 2008. The deal was brokered one month after the albums international release. [9] On October 5, 2008, a Deluxe Edition of 11 was announced on Adams website. The album featured new tracks and contained a DVD. The Deluxe Edition was released on November 10, 2008, in the UK, and November 11, in Canada. [10] The new CD featured the original 11 tracks, a new song "Saved" and the inclusion of two B-sides, "Way of the World" and "Miss America". The remix of "She's Got a Way" replaces the original version, but includes another remix done by Chicane. [11] The DVD features Adams, and his backing band, rehearsing the material from the album. It also contains behind the scenes footages. [10]
Review scores | |
---|---|
Source | Rating |
AllMusic | [12] |
BBC Music | favorable [13] |
Houston Press | favorable [14] |
Jam! | (average) [15] |
musicOMH | [16] |
People | [17] |
The Sunday Times | [18] |
The Vancouver Sun | favorable [19] |
Virgin Media | [20] |
11 overall received mixed, but mostly unflattering reviews from critics. Music reviewer Chris Jones from the BBC wrote generally positively about 11 in his review. He concluded that it was another strong album, even if Adams voice sounded dispassionate on some tracks. [13] The Canadian website Jam! gave the album an average review. Reviewer Darryl Stedan found the lyrics clichéd, predictable and, while not criticising it, described it as an album "that didn't really mean much." [15] Ryan Wasoba from the alternatively weekly magazine, Houston Press wrote favorably of the record in a backhanded way, commenting that 11's appeal laid in its "inoffensiveness" and "digestibility". [14] Amy O'Brian of The Vancouver Sun wrote favorably of the new album, while at the same time criticising it for its clichés, bad lyrics and for its too-familiar melodies, and concluded, "It's cheesy and overdone, but the truth is that it just might give Adams his first hit in a decade." [19]
Stephen Thomas Erlewine from AllMusic gave the record two out of five stars, saying that Adams' "fondness for obvious hooks" had "flattened into clichés". [12] Matt O'Leary from Virgin Media criticised the album for Adams's "over-familiar trademark" and very clichéd, made the over-familiar sound of 11 a little more "irksome". O'Leary gave the album two out of five stars. [20] The Sunday Times reviewer Steve Jelbert wrote, "Eleven studio albums into his career, the Canadian rocker returns with a set so devoid of surprises that it could easily have been created with a computer program." He continued by criticising the album for what he saw as mundane lyrical metaphors, attempts of copying U2 and rigid one-note basslines. He concluded however that the album was better than Lenny Kravitz latest effort, It Is Time for a Love Revolution . [18] Chuck Arnold and Christina Tapper of People gave the album two-and-a-half stars out of four and stated that the 11 songs "show that, at 48, Adams is still capable of capturing the essence of young, unbridled love. Sure, the guy can get sappy, but he's always sincere." [17]
11 was Adams' first studio album to be released in four years, since Room Service in 2004. In the album's first week of release it sold just below 10,000 units in Canada, [21] and debuted at number one on the Canadian Albums Chart and stayed on the chart for four weeks. This marked the first time since Waking Up the Neighbours in 1991, that Adams was able to top the Canadian record chart. [22] In the United States, it debuted at number 80 on the Billboard 200 on the charts issue date of May 31, 2008, and stayed on the chart for four weeks. [23] 11 was Adams' first studio album since 18 til I Die in the US to crack the top 100. [24] 11 stayed longer on the American and Canadian record than did Room Service. 11 peaked at three on the European Albums Chart and stayed on the chart for ten weeks, [25] the album and reached seven at the Independent Albums Chart and stayed there for five weeks. [23] At the 2009 Juno Awards Adams was nominated for "Artist of the Year" due to 11. [26]
Internationally, 11 was a commercial success. The album peaked at number one in two countries, India [5] and Switzerland. It also charted within the top ten in several countries, including the United Kingdom, [27] Switzerland, [28] India, [5] Germany, [29] Austria, Denmark, Portugal and The Netherlands. [28] France was the album's least successful charting territory, peaking within the top 200 at number 157. [28] Switzerland was the only country in Europe were 11 managed to top a record chart. After staying there for a full 13 weeks if fell off the chart from 81. [30] Because of sales of over 15,000 units, the album was certified gold in Switzerland [31] and Denmark. [32] The album has sold over half a million units worldwide. [33]
The first single, "I Thought I'd Seen Everything" was released as a download only single in the UK on March 17, 2008. Although it was officially released to US radio on March 1, 2008, it proved somewhat popular on Adult Contemporary radio stations where it peaked at No. 21. In Canada "I Thought I'd Seen Everything" was officially released to radio in March 2008. The song reached the top 50 on the Canadian Hot 100 where it peaked at No. 47. [23] "Tonight We Have the Stars", the second single, was released as a digital single on June 6, 2008. [34] The third and last single, "She's Got a Way" was released in September and did not chart anywhere in North America or Europe.
In support of 11, Adams started the "11 concerts, 11 cities" tour, having concerts in 11 different countries in just 11 days. The intimate shows at some spectacular venues will see Adams perform an acoustic set, on stage, with just his guitar and harmonica. The London show was on the March 11, 2008, at St. James Church in Piccadilly. The last stop of his 11 days concert tour was in Copenhagen, Denmark on March 17. [35] After the "11 concerts, 11 cities" tour, Adams continued to promote his album, this time on an acoustic tour touring with such musical acts as Foreigner and Rod Stewart. Later, in an interview, he was asked what song he felt sounded the best acoustically, Adams responded; [36]
"Well, they all work acoustically, because they were all written on an acoustic guitar. This album started out as an acoustic record and halfway through I sort of switched gears and decided to make sort of an acoustic rock record. When I play the songs live, it has actually sort of led me into a path of this next tour, which is my first American acoustic tour. I feel confident enough with these songs and with the songs in the past that the show is going to be quite interesting, sort of hearing these songs stripped down completely, just myself and a guitar."
What is interesting is this was to be the beginning of Adams's Bare Bones tour, which toured the world in between his usually band shows for several years.
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Tonight We Have the Stars" | Bryan Adams, Jim Vallance, Gretchen Peters | 4:05 |
2. | "I Thought I'd Seen Everything" | Adams, Eliot Kennedy, Robert John "Mutt" Lange | 5:07 |
3. | "I Ain't Losin' the Fight" | Adams, Kennedy, Lange | 3:56 |
4. | "Oxygen" | Adams, Kennedy, Lange | 3:35 |
5. | "We Found What We Were Looking For" | Adams, Lange, Trevor Rabin | 3:38 |
6. | "Broken Wings" | Adams, Kennedy | 3:37 |
7. | "Somethin' to Believe In" | Adams, Kennedy | 4:01 |
8. | "Mysterious Ways" | Adams, Peters | 4:28 |
9. | "She's Got a Way" | Adams, Kennedy | 4:41 |
10. | "Flower Grown Wild" | Adams, Vallance, Peters | 3:53 |
11. | "Walk on By" | Adams, Vallance | 2:53 |
No. | Title | Writer(s) | Length |
---|---|---|---|
12. | "The Way of the World" (originally a UK/Japan bonus track/B-side of lead single) | Adams, Vallance, Peters | 3:18 |
13. | "Saved" | Adams, Peters | 4:08 |
14. | "Miss America" (originally an iTunes bonus track/B-side of lead single) | Adams, Kennedy | 3:57 |
15. | "She's Got a Way" (Chicane remix) | Adams, Kennedy | 3:36 |
Source: [37]
There were 11 personnel members. [38]
There were 13 additional personnel members. [39]
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Denmark (IFPI Danmark) [67] | Gold | 15,000^ |
Switzerland (IFPI Switzerland) [68] | Gold | 15,000^ |
United Kingdom (BPI) [69] | Silver | 60,000^ |
^ Shipments figures based on certification alone. |
Bryan Guy Adams is a Canadian singer-songwriter, musician, record producer, and photographer. He is estimated to have sold between 75 million and more than 100 million records and singles worldwide, placing him on the list of best-selling music artists. Adams was the most played artist on Canadian radio in the 2010s and has had 25 top-15 singles in Canada and a dozen or more in the US, UK, and Australia.
Waking Up the Neighbours is the sixth studio album by Canadian singer-songwriter Bryan Adams, released on September 24, 1991. The album was recorded at Battery Studios in London and The Warehouse Studio in Vancouver, mixed at Mayfair Studios in London, and mastered by Bob Ludwig at Masterdisk in New York City.
18 til I Die is the seventh studio album by the Canadian singer-songwriter Bryan Adams. Released on June 4, 1996, by A&M Records, the album became a commercial success peaking at No. 1 in the United Kingdom and No. 2 in his home country Canada. It was recorded on different locations which included Jamaica and France. 18 til I Die featured the number one song "Have You Ever Really Loved a Woman?", which had been released as a single and on the soundtrack to the film Don Juan DeMarco over a year prior, and 4 other singles: "The Only Thing That Looks Good on Me Is You", "Let's Make a Night to Remember", "Star", and "18 til I Die"; the album track "I'll Always Be Right There" was also released to radio in the United States. Adams traveled throughout North America and Europe to promote the album after its June release, notably playing in front of over 70,000 people at Wembley Stadium in July 1996. The album performed lower than expectations in the US but it sold 5 million copies worldwide.
Into the Fire is the fifth studio album by the Canadian rock singer Bryan Adams. It was co-written by Jim Vallance. It was released on 30 March 1987 by A&M Records as the follow-up album to the chart-topping Reckless (1984). Into the Fire peaked at number seven on the US Billboard 200 chart and reached the Top 10 in several other nations. Six singles were released from the album: "Heat of the Night", "Hearts on Fire", "Victim of Love", "Only the Strong Survive", "Into the Fire" and "Another Day".
Cuts Like a Knife is the third studio album by Canadian singer-songwriter Bryan Adams. Released on 18 January 1983 by A&M Records, the album was a huge commercial success in the United States and Canada. Three singles were released worldwide from the album: "Straight from the Heart", the title track and "This Time"; the three were responsible for launching Adams into mainstream popularity.
So Far So Good is a compilation album by Canadian rock musician Bryan Adams, released by A&M Records in November 1993. The album reached number six on the Billboard 200 in 1994 and was a number one hit in the United Kingdom and many other countries.
The Best of Me is the third greatest hits album by Canadian singer Bryan Adams. It was released worldwide in 1999, and in the U.S. in 2001. It was his last release on A&M Records. Upon its initial release, a special edition 2-disc set was issued with live tracks. Another special edition 2-CD set was issued when the album was released in the U.S., dubbed 'Special Tour Edition', bearing three extra tracks. It is Adams' second compilation album, after So Far So Good; except for Japan, where Hits on Fire was released in 1988. The album contains songs from Reckless (1984) to On a Day Like Today (1998), omitting Into the Fire (1987). This album sees Adams reuniting with Robert John "Mutt" Lange – on the (new) title track – after being absent from 1998's On a Day Like Today.
"Summer of '69" is a song recorded by the Canadian singer Bryan Adams from his fourth album, Reckless. It is an up-tempo rock song about a dilemma between settling down or trying to become a rock star. The track was written by Adams and his longtime songwriting collaborator Jim Vallance. "Summer of '69" was produced by Adams and Bob Clearmountain. "Summer of '69" was released in June 1985 under A&M Records as the fourth single from Reckless. According to later claims by Adams, the title is a reference to the sex position, not the year, but Vallance disputes this.
Reckless is the fourth studio album by Canadian singer-songwriter Bryan Adams, released by A&M Records on November 5, 1984 to coincide with Adams' 25th birthday. Like its predecessor Cuts Like a Knife, the album was entirely produced by Adams and Bob Clearmountain.
"Have You Ever Really Loved a Woman?" is a song written by Canadian musician Bryan Adams, Michael Kamen and Robert John "Mutt" Lange, and recorded by Adams for the 1995 film Don Juan DeMarco, starring Marlon Brando, Johnny Depp and Faye Dunaway. The melody is used as a musical motif through the film, and the song is featured three times in the movie, twice performed by other artists in Spanish, and finally performed by Adams himself during the closing credits. The Adams version of the song, which features flamenco guitarist Paco de Lucia, is featured on the soundtrack album and also on the album 18 til I Die, which was released over a year later.
"Heaven" is a song by the Canadian singer and songwriter Bryan Adams recorded in 1983, written by Adams and Jim Vallance. It first appeared on the A Night in Heaven soundtrack album the same year and was later included on Adams' album Reckless in 1984. It was released as the third single from Reckless and reached number one on the U.S. Billboard Hot 100 in June 1985, over a year and a half after the song first appeared on record. The single was certified Gold in Canada in 1985.
Break Every Rule is the sixth solo studio album by Tina Turner. It was released on September 8, 1986, through Capitol Records. It was the follow-up to Turner's globally successful comeback album, Private Dancer, released two years earlier. The lead single "Typical Male" peaked at number two for three consecutive weeks in October 1986, while "Two People" and "What You Get Is What You See" reached the top 20. "Back Where You Started" earned Turner her third consecutive Grammy Award for Best Rock Vocal Performance, Female in 1987. It was Turner's first solo album of original songs.
Twenty Four Seven is the tenth and final solo studio album by singer Tina Turner. First released by Parlophone in Europe in October 1999, it received a North American release through Virgin Records in February 2000. As with her previous album Wildest Dreams (1996), Turner worked with a small team of British producers on the album, including Mark Taylor, Brian Rawling, Johnny Douglas, Terry Britten and production team Absolute. Singer Bryan Adams appears on both the title track and "Without You".
Unplugged is an acoustic live album by Canadian musician Bryan Adams. The album was recorded completely on September 26, 1997, at the Hammerstein Ballroom in New York City. Recorded by David Hewitt and Bob Clearmountain on the Remote Recording Silver Truck. Adams was joined by Irish piper Davy Spillane and Michael Kamen who wrote orchestrations for many of the songs and brought students from the Juilliard School to play them. Three new songs were included; "Back To You", "When You Love Someone", and "A Little Love". The song "If Ya Wanna Be Bad - Ya Gotta Be Good" makes its debut on an album, originally appearing on the B-side of "Let's Make a Night to Remember" - to which it is paired on the Unplugged album. Absent from both the CD and DVD is "Hey Elvis", which is available on the single of "Back To You". A second single was released in early 1998, an acoustic reworking of the hard rock song, "I'm Ready".
Canadian singer Bryan Adams has released 18 studio releases, six compilation albums, two soundtrack albums, seven live albums, and 77 singles. After the success of his debut single, "Let Me Take You Dancing" (1979), Adams signed a recording contract with A&M Records. Bryan Adams (1980), his debut album, peaked at number 69 on the Canadian RPM Albums Chart. Adams followed this with You Want It You Got It (1981), which peaked at number 118 on the Billboard 200 and was certified gold in Canada. Cuts Like a Knife, his third release, became his first successful work outside Canada. The album charted within the top 10 in Canada and the United States and was certified three-times platinum by the Canadian Recording Industry Association (CRIA) and platinum by the Recording Industry Association of America (RIAA). Reckless (1984), his fourth studio album, selling over 12 million copies worldwide and featured the hit singles "Run to You", "Heaven" and "Summer of '69". In 1987, he released Into the Fire, which reached platinum status in the United States and triple-platinum in Canada.
One Night of Sin is the twelfth studio album by English singer Joe Cocker, released by Capitol Records in June 1989. It contains the hit single "When the Night Comes", which was Cocker's last US Top 40 hit and played at the end credits of Tom Selleck's crime drama An Innocent Man of that same year. The song is also notable because it was written by Bryan Adams and Jim Vallance. In addition, the former plays rhythm guitar on the song. Other notable songs on the album include a cover of "One Night", a #1 hit by Elvis Presley from 1958, and "I'm Your Man" by Leonard Cohen. The album also features "Another Mind Gone", which was the first album track in thirteen years co-written by Cocker— in the interim, he had also received songwriting credits for the songs “We Stand Alone” and “Now That You’re Gone”. “Another Mind Gone” was dedicated to B. J. Wilson, Cocker's former bandmate and a friend.
"Run to You" is a song by Canadian singer-songwriter Bryan Adams. It was released in 1984 as the lead single from his fourth album, Reckless (1984). The track deals with the subject of infidelity, and is sung from the perspective of a man who declares that he will continue to "run to" his seductive mistress over his faithful partner; critic Ira Robbins for CMJ called it a "cheating classic". In the accompanying music video, however, Adams portrays his guitar as the object of desire.
Tracks of My Years is the twelfth studio album by Canadian singer-songwriter Bryan Adams, released on September 30, 2014 by Polydor Records. The track list features 10 covers, including "Lay Lady Lay", "I Can't Stop Loving You" and "Any Time at All". The album also includes "She Knows Me", an original song written by Adams and Jim Vallance, which was released as the album's only single.
Get Up is the thirteenth studio album by Canadian singer-songwriter Bryan Adams, released physically in Australia and New Zealand on October 2 and worldwide on October 16, 2015, by Universal Music. Produced by ELO frontman Jeff Lynne and co-written with his long-time collaborator Jim Vallance, the album features nine new songs and four acoustic versions. The first single released was "You Belong to Me" featuring a music video. It was shot and directed by Adams using his black and white photography style, with only his guitar and "a muse" to assist him.
So Happy It Hurts is the fifteenth studio album by Canadian singer-songwriter Bryan Adams, released on 11 March 2022 through BMG.
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link)